Relevant bibliographies by topics / Musical notation

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Musical notation'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Musical notation"

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Stoïanova, Ivanka. "Notation et énoncé musical." Textuel 34/44 41, no. 1 (2002): 131–52. https://doi.org/10.3406/textu.2002.1563.

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L’évolution de la pensée formelle en musique au XXe siècle met en évidence de façon explicite l’interaction de deux orientations fondamentales : celle de la pensée «forte», nécessairement liée à notre tradition écrite signalétique, fondée sur la conception de l’œuvre musicale en tant que totalité cohérente directionnelle et réseau fermé de relations et celle de la pensée «faible» qui renvoie aux procédés des traditions orales, aux techniques improvisationnelles et aux stratégies formelles fondées sur la pluralisation des matériaux et la multi-directionnalité de l’énumération ouverte. L’intégra
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Qing, Liu Ming, and Chie Tsang Isaiah Lee. "The Graphic Notation in Chinese Traditional Music Notation History." Malaysian Journal of Social Sciences and Humanities (MJSSH) 10, no. 2 (2025): e002877. https://doi.org/10.47405/mjssh.v10i2.2877.

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Graphic notation plays an important role in the development of traditional Chinese music notation. Music notation is the most important method of recording and preserving music, and the study of ancient Chinese music notation can provide a deeper understanding of Chinese musical culture. However, despite the fact that graphic notation is one of the major notation methods preserved in ancient China, there is still limited academic research on the far-reaching importance of graphic notation. Based on this, this research employs a qualitative approach combining historical, functional, and musicol
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Chan, Eleanor. "Scrollwork: Visual Cultures of Musical Notation and Graphic Materiality in the English Renaissance." Journal of Medieval and Early Modern Studies 53, no. 2 (2023): 347–77. http://dx.doi.org/10.1215/10829636-10416642.

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Early modern English musical notation bears a fleeting resemblance to that of its modern counterpart. This superficial similarity conceals the markedly different manner in which early music notation functioned and the clues that it offers for an older and more dynamic way of reading music. This form of notation was not a transcription for future performance but rather a provocation to performance. As a result, musical notation frequently “leaked” into decorative margins. The musical pages of this period display evident delight in melding, blending, and blurring the distinction between decorati
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Schuiling, Floris. "Notation Cultures: Towards an Ethnomusicology of Notation." Journal of the Royal Musical Association 144, no. 2 (2019): 429–58. http://dx.doi.org/10.1080/02690403.2019.1651508.

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AbstractThe ubiquity and diversity of notational practices in music suggest that notation is a significant part of human beings' musicking behaviour. However, it is difficult to address its function since the usual conception of notation in music scholarship is at odds with studying performance in the first place. This article presents a methodological outline for an ethnomusicology of music notation by investigating the musicality of notation not in terms of its representation of musical structures, but in terms of its mediation of the social and creative agency of musicians. It is suggested
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Hope, Cat. "The Future is Graphic: Animated notation for contemporary practice." Organised Sound 25, no. 2 (2020): 187–97. http://dx.doi.org/10.1017/s1355771820000096.

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A growing number of musicians are recognising the importance of re-thinking notation and its capacity to support contemporary practice. New music is increasingly more collaborative and polystylistic, engaging a greater range of sounds from both acoustic and electronic instruments. Contemporary compositional approaches combine composition, improvisation, found sounds, production and multimedia elements, but common practice music notation has not evolved to reflect these developments. While traditional notations remain the most effective way to communicate information about tempered harmony and
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Jarrett, Jack Marius. "Musical notation system." Journal of the Acoustical Society of America 125, no. 5 (2009): 3490. http://dx.doi.org/10.1121/1.3139596.

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Gurke, Thomas. "The Idea of Notational Ekphrasis in Words and Music." Humanities 14, no. 6 (2025): 130. https://doi.org/10.3390/h14060130.

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This chapter will focus on the presence of musical notation in literary texts, their aesthetic, (inter-)medial presence and potentialities, in paradigmatic Modern short stories such as Katherine Mansfield’s “The Wind Blows” (1915), Virginia Woolf’s “The String Quartet” (1921) and Vladimir Nabokov’s “Music” (1932). What these stories share is a perception of music as sonorous moving forms, symbolic imagery or seemingly ‘dancing’ musical notation on the page. In introducing the term notational ekphrasis, I wish to differentiate these phenomena as overt and covert for the larger theory of interme
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Mansurovich, Ibragimov Bobir. "NOTATION OF COMPLEX EXAMPLES OF UZBEK MUSICAL HERITAGE." European International Journal of Pedagogics 4, no. 12 (2024): 21–23. https://doi.org/10.55640/eijp-04-12-04.

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This article studies the issues of notating complex forms of Uzbek musical heritage. The article analyzes the importance of restoring the rich traditions of national musical culture through modern technologies and musical notation methods and passing them on to future generations. The article also discusses the problems encountered in notating complex melodies and songs, their technical and theoretical solutions. During the study, the process of notating musical samples of high artistic value, such as shashmakom and maqomnavo, and creative research based on them were also considered. This work
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Kim-Boyle, David. "REFRAMING THE LISTENING EXPERIENCE THROUGH THE PROJECTED SCORE." Tempo 72, no. 284 (2018): 37–50. http://dx.doi.org/10.1017/s0040298217001243.

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ABSTRACTOver the past ten years, performance scores have been radically foregrounded in a variety of performance practices. Whether such notations assume a prescriptive function, visually projected for musicians to interpret, or a descriptive one, unfolding as a documentation of a live coding performance, how might such a foregrounding reframe the listening process for an audience? Does a notational schema help promote a deeper, structural level understanding of a musical work? This article will consider these various questions, exploring how principles of graphic design and the transparency o
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Chang, Chia-Lun. "Staff Notation or Numbered Music Notation That Is the Question: A Brief History of Numbered Music Notation and an Examination on Its Effectiveness of Music Learning." Arts Studies and Criticism 3, no. 4 (2022): 310. http://dx.doi.org/10.32629/asc.v3i4.1037.

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The staff music notation was originated from Gregorian chants of medieval Europe. It became the universal standard notation although there were music notations found in other ancient cultures. During 19th century, a new and simplified notation system in which Arabic numbers were used to represent musical notes began to circulate among amateurish music learners all over the world. While this notation system, named numbered music notation (NMN) in this article, started to wane in other countries in the early 20th century, Chinese adopted it earnestly and continued to use it as a major practice i
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Dissertations / Theses on the topic "Musical notation"

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Wendling, Miriam Monroe. "Musical notation in Bamberg 1007-1300." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610503.

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Housley, Laura L. "Dynamic Generation of Musical Notation from MusicXML Input on an Android Tablet." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338377470.

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Bartle, Lynne. "Addressing the idiosyncrasies of contemporary notation in recorder compositions, with specific references to unconventional symbols in Music for a bird by Hans-Martin Linde and Sieben Stucke fur altblokflote by Markus Zahnhausen." Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/920.

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This treatise provides recorder performers and teachers with a guide to understanding the unconventional notation symbols encountered in Music for a Bird by Hans-Martin Linde and Sieben Stücke Für Altblockflöte by Markus Zahnhausen. Given the context of the overall history of notation, it argues that the idiosyncrasies of the unconventional notation symbols encountered in the recorder repertoire of contemporary composers such as Linde and Zahnhausen are by no means an anomaly. Throughout history, notated scores have functioned merely as incomplete guides to the reconstruction and the realizati
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Varelli, Giovanni. "Musical notation and liturgical books in late Carolingian Nonantola." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/264172.

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The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hitherto been neglected by most scholarship on early music scripts, mainly because of the paucity of surviving music manuscripts and their limited geographical diffusion. A new study was needed in order to develop a full understanding of the abbey’s role and importance in the first phases of development of the writing of music in the early Middle Ages. A Lombard foundation, Nonantola acquired much of its prestige from the links with the Carolingian court as early as the late eighth century. From the
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Sham, Helen. "La Musiquette a contemporary graphic notation : this exegesis is submitted to Auckland University of Technology for the degree of Bachelor of Art & Design (Graphics), Oct. 2005 /." Abstract Full dissertation, 2005.

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Exegesis (BA--Art and Design) -- AUT University, 2005.<br>Print copy accompanied by CD. Includes bibliographical references. Also held in print ( [36] leaves. : col. ill. ; 16 x 30 cm. + CD) in City Campus Collection ( T 780.148 SHA )
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BoisAubin, Pierre A. "Digital Preservation of Haitian Mythology Music Notation." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:24078357.

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This project aims at preserving Haitian mythology music; it is conceptualized as having two components: • Digital Preservation Archive: The process generates equivalent notation of hardcopies as well as supplementary audio clip. The resulting artifacts are archived in a website. • Music Production Using Media Technologies: is an effort to stimulate interest in the music. Digital media technologies are applied toward arranging mythology songs for small Afro Western styled musical group. We design a workflow for notating, recording, and staging the music.
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Eales, Andrew Arnold. "An object-oriented toolkit for music notation." Thesis, Rhodes University, 1999. http://hdl.handle.net/10962/d1006473.

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This thesis investigates the design and implementation of an object-oriented toolkit for music notation. It considers whether object-oriented technology provides features that are desirable for representing music notation. The ability to sympathetically represent the conventions of music notation provides software tools that are flexible to use, and easily extended to represent less common features of music notation. The design and implementation of an object-oriented class hierarchy that captures the structural and semantic relationships of music notation symbols is described. Functions that
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Jordaan, Abri Petrus Jacobus. "Ontwikkelings in kitaarnotasie : ‘n historiese perspektief met toepassings vir hedendaagse gebruik." Diss., University of Pretoria, 2005. http://hdl.handle.net/2263/30874.

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Tatem, Joseph Edward. ""ENGRAVE - An expert system that understands and generates musical notation"." Thesis, Virginia Tech, 1987. http://hdl.handle.net/10919/43378.

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Santini, Giovanni. "Explorations in augmented reality for interactive gesture-based musical notation." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/734.

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With its capability of merging virtual and real worlds, Augmented Reality (AR) provides a new framework for professional practices in numerous disciplines: it can deliver interactive pieces of information in real-time and in space. In music, such capabilities can have an important role in music notation and interfaces for electronic music performance. Numerous experimental musical applications have been developed since the early 2000s both for education and performance. However, in most circumstances, AR has been seen more as an aide towards the understanding and/or realization of traditional
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Books on the topic "Musical notation"

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McGrain, Mark. Music notation. Berklee College of Music, 1986.

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Vinci, Albert C. Fundamentals of traditional musical notation. Kent State University Press, 1985.

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Ryder, Charles. An anthology of musical notation. Stanley Picker Gallery, 1999.

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El-Mallah, Issam. Arab music and musical notation. H. Schneider, 1997.

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McGrain, Mark. Music notation: Theory and technique for music notation. Berklee, 1986.

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(Solesmes), Abbaye Saint-Pierre, ed. La Notation musicale des chants liturgiques latins =: The musical notation of Latin liturgical chants. Editions de) Solesmes, 1996.

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Read, Gardner. 20th-century microtonal notation. Greenwood Press, 1990.

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Hebborn, Barbara. Die Dasia-Notation. Orpheus, 1995.

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Parrish, Carl. The notation of medieval music. Pendragon Press, 2009.

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Linda, Lusk, ed. Essentials of music notation. Alfred Pub. Co., 2009.

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Book chapters on the topic "Musical notation"

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Rink, John. "2.3.4. Music." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxv.35rin.

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This chapter begins by acknowledging the impossibility of capturing musical thought in notational form and by highlighting the concomitant provisionality of music scores. It then considers the creative input required of performers when they bring musical notation “to life” in sound and in time. This leads to a case study on the Polish composer Fryderyk Chopin, for whom the act of notation posed innumerable difficulties not least because he continually reimagined and revised his musical ideas. The chapter as a whole thus challenges any assumptions we might have about the identity and stability
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Rink, John. "2.3.4. Music." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.35.35rin.

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This chapter begins by acknowledging the impossibility of capturing musical thought in notational form and by highlighting the concomitant provisionality of music scores. It then considers the creative input required of performers when they bring musical notation “to life” in sound and in time. This leads to a case study on the Polish composer Fryderyk Chopin, for whom the act of notation posed innumerable difficulties not least because he continually reimagined and revised his musical ideas. The chapter as a whole thus challenges any assumptions we might have about the identity and stability
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Elster, Jaye J. "Basics of notation." In How to Swing in Musical Theatre. Routledge, 2023. http://dx.doi.org/10.4324/9781003254300-8.

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Elster, Jaye J. "Speed of notation." In How to Swing in Musical Theatre. Routledge, 2023. http://dx.doi.org/10.4324/9781003254300-9.

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de Aguiar, Vinícius Jonas. "Diagrams, Musical Notation, and the Semiotics of Musical Composition." In Diagrammatic Representation and Inference. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91376-6_73.

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Riches, Gary, Ruben Martinez, Jamie Maison, Matt Klosterman, and Mark Griffin. "Developing Notation – Audio to Musical Score." In Apple Watch for Developers. Apress, 2015. http://dx.doi.org/10.1007/978-1-4842-1338-4_5.

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Boenn, Georg. "A Shorthand Notation for Musical Rhythm." In Computational Models of Rhythm and Meter. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76285-2_3.

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Kelly, Thomas Forrest. "The Oldest Musical Notation at Montecassino." In The Sources of Beneventan Chant. Routledge, 2023. http://dx.doi.org/10.4324/9781003420699-11.

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Deford, Ruth I. "Who Devised the Proportional Notation in Isaac's Choralis Constantinus?" In Epitome musical. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.em-eb.4.9008.

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McCawley, James D. "Linguistic aspects of musical and mathematical notation." In Typological Studies in Language. John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/tsl.21.14mcc.

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Conference papers on the topic "Musical notation"

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Crozzoli, Miguel Angel, and Thor Magnusson. "Sounding Numbers: The Sonification Object as an Interface in "I Am the Ocean"." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.021.

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Designing sonification for music composition involves aesthetic and narrative manipulation through strategies based on compositional intent, sparking discussions of data clarity and understanding. This paper describes an autobiographical process of crafting an aesthetic sonification from climate change data, and its further musification. In this approach, the sonification is used as a material for composition and transformed into an interactive musical instrument, within contemporary aesthetics and live performance contexts. The sonification object becomes an interface for composition and perf
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Korade, Soham, and Suswara Pochampally. "A Notation Dataset for Indian Raga Music." In 2025 IEEE International Conference on Acoustics, Speech, and Signal Processing Workshops (ICASSPW). IEEE, 2025. https://doi.org/10.1109/icasspw65056.2025.11011153.

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N S, Krishnaraj Rao, Smitha GL, P. S. Ramesh, Nandhini T J, P. Nagaveni, and A. Balaji. "AI Framework for Keys Instruction and Music Notation." In 2024 International Conference on Communication, Computing and Energy Efficient Technologies (I3CEET). IEEE, 2024. https://doi.org/10.1109/i3ceet61722.2024.10993588.

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Žnidaršič, Jerneja, and Meta Kobal. "MUSIC TEACHERS' ATTITUDES TOWARDS COLOUR NOTATION IN ELEMENTARY SCHOOL." In 17th annual International Conference of Education, Research and Innovation. IATED, 2024. https://doi.org/10.21125/iceri.2024.0632.

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Tang, Mingni, Jiajia Li, Lu Yang, et al. "NOTA: Multimodal Music Notation Understanding for Visual Large Language Model." In Findings of the Association for Computational Linguistics: NAACL 2025. Association for Computational Linguistics, 2025. https://doi.org/10.18653/v1/2025.findings-naacl.399.

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Kuznetsova, Nataliya M., Tatyana V. Karlova, Alexander Y. Bekmeshov, and Anna N. Zapolskaya. "Ensuring the Confidentiality of Enterprise Information Resources by Means of Steganography Methods in Music Notations and Records." In 2024 International Conference "Quality Management, Transport and Information Security, Information Technologies" (QM&TIS&IT). IEEE, 2024. https://doi.org/10.1109/qmtisit63393.2024.10762943.

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Musil, Jaroslav. "Noty ve výuce předmětu Hudební výchova na základní škole: příklady využití notačního programu Sibelius." In Musica viva in schola. Masaryk University Press, 2023. http://dx.doi.org/10.5817/cz.muni.p280-0272-2023-16.

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The presented text focuses on the importance and need of teaching notation in music education at elementary schools, as well as on the role of the teacher and his approach to the issue of music education. The main aim of the paper is modern multimedia tools and technologies linked to musical notation. The possibilities of education for future and existing educators are also mentioned, including the current offer of notation software with all its functions and areas of use. The paper also provides examples of the use of the Sibelius notation program in music education, from listening to musical
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Ho, Wen-Shing. "Invention of Musical Notation Applying the Musical Notation to the Cinematic Art Language." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.31.

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Ginanjar, Rikip, and Ivan Iskandar. "MIDI Conversion to Musical Notation." In 2011 First International Conference on Informatics and Computational Intelligence (ICI). IEEE, 2011. http://dx.doi.org/10.1109/ici.2011.25.

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V, Thanammal Indu, Kishanthini M, and Gokuldhev M. "Generating Musical Compositions with GRU and LSTM Neural Networks." In 7th International Conference on Recent Innovations in Computer and Communication (ICRICC 23). International Journal of Advanced Trends in Engineering and Management, 2023. http://dx.doi.org/10.59544/fiwv3709/icricc23p25.

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The field of music generation has witnessed remarkable advancements in recent years, thanks to the emergence of deep learning techniques. In this paper, we present a novel music generation system utilizing a character level Recurrent Neural Network (char RNN) empowered by a hybrid architecture of Long Short Term Memory (LSTM) and Gated Recurrent Unit (GRU) cells. Our system is trained on a comprehensive dataset consisting of 340 tunes represented in ABC notation, a text based format for musical compositions. By predicting the subsequent character in a sequence of ABC notation, our model adeptl
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Reports on the topic "Musical notation"

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TENOR Boston 2023: The Eighth International Conference on Technologies for Music Notation and Representation. Northeastern University, 2023. http://dx.doi.org/10.17760/d20511476.

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