Academic literature on the topic 'Musical styles'

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Journal articles on the topic "Musical styles"

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Teo, Timothy, David J. Hargreaves, and June Lee. "Musical Preference, Identification, and Familiarity." Journal of Research in Music Education 56, no. 1 (2008): 18–32. http://dx.doi.org/10.1177/0022429408322953.

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The authors investigate whether there were significant differences in preferences for, familiarity with, and identification of Chinese, Malay, and Indian music between adolescent students from Singapore ( n = 78) and the United Kingdom ( n = 53). Also explored are the relationships among these three variables. Students were asked to rate their preference for and familiarity with Chinese, Malay, and Indian excerpts on 7-point Likert-type scales and to name each musical style. Singaporean girls showed greater preference for, familiarity with, and identification of the Chinese and Malay styles th
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Tizón Díaz, Manuel, and Francisco Gómez Martín. "The Influence of Musical Style in Perceived Emotion." Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM 17 (July 3, 2020): 85–131. http://dx.doi.org/10.5209/reciem.65311.

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In this work we address the problem of understanding how musical style influences perceived emotion as well as their pedagogical consequences. The first problem arises when considering the very definition of style. The definition of musical style and how to apply it is thoroughly discussed. Several experiments were carried out in order to gain understanding about the emotional response to musical style. Six styles (Baroque, Classicism, Romanticism, pandiatonicism, twelve-tone serialism, and Phrygian mode) were selected and pieces were composed in those styles to be later played to both musicia
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North, Adrian C., and David J. Hargreaves. "Liking for Musical Styles." Musicae Scientiae 1, no. 1 (1997): 109–28. http://dx.doi.org/10.1177/102986499700100107.

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This paper reports two experiments on liking for musical styles. The first study investigated the relative extent to which liking for musical excerpts is associated with liking for the styles in which they are performed and for the pieces on which they are based. Fifty subjects were presented with 24 short musical excerpts comprising 5 original pop music pieces and 19 ‘cover’ versions of them in different musical styles. The results indicated that subjects' liking for the excerpts was more closely associated with their liking for the musical styles than for the pieces themselves. Given their a
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Ye, Jiahui. "THE GOLDEN SANDS MUSICAL (金沙): ON THE FORMATION OF A GENRE ARCHETYPE IN CHINA". Scientific and analytical journal Burganov House. The space of culture 19, № 6 (2023): 94–102. http://dx.doi.org/10.36340/2071-6818-2023-19-6-94-102.

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The Golden Sands musical is considered in terms of the genre formation specifics in China. Attention is focused on the American origins of Chinese musicals, especially regarding style, scenography, and the specifics of vocal sound extraction. Consideration is given to the penetration of Chinese ethnic elements into the means of musical expression and choreographic poetics in the Equatorial Rain original musical, which demonstrated the fusion of national elements with Western ones, with jazz, rock, rap, etc. The author puts forward the hypothesis that the development of musicals in China is sti
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Kulezic-Wilson, Danijela. "A Musical Approach to Filmmaking: Hip-hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky’s π". Music and the Moving Image 1, № 1 (2008): 19–34. http://dx.doi.org/10.5406/musimoviimag.1.1.0019.

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ABSTRACT Inspired by hip-hop and techno-music, Darren Aronofsky applied various musical techniques and models of structuring typical of the aforementioned musical styles in his film π, which resulted in an innovative approach to editing and an inherently musical audiovisual style.
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Gholam-Shahbazi, Hassti. "The Relationship between Spatial and Musical Intelligences and EFL Learners’ Learning Styles and Vocabulary Knowledge." Journal of Language Teaching and Research 10, no. 4 (2019): 747. http://dx.doi.org/10.17507/jltr.1004.09.

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This study investigated the relationship between spatial and musical intelligences and learning styles of EFL learners and their vocabulary knowledge. Accordingly, relationship between spatial intelligence, musical intelligence and vocabulary knowledge, visual learning style, auditory learning style, and kinesthetic learning style with vocabulary knowledge, listening and vocabulary knowledge, and finally spatial, musical intelligence, visual, auditory kinesthetic learning style as independent variables and vocabulary knowledge s dependent variable was examined. This study is an experimental an
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Bloxam, M. Jennifer. "‘La contenance italienne’: the motets on Beata es Maria by Compère, Obrecht and Brumel." Early Music History 11 (October 1992): 39–89. http://dx.doi.org/10.1017/s0261127900001194.

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Musicians have recognised distinct national styles of musical composition and performance for centuries, and even today our understanding of the development of musical style in virtually every period rests in large part on observations of the contact and melding of national idioms. From the suppression and absorption of Gallic chant by Roman plainsong during the time of Charlemagne, through the wedding of French, Italian and German styles accomplished by Bach, to the joining of north Indian classical musical elements with modern avant-garde music by Philip Glass and other minimalist composers,
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Dunbar-Hall, Peter. "Book Review: Investigating Musical Styles." International Journal of Music Education os-22, no. 1 (1993): 78. http://dx.doi.org/10.1177/025576149302200116.

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Brittin, Ruth V. "Children's Preference for Sequenced Accompaniments: The Influence of Style and Perceived Tempo." Journal of Research in Music Education 48, no. 3 (2000): 237–48. http://dx.doi.org/10.2307/3345396.

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Second graders through sixth graders ( N = 343) listened to 10 musical selections in music classes and marked their preference and perception of each selection's tempo on rating scales. Listeners responded to children's songs played with nine electronic keyboard sequenced accompaniments, including popular to more traditional folk styles. The tenth accompaniment style featured simple chords with piano timbre, included to represent a typical acoustic piano accompaniment. All selections were performed at the same tempo. Three versions of the survey, recorded with various song-style combinations,
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Cristescu, Constanta. "Musical styles of byzantine tradition from western and southwestern romania reflected in the work Anastasimatar Arădean." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 7–12. http://dx.doi.org/10.55383/amtap.2022.2.01.

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The traditional Byzantine music of western and southwestern Romania was a collective music, orally perpetuated as the folklore, a music in which no composers stood out, as they stood out in the orthodox musical culture of Moldova, Muntenia and Oltenia. Regional musical styles of Byzantine tradition were formed in these areas, through a long process of enclavisation for centuries. They are the result of the inter-influence of Byzantine music with the folklore and with the Western music culture imposed through the school. One of these sub-zonal styles from southwestern Romania is the style prese
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Dissertations / Theses on the topic "Musical styles"

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Bellmann, Hector Guillermo. "Toward a scientific taxonomy of musical styles." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16387/1/Hector_Bellmann_Thesis.pdf.

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The original aim of the research was to investigate the conceptual dimensions of style in tonal music in order to provide grounds for an objective, measurable categorization of the phenomenon that could be construed as the basis of a scientific taxonomy of musical styles. However, this is a formidable task that surpasses the practical possibilities of the project, which would hence concentrate on creating the tools that would be needed for the following stage. A review of previous attempts to deal with style in music provided a number of guidelines for the process of dealing with the material
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Bellmann, Hector Guillermo. "Toward a scientific taxonomy of musical styles." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16387/.

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The original aim of the research was to investigate the conceptual dimensions of style in tonal music in order to provide grounds for an objective, measurable categorization of the phenomenon that could be construed as the basis of a scientific taxonomy of musical styles. However, this is a formidable task that surpasses the practical possibilities of the project, which would hence concentrate on creating the tools that would be needed for the following stage. A review of previous attempts to deal with style in music provided a number of guidelines for the process of dealing with the material
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Pierce, Kelley J. "Dance-10 : a historical investigation of musical theatre dance styles in film." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/491454.

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A broad survey of musical theatre dance styles in film from 1935 to 1985 is used as background information for this creative project. Attention is paid to developments within the art form. The contributions of choreographers Busby Berkeley, Fred Astaire, Agnes de Mille, Gene Kelly, Michael Kidd, Bob Fosse, Jerome Robbins, and Michael Peters are discussed. A detailed description is included of the process involved in translating the film choreography to a stage performance. The film choreography was presented in a lecture demonstration format designed to give the audience a short synopsis of
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Nyvlt, Monica. "Merengue and bachata, a study of two musical styles in the Dominican Republic." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ57712.pdf.

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Hao, Chen. "The influence of musical styles on the use of performance cues by pianists." Thesis, Royal College of Music, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668173.

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Cannon, Robert S. "An Investigation of Musical Styles and Applications in Select High School Choral Music." Kent State University Honors College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1335226836.

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Nyvlt, Monica Carleton University Dissertation Sociology and Anthropology. "Merengue and bachata: a study of two musical styles in the Dominican Republic." Ottawa, 2001.

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Hsu, Chiung-Tan. "Fusion of musical styles and cultures in Bright Sheng's opera "The Song of Majnun" /." Connect to resource, 1999. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1261054889.

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Wang, Tianshu. "Alexander Tcherepnin's "Five Concert Studies": An homage to Chinese musical styles, instruments, and traditions." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/284005.

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The influence of traditional Chinese art permeates Alexander Tcherepnin's piano compositions, particularly his Five Concert Studies, Op. 52 . A survey of Tcherepnin's life, his musical achievements, and the impact various cultural influences exerted on his musical development reveals the depth of feeling Tcherepnin possessed for China and things Chinese. As a product of Tcherepnin's "Chinese Years" (1934--1937), the Five Concert Studies, Op. 52, show the direct influence of specific Chinese elements and original art forms that the composer imitated, including the Pi Ying Xi (Shadow Play), Mu
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Ginocchio, John F. "Music style preference : a ranking of musical styles and comparison by age, gender, ethnicity, music training, and rural, suburban, or urban upbringing." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1336616.

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The purpose of this study was to review the findings of Leblanc (1979) utilizing the most common styles of popular music in today's media. Seven styles of popular music, traditional jazz, and Romantic classical music were ranked in order of preference; subject responses were compared by age, gender, environment of upbringing, and amount and type of music training. The sample consisted of 332 fifth graders and college non-music majors. Subjects completed a Personal Information Form, listened to a recording of 19 musical examples representing the styles being studied, and recorded their preferen
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Books on the topic "Musical styles"

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William, Fleming. Musical arts & styles. University of Florida Press, 1990.

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Ellwood, Alison. Blending musical styles. Macmillan/McGraw-Hill, 1995.

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Frank, Macomber, ed. Musical arts & styles. University of Florida Press, 1990.

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Ogunade, Taiwo. Nigerian musical styles: African rhythm of unity. Koto Books, 1992.

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Munro, Wendy. Chambers pocket guide to music forms & styles. Chambers, 1987.

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Munro, Wendy. Chambers pocket guide to musicforms and styles. Chambers, 1987.

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Seaton, Douglass. Ideas and styles in the Western musical tradition. Mayfield Pub. Co., 1991.

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Seaton, Douglass. Ideas and styles in the Western musical tradition. 2nd ed. McGraw Hill, 2007.

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Lee, Byong Won. Styles and esthetics in Korean traditional music. National Center for Korean Traditional Performing Arts, Ministry of Culture and Sports, Republic of Korea, 1997.

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Gridley, Mark C. Jazz styles: History & analysis. 4th ed. Prentice Hall, 1991.

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Book chapters on the topic "Musical styles"

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Millbower, Lenn. "Musical Styles." In Training with a Beat. Routledge, 2023. http://dx.doi.org/10.4324/9781003448242-12.

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Labuta, Joseph A., and Wendy K. Matthews. "Conducting Musical Styles." In Basic Conducting Techniques, 8th ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003183617-28.

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Labuta, Joseph A., and Wendy K. Matthews. "Conducting Musical Styles." In Basic Conducting Techniques, 8th ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003183617-12.

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Labuta, Joseph A., and Wendy K. Matthews. "Conducting Musical Styles." In Basic Conducting Techniques. Routledge, 2017. http://dx.doi.org/10.4324/9781315621593-10.

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Labuta, Joseph A., and Wendy K. Matthews. "Conducting Musical Styles." In Basic Conducting Techniques. Routledge, 2017. http://dx.doi.org/10.4324/9781315621593-25.

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Austern, Linda Phyllis. "The Musical Styles." In Music in English Children's Drama of the Later Renaissance. Routledge, 2024. http://dx.doi.org/10.4324/9781003508168-10.

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Toulson, Rob. "Tuning for different musical styles and genres." In Drum Sound and Drum Tuning. Focal Press, 2021. http://dx.doi.org/10.4324/9781003104209-9.

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Fiehler, Judith, and Frederick Crane. "XV. Numerical Methods Of Comparing Musical Styles." In The Computer and Music, edited by Harry B. Lincoln. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501744167-018.

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de León, Pedro J. Ponce, and José M. Iñesta. "Musical Style Classification from Symbolic Data: A Two-Styles Case Study." In Computer Music Modeling and Retrieval. Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-39900-1_15.

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Weissman, Dick. "Musical Styles, Regional Music, and the Music Industry." In Understanding the Music Business. Routledge, 2017. http://dx.doi.org/10.4324/9781315558769-8.

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Conference papers on the topic "Musical styles"

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Yao, Hanxu, Kentaro Go, and Jianhui Zhang. "Sport Style Music Transformation: A GAN-Based Approach Utilizing Musical Features." In 2024 International Conference on Cyberworlds (CW). IEEE, 2024. https://doi.org/10.1109/cw64301.2024.00031.

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Szymanska-Stulka, Katarzyna. "IGNACY ZALEWSKI�S DIE SPINNERIN AS A CATEGORY OF �COLORFUL MINDEDNESS� IN MUSIC." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs08.20.

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Color is not only a matter of visual arts but also of music. It can influence how we feel, how we perceive the world, and even tell a lot about one�s personal artistic style based on their favorite colors choices. Color is also a powerful means of communication. It can signify action, influence mood, and even physiological reactions. Colors can stimulate creativeness and affect productivity. Some experts tells about the powerful red, restful green, emotional yellow, playful orange or intellectual blue. Colors appear in art as a kind of mix, which is why we can describe art as colourful. Colorf
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Zhou, Ningbo. "Gated Recurrent Unit with Attention Mechanism for Chinese Musical Style Recognition." In 2024 International Conference on Data Science and Network Security (ICDSNS). IEEE, 2024. http://dx.doi.org/10.1109/icdsns62112.2024.10690894.

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Somyaji, Aadhish D., Lasya Surakasi, Aditya Puranik, Devi Kannan, Pradeep Kumar B P, and Ravi Kumar. "Melody Mixer: Novel Music Generation by Mixing Styles with Variational Autoencoders." In 2025 International Conference on Computing for Sustainability and Intelligent Future (COMP-SIF). IEEE, 2025. https://doi.org/10.1109/comp-sif65618.2025.10969893.

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Tcacenco, Victoria. "The problem of studying the new ontological forms of non-academic musical culture in the Republic of Moldova during the first decades of the 21st century." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.19.

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The article is dedicated to the new ontological forms of popular music in the Republic of Moldova during the first two decades of the 21st century. The author offers the main characteristics of virtual culture, its connections with modern subcultures and modern sub-cultural styles. The basic types of subculture — game, rebel and style — are identified and the virtual phenomena of Moldovan popular music phenomena are exemplified. Among them are: rapper Mani, the Project Carla’s Dreams, the Wax Road and POT rock music bands. As a conclusion the following trends are sketched: there is an increase
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Ju, Han, Jian-Xin Xu, and Antonius M. J. VanDongen. "Classification of musical styles using liquid state machines." In 2010 International Joint Conference on Neural Networks (IJCNN). IEEE, 2010. http://dx.doi.org/10.1109/ijcnn.2010.5596470.

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Ghilas, Victor. "Musical Chisinau. History Pages (1812-1918)." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.01.

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The article subjects to observation some coordinates of Chisinau’s musical life over the course of about a hundred years after the annexation of Bessarabia to the Russian Empire. The sources that served as documentary support for achieving this goal are: historical, literary, and scientific writings, sketches, notes, travel memoirs of some people, passing through our lands, testimonies little known or more difficult to reach the reader. From the synthesis of the most eloquent data and information, inserted in the reference sources, we try to outline a general picture of music in the administra
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Dojčinović, Nikoleta. "Minimalist Elements in Vladimir Tošić’s Atmospheric Music for Television. Case Study: „The Yellow House“." In Ninth International Conference on Music and Minimalism. Institute of Musicology SASA, 2024. https://doi.org/10.46793/mininters.229d.

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Audio-visual formats dictate the creation of applied music, especially when their themes are temporally and historically defined. The fundamental questions are whether and to what extent music composers, taking into consideration the various requirements, remain faithful to their established compositional styles. Composer Vladimir Tošić has been creating music for television for the past twenty years. Most often, it involves music for television docudramas, such as Milunka Savić – Heroine of the Great War (2013), Serbia in the Great War (2014), Centenary of Serbian Military Aviation (2012), Th
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Silva, Diego Furtado, Angelo Cesar Mendes da Silva, Luís Felipe Ortolan, and Ricardo Marcondes Marcacini. "On Generalist and Domain-Specific Music Classification Models and Their Impacts on Brazilian Music Genre Recognition." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19427.

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Deep learning has become the standard procedure to deal with Music Information Retrieval problems. This category of machine learning algorithms has achieved state-of-the-art results in several tasks, such as classification and auto-tagging. However, obtaining a good-performing model requires a significant amount of data. At the same time, most of the music datasets available lack cultural diversity. Therefore, the performance of the currently most used pre-trained models on underrepresented music genres is unknown. If music models follow the same direction that language models in Natural Langu
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Karystinaios, Emmanouil, Francesco Foscarin, and Gerhard Widmer. "Musical Voice Separation as Link Prediction: Modeling a Musical Perception Task as a Multi-Trajectory Tracking Problem." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/430.

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This paper targets the perceptual task of separating the different interacting voices, i.e., monophonic melodic streams, in a polyphonic musical piece. We target symbolic music, where notes are explicitly encoded, and model this task as a Multi-Trajectory Tracking (MTT) problem from discrete observations, i.e., notes in a pitch-time space. Our approach builds a graph from a musical piece, by creating one node for every note, and separates the melodic trajectories by predicting a link between two notes if they are consecutive in the same voice/stream. This kind of local, greedy prediction is ma
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