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Relevant bibliographies by topics / Musical idiomatic means

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Journal articles
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Academic literature on the topic 'Musical idiomatic means'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Musical idiomatic means"

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Hoffman, Elizabeth. "On Performing Electroacoustic Musics: a non-idiomatic case study for Adorno's theory of musical reproduction." Organised Sound 18, no. 1 (2013): 60–70. http://dx.doi.org/10.1017/s1355771812000246.

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Adorno's theory of musical reproduction is unfinished, inconsistent and attuned only to score-based acoustic music – but it has relevance for electroacoustic performance as well. His theory prompts contemplation about what ‘good’ interpretation, and interpretation itself, means for fixed electroacoustic music. A digital sound file is frequently, if not typically, viewed as more rigid and precise than a score. This article uses Adorno's theory to compare ontologies of score and digital file realizations respectively, thus questioning the above assumption. Do electroacoustic works truly exist ap

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Polyanskyi, T. V. "Ragtime in the work of composers of academic tradition." Musical art in the educological discourse, no. 2 (2017): 78–85. http://dx.doi.org/10.28925/2518-766x.20172.7885.

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The twentieth century can be called a century of universal synthesis, and the specific feature of musical creativity is synthetic nature of creative thinking. The expansion of intonation sphere, free dialogue of various genres, styles are becoming more obvious, and in this process an extraordinary role is given to mass music and jazz. The twentieth century created the opportunity not only to take paints from the richest palette, but also to mix them boldly. More often there are compositions in which the effects of various expressive systems are pronounced. So these effects absorb the elements

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Nardocci, Margrethe Førre. "Il lessico musicale nei modi di dire in italiano e in norvegese." Oslo Studies in Language 10, no. 1 (2018). http://dx.doi.org/10.5617/osla.6046.

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This study describes Italian idiomatic expressions with musical lexis compared to Norwegian idioms from the same semantic field. Lexical and semantic criteria are used for the analysis. The corpus created for this purpose contains 157 expressions collected from different lexicographic sources. Several correspondences have been observed between Norwegian and Italian idioms: for example, string instruments are often used for expression describing moods, whereas wind instruments often have a negative connotation. At the same time, Italian idioms contain many key concepts that are often missing in

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4

Koozin, Timothy. "Guitar Voicing in Pop-Rock Music." Spcial Issue: (Per)Form in(g) Rock 17, no. 3 (2011). http://dx.doi.org/10.30535/mto.17.3.5.

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This study integrates guitar tablature and harmonic transformational theory to map transformational paths of motion through fretboard locations on the guitar. A focus on patterns of physical motion in guitar performance reveals how chords and figurations characteristic of pop-rock music can be understood as instances of more generalized hand position shapes and motions indexed to intervallic distances on the fretboard. The “fret-interval type” is introduced as a generalized expression of fretboard hand position information. Coordinating fretboard location with harmonic transformation provides

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Dissertations / Theses on the topic "Musical idiomatic means"

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Rosa, Alexandre Silva [UNESP]. "O contrabaixo orquestral de Villa-Lobos: contextualização,idiomatismo e seleção de excertos." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/150758.

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Submitted by Alexandre Silva Rosa null (alex7rosa@gmail.com) on 2017-05-25T20:38:37Z No. of bitstreams: 1 TESE VILLA-LOBOS - Alexandre Rosa versão pós defesa.pdf: 12613899 bytes, checksum: 91e0637f8a6616445d369729fceb900f (MD5)<br>Approved for entry into archive by Luiz Galeffi (luizgaleffi@gmail.com) on 2017-05-30T16:24:25Z (GMT) No. of bitstreams: 1 rosa_as_dr_ia.pdf: 12613899 bytes, checksum: 91e0637f8a6616445d369729fceb900f (MD5)<br>Made available in DSpace on 2017-05-30T16:24:25Z (GMT). No. of bitstreams: 1 rosa_as_dr_ia.pdf: 12613899 bytes, checksum: 91e0637f8a6616445d369729fceb900f

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Book chapters on the topic "Musical idiomatic means"

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Manning, Jane. "JOHN BECKWITH (b. 1927)Five Lyrics of the T’ang Dynasty (1947)." In Vocal Repertoire for the Twenty-First Century, Volume 1. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199391028.003.0010.

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This chapter discusses a brief early cycle by a distinguished senior Canadian composer, John Beckwith. The texts of its five parts are written by three different authors: Li Po, Wang-Wei, and Li Shang-Yin. The chapter considers this piece to be especially suitable for young singers, as it can give them every chance to shine. In addition, the poems’ delicate economy is mirrored in music which is direct in appeal, becoming fresh and natural. A subtly ‘oriental’ flavour is evoked by means of simple modality in the musical themes. The chapter describes how this piece can almost sing itself, since voice and piano writing is entirely idiomatic, and the modest proportions and range are not at all taxing.

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