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Books on the topic 'Musical Genres'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Claude, Abromont, ed. Guide des genres de la musique occidentale. Fayard-Lemoine, 2010.

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2

Hopkins, Jerry. How to make your own Hawaiian musical instruments. Bess Press, 1988.

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3

1978-, Gibson Kirsten, ed. Masculinity and western musical practice. Ashgate, 2008.

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4

Wedel, Michael. Der deutsche Musikfilm: Archäologie eines Genres 1914-1945. Edition Text + Kritik, 2007.

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5

1956-, Pekacz Jolanta T., ed. Musical biography: Towards new paradigms. Ashgate Pub., 2006.

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6

Ouzounian, Richard. Larry's party: A musical based on the novel by Carol Shields. McArthur & Co., 2000.

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7

1927-, Gordon Peter, ed. Musical visitors to Britain. Routledge, 2005.

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8

Picconi, María Lina. El folclore nuestro de cada día: Tradición musical argentina. Comunicarte, 2005.

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9

Denizeau, Gérard. Comprendre et identifier les genres musicaux: [vers une nouvelle histoire de la musique]. Larousse, 1997.

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10

Amram, David. Upbeat: Nine lives of a musical cat. Paradigm Publishers, 2008.

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11

Cherbo, Joni Maya. American participation in opera and musical theater, 1992. Seven Locks Press, 1995.

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12

Gänzl, Kurt. The musical: A concise history. Northeastern University Press, 1997.

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13

Peter, Fryer. Rhythms of resistance: African musical heritage in Brazil. Pluto, 2000.

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14

Majano, Cathryn. Intersting Collection of the Musical : Music Genres and Definitions: Musical Styles and Genres. Independently Published, 2021.

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15

The Open The Open Courses Library. Introduction to Western Musical Periods and Genres. Independently Published, 2019.

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16

Russian folk songs: Musical genres and history. Scarecrow Press, 2002.

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17

Prokhorov, Vadim. Russian Folk Songs: Musical Genres and History. Scarecrow Press, Incorporated, 2002.

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18

Prokhorov, Vadim. Russian Folk Songs: Musical Genres and History. Scarecrow Press, Incorporated, 2002.

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19

Edwards, Honesty Rhi'Naye. Rhythms & Rhymes: A Journey Through Musical Genres. Edwards Publishing, Terrance, 2023.

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20

Gelbart, Matthew. Musical Genre and Romantic Ideology. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190646929.001.0001.

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Abstract European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, “music” would be meaningless noise. This book teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre’s persistent power was amplified by music’s inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all

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21

Musical Waves. Cambridge Scholars Publishing, 2020.

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22

Schaeffner, André, Rachelle Taylor, Ariadne Lih, and Emelyn Lih. Origin of Musical Instruments. Taylor & Francis Group, 2021.

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23

Nielsen, Nanette. Paul Bekker's Musical Ethics. Taylor & Francis Group, 2019.

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24

Paul Bekker's Musical Ethics. Taylor & Francis Group, 2017.

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25

Paul Bekker's Musical Ethics. Taylor & Francis Group, 2017.

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26

Paul Bekker's Musical Ethics. Taylor & Francis Group, 2017.

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27

Marshall, Robert. Eighteenth-Century Keyboard Music: Routledge Studies in Musical Genres. Taylor & Francis Group, 2003.

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28

Operetta: A Theatrical History (Routledge Studies in Musical Genres). Routledge, 2003.

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29

Hefling, Stephen E. Nineteen-Century Chamber Music: Routledge Studies in Musical Genres. Taylor & Francis Group, 2003.

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30

Gasser, Nolan. Why You Like It: The Science and Culture of Musical Taste. Macmillan Audio, 2019.

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31

Why You Like It: The Science and Culture of Musical Taste. Flatiron Books, 2019.

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32

Gasser, Nolan. Why You Like It: The Science and Culture of Musical Taste. Flatiron Books, 2019.

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33

Hollmann, Mark, and Greg Kotis. Urinetown: The Musical. Faber & Faber, 2003.

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34

Figueroa, Rafael. Salsa and Related Genres. Greenwood, 1992. http://dx.doi.org/10.5040/9798216010654.

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The Latin sound called salsa, or, more correctly, Afro-Hispanic music of the Antilles, is a vital force on the international contemporary music scene. Having followed the same path as did other popular music genres, such as jazz, from ethnic origins to urban underground and on to worldwide acceptance, salsa has recently also become a subject of academic study. Here Figueroa presents materials about salsa and related musical genres that are accessible in the non-Latin world, with an emphasis on English-language sources. Attempting to serve the varied interests of the musicologist and the anthro

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35

The Nineteenth-Century Symphony (Studies in Musical Genres and Repertories). Schirmer Books, 1996.

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36

McMillin, Scott. Musical As Drama. Princeton University Press, 2014.

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37

McMillin, Scott. Musical As Drama. Princeton University Press, 2014.

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38

Charlot, Martin, and Jerry Hopkins. How to Make Your Own Hawaiian Musical Instruments. Bess Pr Inc, 1997.

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39

VanCour, Shawn. Making Radio Genres. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190497118.003.0003.

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This chapter addresses processes of genre formation, exploring the role that concepts of radiogénie played in developing new programming forms and a larger sound-mindedness in period producers and audiences. Beginning with a survey of early radio genres and debates surrounding their sonic appropriateness, the chapter then pursues a more detailed case study of the period’s dominant genre, musical variety. Responding to pressures for programming with unity and distinction while ensuring varied content with broad appeal, producers pursued three key strategies for this genre: (1) inclusion of a pr

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40

Confronting the National in the Musical Past. Taylor & Francis Group, 2018.

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41

Confronting the National in the Musical Past. Taylor & Francis Group, 2018.

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42

Confronting the National in the Musical Past. Taylor & Francis Group, 2018.

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43

Tolansky, Jon. Reflections '97: A Special Issue of the Journal Musical Performance. Taylor & Francis Group, 2021.

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44

Reflections '97: A Special Issue of the Journal Musical Performance. Taylor & Francis Group, 2021.

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45

Casey, Brian. Funeral Music: Perspective, Genres & Styles, Semiotics & Musical Lexicography, Exposition of Transcriptions. CreateSpace Independent Publishing Platform, 2016.

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46

Gender, Age and Musical Creativity. Taylor & Francis Group, 2016.

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47

Gender Age and Musical Creativity. Taylor & Francis Group, 2015.

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48

Colton, Lisa, and Catherine Haworth. Gender Age and Musical Creativity. Taylor & Francis Group, 2020.

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49

Gender, Age and Musical Creativity. Taylor & Francis Group, 2016.

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50

Reflections: Performers/Audiences/Recordings (Musical Performance). Routledge, 1996.

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