Relevant bibliographies by topics / Musical prescription

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Musical prescription'

Author: Grafiati
Published: 1 June 2024
Last updated: 31 July 2025

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Journal articles on the topic "Musical prescription"

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Whittaker, Adam. "Investigating the canon in A-Level music: Musical prescription in A-level music syllabuses (for first examination in 2018)." British Journal of Music Education 37, no. 1 (2018): 17–27. http://dx.doi.org/10.1017/s0265051718000256.

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AbstractThe canon forming the backbone of most conceptions of Western music has been a feature of musical culture for decades, exerting an influence upon musical study in educational settings. In English school contexts, the once perceived superiority of classical music in educational terms has been substantially revised and reconsidered, opening up school curricula to other musical traditions and styles on an increasingly equal basis. However, reforms to GCSE and A-levels (examinations taken aged 16 and 18 respectively), which have taken place from 2010 onwards, have refocused attention on ca
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Mlynek-Kalman, Anna, and Jane Southcott. "Changing musical self-efficacy for Australian early childhood educators, teachers and carers." International Journal of Music in Early Childhood 18, no. 2 (2023): 145–64. http://dx.doi.org/10.1386/ijmec_00064_1.

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Early childhood educators (ECEs), teachers and carers in Australia have been developing an awareness and understanding of the fundamental importance of discovery play and process in various aspects of children’s learning since 2009. The focus in most areas of the curriculum has shifted from teacher directed rote learning, based on outcome or product to children’s playful, experiential, discovery processes in line with the Australian developed Early Years Learning Framework (EYLF). ECEs, teachers and carers have developed an awareness of process pertaining to most aspects of the early childhood
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Lorenzoni, Valerio, Tijl De Bie, Thierry Marchant, Edith Van Dyck, and Marc Leman. "The effect of (a)synchronous music on runners’ lower leg impact loading." Musicae Scientiae 23, no. 3 (2019): 332–47. http://dx.doi.org/10.1177/1029864919847496.

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Running with musical accompaniment is becoming increasingly popular and several pieces of software have been developed that match the music tempo to the exerciser’s running cadence, that is, foot strikes per minute. Synchronizing music with running cadence has been shown to affect several aspects of performance output and perception. The purpose of this study was to investigate the effect of synchronous music on runners’ foot impact loading. This represents the ground reaction force on the runner’s lower leg when the foot impacts the ground and is an important parameter for the prevention of t
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Gilbert, Joel, Sylvain Maugeais, and Christophe Vergez. "Minimal blowing pressure allowing periodic oscillations in a simplified reed musical instrument model: Bouasse-Benade prescription assessed through numerical continuation." Acta Acustica 4, no. 6 (2020): 27. http://dx.doi.org/10.1051/aacus/2020026.

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A reed instrument model with N acoustical modes can be described as a 2N dimensional autonomous nonlinear dynamical system. Here, a simplified model of a reed-like instrument having two quasi-harmonic resonances, represented by a four dimensional dynamical system, is studied using the continuation and bifurcation software AUTO. Bifurcation diagrams of equilibria and periodic solutions are explored with respect to the blowing mouth pressure, with focus on amplitude and frequency evolutions along the different solution branches. Equilibria and periodic regimes are connected through Hopf bifurcat
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Helitzer, E., and H. Moss. "Group singing for health and wellbeing in the Republic of Ireland: the first national map." Perspectives in Public Health 142, no. 2 (2022): 102–16. http://dx.doi.org/10.1177/17579139221081400.

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Aims: (1) To catalogue and map all singing for health and wellbeing groups in the Republic of Ireland (ROI); (2) determine how they prioritise health outcomes; (3) understand what they consider success; and (4) identify gaps in provision. Methods: A novel mixed-methods survey was distributed electronically through SING Ireland (the Choir Association of Ireland), artsandhealth.ie, and to 2736 potential stakeholders with links to singing for health and wellbeing and singing on social prescription (SSP) from October 2020 to April 2021. Thematic analysis was used to analyse four open-ended survey
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Лыжов, Г. И. "Рецензия и кода к статье Ларисы Гервер «Идея и ее графическое выражение: метротектонические планы баховских фуг в архиве Георгия Конюса»". Музыкальная академия, № 2(790) (27 червня 2025): 46–57. https://doi.org/10.34690/460.

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Первая часть публикации представляет собой рецензию на статью Л. Л. Гервер «Идея и ее графическое выражение. Метротектонические планы баховских фуг в архиве Г. Э. Конюса». В рецензии дана высокая оценка работы Л. Л. Гервер и подчеркиваются ее источниковедческие и аналитические достоинства, позволяющие автору сказать новое слово в исследовании одного из наиболее оригинальных явлений русской музыкальной теории начала ХХ века. Второй раздел настоящей публикации — рассуждение на темы, хотя и выходящие за пределы изучения метротектонизма, но косвенно с ним связанные. Рассуждение построено как комме
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Costa Gálvez, Lola. "Como lo oyes. La publicación de listados de reproducción de los programas temáticos musicales en la radio de titularidad pública en España." Tripodos, no. 33 (June 4, 2025): 73–98. https://doi.org/10.51698/tripodos.2013.33.73-98.

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Throughout its history, there have been numerous occasions on which radio has been sentenced to death. Video killed the radio star, prayed The Buggles’s song, and recently Berry (2006) went back to this subject in his article “Will the iPod Kill the Radio Star?”. Prescription and legitimacy are concepts associated with specialized music radio, they and can they be a lifeline for a public service which is in permanent crisis. Playlists are essential for music radio programming, although their publication is a different matter. The possibility of accessing musical works exactly as “it is heard”
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Kovtoniuk, Valeriya. "A performing musician’s oeuvre through the prism of phenomenology." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (2018): 8–16. http://dx.doi.org/10.34064/khnum1-50.01.

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Background. Continuing trends dated back in the second part of XIX century music culture concentrate on a figure of performing musician. Commercialization an academic art: popularity of performance awards, media supporting for new formats of concert performance, etc. facilitates this largely. Objectives. Public interest conditioned an appearance a lot of scientific research inscribed to problems of musical interpretation. However, a performing oeuvre learning the product, fixation of which even taking to account modern recording capabilities are relative, warrants specific methods. In particul
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Chernysheva, Ekaterina N., and Svetlana A. Tyaglova. "FORMATION OF CULTURAL VALUES OF STUDENTS IN THE PROCESSING OF RUSSIAN FOLK SONGS." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 223–30. http://dx.doi.org/10.17223/22220836/42/19.

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The article proposes the author's version of the in-depth work with the folk original source, which contributes to the formation of cultural values of students in the course of the Arrangement course of the teaching course Academic Choir at the Tyumen State Institute of Culture. A distinctive feature of the course is the regional component – Russian folk songs of the Tyumen region and the region are used as musical material for student work. As part of the study, we identified the following contradictions: – between the prescription of the State educational standards on interdisciplinary disci
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Garrido, Sandra, Emery Schubert, and Daniel Bangert. "Musical prescriptions for mood improvement: An experimental study." Arts in Psychotherapy 51 (November 2016): 46–53. http://dx.doi.org/10.1016/j.aip.2016.09.002.

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Dissertations / Theses on the topic "Musical prescription"

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Choquet, Anastasia. "Le métier de programmateur musical à Radio France : analyse d’un groupe professionnel d’intermédiaires culturels de service public à l’ère du numérique." Electronic Thesis or Diss., Université Paris-Panthéon-Assas, 2023. http://www.theses.fr/2023ASSA0075.

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Dans un contexte de crise de la prescription culturelle, cette thèse propose l'analyse d'un groupe professionnel d'intermédiaires culturels de service public, les programmateurs musicaux de Radio France. Face à la perte d'audience des radios musicales, à la concurrence des plateformes de streaming et à l'introduction de technologies numériques dans les pratiques professionnelles de programmation musicale à Radio France, comment évoluent les frontières d'un groupe professionnel de service public ? Soumis à des missions de service public qui leur donne un rôle a priori singulier dans l'espace ra
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McAfee, Kay Roberts. "Rhetorical Analysis of the Sonatas for Organ in E Minor, BWV 528, and G Major, BWV 530, by Johann Sebastian Bach a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, D. Buxtehude, C. Franck, and Others." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331342/.

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This dissertation is an analysis of two of the six sonatas for organ using rhetorical-musical prescriptions from seventeenth and eighteenth-century German theorists. It undertakes to examine the way in which lines are built by application of figurae, to observe the design of each of the six movements, and to draw conclusions concerning implications for performance based upon the use of figurae in specific contexts. The period source on melodic design and the ordering of an entire movement based upon principles of rhetoric is Johann Mattheson's Per volkommene Capelmeister (1739). Guidelines for
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"Exercises for Excerpts: A Prescriptive Approach for the Developing Orchestral Tubist." Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.57322.

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abstract: This document details the conception and creative process of fundamental exercises intended for the refinement of orchestral repertoire for the tuba. Performance practices and study materials that relate to the orchestral tubist have evolved significantly over the instrument’s history. Although much of its current methodology is derived from the pedagogical insights of the brass family, resources intended to specifically address the unique musical and technical challenges of the tuba have become more prevalent in the past decade. This study aims to detail the conception of exercises
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Books on the topic "Musical prescription"

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Emmons, Shirlee. Prescriptions for choral excellence: Tone, text, dynamic leadership. Oxford University Press, 2006.

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Zhang, Fujiang. 四庫全書圖鑒. Dong fang chu ban she, 2004.

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Moore, Rojay. Prescriptions for Musical Development. PublishAmerica, 2004.

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Music and cancer: A prescription for healing. Jones and Bartlett Publishers, 2010.

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Chase, Constance, and Shirlee Emmons. Prescriptions for Choral Excellence. Oxford University Press, 2006.

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Chase, Constance, and Shirlee Emmons. Prescriptions for Choral Excellence. Ebsco Publishing, 2006.

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Wolterstorff, Nicholas. What is liturgy? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805380.003.0002.

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The nature of liturgy is explained in this chapter by first analyzing the nature of an enactment of some liturgy. The main argument is that liturgical enactments are a species of scripted activity, resembling, in that respect, games, musical performances, dramatic performances, and the like. Associated with every liturgy is a set of prescriptions for the correct enactment of that liturgy; Call that the script for that liturgy. The liturgy itself is then that sequence of act-types that is enacted when the prescriptions associated with that liturgy are faithfully followed. A liturgy is thus a un
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Book chapters on the topic "Musical prescription"

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Garrido, Sandra. "Musical Prescriptions: Do They Work?" In Why Are We Attracted to Sad Music? Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_9.

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Jacobsen, Stine Lindahl, Helle Nystrup Lund, and Lars Rye Bertelsen. "Music as an Integral Part of “Culture on Prescription”." In Music and Public Health. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76240-1_13.

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Bisaro, Xavier. "D’un concile à l’autre: aux sources des prescriptions musicales du Concile de Trente." In The Council of Trent: Reform and Controversy in Europe and Beyond (1545-1700). Vandenhoeck & Ruprecht, 2018. http://dx.doi.org/10.13109/9783666551093.145.

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Cook, Nicholas. "Introduction: Steps towards Analysis." In Analysing Musical Multimedia. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198165897.003.0005.

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Abstract One conclusion seems to be insistent.’ writes Roger Parker towards the end of his article ‘Verdi through the Looking-Glass’. ‘It is that ... we can espouse no “ideal” way in which words and music will make drama together, and that we should be careful not to approach the issue with unconscious a priori assumptions.’ 1 As I tried to show in Chapter 3-and the point applies to multimedia in general, not just to opera-the traditional language for analysing the interaction of different media is thoroughly entangled with prescription, implicit valuejudgement, and unsupported generalization.
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Kivy, Peter. "Making the Codes and Breaking the Codes: Two Revolutions in Twentieth-Century Music." In New Essays on Musical Understanding. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198250838.003.0004.

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Abstract The title of this chapter taps into two senses of the word ‘code’: the sense in which a code is a kind of language, as where one devises a code for conveying secret messages, and the sense in which a code is a prescription for behavior, as where a restaurant imposes a dress code on its patrons. Of course my subject is music, not cryptography or etiquette, so I will begin by stating briefly what it is in the musical experience that I think best exemplifies the linguistic sense of a code, and what the prescriptive sense. When I have done this I can then be more specific about the direct
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Juslin, Patrik N. "Setting the Stage." In Musical Emotions Explained. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198753421.003.0001.

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This chapter sets the stage by introducing the field of music and emotion. It addresses the following questions: Why do musical emotions matter? Why did Freud not enjoy music? Studies show that in both ‘primitive’ cultures and modern society, a considerable amount of time is spent on singing, music, and dance. And it is not just time: According to musicologist David Huron (2001), people in North America spend more money on music than on prescription drugs. There are a number of theories about the possible origin and function of music, for instance that music originally served a purpose in pare
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Williams, James. "Collaborative composition and performance in arts and health workshops." In Together in Music. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198860761.003.0033.

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The “Collective Music-Making as Social Interaction” (CMSI) study was conducted at Vic University, Catalonia. The project was a music-based arts and health workshop, featuring as part of the University’s Art as a Tool for Social Transformation program, aimed to explore how music and the design of bespoke notation can be used in groups to support social interaction among participants. Findings identified within the experiences of participants included discovery, expression, perception, recognition, imagination, communication, cohesiveness, confidence, and self-esteem. The project reveals how a c
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Wilson, Ruth M. "Chanting Service and Double Tune." In Anglican Chant and Chanting in England, Scotland, and America 1660 to 1820. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198164241.003.0004.

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Abstract The object of saving time could have been more readily attained, and a far better effect produced, by reserving certain portions of the work to be sung in harmony; and chanting, either in unison or harmony, the rest. Such a course would have been ... more in accordance with the primitive model; and would also afford great opportunity for the development of modem genius. For Short Services, this idea may not be without value to future composers for the Church, should any such arise. The task of the church-music composer to provide suitable and acceptable liturgical music for the ‘daily
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Favila, Cesar D. "Sonic Thresholds." In Immaculate Sounds. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197621899.003.0003.

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Abstract Through the interrogation of canonical, theological, mystical, acoustical, and architectural circumstances, this chapter examines prescriptions around the performance of music within nuns’ convents in New Spain. Most details of the embodied musical world of the nuns were highly regulated following an ordered monastic tradition, including the when, where, and how convent choirs would sing. Among these prescriptions, the convents’ architectural spaces, the coros, not only determined the physical disposition for the performance of music and sometimes the veiling of its source but also we
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Campbell, Patricia Shehan. "For Children: Prospects for Their Musical Education." In Songs in Their Heads. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195111002.003.0004.

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Abstract This third section reflects on the dialogues and descriptions of children’s musical repertoire, practices, and thoughts and looks ahead to possible interventions: school music practices, training through lessons, and parent-guided musical enrichment for children. It considers who the children musically are au naturel—in their natural state—and suggests possibilities for all that they can musically become. Thus, this is prescriptive as well as descriptive, in that it acknowledges the voices of children and recommends channels for their development in and through music. It is important
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Conference papers on the topic "Musical prescription"

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Hishida, Hirotoshi, Shigehiro Hashimoto, Kaito Saeki, Hikaru Kono, and Keiko Hishida. "Basic Research on Music Prescriptions - Second Experiment With Classical Music." In ASME 2023 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/imece2023-113358.

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Abstract The authors assume that the stress state can be expressed by a value, SMB, and are trying to develop a method to change the value in an appropriate direction by music. This paper compares the results of the music therapy experiment conducted in 2022 with those in 2020. Subjects are recruited and classified into four groups according to whether they know the pieces played and whether they like the music. Some subjects wear the pulse oximeter throughout the concert. Other methods are employed to measure the stress states of all subjects at the beginning, the intermission, and the end of
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Landry, Steven, Yuangjing Sun, Darnishia Slade, and Myounghoon Jeon. "Tempo-Fit Heart Rate App: Using Heart Rate Sonification As Exercise Performance Feedback." In The 22nd International Conference on Auditory Display. The International Community for Auditory Display, 2016. http://dx.doi.org/10.21785/icad2016.018.

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Physical inactivity is a worldwide issue causing a variety of health problems. Exploring novel ways to encourage people to engage in physical activity is a topic at the forefront of research for countless stakeholders. Based upon a review of the literature, a pilot study, and exit interviews, we propose an app prototype that utilizes music tempo manipulation to guide users into a target heart rate zone during an exercise session. A study was conducted with 26 participants in a fifteenminute cycling session using different sonification mappings and combinations of audiovisual feedback based on
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Ezzaidi, Hassan, and Jean Rouat. "Automatic music genre classification using second-order statistical measures for the prescriptive approach." In Interspeech 2005. ISCA, 2005. http://dx.doi.org/10.21437/interspeech.2005-88.

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Churakov, A. A. "КОМБИНИРОВАННАЯ ЭРИКСОНОВСКАЯ ПСИХОТЕРАПИЯ В КОМПЛЕКСНОМ ЛЕЧЕНИИ КОМОРБИДНОГО ПАЦИЕНТА". У ПЕРВЫЙ МЕЖКОНТИНЕНТАЛЬНЫЙ ЭКСТЕРРИТОРИАЛЬНЫЙ КОНГРЕСС «ПЛАНЕТА ПСИХОТЕРАПИИ 2022: ДЕТИ. СЕМЬЯ. ОБЩЕСТВО. БУДУЩЕЕ». Crossref, 2022. http://dx.doi.org/10.54775/ppl.2022.78.49.001.

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Patient «C», 51 years old, works as an oncologist in a hospital, mostly night duties. Complaints of anxiety; reduced mood; hopelessness, “all is bad: health, work, family”; guilt; weakness; apathy, suicidal thoughts; sleep disturbance; chronic back pain; feeling of incomplete bladder emptying. He associates the complaints with high stress at work and with the fact that he does not have time to recover from night duty, with a sense of hopelessness due to his inability to help some patients. He was observed by an interdisciplinary team of specialists including a psychotherapist, a urologist and
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