Relevant bibliographies by topics / Musical Genres / Dissertations / Theses
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Dissertations / Theses on the topic 'Musical Genres'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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1

Brene, Sofia, and Carl Thome. "How Musical Instrumentation Affects Perceptual Identification of Musical Genres." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-157339.

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A listening experiment was conducted to investigate which musical instruments are the most important for defining certain musical genres. 66 participants genre classified a series of audio samples, with the same songs recurring both with full instrumentation and partial instrumentation. The report used the collected genre classifications to clarify therelationship between certain musical genres and song instrumentation. A numericalanalysis of the classifications, in the context of genre traditions and conventions, show that certain traditions hold true, while others do not. The most and least
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2

Arican, Tunca. "Metropolis, Techno-culture, Digitilized Musical Genres And Clubbing In Turkey." Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/1044585/index.pdf.

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This thesis will analyze the social life in metropolises in terms of technological changes and social transformations with their effects on everyday practices especially musical genres. This thesis also aims to understand the relationships between techno-culture, contemporary musical genres and clubbing as a subculture that reflects the aspects of techno-culture with its life style especially musical tendencies. The thesis will also make some illustrations of the features and life style of clubbers in Turkey. So, this study is composed of both theoretical and empirical structures. In order to
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3

Agbo-Quaye, Sena. "Teenage sexual attitudes, norms, desires and intentions : the impact of preferred musical genres." Thesis, Brunel University, 2006. http://bura.brunel.ac.uk/handle/2438/6300.

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This thesis focuses on teenage sexual attitudes and norms as moderated by their preferred music genre. The research questions addressed here are: What are the genre differences in lyrical representations of relationships and male and female characteristics? What are young peoples' perceptions of the impact of these genre differences on their lives? How does genre preference influence teenage safer sex attitudes, desires, norms, control, group identity and intentions? Three studies investigated these research questions. Firstly, the lyrics to 50 songs across five genres were rated on a number o
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4

Anderson, Ron James. "The Arts of Persuasion: Musical Rhetoric in the Keyboard Genres of Dieterich Buxtehude." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/242454.

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Dietrich Buxtehude (ca. 1637-1707) was a North German composer of the mid-Baroque period. He lived in a time and place in which classical rhetoric, the study of oratory, influenced education, religion, and music. Applying the definition of rhetoric as the art of persuasion, this study surveys the different persuasive strategies employed by Buxtehude in his various keyboard genres. The elements considered in this inquiry include the affects of keys and modes, rhetorical figures, and structures of speeches as applied to music. The style and setting (ethos), intellectual content (logos), and emot
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Constantino, Paulo Roberto Prado [UNESP]. "Apreciação de gêneros musicais: práticas e percursos para a Educação Básica." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/150092.

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Submitted by PAULO ROBERTO PRADO CONSTANTINO null (pconst@bol.com.br) on 2017-04-06T12:37:51Z No. of bitstreams: 1 Apreciacao de generos musicais.pdf: 2131729 bytes, checksum: f1c1f2b14f5f18a71b821ebf9a90bdb9 (MD5)<br>Approved for entry into archive by LUIZA DE MENEZES ROMANETTO (luizamenezes@reitoria.unesp.br) on 2017-04-10T15:02:00Z (GMT) No. of bitstreams: 1 constantino_prp_dr_mar.pdf: 2131729 bytes, checksum: f1c1f2b14f5f18a71b821ebf9a90bdb9 (MD5)<br>Made available in DSpace on 2017-04-10T15:02:00Z (GMT). No. of bitstreams: 1 constantino_prp_dr_mar.pdf: 2131729 bytes, checksum: f1c1f2b
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Corrêa, Débora Cristina. "Inteligência artificial aplicada à análise de gêneros musicais." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/76/76132/tde-05032013-090334/.

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O crescimento constante dos dados musicais na Internet tem encorajado diversos pesquisadores a desenvolver ferramentas adequadas para a análise e a classificação destes dados. O objetivo principal de tais ferramentas é extrair a informação de forma compacta e representativa ao conteúdo dos bancos de dados. Dentro deste contexto, os gêneros musicais apresentam descrições importantes para o desenvolvimento destas ferramentas. Além dos mesmos serem usados frequentemente para organizar coleções musicais e refletirem a interação ente culturas, resumem características (padrões) comuns entre as peças
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7

ALMEIDA, Laís Barros Falcão de. "A MPB em mudança: cartografando a controvérsia da nova MPB." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/17438.

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Submitted by Irene Nascimento (irene.kessia@ufpe.br) on 2016-07-15T18:14:25Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) A MPB EM MUDANÇA cartografando a controvérsia da nova MPB.pdf: 1737109 bytes, checksum: 28b87cc738f0ac178a5272573ee6cc69 (MD5)<br>Made available in DSpace on 2016-07-15T18:14:25Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) A MPB EM MUDANÇA cartografando a controvérsia da nova MPB.pdf: 1737109 bytes, checksum: 28b87cc738f0ac178a5272573ee6cc69 (MD5) Previous iss
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Vieira, Gilmar Gomes. "Entre ais e suspiros: um estudo discursivo acerca dos enunciadores na canção romântica brasileira." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-27052013-093509/.

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Esse trabalho dedica-se ao estudo dos enunciadores românticos na canção romântica brasileira, com corpus principal de análise formado por composições musicais adaptadas da língua espanhola à língua portuguesa do Brasil, nas últimas três décadas. A pesquisa principiou-se a partir de um cotejamento entre as produções nacionais e as de língua espanhola, quando apontamos para distintos comportamentos dos seres criados nas letras, no que Maingueneau denomina cenografia enunciativa. No entanto, o olhar inicial estritamente comparativo cedeu lugar ao estudo histórico-cultural da canção romântica bras
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Cáceres, Gallegos José Armando. "La articulación de códigos visuales de distintos géneros musicales en los carteles publicitarios de bandas Indie peruanas entre el 2015 y el 2020." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656998.

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La presente investigación analiza la articulación de los códigos visuales de distintos géneros musicales en los carteles publicitarios de bandas Indie peruanas entre el 2015 y el 2020. Se plantea que los códigos visuales de distintos géneros musicales poseen diversos elementos identitarios, patrones, formas, colores, etc., que son articulados de manera particular en los carteles publicitarios de bandas Indies peruanas, como necesidad de búsqueda de identidad y elemento diferencial en la industria musical. La investigación está desarrollada de manera cualitativa, presentando el análisis de
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Carneiro, Albuquerque Liliana. "Mockumentaries and the music industry : between flattery and criticism." Doctoral thesis, Universitat Pompeu Fabra, 2013. http://hdl.handle.net/10803/125712.

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This thesis discusses the relationship between mockumentaries and the music industry. Because this subject has yet to be studied in depth, the original contribution to knowledge is to further examine this relationship. To do so, a literature review documenting what has thus far been written about mockumentaries is provided. This audiovisual strategy is also contextualized within contemporary practices. In the next section, the music industry is discussed in broad terms. Firstly, the relationship between cinema and music is addressed. Then, music is depicted as a cultural phenomenon, with r
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Scorpioni, Cristian <1992&gt. "La classificazione della musica in generi tra fenomeno sociale e mercato musicale." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16814.

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Il sistema di classificazione in generi musicali è il modello tassonomico ampiamente più condiviso nell’ambito della popular music. Numerosi studi accademici hanno discusso su questa tematica secondo approcci e prospettive differenti, mirando a darne una rappresentazione quanto più adeguata possibile. Considerando le teorie più importanti in materia, vengono alla luce punti di criticità e limiti di un sistema di classificazione che mai come prima d'ora risulta essere ambiguo: le importanti innovazioni tecnologiche, che hanno caratterizzato l'ultimo decennio, hanno apportato profondi cambiament
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Alberto, Rita Sofia Grácio. "Gender distorting genre distorting gender : exploring women's rock musicking practices in contemporary Portugal." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/33397.

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This work explores the everyday uses of rock music by women rock musicians, fans and DJs (amateurs), in a specific place (Portugal) and time (1990s-2014). Drawing on the work in the two main fields of music sociology and gender studies and its performative perspective to both gender and music (but also taking contributions from techno-feminist studies, science and technology studies, sociology of work, leisure and sports), this research takes a ‘music-in-action’ approach. This approach understands music as a social activity, as a network of connections between people, materials, discourses and
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Benard, Charlène. "Le « metal à chanteuse », un genre musical ? Une enquête sur la construction médiaculturelle d’un genre musical par le gender. Le cas du metal symphonique en France." Electronic Thesis or Diss., Paris 3, 2023. https://bsnum.sorbonne-nouvelle.fr/files/original/1338/6773/These_en_cours_de_traitement.pdf.

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Le metal symphonique est un sous-genre de musique metal qui a la particularité de compter une majorité de groupes où le chant est tenu par une femme : 80% en moyenne, se présentant à la fois comme une spécificité dans une culture musicale majoritairement masculine, autant qu’une régularité dans les musiques populaires où la proportion de chanteuses parmi les musiciennes en représente la grande majorité. Cette thèse a donc pour objectif de mesurer le rôle des femmes d’une part et de vocaliste d’autre part dans la définition d’un genre musical, au prisme d’une approche culturelle des musiques me
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Elmquist, Hanna. "INTERPRETATION INOM SÅNG- PEDAGOGIK I DEN AFROAMERIKANSKA GENREN." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2053.

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Abstract svenska Studiens syfte var att undersöka hur sångundervisning idag tar sig an interpretation, med inriktning på musikergymnasium. Idag känner många sångelever till begreppet och har varit i kontakt med det i sin undervisning, men då jag själv utbildades var så inte fallet. Denna studie undersöker därför om och hur utveckling skett på området. Interpretation är även ett bekant begrepp för den som ägnar sig åt exempelvis musikal, eller opera, men det är inte lika vanligt att man talar om begreppet inom jazzvärlden, således har jag valt att inrikta mig på att undersöka de afro- amerikans
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Luckow, Fabiane Behling. "Chanteuses e cabarés : a performance musical como mediadora dos discursos de gênero na Porto Alegre do início do século XX." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/31987.

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Neste estudo, busco compreender como as performances musicais das cantoras/chanteuses dos clubes noturnos de Porto Alegre nas primeiras décadas do século XX podem mediar as relações de gênero dentro e fora destes espaços de sociabilidade moderna. O termo chanteuse é largamente difundido na imprensa e nas crônicas brasileiras de início de século, posto que uma parcela considerável de artistas-cantoras eram enviadas da Europa para o mercado sul-americano e o termo francês conferia-lhes status sobretudo em relação às cantoras nacionais que também disputavam espaço neste cenário artístico-musical.
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McLaughlin, Adria Ryan. "Navigating Gender Inequality in Musical Subgenres." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2600.

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This study looks at female musicians performing in subcultural rock genres commonly considered non-gender-conforming, such as punk rock, heavy metal, noise, and experimental. Twenty-four interviews were conducted with female musicians who reflected on their experiences as musicians. Themes emerged on women’s patterns of entry into music, barriers they negotiated while playing, and forces that may push them out of the music scene. Once women gained a musician identity, their gender functioned as a master status. They negotiated sexism when people questioned their abilities, assumed men played b
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Johannes, Shaun. "Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/14739.

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Includes bibliographical references (p. 92-98).<br>As a bassist from Cape Town, I feel the necessity to investigate, analyze and document the bassists of years gone by who have been major contributors towards the advancement and conceptualization of the Cape Town and, more largely, South African bass-playing fraternity. Unfortunately several bassists have passed away prior to the commencement of this thesis. Two of these bassists are Sammy Maritz and Johnny Gertze who both performed with Abdullah Ibrahim (previously known as Dollar Brand). Therefore the motivation for this thesis is to capture
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Franco, César Henrique Rocha. "EmotiOn Track = representação do amor na trilha musical do cinema." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284419.

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Orientador: Claudiney Rodrigues Carrasco<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-18T11:31:42Z (GMT). No. of bitstreams: 1 Franco_CesarHenriqueRocha_D.pdf: 3052982 bytes, checksum: a83a06b9ef0319988ca875e92deb1155 (MD5) Previous issue date: 2011<br>Resumo: Inicialmente, este trabalho procura delinear algumas definições preliminares como convenção, gênero, gênero fílmico, melodrama e o melodrama romântico, enquanto filme, partindo dos pressupostos gerais sobre as convenções musicais dos gêneros fílmicos, estabelecidos p
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Hamzaoui, Ikbal. "Le son jarocho, un genre musical métis de Veracruz." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040190.

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Ce travail porte sur le son jarocho, un genre musical métis de Veracruz au Mexique et ses éventuelles similitudes avec un genre musical de Tunisie, le stambeli. L’idée en est venue à la suite de situations d’écoutes spontanées du son jarocho présentant un air de ressemblance avec le stambeli. Ces écoutes se sont reproduites à plusieurs reprises et dans différents lieux et contextes avec des amis ou des étudiants en Tunisie. J’ai effectué cinq séjours de terrain, entre 2010 et 2013, dans l’État de Veracruz, entre les villes de Veracruz, Jalapa et la région des Tuxtlas au sud de l’État de Veracr
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Wellborn, Brecken. "Musicals and the Margins: African-Americans, Women, and Queerness in the 21st Century American Musical." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404583/.

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This thesis provides an overview of the various ways in which select marginalized identities are represented within the twenty-first century American musical film. The first intention of this thesis is to identify, define, and organize the different subgenres that appear within the twenty-first century iterations of the musical film. The second, and principal, intention of this thesis is to explore contemporary representations of African-Americans, women, and queerness throughout the defined subgenres. Within this thesis, key films are analyzed from within each subgenre to understand these tex
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Wellborn, Brecken. "Musicals and the Margins: African-Americans, Women, and Queerness in the Twenty-First Century American Musical." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc1404583/.

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This thesis provides an overview of the various ways in which select marginalized identities are represented within the twenty-first century American musical film. The first intention of this thesis is to identify, define, and organize the different subgenres that appear within the twenty-first century iterations of the musical film. The second, and principal, intention of this thesis is to explore contemporary representations of African-Americans, women, and queerness throughout the defined subgenres. Within this thesis, key films are analyzed from within each subgenre to understand these tex
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Garnett, Elizabeth Ann. "Constructions of gender and musical style, 1790-1830." Thesis, University of Southampton, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296997.

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Charles, Brigitte. "Gender and musical composition in the primary school." Thesis, University College London (University of London), 2003. http://discovery.ucl.ac.uk/10020420/.

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Vasconcelos, Pinto Mercia de. "The Brazilian Pastoril : a history of a popular musical genre." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364207.

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Cadalanu, Marie. "Le film musical français dans les années trenteconstitution d’un genre ?" Caen, 2016. http://www.theses.fr/2016CAEN1037.

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Si la majorité des études consacrées au film musical comme genre se concentrent sur le paradigme hollywoodien, il existe d’autres traditions de cinéma musical souvent passées sous silence du fait de leur irréductibilité à ce modèle. Le cinéma français des années trente développe ainsi, pour des raisons à la fois historiques, culturelles et techniques, toute une production de films musicaux et chantants qui ne répondent pas aux codes du musical hollywoodien et qui sont caractérisés par une inventivité et un foisonnement remarquables. La présente étude se propose de rendre justice à la spécifici
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du, Perron Lara. "The lyrics of Thumri : Hindi poetry in a musical genre." Thesis, SOAS, University of London, 2000. http://eprints.soas.ac.uk/29472/.

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Thumri is a vocal genre in North Indian (Hindustani) art music. It was traditionally used in songstress-courtesan performance, in the early nineteenth century as an accompaniment to interpretive dance, and later as a lyrical and emotive song form. Thumri is now one of the most popular genres in contemporary art music. The lyrics of thumri have not been the subject of extensive academic enquiry. This dissertation examines thumri texts from two perspectives: linguistic and contextual. It is primarily based on song texts collected during field work in North India in 1996-97, as well as on materia
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Bera, Camille. "Le Black Métal : un genre musical entre transgression et transcendance." Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR087.

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Né à la fin des années 1980 en Scandinavie, le Black Metal est un genre musical underground, descendant du Heavy Metal. Nous avons tenté, dans cette thèse, de reconstituer tout d’abord sa genèse, avant de montrer comment il a construit son esthétique, au travers des concepts de la transgression et de la transcendance. Grâce à une analyse fondamentalement pluridisciplinaire, nous avons observé un grand nombre de paramètres caractéristiques du genre en convoquant un panel conséquent de groupes, majoritairement européens. Il est ici question des aspects musicaux, détaillés grâce à des analyses du
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Widdicombe, Daniel. "Come together: Creating a cross-genre musical community of practice." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/211470/1/Daniel_Widdicombe_Thesis.pdf.

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This practice-led research sought ways of developing and sustaining a cross-genre musical collaboration with the aim of recording and releasing an album of new music. The practice component was a collaboration between a folk singer/songwriter, and a jazz trio. Informed by Wenger’s Communities of Practice theory, this research revealed learning outcomes throughout three phases of practice: Engaging, Imagining and Aligning. The central learnings include the importance of community maintenance, building trust within the community, and then using this sense of trust to be able to take the practice
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Harrison, Anna C. "Gender-knowledge and gender-typed preferences for musical instruments in middle childhood." Thesis, Keele University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325825.

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Papadimitriou, Lydia. "The Greek film musical (1955-75) : film genre and cultural identity." Thesis, University of Kent, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361386.

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Serni, Nicole Mioni [UNESP]. "Canções cinematográficas: análise dialógica do filme musical Les Misérables." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154573.

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Submitted by Nicole Mioni Serni (nicole_brass2@yahoo.com.br) on 2018-07-23T07:09:46Z No. of bitstreams: 1 TESE NICOLE MIONI SERNI REPOSITORIO.pdf: 9324793 bytes, checksum: 7fefedf31a53de7b42feb2917f036903 (MD5)<br>Rejected by Aline Aparecida Matias null (alinematias@fclar.unesp.br), reason: Solicitamos que realize correções na submissão seguindo as orientações abaixo: 1) Ficha catalográfica: o nome deve aparecer completo, Nicole Mioni Serni, em que todos os lugares que forem necessários. 2) Folha de Aprovação: item obrigatório que deve aparecer depois da ficha catalográfica. Consultar mo
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McKay, Cory. "Automatic genre classification of MIDI recordings." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81503.

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A software system that automatically classifies MIDI files into hierarchically organized taxonomies of musical genres is presented. This extensible software includes an easy to use and flexible GUI. An extensive library of high-level musical features is compiled, including many original features. A novel hybrid classification system is used that makes use of hierarchical, flat and round robin classification. Both k-nearest neighbour and neural network-based classifiers are used, and feature selection and weighting are performed using genetic algorithms. A thorough review of previous res
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Van, Dine Kara Lynn. "Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28488/.

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Through his exceptional creative and performing abilities, Franz Liszt was able to transform compositions of many kinds into unified, intelligible, and pleasing arrangements for piano. Nineteenth-century definitions of "arrangement" and "Klavierauszug," which focus on the process of reworking a composition for a different medium, do not adequately describe Liszt's work in this area. His piano transcriptions of Schubert's songs, Berlioz's Symphonie fantastique and the symphonies of Beethoven are not note-for-note transcriptions; rather, they reinterpret the originals in recasting them as compos
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Lee, Wonseok. "Diversity of K-Pop: A Focus on Race, Language, and Musical Genre." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1526067307402648.

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Meredith, Sharon. "Tuk in Barbados : the history, development and recontextualisation of a musical genre." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/91318/.

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This thesis is the first major investigation of tuk and documents an important part of Barbados' heritage. It also opens up opportunities for further research to be undertaken in Barbadian music and in related fields elsewhere in the Caribbean region. This thesis explores the history, development and recontextualisation of Barbadian tuk music. The history of Barbados is examined before considering Barbadian culture and how a Barbadian national identity was increasingly sought during the twentieth century, particularly after Independence. Music during the period of slavery, African music and Br
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Sears, Ellin. "Subversive movement: Destabilising genre expectations and audience responses using musical theatre dance." Thesis, Sears, Ellin (2019) Subversive movement: Destabilising genre expectations and audience responses using musical theatre dance. PhD thesis, Murdoch University, 2019. https://researchrepository.murdoch.edu.au/id/eprint/55300/.

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Musical theatre dance, also known as show dance, is a widely accepted convention of the musical theatre genre. Despite its central role in musical theatre, historically show dance has been marginalised in critical theory and analysis. The development of the integrated musical in the mid-twentieth century has aided in changing critical dialogues surrounding show dance. However, the theoretical frameworks that have developed out of the integrated tradition are imprecise and ill-equipped to deal with all permutations of the modern musical and the ways in which dance functions within them. Scott M
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Cox, Bethany G. "The Effects of Musical Instrument Gender on Spoken Word Recognition." Cleveland State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=csu1624382611571213.

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Harrison, Scott D., and n/a. "Musical Participation By Boys: The Role of Gender in the Choice of Musical Activities By Males in Australian Schools." Griffith University. Queensland Conservatorium, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040528.142148.

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This thesis seeks to examine the relationship between gender and musical participation by boys. The problem of males' non-participation in certain musical activities has been the subject of research for many years. This thesis considers some of the issues in relation to this phenomenon. The notion of gender is discussed. Historical and contemporary perspectives in stereotyping are investigated to determine the extent of the problem, with a view to enhancing the experience of boys in musical endeavours. There are no studies of this nature in existence in Australia and the existing research from
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Harrison, Scott D. "Musical Participation By Boys: The Role of Gender in the Choice of Musical Activities By Males in Australian Schools." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/367542.

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This thesis seeks to examine the relationship between gender and musical participation by boys. The problem of males' non-participation in certain musical activities has been the subject of research for many years. This thesis considers some of the issues in relation to this phenomenon. The notion of gender is discussed. Historical and contemporary perspectives in stereotyping are investigated to determine the extent of the problem, with a view to enhancing the experience of boys in musical endeavours. There are no studies of this nature in existence in Australia and the existing research from
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Moraly, Stéphanie. "La sonate française pour violon et piano (1868-1943). Identité d’un genre musical." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040020.

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La période de la IIIe République en France voit éclore un nombre considérable de sonates pour violon et piano, dont nous connaissons bien les chefs-d'œuvre – sonates de Franck, Fauré, Debussy ou Ravel. Prenant appui sur un catalogue inédit de quatre cent vingt-et-une sonates de deux cent quatre-vingt-onze compositeurs différents (français ou belges), la présente thèse vise à l’étude et à la définition de ce genre musical.La première partie interroge le contexte historique et socioculturel qui permit à la sonate française de connaître un tel apogée, à la fin d’un XIXe siècle qui ne laissait a p
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Fiebrink, Rebecca. "An exploration of feature selection as a tool for optimizing musical genre classification /." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99372.

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The computer classification of musical audio can form the basis for systems that allow new ways of interacting with digital music collections. Existing music classification systems suffer, however, from inaccuracy as well as poor scalability. Feature selection is a machine-learning tool that can potentially improve both accuracy and scalability of classification. Unfortunately, there is no consensus on which feature selection algorithms are most appropriate or on how to evaluate the effectiveness of feature selection. Based on relevant literature in music information retrieval (MIR) and machin
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Self, Courtney Laine. "Re-Envisioning A Genre: Creating New Musical Theatre Methodologies With Crazy For You." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/theses/620.

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This document will account the process, from research and analysis through post-production reflection, of directing and choreographing Crazy For You in the mainstage academic season of Southern Illinois University Carbondale's Theater Department in the Fall of 2010. Further, this paper highlights the more prominent aspects in order to continue the author's work to deconstruct and define the musical theatre genre. Chapter One focuses on two major aspects of current perceptions of musical theatre in an effort to address the genre's efficacy. The chapter first examines how musical theatre is
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Otto, Patrick. "La scène lyrique en France entre 1884 et 1913 : identité d'un genre musical." Paris 4, 2000. http://www.theses.fr/2000PA040223.

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Au cours de leur existence (fin du XVIIIe s. - milieu du XXe siècle), les scènes lyriques ont présenté en France une allure disparate (du soliste accompagne au piano à la fresque chorale). Néanmoins, la problématique inhérente à ce genre musical perdurera et sera illustrée par l'association tout à fait particulière des termes de la désignation : une animation (scène) toute intérieure (lyrique). Le crible habituel d'étude générique (forme, sujet, destination, effectif) est éclairé par un propos fondé sur les orientations suivantes : importance du personnage principal ; le contexte culturel entr
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Al-Badr, Ahmed. "The social context and textual/musical characteristics of the besta genre of southern Iraq." Thesis, University of Huddersfield, 2012. http://eprints.hud.ac.uk/id/eprint/19268/.

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Despite the extensive research by ethnomusicologists on a number of musical cultures, little attention has been given to Iraqi music. The term besta (literally, happiness) is used by Iraqis to signify the genre, which in formal Arabic is called ʾughniyeh. This thesis examines the besta genre in the community of the villages in Dhi-QAr province in southern Iraq. The aims of the study are: to place the songs of the area in their cultural context, classify the repertoire into different categories, develop an analytical methodology, analyse (recorded) examples of the besta song and archive the son
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Neal, Clay. "Guys and Dolls: the representation of gender in american musical theater since 1943." Thesis, Boston University, 2007. https://hdl.handle.net/2144/28581.

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Askerfjord, Christer. "The American Film Musical Genre Today: A New Breed or Just More of the Same? : The Development of the American Film Musical 2000-2013." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-37484.

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Since the introduction of synchronized sound at the end of the 1920s the film musical has had a special place in American film. But even with that special place the interest in the film musical has varied a lot during the 20th century. From the high interest during the  “Golden Age” in the 1930s, 1940s, and 1950s, through low interest in the following decades and then renewed interest in musicals with the animated film musicals from Disney in the 1990s. But what has happened after the millennium? Has there been any development in the American film musical genre or is it just more of the same?
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Hayashida, Mami. "FROM SONATA AND FANTASY TO SONATA-FANTASY: CHARTING A MUSICAL EVOLUTION." Lexington, Ky. : [University of Kentucky Libraries], 2007. http://lib.uky.edu/ETD/ukymuar2007d00612/HayashidaDMADoc.pdf.

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Thesis (D.M.A.)--University of Kentucky, 2007.<br>Title from document title page (viewed on August 7, 2007). Document formatted into pages; contains: viii, 135 p. : ill., music. Includes abstract and vita. Includes bibliographical references (p. 127-133).
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Lebarbier, Amandine. "“Cette jolie muse chrétienne” : la figure de sainte Cécile dans la littérature et les arts en Europe au XIXe siècle." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100147.

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Cette thèse s’attache à montrer le rôle important qu’a joué la figure de sainte Cécile au XIXe siècle dans l’imaginaire musical européen. La première partie de ce travail est consacrée à l’historiographie de sainte Cécile, du Ve siècle au XIXe siècle, et à l’inscription de la figure dans l’espace culturel européen. Différents media ont contribué à faire de la patricienne romaine légendaire une sainte patronne reconnue et célèbre dont, au premier chef, le tableau de Raphaël, L’Extase de sainte Cécile. Cette œuvre du patrimoine artistique européen fait l’objet d’une véritable fascination auprès
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Kaufman, Carole Anne. "Heresy to Artistry| The Upward Mobility of Musical Whistling Through Rhetorical Framing." Thesis, California State University, Los Angeles, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10685759.

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<p> Mouth whistling is one of the oldest forms of commination known to humans. Though often overlooked and underappreciated, whistling has been a powerful, universal tactic of message sending for millennia. Research reveals historical contexts of whistling as an uncouth, unlucky and unladylike act reserved for the working class. This has resulted in the disparagement of all forms of whistling. Despite its status as a marginalized act, people around the world partake of whistling for many purposes, including music. Competitive whistling events which showcase virtuosic musical talent have existe
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Bennet, Christophe. "Musique et radio dans la France des années trente : la création d’un genre musical radiophonique." Paris 4, 2007. http://www.theses.fr/2007PA040080.

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L’étude comparée de deux antennes parisiennes (Radio-Paris / Poste national et Radio-LL / Radio-Cité) permet de mettre en évidence les principaux aspects du développement musical que connaît la radio française pendant les années trente. L’analyse des programmes et de la répartition des auteurs et des interprètes de la première moitié de la décennie montre que la diffusion musicale reste, sur le grand poste comme sur la station artisanale, majoritairement orientée vers le répertoire symphonique et de récital. Mais à partir de 1935, les trois indicateurs permettent de souligner la scission entre
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