Relevant bibliographies by topics / Musical phenomenology

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Musical phenomenology'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Musical phenomenology"

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Kopeliuk, Oleg. "Phenomenology of style as musicological discourse." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no. 55 (2019): 7–21. http://dx.doi.org/10.34064/khnum1-55.01.

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Background. Among the studies of the last five years we note scientific researches which reveal different phenomenological concepts in musicological discourse and reveal the final maximum of the phenomenological study of music essence. R. Kurenkova’s research is one of them, which explores the content of the phenomenological approach to the analysis of musical art works, and traces the analysis of the history and theory of the phenomenological method. In V. Sokolov’s work the attention is focused on the categories of musical thinking, which for the first time becomes the subject of methodologi
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Hallowell, Sean Russell. "Towards a Phenomenology of Musical Borrowing." Organised Sound 24, no. 02 (2019): 174–83. http://dx.doi.org/10.1017/s1355771819000219.

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In discourse on the topic, the question of what constitutes a musical ‘borrowing’, if raised at all, is usually restricted in scope and framed as one of terminology – that is, of determining the right term to characterise a particular borrowing act. In this way has arisen a welter of terms that, however expressive of nuance, have precluded evaluation of the phenomenon as such. This is in part a consequence of general disregard for the fact that to conceive of musical borrowing entails correlative concepts, all of which precondition it, yet none self-evidently. Further preclusive of clarity, th
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Saba, Philip R., and Matcheri S. Keshavan. "Musical Hallucinations and Musical Imagery: Prevalence and Phenomenology in Schizophrenic Inpatients." Psychopathology 30, no. 4 (1997): 185–90. http://dx.doi.org/10.1159/000285046.

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Szyszkowska, Małgorzata A. "Musical Phenomenology: Artistic Traditions and Everyday Experience." AVANT. The Journal of the Philosophical-Interdisciplinary Vanguard 9, no. 2 (2018): 141–55. http://dx.doi.org/10.26913/avant.2018.02.09.

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Buttingsrud, Camille. "S. Høffding, A phenomenology of musical absorption." Phenomenological Reviews 5 (2019): 25. http://dx.doi.org/10.19079/pr.5.25.

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KOSILOVA, ELENA. "PHENOMENOLOGY OF MUSICAL UNDERSTANDING: THE CASE OF ROCK MUSIC." HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 11, no. 2 (2022): 607–24. http://dx.doi.org/10.21638/2226-5260-2022-11-2-607-624.

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The article deals with the problem of understanding the meaning of music on the example of rock music. The purpose of the article is to find a criterion for such an understanding. For this purpose, the question is considered as to what musical meaning is. Since rock compositions usually have a short length and one explicit melody, it can be said that musical understanding is the grasping of this melody. The question arises as to what it means to grab a melody, and whether it means the ability to sing it. Not necessarily, it turns out–rather, it means capturing its pattern. The idea that music
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VASSILEV, CHRISTIAN. "THE PHENOMENON OF MUSICAL IDENTIFICATION. A VIEW FROM HEIDEGGER’S EARLY PHENOMENOLOGY." HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 11, no. 2 (2022): 584–606. http://dx.doi.org/10.21638/2226-5260-2022-11-2-584-606.

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The starting point of the following article are statements by various prominent musical performers of the 20th century who have testified to the life-experience of musical identification, i.e. the experience of unity and oneness with music. The purpose of the article is to explore the phenomenological implications of this experience on the basis of Martin Heidegger’s early phenomenological work. The article compares Heidegger’s early view of phenomenal givenness with that of Edmund Husserl. While Husserl sees phenomenal givenness as constituted by (transcendental) consciousness, Heidegger find
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Pangnoi, Ratree, Poonpit Amatyakul, Somchai Trakarnrung, and Nachaya Natchanawakul. "Music therapy Literacy based on Boethius approach in Thailand." International Journal of Education and Literacy Studies 13, no. 2 (2025): 151–56. https://doi.org/10.7575/aiac.ijels.v.13n.2p.151.

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This study is qualitative research which focused on phenomenology of music therapy based on Boethius’ concept and approach in Thailand. The objectives of this study were to explore phenomenology and patterns of remedy through Boethius’ energy music therapy in Thailand. The participants were ninemusic therapists. In-depth data of the individual’s experience were collected and analyzed. The outcomes of this study indicated that (1) Musica Mundana (Universal music) is derived from the movement of the stars in the universe which consequently causes day, time, seasons, cosmic and the 12 zodiacs whi
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Jarvis, Simon. "Musical Thinking: Hegel and the Phenomenology of Prosody." Paragraph 28, no. 2 (2005): 57–71. http://dx.doi.org/10.3366/para.2005.28.2.57.

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Burnam, Henry. "An Unnatural Attitude: Phenomenology in Weimar Musical Thought." Journal of Music Theory 68, no. 1 (2024): 183–93. http://dx.doi.org/10.1215/00222909-10974837.

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Dissertations / Theses on the topic "Musical phenomenology"

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Friedman, Andrew Moses. "Momentum: A Phenomenology of Musical Flow and Meaning." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11641.

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The past few decades have seen a number of attempts to take musical experience seriously. We now speak of embodiment, temporality, phenomenology, gesture, and performance. While these progressive programs have doubtless begun to move music theory and analysis away from an entrenched score-based paradigm, a deep textualism persists in even the more forward-looking approaches of the discipline.<br>Music
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Magnusson, Thor. "Epistemic Tools : The Phenomenology of Digital Musical Instruments." Thesis, University of Sussex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505911.

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Digital music technologies, and instruments in particular, are the result of specific systems of thought that define and enframe the user's creative options. Distinctive divisions between digital and acoustic instruments can be traced, contrasting the conceptually based design of software with the affordances and constraints of physical artefacts. Having lost the world's gift of physical properties, the digital instrument builder becomes more than a mere luthier. The process of designing and building the instrument is transformed into a process of composition, for it typically contains a great
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Bartel, Christopher John. "The perception of music : an essay on musical understanding, phenomenology and the contents of musical experience." Thesis, King's College London (University of London), 2007. https://kclpure.kcl.ac.uk/portal/en/theses/the-perception-of-music--an-essay-on-musical-understanding-phenomenology-and-the-contents-of-musical-experience(7a57cb60-75ef-4780-9b1b-43d774d33c3c).html.

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Beaudreau, Pierre. "Recent contributions to the phenomenology of musical time : a critical survey." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100198.

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The application of phenomenological methods to the analysis of musical time is a recent development in the field of music theory. Phenomenological analyses of music take as their point of departure music as a "heard" phenomenon. This thesis provides a critical survey of the differing ways music theorists have applied phenomenology to the investigation of musical time. After presenting a general overview of the philosophical discipline of phenomenology itself, the thesis considers the work of three theorists, Judy Lochhead, Thomas Clifton, and David Lewin, who adopt a phenomenological approach
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Martin, Christopher Alan. "‘We Feed Off Each Other’: Embodiment, Phenomenology and Listener Receptivity of Nirvana’s In Utero." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143406900.

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Anderson, Andrew E. (Andrew Edwin). "A Phenomenology of Music Analysis." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc277913/.

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Many of the early writings and lectures of the German phenomenological philosopher Martin Heidegger involve investigations into the question of Being. An important part of these investigations is his examination of how we go about the everyday business of existing--doing our jobs, dealing with things in our environment, working through problems, thinking, talking--and what our ways of operating in these everyday activities tell us about our Being in general. Musicians have their own everyday musical tasks, two of the most prominent of which are composing and performing. Composers and performer
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Cooper, Alexander. "Musical connectivity in sitar and tabla performance." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31235.

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The aim of this dissertation is to define and account for experiences of musical connectivity by exploring the relationship between joint musical action and social experience through a combination of ethnographic and empirical methods. Live sitar and tabla duo performance, in the Hindustānī tradition, forms the focus of the studies. Through its approach and scope, this research contributes to a broadening of knowledge and understanding of how people play music together, and experience varying feelings of 'togetherness' while doing so, from an interdisciplinary, non- Western perspective. The
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Killian-O'Callaghan, Danaë. "Unveiling the melodic interval : a phenomenology of the musical element in human consciousness /." Connect to thesis, 2005. http://repository.unimelb.edu.au/10187/1670.

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Gubert, Priscila Medina. "A Sombra do Porvir : a fenomenologia em um processo de composição e ação musical." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/31669.

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Este trabalho apresenta uma reflexão sobre a memória do processo composicional e uma análise das características apreendidas pela consciência da compositora, através da música. As composições, que são o principal objeto de reflexão neste memorial, tiveram como premissa estética o conceito de sombra, o qual inspirou as tomadas de decisão. O procedimento primordial, para a elaboração das peças, constitui-se a partir da ação, a qual é tomada como ponto de partida para a caracterização e a identidade expressiva da composição, fundamentalmente relacionada à performance. A análise é amparada pela Fe
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Mickey, Samuel Robert. "Sounding sacred: Interpreting musical and poetic trances." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5261/.

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This essay investigates the relationship between trance and various musical and poetic expressions that accompany trance when it is interpreted as sacred. In other words, the aim of this investigation is to interpret how experiences of the entrancing power of the sacred come to expression with the sounds of music and poetry. I articulate such an interpretation through the following four sections: I) a discussion of the basic phenomenological and hermeneutic problems of interpreting what other people experience as sacred phenomena, II) an account of the hermeneutic context within which modern
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Books on the topic "Musical phenomenology"

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Høffding, Simon. A Phenomenology of Musical Absorption. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00659-4.

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Tenney, James. Meta+hodos: A phenomenology of 20th century musical materials and an approach to the study of form ; and Meta meta+hodos. 2nd ed. Frog Peak Music, 1992.

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Tenney, James. META + HODOS: A phenomenology of 20th-century musical materials and an approach to the study of form and META meta + hodos. 2nd ed. Frog Peak Music, 1988.

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Tenney, James. META + HODOS: A phenomenology of 20th-century musical materials and an approach to the study of form and META meta + hodos. 2nd ed. Edited by Tenney James and Polansky Larry 1954-. Frog Peak Music, 1988.

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Tenney, James. Meta (+) hodos: A phenomenology of 20th century musical materials and an approach to the study of form ; and Meta meta+hodos. 2nd ed. Frog Peak Music, 1988.

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Tenney, James. META (+) HODOS: A phenomenology of twentieth-century musical materials and an approach to the study of form and META Meta (+) Hodos. 2nd ed. Frog Peak Music, 1988.

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Tenney, James. Meta+Hodos: A phenomenology of 20th-century musical materials and an approach to the study of form ; and, META meta+Hodos. 2nd ed. Frog Peak Music, 1992.

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Tenney, James. Meta+hodos: A phenomenology of 20th century musical materials and an approach to the study of form ; and Meta meta+hodos. 2nd ed. Frog Peak Music, 1992.

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Astor, Miguel. Aproximación fenomenológica a la obra musical de Gonzalo Castellanos Yumar. Comisión de Estudios de Postgrado, Facultad de Humanidades y Educación-Universidad Central de Venezuela, 2002.

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Stubley, Eleanor Victoria. An exploration of verbal description and reflection as a means of exploring how musical meanings are shaped and understood in light of theories of Thomas Clifton and Michael Parsons. s.n.], 1989.

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Book chapters on the topic "Musical phenomenology"

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Elliott, Rachel. "Musical Epistemology." In A Critical Phenomenology of Music. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-92111-7_2.

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Mori, Mototaka. "Musical Foundation of Interaction: Music as Intermediary Medium." In Contributions to Phenomenology. Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-01390-9_19.

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Høffding, Simon. "A Topography of Musical Absorption." In A Phenomenology of Musical Absorption. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00659-4_4.

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Stascheit, Andreas Georg. "The Musical Foundations of Alfred Schutz’s Hermeneutics of the Social World." In Contributions to Phenomenology. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6034-9_8.

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Elliott, Rachel. "The Role of Others in Musical Experience." In A Critical Phenomenology of Music. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-92111-7_8.

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Høffding, Simon. "How Should We Study Musical Absorption? The Phenomenological Interview." In A Phenomenology of Musical Absorption. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00659-4_2.

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Høffding, Simon. "From Ragdoll to Battle Commander: The Experiences of Musical Absorption." In A Phenomenology of Musical Absorption. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00659-4_3.

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Høffding, Simon. "Introduction." In A Phenomenology of Musical Absorption. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00659-4_1.

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Høffding, Simon. "Performative Passivity." In A Phenomenology of Musical Absorption. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00659-4_10.

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Høffding, Simon. "The Hive Mind: Playing Together." In A Phenomenology of Musical Absorption. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00659-4_11.

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Conference papers on the topic "Musical phenomenology"

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Tagiltseva, Natalia G. "Beatbox Subculture In The Development Of Musical Abilities Of Adolescents." In Psychology of subculture: Phenomenology and contemporary tendencies of development. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.07.91.

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