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1

Mohammed, Sharifah Faizah Syed. Musical Nationalism in Indonesia. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6950-4.

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2

Labonville, Marie Elizabeth. Juan Bautista Plaza and musical nationalism in Venezuela. Bloomington: Indiana University Press, 2007.

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3

Robert Ward's The crucible: Creating an American musical nationalism. Lanham, Md: Scarecrow Press, 2009.

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4

Veselinović-Hofman, Mirjana. Musical folklore as a vehicle? Belgrade: Signature, 2008.

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5

Castro, Christi-Anne. Musical renderings of the Philippine nation. New York: Oxford University Press, 2011.

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6

Creación musical, cultura popular y construcción nacional en la España contemporánea. Madrid: ICCMU, 2010.

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7

Musical renderings of the Philippine nation. New York: Oxford University Press, 2011.

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8

A cor e o som da nação: A idéia de mestiçagem na crítica musical do Caribe hispânico e do Brasil, 1928-1948. São Paulo, SP, Brasil: Annablume, 2000.

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9

Analyzing Wagner's operas: Alfred Lorenz and German nationalist ideology. Rochester, N.Y: University of Rochester Press, 1998.

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10

Shabazz, David L. Public Enemy number one: A research study of rap music, culture, and Black nationalism in America. Clinton, SC: Awesome Records, 1999.

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11

Interpreting the musical past: Early music in nineteenth-century France. New York: Oxford University Press, 2005.

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12

Rāshṭrīya āndolana meṃ Gujarāta kī mahilāoṃ kā yogadāna. Ahamadābāda: Rilāyabala Pabliśiṅga Hāūsa, 2013.

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13

Chirico, Hugo López. La "Cantata criolla" de Antonio Estévez: Un análisis de la obra y de su inserción en el nacionalismo musical latinoamericano y venezolano. Caracas, Venezuela: Consejo Nacional de la Cultura, Instituto Latinoamericano de Investigaciones Musicales "Vicente Emilio Sojo", 1987.

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14

German music criticism in the late eighteenth century: Aesthetic issues in instrumental music. Cambridge, U.K: Cambridge University Press, 1997.

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15

Patriotism and nationalism in music education. Farnham, Surrey: Ashgate, 2012.

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16

Journées nationales de l'orgue (4th 1991 Alsace, France). Actes des Quatrièmes Journées nationales de l'orgue: Alsace, 8-12 mai 1991. Strasbourg: Association régionale pour le développement de l'action musicale en Alsace, 1991.

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17

Russian music and nationalism: From Glinka to Stalin. New Haven: Yale University Press, 2007.

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18

Dag, Schjelderup-Ebbe, ed. Edvard Grieg, chamber music: Nationalism, universality, individuality. Oslo: Scandinavian University Press, 1993.

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19

Vodou nation: Haitian art music and cultural nationalism. Chicago: University of Chicago Press, 2006.

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20

Singing a Hindu nation: Marathi devotional performance and nationalism. New York: Oxford University Press, 2012.

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21

Vilas, Bohlman Philip, ed. Focus: Music, nationalism, and the making of the new Europe. 2nd ed. New York: Routledge, 2011.

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22

Schultz, Anna C. Singing a Hindu nation: Marathi devotional performance and nationalism. New York: Oxford University Press, 2012.

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23

Nazionalismo in musica: Il caso Pizzetti dagli esordi al 1945. Lucca: Libreria musicale italiana, 2003.

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24

The Puccini problem: Opera, nationalism and modernity. Cambridge, UK: Cambridge University Press, 2007.

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25

The music of European nationalism: Cultural identity and modern history. Santa Barbara, Calif: ABC-CLIO, 2004.

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26

Sabîr, Nizar. Nasyonalîzm u muzîk: Le ezmûnî Kurdistanî Êraqda = Nationalism and music. Leck, Elmanya: Clausen & Bosse - CIP, 2011.

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27

Nationalists, cosmopolitans, and popular music in Zimbabwe. Chicago: University of Chicago Press, 2000.

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28

Ball, William Scott. Reclaiming a music for England: Nationalist concept and controversy in English musical thought and criticism, 1880-1920. Ann Arbor, Mich: UMI, 1997.

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29

Gorog, Lisa S. De. From Sibelius to Sallinen: Finnish nationalism and the music of Finland. New York: Greenwood Press, 1989.

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30

1922-, De Gorog Ralph, ed. From Sibelius to Sallinen: Finnish nationalism and the music of Finland. New York: Greenwood, 1989.

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31

Móricz, Klára. Jewish identities: Nationalism, racism, and utopianism in twentieth-century music. Berkeley: University of California Press, 2007.

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32

Ho, Wai-Chung. Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729932.

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Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China examines the recent developments in school education and music education in Greater China – Mainland China, Hong Kong, and Taiwan – and the relationship between, and integration of, national cultural identity and globalization in their respective school curriculums. Regardless of their common history and cultural backgrounds, in recent decades, these localities have experienced divergent political, cultural, and educational structures. Through an analysis of the literature, official curriculum documents, approved music textbooks, and a survey questionnaire and in-depth interviews with music teachers, this book also examines the ways in which policies for national identity formation and globalization interact to complement and contradict each other in the context of music education in respect to national and cultural values in the three territories. Wai-Chung Ho’s substantive research interests include the sociology of music, China’s education system, and the comparative study of East Asian music education. Her research focuses on education and development, with an emphasis on the impact of the interplay between globalization, nationalization, and localization on cultural development and school music education.
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33

Journées nationales de l'orgue (2nd 1986 Toulouse, France). Actes des deuxièmes Journées nationales de l'orgue: Toulouse, 7-11 novembre 1986. Toulouse: A.D.D.O.C.C. Midi-Pyrénées, 1987.

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34

Juan Bautista Plaza and Musical Nationalism in Venezuela. Indiana University Press, 2007.

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35

Confronting the National in the Musical Past. Taylor & Francis Group, 2018.

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36

Ordoulidis, Nikos. Musical Nationalism and Scholarly Interventions in Greek Popular Music. Bloomsbury Publishing Plc, 2021.

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37

1958-, White Harry, and Murphy Michael 1968-, eds. Musical constructions of nationalism: Essays on the history and ideology of European musical culture, 1800-1945. Cork, Ireland: Cork University Press, 2001.

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38

(Editor), Harry White, and Michael Murphy (Editor), eds. Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945. Cork University Press, 2000.

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39

(Editor), Harry White, and Michael Murphy (Editor), eds. Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945 (Musicology). Cork University Press, 2001.

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40

Bohlman, Andrea F. Musical Solidarities. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190938284.001.0001.

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This book studies the relationship between music making and social movements using the Solidarity movement in 1980s Poland as a case study. Its central argument is that while music offered a means of performing and commemorating the Solidarity movement as unified, the media of the opposition to state socialism also revealed—and continue to reveal—dissonant discourses on citizenship, culture, and history. The story unfolds along crucial sites of political action under state socialism: underground radio networks, the sanctuaries of the Polish Roman Catholic Church, labor strikes and student demonstrations, and commemorative performances. The musics and sounds of the 1980s are traced through a long history of musical nationalism in East Central Europe and across a transnational media network specific to the Cold War and life under state socialism. By revealing the diverse repertories—singer-songwriter verses, religious hymns, large-scale symphonies, experimental music, and popular song—that played a role across the decade, the book challenges paradigmatic visions of a late twentieth-century global protest culture that place song and communitas at the helm of social and political change. Musical Solidarities draws equally on the methods of historical musicology, ethnomusicology, and sound studies to propose a model for understanding popular, art, and sacred musics alongside one another and in the context of singing, shouting, and listening within the study of political action.
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41

Fabbri, Franco, and Ivana Perkovic. Musical Identities and European Perspective: An Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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42

Fabbri, Franco, and Ivana Perkovic. Musical Identities and European Perspective: An Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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43

Musical Identities and European Perspective: An Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2017.

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44

Fabbri, Franco, and Ivana Perkovic. Musical Identities and European Perspective: An Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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45

Six String Nation 64 Pieces 6 Strings 1 Canada 1 Guitar. Douglas & McIntyre, 2009.

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46

Music theater and popular nationalism in Spain, 1880-1930. 2016.

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47

Popular Culture and Nationalism in Lebanon: The Fairouz and Rahbani Nation. Taylor & Francis Group, 2010.

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48

Musorgsky And His Circle A Russian Musical Adventure. Knopf, 2013.

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49

Tuchowski, Andrzej. Nationalism, Chauvinism and Racism As Reflected in European Musical Thought and in Compositions from the Interwar Period. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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50

Tuchowski, Andrzej. Nationalism, Chauvinism and Racism As Reflected in European Musical Thought and in Compositions from the Interwar Period. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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