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Books on the topic 'Musical intervals and scales'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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1

David, Lewin. Generalizedmusical intervals and transformations. New Haven: Yale University Press, 1987.

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2

Mann, Chester D. Analytic study of harmonic intervals. Tustin, CA: Chester D. Mann, 1990.

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3

Neuwirth, Erich. Musical temperaments. Wien: Springer, 1997.

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4

Wehrli, Barry. Mastering intervals: How to understand & write any interval, how to see & hear intervals at the piano, for intermediate to advanced levels. 3rd ed. Valley Village, CA: Wehrli Publications, 2010.

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5

Righini, Pietro. Gli intervalli musicali e la musica: Dai sistemi antichi ai nostri giorni. 2nd ed. Padova, Italy: G. Zanibon, 1988.

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6

Stefani, Gino. Gli intervalli musicali: Dall'esperienza alla teoria. Milano: Bompiani, 1990.

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7

Rué, Roberto, and Roberto Rué. Sonido, estructura y percepción musical. [Argentina?: s.n., 1992.

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8

Mackay, Gerald M. Global scales: A book of rare and customary musical scales, chords and compositions of the world. [Willowdale, Ont.]: G. Mackay, 1992.

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9

Powers, Cameron. Arabic musical scales: Basic maqam teachings. Boulder, Colo: G.L. Designs, 2005.

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10

Rechberger, Herman. Scales and modes around the world. [Helsinki]: Fennica-Gehrman, 2008.

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11

Tiozzo, Loris. Gioseffo Zarlino: Teorico musicale. Conselve, PD: Veneta, 1992.

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12

Saibabu, Velamanoor. Seventy two Brahma naada shrutis. Thiruvananthapuram: Kerala State Institute of Languages, 2015.

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13

Chalmers, John H. Divisions of the tetrachord = Peri tōn tou tetrakhordou katatomōn = Sectiones tetrachordi: A prolegomenon to the construction of musical scales. Hanover, NH: Frog Peak Music, 1993.

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14

Raab, Armin. Funktionen des Unisono: Dargestellt an den Streichquartetten und Messen von Joseph Haydn. Frankfurt am Main: Haag + Herchen, 1990.

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15

Vogel, Martin. Die Naturseptime: Ihre Geschichte und ihre Anwendung. Bonn: Verlag für Systematische Musikwissenschaft, 1991.

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16

Güldenstein, Gustav. Intervallenlehre. Winterthur/Schweiz: Amadeus, 1989.

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17

Koepf, Siegfried. Die Skalen im Tonumfang einer Oktav. Köln: Feedback Studio Verlag, 2009.

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18

Agviló, Sydney d'. Epistemologia de la musica. Madrid: Intervallic University, 2000.

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19

Kellner, Herbert Anton. Musicalische Temperatur bei Johann Sebastian Bach und seinen Söhnen. Paris: H.A. Kellner, 1998.

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20

Lattard, Jean. Intervalles, échelles, tempéraments et accordages musicaux: De Pythagore à la simulation informatique. Paris: L'Harmattan, 2003.

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21

Lattard, Jean. Gammes et tempéraments musicaux. Paris: Masson, 1988.

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22

Tsao, Ming. Abstract musical intervals: Group theory for composition and analysis. Berkeley, CA: Musurgia Universalis Press, 2007.

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23

Andrews, Lee "Drew ." Banjo scales chart. Pacific, MO: Mel Bay, 2008.

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24

Andrews, Lee "Drew ." Mandolin scales chart. Pacific, MO: Mel Bay, 2008.

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25

Bon, Paolo. La teoria evolutiva del diatonismo e le sue applicazioni. Pisa: Giardini, 1995.

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26

Mackay, Gerald M. Mackay futuristic compositional process. [Willowdale, Ont.]: G. Mackay, 1995.

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27

Copenhaver, Michael D. Scales of the world. Hollywood, CA: Enigaxotic Music, 1991.

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28

O'Neal, Scott. Theory on the major scales: Music theory for the beginning student : an introduction to harmony. Pittsburgh: Dorrance Pub. Co., 1993.

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29

Associates, Independent Communications, British Broadcasting Corporation, Royal Institution of Great Britain, and Films for the Humanities (Firm), eds. Scales, synthesizers, and samplers. Princeton, N.J: Films for the Humanities & Sciences, 2004.

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30

Lindley, Mark. Mathematical models of musical scales: A new approach. Bonn: Verlag für Systematische Musikwissenschaft, 1993.

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31

Pöhlert, Werner. Basic Tritonic. Schwetzingen: K. F. Schimper, 1994.

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32

Jungleib, Stanley. Music possible. Los Altos, Calif: S. Jungleib, 1985.

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33

Hansen, Thomas Holme. Fra modus til toneart: En undersøgelse af 1600-tallets europæiske toneartsteori. Aarhus: Musikvidenskabeligt Institut, Aarhus Universitet, 1998.

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34

Sillamy, Jean-Claude. Une antique methode babylonienne pour comprendre la genese des modes maqām iraniens: Programme scientifique. Paris: J.-C. Sillamy, 1987.

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35

Devie, Dominique. Le tempérament musical: Philosophie, histoire, théorie et pratique. Béziers: Société de musicologie du Languedoc, 1990.

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36

Framjee, Firoze. Text book of Indian music: (theory & practice) : useful alike to the students of both the Northern (Hindustani) as well as Southern (Carnatic) music. 2nd ed. Hathras, India: Sakhi prakashan, 1986.

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37

Fripertinger, Harald. Enumeration in musical theory. 3rd ed. Graz: Institut für Elektronische Musik an der Hochschule für Musik und Darstellende Kunst, 1993.

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38

Moreno, Enrique, and Enrique Moreno. Expanded tunings in contemporary music: Theoretical innovations and practical applications. Lewiston, NY: Edwin Mellen Press, 1992.

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39

Lang, Klaus. Auf Wohlklangswellen durch der Töne Meer: Temperaturen und Stimmungen zwischen dem 11. und 19. Jahrhundert. Graz: Institut für Elektronische Musik (IEM) an der Universität für Musik und Darstellende Kunst in Graz, 1999.

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40

Charupakorn, Joe. Ultimate guitar scale decoder: Essential scales and modes for guitar. Milwaukee, WI: Hal Leonard, 2014.

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41

Roth, Dana. Mel Bay's bass chart of international scales. Pacific, Mo: Mel Bay Publications, 1993.

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42

Cho, Gene J. Lu-lu: A study of its historical, acoustical, and symbolic signification. Taipei, Taiwan, Republic of China: Caves Books, 1989.

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43

Beck, Carl-Friedrich. Die Tonstufe H als Klangbasis: Untersuchungen zu Tradition und Semantik vom 14. bis zum frühen 20. Jahrhundert. Tutzing: Hans Schneider, 2007.

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44

1966-, Clausen Bernd, and Lang Robert, eds. Abt Vogler's Choral-System. Hildesheim: G. Olms, 2004.

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45

Cormier, Stephen M. Modal music composition. 3rd ed. Arlington, VA: Inman & Artz Publishers, 2010.

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46

Cormier, Stephen M. Modal music composition. Arlington, VA: Inman & Artz Publishers, 2004.

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47

Karas, Simōn I. Harmonika. Athēnai: Syll. pros Diadosin tēs Ethnikēs Mousikēs, 1989.

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48

Verdi, Luigi. Organizzazione delle altezze nello spazio temperato. Treviso: Ass. mus. "Ensemble 900,", 1998.

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49

M, Benitez Joaquim, ed. Listening 2. Chur: Harwood Academic Publishers, 1988.

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50

Rolf, Klein. Die Intervallehre in der deutschen Musiktheorie des 16. Jahrhunderts. Regensburg: G. Bosse, 1989.

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