Relevant bibliographies by topics / Musical instruments of the Middle Ages and the Timurid period

Contents

  1. Journal articles
  2. Books
  3. Book chapters

Academic literature on the topic 'Musical instruments of the Middle Ages and the Timurid period'

Author: Grafiati
Published: 5 June 2025
Last updated: 15 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Musical instruments of the Middle Ages and the Timurid period.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Musical instruments of the Middle Ages and the Timurid period"

1

Mamatkulov, Makhammadjon. "THE ROLE OF THE TANBUR SOUND IN THE PERFORMANCE OF THE MAQAM INSTRUMENT." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 6 (2023): 1481–84. https://doi.org/10.5281/zenodo.8112119.

Full text
Abstract:
This article discusses the history of the formation of Uzbek folk instruments and the role of the Tanbur sound in our musical heritage and the period of its formation. Also, information is given about the fact that the Tanbur word existed in the Middle Ages and has passed through a number of stages of development until now.
APA, Harvard, Vancouver, ISO, and other styles
2

Sousa, Luís Correia e. "Música em pedra — imagens de música na escultura românica em Portugal." CEM 2, no. 18 (2024): 41–59. https://doi.org/10.21747/2182-9748/cem18a2.

Full text
Abstract:
Since musical instruments from the Romanesque period are practically non-existent, iconographic sources are particularly important to get close to the musical universe of that time. Studying the images allows us to shed a little on the way they were played, the relative dimensions of the instru-ments, their relationship with other artistic expressions, such as dance, for example, or to confirm other relevant elements. It should be noted that for the sculptors of that period, the figuration of instruments was a new challenge, since in the High Middle Ages, musical images appeared almost exclusi
APA, Harvard, Vancouver, ISO, and other styles
3

Tao, Lin. "Research on the Notation of French Guitar and Lute in the Renaissance and Baroque Periods." Arts Studies and Criticism 3, no. 2 (2022): 195. http://dx.doi.org/10.32629/asc.v3i2.916.

Full text
Abstract:
After the long and dark Middle Ages, Europe ushered in the Renaissance of ideological and cultural prosperity. Under the influence of humanism, secular music began to be valued and some church music also began to be secularized, and thus the guitar instrument ushered in its first heyday. With the development of instrumental music, a notation method, which is suitable for musical instruments, gradually began to appear, also known as "sign spectrum". Besides, guitar instruments use a lot of musical notation. Even in the baroque period when the staff is mature, some French lute and baroque guitar
APA, Harvard, Vancouver, ISO, and other styles
4

Ilienko, M. M. "The «virtus» problem in musical performing." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 138–54. http://dx.doi.org/10.34064/khnum1-54.09.

Full text
Abstract:
The article is devoted to consideration of a virtuosity phenomenon (from Latin virtus – virtue, talent) in musical performing. It is stated that this phenomenon and research approaches to it compose an entire musical area in today’s performing musicology which has been actively developing during the last two or three decades both abroad and in Ukraine. The given research underlines strong connection of a performing virtuosity with other phenomena and categories dealing with the problem under consideration. First of all, it is thinking of a musician-interpreter acting as an authentic co-author
APA, Harvard, Vancouver, ISO, and other styles
5

Klimova, Irina V. "The Terms Selete and Pause in the Manuscripts of the Productions of The Seven Joys of Mary in Brussels: the Significance and the Functions." Contemporary Musicology 8, no. 3 (2024): 10–29. http://dx.doi.org/10.56620/2587-9731-2024-3-010-029.

Full text
Abstract:
The article is devoted to an issue present in the studies of music and musical terminology in the Dutch mysteries of the late Middle Ages and the Early Modern period. Two terms are examined here in detail – namely, selete and pause, present in the comments of two manuscripts of the productions in Brussels of The Seven Joys of Mary, consisting of various episodes in the lives of Jesus Christ and the Virgin Mary. The productions of The Seven Joys of Mary took place in Brussels from 1448 to 1566 and were timed to the annual procession in honor of the miraculous statue of the Virgin Mary. Analysis
APA, Harvard, Vancouver, ISO, and other styles
6

Zinkiv, Iryna Ya. "Academization of the Ukrainian Bandura by the Proficient Bandura-Craftsmens of the XX – Early XXI Centuries." Revista Gestão Inovação e Tecnologias 11, no. 4 (2021): 2459–80. http://dx.doi.org/10.47059/revistageintec.v11i4.2295.

Full text
Abstract:
Among the main signs of Ukrainian culture, its instrumental artifact, the bandura, which is the nation-building component of Ukraine, holds a significant place. The proposed paper attempts to characterize the bandura development from the diatonic instrument at the beginning of XX century, developed by the prominent Ukrainian bandura craftsmen in their creative activity – O. Korniievskyi, I. Skliar, V. Herasymenko, – to the modern “chromatic” instrument with dual-diatonic scale, wide sound range and technical characteristics. Only two from among several play methods that existed in the traditio
APA, Harvard, Vancouver, ISO, and other styles
7

Khasenova, Bakyt М., Gani К. Оmarov, Bauyrzhan B. Besetayev та Maral K. Khabdulina. "Cоциальная символика предметов торевтики в кимакском обществе: статус мужчины-воина". Oriental Studies 14, № 6 (2021): 1188–209. http://dx.doi.org/10.22162/2619-0990-2021-58-6-1188-1209.

Full text
Abstract:
The article aims to show the role of toreutic items in the demonstration of the status of a male warrior. Materials. In the Middle Ages toreutics was mainly used in decorating costume details and items of military and horse equipment. The field of its application indicates the crucial importance of artistic metalworking in the study of medieval societies. Interesting samples of toreutics in the period under consideration are metal items produced in the Kimak Khaganate that existed in the Ob-Irtysh interfluve between the 9th and 11th cc. Many of such items found in the burials of the Kimaks cle
APA, Harvard, Vancouver, ISO, and other styles
8

Horetska, Nataliia. "Stylistic features of the performing ancient instrumental music." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (2020): 110–32. http://dx.doi.org/10.34064/khnum1-57.07.

Full text
Abstract:
Background, objectives and methodology of the research. Musical performing art of the XX–XXI centuries demonstrates a steady and growing interest in a huge array of music from pre-classical eras – the Middle Ages, Renaissance, Baroque. The baroque music occupies a leading position in the field of instrumental performing as an obligatory part of the educational (works by J. S. Bach) and concert repertoire. The problem of interpretation of early music, acutely posed by musicians of the XX century – up to the reconstruction of all historical performance parameters – retains its relevance. In this
APA, Harvard, Vancouver, ISO, and other styles
9

Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

Full text
Abstract:
Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari
APA, Harvard, Vancouver, ISO, and other styles
10

Ген, Чжижун. "РЕПРЕЗЕНТАЦІЯ ЖІНОЧОГО ОБРАЗУ В ТРАДИЦІЙНОМУ КИТАЙСЬКОМУ ЖИВОПИСІ: ЕТАПИ ФОРМУВАННЯ ТРАДИЦІЇ". Традиції та новації у вищій архітектурно-художній освіті, № 4 (1 грудня 2018): 34–48. https://doi.org/10.5281/zenodo.1745400.

Full text
Abstract:
The contemporary art of China, in a globalized world, is trying to find ways to reflect its own artistic tradition, as evidenced also by the genre of female portraiture. The latter reflects not only the rapid changes in the traditional  status of a Chinese woman, but also demonstrates that female images have become a means of expressing broad ideas that are considered by modern humankind. The social status and aesthetics of representation of the Chinese woman image were influenced by the regulation of the Chinese society, where the woman obeyed the man, embodied beauty and strength in wea
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Musical instruments of the Middle Ages and the Timurid period"

1

Lord, Suzanne. Music in the Middle Ages. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798400688621.

Full text
Abstract:
Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany, the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of
APA, Harvard, Vancouver, ISO, and other styles
2

Leach, Elizabeth Eva, and Helen Deeming, eds. A Cultural History of Western Music in the Middle Ages. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350075542.

Full text
Abstract:
A Cultural History of Western Music in the Middle Ages covers the period from 500 to 1400. This epoch recast earlier approaches to music to suit new musical forms developed under the auspices of the Christian Church. Political and religious change also prompted innovative forms of transmission for music of all kinds. The invention of new forms of notation, the emergence of novel instruments, and the establishment of educational structures all contributed to the systematic training of musicians and the creation of a distinct musical culture. The 6 volume set of the Cultural History of Western M
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Musical instruments of the Middle Ages and the Timurid period"

1

Bento, Alexandre. "Os instrumentos musicais e a música do al-Andalus português: um contributo da arqueomusicologia." In Incipit 12. XV Workshop de Estudos Medievais. Faculdade de Letras da Universidade do Porto, 2024. http://dx.doi.org/10.21747/978-989-9193-14-7/inc12/a7.

Full text
Abstract:
Research in the field of music and its instruments in the Middle Ages has been based on written and iconographic sources originating from sculpture or representations in various manuscripts. These sources, however, only emerge with sufficient integrity from the 13th-14th centuries. Although, archaeology has progressively been providing us with more data, greater quantity, and rigor in sources. Nevertheless, the musical instruments recovered in these contexts have only occasionally been identified and thoroughly studied. Indeed, concerning the periods up to the 13th century, it has only been in the last three decades that archaeology has been punctually and gradually articulated with ethnomusicology, particularly regarding the Islamic period in Portugal. In this sequence, and under the interdisciplinary approach associated with archaeomusicology, it becomes relevant to raise questions and explore new directions. What archaeological vestiges of musical instruments in the context of Portuguese alAndalus have actually been recovered, and what are their archaeological origins? What is their organology, agents, practices, functions, and correlated contemporary contexts? What is the influence of these instruments and their associated practices on the production of intangible heritage and collective memory in contemporary times? In order to fill these gaps and answer these questions, the present project focuses on the musical instruments unearthed in the context of Portuguese al-Andalus. Through archaeomusicology, we aim for new directions beyond the study and interpretation of the musical instrument per se. Not only is its study intended, but also its articulation with iconography, historiography, treatises, and other contemporaneous sources. Thus, within the proposed chrono-spatial delimitation and aspiring to a more profound understanding of the medieval man's worldview, this project aims to generate new in-depth knowledge about music, its practices, instruments, functions, and contexts
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Musical instruments of the Middle Ages and the Timurid period' for particular source types:
Journal articles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography