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Journal articles on the topic 'Musical radio programs'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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1

Samigullina, Rufina Ildarovna. "Features of musical enlightenment in Russia in the second half of the twentieth century." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 8 (January 11, 2018): 205–11. http://dx.doi.org/10.18844/prosoc.v4i8.3051.

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Musical enlightenment is an actual problem of modern education. It involves dissemination of knowledges among the audience, the development of artistic needs, interest in music. By the second part of the 20th century, Russia has accumulated a wealth of experience of musical enlightenment activities. The Russian experience in the training of musicians has become an example for other countries, the concept of mass musical education developed by Kabalevsky, is the basis of many contemporary programs in music, various forms of musical education (people's universities, television & radio concer

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2

Vesic, Ivana. "Radio Belgrade in the process of creating symbolic boundaries: The example of the folk music program between the Two World Wars (1929-1940)." Muzikologija, no. 14 (2013): 31–55. http://dx.doi.org/10.2298/muz1314031v.

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This article deals with the process of creation of symbolic boundaries in the context of designing the folk music programs at Radio Belgrade since its foundation until the beginning of World War Two. A detailed insight into the musical contents aired on Radio Belgrade, the texts on folk music published in the radio weekly magazine (Radio Belgrade), and the preserved memoirs, with an emphasis on their broader socio-cultural and socio-political significance, has enabled me to single out the factors and mechanisms that played a key role in defining the boundaries of folk music. I will analyse the

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Anarbek, A., D. A. Alkebaeva, and Zh B. Satkenova. "PRAGMASTYLISTIC OF MODERN KAZAKH RADIO." Tiltanym, no. 2 (June 30, 2023): 39–48. http://dx.doi.org/10.55491/2411-6076-2023-2-39-48.

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The topical issue today is the study of the pragmastylistics of Kazakh radio. Despite the fact that the history of Kazakh radio has been studied well enough, the pragmatics and stylistics of the programs did not become the object of research. Another reason for the relevance of the study of pragmatic radio broadcasts is that recently radio journalism has departed from the classical canons. Genres are being transformed, the relevance of broadcasts, and news reports is losing, an increase in thematic and musical programs as a result, an increase in dialogues, and the prevalence of oral style ove

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Simonton, Dean Keith. "Drawing Inferences from Symphonic Programs: Musical Attributes versus Listener Attributions." Music Perception 12, no. 3 (1995): 307–22. http://dx.doi.org/10.2307/40286186.

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In classical music listening, program announcements both on radio and in concerts will usually introduce the performance of a symphony with the same minimal articles of information, such as the composer, the order of composition, the key, and the name, if any. But how much can a listener infer about the musical attributes of the work from these basic facts? Examination of 99 symphonies by 13 symphonists between Beethoven and Shostakovich showed that such rudimentary programmatic data can predict several subjective and objective features, including aesthetic significance, listener accessibility

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Baskoro, Rico Fajar, and Media Sucahya. "Mandiri FM Cilegon Radio Broadcasting Management Strategy in Attracting Listeners' Interest in The Nyenyore Program." LONTAR: Jurnal Ilmu Komunikasi 11, no. 2 (December 30, 2023): 177–84. http://dx.doi.org/10.30656/lontar.v11i2.7814.

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Nyenyore is one of the broadcast programs on Radio Mandiri FM Cilegon. This program provides musical entertainment and information about community activities in the afternoon. However, this program is relatively new, this makes it difficult for Radio Mandiri FM to get listeners due to the decreasing intensity of conventional radio listeners and other private radio broadcasting institutions that have long broadcast primetime programs. To overcome this, proper management of radio broadcasting is needed so that the jam program can be packaged properly. This study uses a post-positivist paradigm t

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6

Synieokyi, O. "The study of sessional recordings of 1962-1972 from the BBC radioarchive (The Beatles, Pink Floyd, Deep Purple)." Visnyk of Kharkiv State Academy of Culture, no. 59 (July 16, 2021): 19–32. http://dx.doi.org/10.31516/2410-5333.059.02.

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Due to the recent increase in research interest in phono documents, which were created specifically for radio, a documentary analysis of the creation of music programs of the British Broadcasting Corporation is provided. Particular attention is paid to an overview of the chronology of recording sessions for a number of selected bands from the BBC’s archival collection (1962–1972). The role of John Peel in the creation of creative music programs within the framework of “Radio 1” was noted. The study showed that the digitalization of archival space has brought new opportunities for finding lost

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7

Howe, Sondra Wieland. "The NBC Music Appreciation Hour: Radio Broadcasts of Walter Damrosch, 1928–1942." Journal of Research in Music Education 51, no. 1 (April 2003): 64–77. http://dx.doi.org/10.2307/3345649.

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Walter Damrosch, a pioneer in the early days of radio, introduced American and Canadian children to classical music through the radio broadcasts of the NBC Music Appreciation Hour, 1928–1942. This article contains a description of the format of the programs and instructional manuals. It includes a discussion of the programs sponsorship, Damroschs collaboration with MENC, and the national impact of the broadcasts. The Music Appreciation Hour broadcast four series of programs for four different age-groups, and various authors prepared instructors manuals and student notebooks. The successful pro

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AKHMADIEVA, N. V. "THE HISTORY OF THE DEVELOPMENT OF THE MUSICAL CULTURE OF BASHKIRIA IN THE 1950S - MID-1980S." Izvestia Ufimskogo Nauchnogo Tsentra RAN, no. 4 (December 13, 2021): 75–82. http://dx.doi.org/10.31040/2222-8349-2021-0-4-75-82.

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In the 1950s-1980s. the musical culture of Bashkiria was further developed, acquiring specific forms. As a result of the influence of various musical cultures, forms of professional art that were not inherent in traditional national culture were actively developing in the republic. Historically, the artistic and aesthetic experience of Bashkiria was limited to monodic forms of folk music (monophonic songs and instrumental tunes). The problem of overcoming the predominance of traditional monody in professional musical culture was urgent. Having adopted and creatively using the best traditions o

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Fomytsia, Oleksii. "Musical design of news TV and radio programs as a means of influence on the masses." Obraz 2, no. 31 (2019): 13–21. http://dx.doi.org/10.21272/obraz.2019.2(31)-13-21.

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Collins, Nick. "The Analysis of Generative Music Programs." Organised Sound 13, no. 3 (November 3, 2008): 237–48. http://dx.doi.org/10.1017/s1355771808000332.

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AbstractComposers have spent more than fifty years devising computer programs for the semi-automated production of music. This article shall focus in particular on the case of minimal run-time human intervention, where a program allows the creation of a musical variation, typically unravelling in realtime, on demand. These systems have the capacity to vary their output with each run, often from no more input information than the seeding of a random number generator with the start time. Such artworks are accumulating, released online as downloads, or exhibited through streaming radio sites such

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Hyrina, T. "СТАНОВЛЕННЯ ПРОФЕСІЙНОЇ КОМПЕТЕНТНОСТІ ПРОДУЦЕНТІВ РАДІОПРОГРАМ ДУХОВНОЇ ТЕМАТИКИ В УКРАЇНСЬКІЙ ЕМІГРАЦІЇ". State and Regions. Series: Social Communications, № 1(49) (23 березня 2022): 42. http://dx.doi.org/10.32840/cpu2219-8741/2022.1(49).6.

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<p><strong><em>The purpose</em></strong><em> of the article is to comprehend the aspect of religious radio broadcasting in the structure of radio programs of Ukrainian emigration in the radio space of foreign countries in the twentieth century.</em></p><p><strong><em>The research methodology </em></strong><em>is based on the use of general scientific methods of archival research (digitized issues of the Ukrainian daily «Svoboda» in 1935–1991 available in free access), monitoring of identified mentions of the pr

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Hirina, T. "ЕКСПЛІКАЦІЯ НАЦІОНАЛЬНОЇ ІДЕНТИЧНОСТІ УКРАЇНСЬКОЇ ГРОМАДИ У ВІДЧИТАХ НА РАДІО ПІВНІЧНОЇ АМЕРИКИ У 1933 Р." State and Regions. Series: Social Communications, № 4(48) (2 лютого 2022): 26. http://dx.doi.org/10.32840/cpu2219-8741/2021.4(48).4.

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<p><strong><em>The purpose </em></strong><em>of the article is to trace the peculiarities of conversational radio programs organized by Ukrainians in the countries of North America in 1933.</em></p><p><strong><em>The research methodology</em></strong><em> is based on the use of general scientific methods of analysis, synthesis, as well as deductive and observational methods; implementation of historiographical, method of monitoring archival sources, clipping of individual messages according to the specified sea

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Nomogoeva, V. V., and B. B. Shagdarova. "Radio propaganda in Process of Soviet Modernization of Society in 1930<sup>s</sup> in Buryatia." Nauchnyi dialog 11, no. 1 (January 28, 2022): 434–51. http://dx.doi.org/10.24224/2227-1295-2022-11-1-434-451.

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The features of the formation and development of wire broadcasting in the Buryat-Mongolian ASSR in the second half of the 1930s are analyzed. On the basis of previously introduced into scientific circulation and new archival documents, the authors prove that in the context of the organizational and technical strengthening of radio, the development of mass-political and cultural-educational propaganda, the state has made serious efforts to give the auditory means of communication the most important role of political and cultural education of citizens, increase their educational level and social

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Shansky, Carol L. "“We Are Aiming for Quality and Good Music”: The Hebrew Orphan Asylum Harmonica band (NYC) and Music Education, 1924–1930." Journal of Historical Research in Music Education 42, no. 1 (June 9, 2019): 46–70. http://dx.doi.org/10.1177/1536600619853885.

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Once referred to as “the most maligned musical instrument on earth,” the harmonica holds an important historical place in music education as an instrument around which bands were formed, solo and ensemble competitions were held, and in some cases, careers were born. Much of this activity centered itself on city recreation programs as well as public schools. The instrument’s size, low price, and relative ease of sound production were appealing for these organizations. The boys and girls that lived and studied at the Hebrew Orphan Asylum of New York City were engaged participants in these contes

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Hirina, T., and N. Zykun. "Chronicles of Affirmation of the Image of Ukrainians in the North American Multicultural Media Space (1930 – beginning of 1931)." State and Regions. Series: Social Communications, no. 2(42) (March 18, 2020): 28. http://dx.doi.org/10.32840/cpu2219-8741/2020.2(42).4.

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<p class="44444"><em>The methodological basis of the conducted research is based on the use of methods of monitoring and analysis of documents; generalization by the method of qualitative and quantitative study of primary and secondary information. Selection for the analysis of archival periodicals was made on the chronological principle of 1930 – early 1931. At the first stage, a qualitative analysis was carried out, which further deepened the logical studies of the content of radio programs, tracking the transformation processes in radio broadcasting caused by the evolution of id

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Lepa, Steffen, Jochen Steffens, Martin Herzog, and Hauke Egermann. "Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking of Previously Unknown Music." Media and Communication 8, no. 3 (August 13, 2020): 191–204. http://dx.doi.org/10.17645/mac.v8i3.3153.

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Our contribution addresses popular music as essential part of media entertainment offerings. Prior works explained liking for specific music titles in ‘push scenarios’ (radio programs, music recommendation, curated playlists) by either drawing on personal genre preferences, or on findings about ‘cognitive side effects’ leading to a preference drift towards familiar and society-wide popular tracks. However, both approaches do not satisfactorily explain why previously unknown music is liked. To address this, we hypothesise that unknown music is liked the more it is perceived as emotionally and s

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Vuletic, Dean. "Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s." Nationalities Papers 36, no. 5 (November 2008): 861–79. http://dx.doi.org/10.1080/00905990802373579.

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Popular music is one of the cultural phenomena that has been most shared among the peoples inhabiting the territory of the former Yugoslavia; indeed, considering the persistence of a common popular music culture there even after the break up of the Yugoslav federation in 1991, there is perhaps little in cultural life that unites them more. It was in the 1950s that a Yugoslav popular music culture emerged through the development of local festivals, radio programs and a recording industry, at a time when popular music was also referred to as “dance,” “entertainment” or “light” music, and when ja

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А.Н., Соколова,. "Facets of the Creative and Scientific Activities of Shaban Salikhovich Shu: On the Occasion of the 100th Anniversary of His Birth." Nasledie Vekov, no. 3(31) (September 30, 2022): 90–101. http://dx.doi.org/10.36343/sb.2022.31.3.006.

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Статья является первой попыткой создания научной биографии Шабана Салиховича Шу, выдающегося ученого и общественного деятеля Адыгеи. Автором определяется значение личности и деятельности Ш. С. Шу для развития адыгской музыкальной культуры и осмысления ее истории. Источниками послужили научные и методические труды Ш. С. Шу, сведения о его биографии и творчестве, приводимые в работах исследователей адыгской культуры, личные воспоминания автора. Выявлены и в хронологической последовательности описаны события жизни и творческой деятельности Ш. С. Шу, показана его роль в воспитании талантливой моло

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Сherkasov, Volodymyr. "FORMATION OF MUSIC AND PEDAGOGICAL EXPERIENCE OF MUSIC ART TEACHERS GENERAL EDUCATIONAL INSTITUTIONS." Academic Notes Series Pedagogical Science 1, no. 190 (November 2020): 56–62. http://dx.doi.org/10.36550/2415-7988-2020-1-190-56-62.

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The article proves the possibility of forming the ability to understand music by primary school students. The influence of program works of the school program on the perception and understanding of music of different genres is proved by concrete examples. The educational influence of works of musical art on the formation of the artistic and emotional sphere of personality is proved. The formation of the ability to understand works of music by primary school students occurs in a certain sequence based on teacher-student interaction, both in music lessons and during extracurricular work on artis

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Ермоленкина, Лариса Ивановна. "Dialogue of Radio Speech as the mechanism of the realization of discursive monitoring." Tomsk state pedagogical university bulletin, no. 6(230) (November 30, 2023): 39–48. http://dx.doi.org/10.23951/1609-624x-2023-6-39-48.

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В статье рассматриваются способы реализации дискурсивного контроля, действующие в коммуникационном пространстве развлекательного и информационно-аналитического радио. Технологические и социокультурные преобразования медийного дискурса радио указывают на значимость в его организации адресата, активно участвующего в диалогах с ведущим посредством телефонной связи. Одним из основных способов удовлетворения запроса массовой аудитории на индивидуализированный характер присутствия в медийном пространстве становится формирование в институциональном дискурсе радио пространства межличностной коммуникац

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Guerrero Pérez, Enrique, and Patricia Diego. "La producción de programas musicales en la televisión pública española (1990-2010)." Estudios sobre el Mensaje Periodístico 26, no. 2 (April 4, 2020): 597–609. http://dx.doi.org/10.5209/esmp.67935.

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Este artículo tiene como objeto ofrecer un recorrido por la historia de la producción de los programas musicales en la televisión pública española durante el periodo 1990-2010. Con esta finalidad, se ha consultado el archivo histórico digital de Radio Televisión Española como fuente primaria. A continuación, se ha completado la información con el análisis de fuentes secundarias como las secciones televisivas de la prensa nacional, publicaciones especializadas en televisión y bases de datos online como IMDb. Siguiendo un método de investigación inductivo, las conclusiones derivadas del estudio

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Pivnitskaya, Olga V. "A True Teacher Is the One from Whom You Want to Learn All Your Life." Musical Art and Education 8, no. 3 (2020): 149–58. http://dx.doi.org/10.31862//2309-1428-2020-8-3-149-158.

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This article is an attempt to show the beginning of Eduard Borisovich Abdullin’s creative path in the pedagogy of music education, in particular, his experience in teaching as an artistic director and conductor of the choir studio “Melodia” of the Palace of Pioneers in the city of Podolsk, Moscow Region. As a graduate student of the Lenin Moscow State Pedagogical Institute, the young teacher achieved tremendous creative success: the choir studio under his direction performed in the Great Hall of the Moscow Conservatory, the Column Hall of the House of Unions, the P. I. Tchaikovsky Concert Hall

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Deng, Rong Gen, and Wei Ming Liao. "The Subjective Assessment of Soundscape in Campus — Taking YaoHu Campus of Jiangxi Normal University for Example." Advanced Materials Research 518-523 (May 2012): 3792–95. http://dx.doi.org/10.4028/www.scientific.net/amr.518-523.3792.

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In order to the search for more effective noise control measures and a more rational urban planning from the angle of economy, environment, so that we can create a healthier living environment, this paper does some preliminary investigation in the aspect of soundscape. This paper introduces soundscape science research status and research results domesticity and abroad, and on this basis, makes a subjective evaluation of voice of the landscape in Jiangxi Normal University, by combinating Psychoacoustic Evaluation Method. This paper record various of sounds existing in the campus, analyses prope

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Moreno Cazalla, Lourdes. "Apple Music, el modelo de radio integrado para el consumo de música." Miguel Hernández Communication Journal 10 (July 30, 2019): 279–95. http://dx.doi.org/10.21134/mhcj.v10i0.308.

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Apple Music se ha destacado como el servicio de música a la carta que, desde sus inicios como iTunes, ha integrado la radio entre su oferta de contenidos en Internet. Desde 2016 se detecta una estrategia que apuesta decidida por el producto de radio online, no solo mediante Beats 1, la radio con programación lineal 24 horas presentada por locutores, deejays reconocidos e incluso personalidades del mundo de la música, sino también incluyendo todos esos programas bajo demanda y emisoras temáticas según estilos musicales o estados de ánimo, estas sin locución. Apple Music se presenta como un mode

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Furdychko, Andrii, and Olesya Ilyenko. "VIA “Chervona Ruta” in the context of variety- ensemble performance of Ukraine." Current issues of social sciences and history of medicine 30, no. 2 (May 13, 2021): 63–67. http://dx.doi.org/10.24061/2411-6181.2.2021.270.

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The aim of the article is to clarify the artistic role of the ensemble “Chervona Ruta” in the context of Ukrainian musical culture. The relevance of the study lies in the development of principles of a new vision, trends in the development of the ensemble “Chervona Ruta” in the context of Ukrainian pop and ensemble performance and its role in the development of musical culture of Ukraine. The methodology of this study is the application of comparative-historical method, which allows us to trace the historical context of the ensemble and the context of the development of pop and ensemble art of

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Uimonen, Heikki. "Towards streamlined broadcasting. The Changing Music Cultures of 1990s Finnish Commercial Radio.<br> doi:10.5429/2079-3871(2010)v1i1.8en." IASPM Journal 1, no. 1 (April 8, 2010): 1–15. http://dx.doi.org/10.5429/256.

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The deregulation of broadcasting in 1985 Finland introduced competition between two different systems: the European public service tradition and American commercial radio. Because of the rivalry the music contents were changed both in commercial stations and in the publicly funded YLE (Finnish Broadcasting Company). Freedom of speech, musically diverse, unconventional and almost uncontrolled program policies dominated radio from the mid1980s. Five years later the form and content were changed. Special music programs hosted by individual disc jockeys were converted to streamlined broadcasting a

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Carone, Iray. "Adorno e a educação musical pelo rádio." Educação & Sociedade 24, no. 83 (August 2003): 477–93. http://dx.doi.org/10.1590/s0101-73302003000200009.

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Este artigo é uma exposição do estudo analítico de um programa semanal da National Broadcasting Company (NBC), The Music Appreciation Hour, destinado a crianças e jovens escolares, realizado por Theodor W. Adorno durante sua participação no Princeton Radio Research Project (1938-1941). Tem duas partes: na primeira, Adorno analisou a pedagogia musical do programa; na segunda, apontou para as implicações culturais desse programa, que, embora não comercial e sustentado pela própria nbc, tinha todas as marcas da indústria do entretenimento comercial.

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Bakhmet, Tetiana. "Archive fund of the composer Mark Karminsky." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 10–28. http://dx.doi.org/10.34064/khnum2-19.01.

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Mark Veniaminovich Karminskyi (1930–1995) is a composer who, already during his lifetime, was appreciated by his contemporaries as the brightest figure in musical art, in particular, musical theater. Well-known in the country and his native Kharkiv, he was also the constant reader of the Kharkiv ‘K. Stanislavskyi’ Music and Theater Library for many years, taking part in many events that took place within its walls. An excellent lecturer and interlocutor, benevolent and affable person, he found an attentive audience and ardent admirers of his musical talent among the library’s readers and stuff

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Segovia Lacoste, Pablo, and Maritza Nieto Gomez. "El contrato de comunicación en dos programas radiales chilenos." Revista Latinoamericana de Estudios del Discurso 13, no. 2 (July 4, 2016): 99. http://dx.doi.org/10.35956/v.13.n2.2013.p.99-120.

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En este trabajo analizaremos los programas El gran tribunal, de radio Pudahuel, y El ranking musical, de radio Penco, con base en la teoría del contrato de comunicación desarrollada por Charaudeau (1991, 2003). Para ello, describiremos lo que el autor llama “aspectos externos e internos” del contrato de comunicación con el objetivo de comprender el rol y el funcionamiento del lenguaje al interior de estos espacios radiales. Nuestra hipótesis de trabajo es que las interacciones radiofónicas son un espacio discursivo donde se construyen y se refuerzan las identidades mediante la construcción de

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Hirsch, Silvia, and Agustín Diz. "Construir comunicación en una radio indígena del norte argentino." Tram[p]as de la comunicación y la cultura, no. 86 (February 1, 2021): e046. http://dx.doi.org/10.24215/2314274xe046.

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Sebastián Reyes fue un indígena chané que a partir de su formación en comunicación comunitaria y periodismo creó programas en Radio Nacional (Tartagal), conformó la Red de Comunicadores Indígenas y creó una radio en la comunidad rural Yacuy, para brindar información y transmitir el acervo cultural, histórico y musical de los pueblos indígenas.

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González Aldea, Patricia. "Espacios de participación radiofónica e inmigración. El caso rumano." Revista Latina de Comunicación Social, no. 65 (February 2, 2010): 045–60. http://dx.doi.org/10.4185/rlcs-2010-882-045-060.

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La realidad social española se ha transformado en los últimos años en una sociedad multicultural, pero estos “nuevos ciudadanos” tienen una representación en los medios bastante pobre. Pocas veces son los protagonistas de la información, y si es así, las limitaciones de los espacios informativos fomentan el discurso estereotipado. Los rumanos encabezan el ranking de la inmigración por países en España y sus medios étnicos son numerosos. Junto a estos, otros medios multiculturales dan voz a los inmigrantes y abordan con mayor profundidad las diversas identidades en aras de una mejor integ

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Vandagriff, Rachel S. "An Old Story in a New World." Journal of Musicology 35, no. 4 (2018): 535–66. http://dx.doi.org/10.1525/jm.2018.35.4.535.

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During the Cold War, American private foundations subsidized American modernist composers, supporting their work through commissions, underwriting recordings and concerts, and promoting their ideas in radio programs and periodicals circulated at home and abroad. From its establishment in 1952, the Fromm Music Foundation (FMF) acted as an important player in this field. Using archival material and interviews with people who worked with the founder Paul Fromm, I show how Fromm’s involvement in his foundation, and his reliance on professional advice, constituted a unique patronage model that enab

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Iosif, Corina. "“Traditions” from Folklore Studies to Media Product and the Beginnings of Broadcasting in Romania." Acta Ethnographica Hungarica 65, no. 1 (November 11, 2020): 27–38. http://dx.doi.org/10.1556/022.2020.00003.

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The rhetorical logic of the discourse which is currently building the image of the junction between tradition and nation (and of the concepts thus required) is also due to processing this discourse in the media. That is to say that the connection between media communication and the political instrumentalization of traditions as a domain of national constructs has offered proper soil for shaping the political and ideological narratives based on nation. The use of some concepts, such as nation, national culture, traditions and folklore in the first decades of the 20th century, and their instrume

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Smolak Lozano, Emilia, and Paloma López Villafranca. "El consumo cultural digital de los programas de radio a través Youtube en España y Polonia." Historia y Comunicación Social 25, no. 1 (May 5, 2020): 123–38. http://dx.doi.org/10.5209/hics.69231.

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La posibilidad de ver la radio en Youtube ha facilitado que esta plataforma potencie la captación de usuarios que no son oyentes tradicionales. El objetivo de esta investigación es realizar un análisis comparativo del consumo del medio en Youtube España y Polonia. Realizamos análisis de contenido de Youtube de 14 emisoras españolas y 14 en Polonia, desde su creación hasta diciembre de 2017. Las emisoras polacas en el canal suelen ser generalistas frente a un número mayor de emisoras musicales en España. Se aprecia la necesidad en ambos países de mejorar las posibilidades que ofrece el canal pa

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Villanueva Valadez, Carlos. "La Función mediadora de la programación radiofónica universitaria de la ciudad de Monterrey Nuevo León." Anagramas Rumbos y Sentidos de la Comunicación 18, no. 35 (February 22, 2020): 159–75. http://dx.doi.org/10.22395/angr.v18n35a9.

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Este artículo hace referencia a la investigación sobre la función social de la radio universitaria en México, el cual se inscribe en el contexto de investigaciones en medios de comunicación universitarios. Retoma el planteamiento teórico de Manuel Martín Serrano y el modelo de comunicación masiva del profesor Carlos Lozano. El objetivo general de investigación radicó en analizar la mediación comunicativa asociada a la programación radiofónica de tres estaciones de radio universitarias (Radio UANL 89.7, Frecuencia TEC 94.9 y Radio UDEM 90.5) desde la perspectiva comunicativa del mensaje y el im

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Cole, Ross. "Industrial Balladry, Mass Culture, and the Politics of Realism in Cold War Britain." Journal of Musicology 34, no. 3 (2017): 354–90. http://dx.doi.org/10.1525/jm.2017.34.3.354.

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Focusing on a series of pioneering radio ballads produced for the BBC between 1958 and 1961 by Ewan MacColl, Charles Parker, and Peggy Seeger, this article explores representations of industrial working-class culture in folksongs of the radical Left. Situating such work in relation to A. L. Lloyd, mass culture, the nascent New Left, gender, and the aesthetics of social realism (distinct from the project of Soviet socialist realism), I argue that early radio ballads were nostalgic panegyrics for the integrity of working-class identity in the face of unprecedented socio-economic change. At the v

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Espinosa-Mirabet, Sílvia, and Natalia Ferrer-Roca. "¿Por qué los jóvenes australianos triplican el consumo de radio de los jóvenes españoles?" ZER - Revista de Estudios de Comunicación 26, no. 50 (May 29, 2021): 41–61. http://dx.doi.org/10.1387/zer.21918.

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Desde hace aproximadamente una década, la radio en el Estado Español está notando una pérdida progresiva de penetración en la audiencia y es especialmente en la más joven donde más se nota esa desafección. En Australia (Rain, 2018) el consumo radiofónico juvenil se circunscribe casi al 80% de penetración, mientras que en España la misma fuente otorga un 28%. El objetivo de este artículo es avanzar los primeros resultados de una amplia investigación internacional que tiene por objetivo conocer por qué la penetración de la radio es tan desigual entre los jóvenes de 18 y 24 años en distintos país

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Anton Chacón, Lidia, Carla Piqué Planell, Vanessa Prades Estévez, Mar Puigmartí Ventura, M. del Carme Rallo i Casanovas, and Albert Vidal i Raventós. "Recursos audiovisuales en terapia sexual y de pareja." Revista de Psicoterapia 22, no. 86/87 (July 1, 2011): 69–98. http://dx.doi.org/10.33898/rdp.v22i86/87.625.

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En este artículo se analizan una serie de recursos audiovisuales en el marco de la terapia sexual y/o de pareja. Los recursos audiovisuales son una herramienta útil y eficaz para utilizar en diversos momentos dentro del proceso terapéutico, facilitando la conexión y gestión emocional y el aprendizaje de habilidades funcionales, relacionales y/o afectivo-sexuales deficitarias o en conflicto. Concretamente, hacemos referencia a canciones y videoclips musicales, filmografía de pareja, filmografía erótica y pornográfica, vídeo-documentales y programas de radio y televisión, mostrando una selección

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Krawetz, Alexandra. "Sell a Song of Safety: Children, Radio, and the Safety Patrol." Journal of the Society for American Music 16, no. 3 (August 2022): 298–318. http://dx.doi.org/10.1017/s1752196322000165.

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AbstractAmid nationwide discussion on the importance of accident prevention and safety education, Tin Pan Alley songwriters Irving Caesar and Gerald Marks wrote and advertised Sing a Song of Safety (1937), a book of songs that taught children domestic, playtime, and traffic safety lessons, illustrated by Rose O'Neill. Caesar secured a recurring guest segment to perform the songs on the variety program The Royal Gelatin Hour in 1938. Focusing on Caesar's segments, this article examines the role of children's music on the radio in the 1930s. Placing these songs in their historical context, I sho

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Young, Katie. "Hindi Film Songs in the Home: Gendered Experiences of Singing Popular Songs in Tamale, Northern Ghana." Ethnomusicology 66, no. 2 (July 1, 2022): 264–89. http://dx.doi.org/10.5406/21567417.66.2.05.

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Abstract Beginning in the 1950s, Dagbamba and Hausa women in Tamale listened to Hindi film songs in their homes, via gramophone records and through state-run women's radio programs. Hindi film songs were soon integrated into existing domestic singing practices, including songs meant for domestic labor (tuma-yila) and childcare (biyola-yila). Through an analysis of oral history interviews as well as recorded performances of Hindi film songs sung by women, men, and youth in Tamale, I show how everyday performances of Hindi film songs reveal gendered and intergenerational experiences of domestic

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Figueroa, Michael A. "“Behind the Sounds”." Journal of Musicology 38, no. 4 (2021): 401–18. http://dx.doi.org/10.1525/jm.2021.38.4.401.

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In this article I explore the aesthetics and political valence of shirei meshorerim (SM), a body of Israeli sung poetry that emerged out of a series of radio programs, festivals, and recording projects beginning in the 1970s and drawing on long-standing local practices in both Palestine/Israel and contemporary Mediterranean sung-poetry movements. I argue that the development of SM was characterized by an aesthetic distinction, wherein the high cultural register of poetry—a value produced by both the domestic discourse on art vis-à-vis politics and the broader global discourse in which the loca

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Barbeito Veloso, Mª Luz, and Juan José Perona Páez. "Emisoras infantiles en internet. Análisis de una oferta alternativa para el niño-oyente." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 16, no. 2 (July 1, 2018): 100–120. http://dx.doi.org/10.7195/ri14.v16i2.1180.

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La progresiva desaparición de los programas infantiles en la radio generalista se está viendo compensada por una expansión de emisoras destinadas a los niños, la mayoría de las cuales operan básicamente a través de internet. Este trabajo, que supone una primera aproximación a un fenómeno en auge, analiza la oferta de unas webradios que, con independencia de posibilitar la escucha de una programación más o menos regular en streaming o podcasting, se caracterizan por compartir con su audiencia una amplia gama de contenidos complementarios multimedia. La investigación, de carácter exploratorio-de

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De Ortueta Hilberath, Elena. "La reinterpretación del sonido de la metrópoli en las sinfonías urbanas." Ars Longa. Cuadernos de arte, no. 31 (March 29, 2023): 249. http://dx.doi.org/10.7203/arslonga.31.22897.

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Las sinfonías urbanas de la vanguardia cinematográfica reflejaron el pensamiento estético y filosófico del momento. La historiografía ha recalcado la trascendencia de la imagen, la técnica del montaje y el universo simbólico o el formal, pero ha desatendido, en cierta forma, el alcance de la banda sonora. El debate planteado por Schopenhauer, Valery o Benjamin sobre la percepción del ruido y del sonido fue un aspecto valorado en las composiciones musicales que buscaron la reinterpretación y la reproducción del ambiente de la metrópoli. El citadino estaba sometido a un sinfín de estímulos marca

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Ortiz Sobrino, Miguel Ángel, Juan Carlos González Pérez, and Silvia Ayala del Pino. "Los recursos documentales en las radios universitarias españolas: uso y relaciones con la propiedad intelectual." Documentación de las Ciencias de la Información 43 (July 9, 2020): 23–31. http://dx.doi.org/10.5209/dcin.69302.

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Este artículo presenta los resultados de una investigación para determinar si las emisoras universitarias que pertenecen a la Asociación de Radios Universitarias Españolas (ARU) utilizan recursos sonoros y documentales sometidos a propiedad intelectual, depositados en internet o bien en sus archivos sonoros. Además, se trataba de conocer la relación con las sociedades de gestión de derechos de autor y la utilización de las excepciones que establece la normativa vigente en España, en relación al derecho de cita y otras excepciones para el uso de documentos públicos, como contenidos de su progra

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González, Juan Pablo. "Editorial." Contrapulso - Revista latinoamericana de estudios en música popular 4, no. 1 (January 26, 2022): 1–3. http://dx.doi.org/10.53689/cp.v4i1.152.

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 Los números de comienzo de año de Contrapulso son de temática libre dentro del amplio campo multidisciplinario de los estudios en música popular en América Latina que nos convoca. Los de mediados de año, en cambio, están orientados hacia temáticas específicas dentro de este campo, como han sido los dedicados a “Música y sexualidad” (2019), “Música y política” (2020), “Voces y vocalidades” (2021), y “Música, sentimientos y afectos”, dosier convocado para el próximo número (2022) https://contrapulso.uahurtado.cl/index.php/cp/announcement En algunos casos, un dosier puede irradiar su

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Vulić, Tatjana. "MUSIC PROGRAMS ON SERBIAN PUBLIC TV CHANNELS." Facta Universitatis, Series: Visual Arts and Music, January 30, 2018, 101. http://dx.doi.org/10.22190/fuvam1702101v.

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During nearly half a century-long history, Radio and Television of Serbia, nowadays known as Serbia Public Broadcasting Service, met not only with diversity, but also with quality standards in terms of program requirements. Music programs of the Public Broadcasting Service is one of the possible indicators that show that high standards can be reached even in the time of “abundance” of the trash music that overwhelms the comercial television programs. The aim of this paper is to examine the quality and variety of the music programs of Belgrade Television (all three programs –1, 2 and RTS Digita

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Čokorilo, Radmila R. "THE ROLE OF CONTEMPORARY RADIO AS A MEDIUM IN SOCIAL PROCESSES." FRESKA 1, no. 1 (February 11, 2022). http://dx.doi.org/10.7251/znubl2201187c.

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Radio is present everywhere. We hear him: in a car, in a shop, offices and factories, on the street, in the park, on the mountain and on the beach; and at any time of the day: morning, noon, at night ... During his entire history, he worked successfully to prove that he possesses an extraordinary ability to adapt to new social, economic and media conditions. The subject of research in the paper is whether the radio stations will survive, in the flood of “new media”, or will they quit? The key advantages of radio, compared to other media, are usually related to information programs that are fas

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Achmad, Zainal Abidin, Rachmah Ida, and Mustain Mustain. "A Virtual Ethnography Study: The Role of Cultural Radios in Campursari Music Proliferation in East Java." ETNOSIA : Jurnal Etnografi Indonesia, October 10, 2020. http://dx.doi.org/10.31947/etnosia.v5i2.9787.

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Campursari music is a trend on the radio and a favorite of the people of East Java, so it is shifting towards popular culture. This study aims to uncover the proliferation of campursari music and the role of cultural radios. This qualitative research uses a virtual ethnography method, which focuses on the physical presence and virtual text together. The subjects are technology (radio and communication technology on the internet), humans (radio listeners), physical interactions, and virtual interactions. Data collection used participant observation through observation and interviews offline and

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Crawford, Dan D. "uth Duvall Crawford’s Wonderful Career in Music and Evangelism." Zea Books, November 28, 2023. http://dx.doi.org/10.32873/unl.dc.zea.1506.

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This book is a study of the career and ministry of Ruth Duvall Crawford (1916–1986), the wife of prominent evangelist Percy Crawford (1902–1960). As pianist for Percy’s evangelistic team and director of music for his various evangelistic enterprises, Ruth put together an ensemble of 40–50 musicians, and produced hundreds of high-quality music programs, geared to Percy’s nationwide radio and television audiences. These programs set a new standard of performance in evangelical circles in the Northeast and Central United States in the 1930s and 40s. In the process of building this musical program

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Avetisyan, Narine. "CONTINUITY OF MUSICAL AND PEDAGOGICAL TRADITIONS: K. S. SARAJEV - Y. H. DAVTYAN." Musical Armenia, 2022, 62–66. http://dx.doi.org/10.58580/18290019-2022.1.62-62.

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The article draws parallels between the activities of K. Sarajev, a teacher, and Y. Davtyan, a student, demonstrating the connection between times and traditions. A brief overview of Konstantin Solomon Sarajev's work, as well as some aspects of his pedagogical activity, is provided. Sarajev has an extensive repertoire and has conducted numerous symphony concerts. Konstantin Solomon's conducting activities were based on the artistic principles and technical methods of his teacher, Arthur Nikish, as well as his own conducting and teaching methods. Along with conducting, he began teaching at the

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