Relevant bibliographies by topics / Musical tradition vs

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  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic 'Musical tradition vs'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Musical tradition vs"

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Khoury, Stephanie. "Review: Seeding the Tradition: Musical Creativity in Southern Vietnam, by Alexander M. Cannon." Journal of Vietnamese Studies 20, no. 1 (2025): 161–64. https://doi.org/10.1525/vs.2025.20.1.161.

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Chamczyk, Ewa. "Duels in Sound: Pietro Antonio Locatelli vs Jean-Marie Leclair." Kwartalnik Młodych Muzykologów UJ, no. 47 (4) (2020): 69–102. http://dx.doi.org/10.4467/23537094kmmuj.20.043.13916.

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The tradition of musical duels harkens back to the days of ancient Greece. One of the earliest examples of musical rivalry is the myth of Marsyas and Apollo, which ends tragically for the satyr. Without doubt, the tournaments of the ancients served as an inspiration for later generations of musicians. In each epoch they took a different form, tailored to the current norms and customs. In the sixteenth century the singing contests of the Meistersingers became extremely popular. With the development of instrumental music in the seventeenth century, duels, in which the main subject of the dispute
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Țăranu, Nicoleta Diana. "Caragiale's Critical Engagement with German and French Music: A Study of Musical Culture and Artistic Tension." LiBRI. Linguistic and Literary Broad Research and Innovation. 13, no. 1 (2025): 53–60. https://doi.org/10.70594/libri/13.1/5.

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Abstract: In this text, the focus is on the profound and sometimes contradictory relationship that Ion Luca Caragiale, a prominent Romanian playwright, had with German musical culture. Caragiale, known for his sharp wit and critical perspectives, expressed both admiration and disapproval of various German composers, reflecting his complex relationship with their music. The translation explores his views on composers like Richard Wagner, Johannes Brahms, and Jacques Offenbach, delving into his critiques of Wagner’s revolutionary approach, his deep appreciation for Brahms as a worthy succe
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Panteleeva, Yuliya N. "About the Works of Russian Minimalist Composers: The Idiomatics of the Musical Language." Problemy muzykal'noi nauki / Music Scholarship, no. 4 (December 2023): 47–59. http://dx.doi.org/10.56620/2782-3598.2023.4.047-059.

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The article examines two musical works written by contemporary Russian minimalist composers — Concerto capriccioso (1986) for cello, string orchestra, keyboards and percussion by Nikolai Korndorf and Liebliches Lied (1980) for piano four hands by Alexandre Rabinovitch-Barakovsky. Their analysis is carried out from the position of idiomatics. This term is derived from the conception developed by Russian scholar and linguist Igor Anichkov and is applied in the article as an attempt to reflect the originality of the two composers’ musical techniques. The most illustrative aspects of the aforement
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Pareyon, Gabriel. "Philosophical Sketches on Category Theory Applied to Music-Mathematical Polar Semiotics." MusMat: Brazilian Journal of Music and Mathematics IV, no. 2 (2020): 41–51. http://dx.doi.org/10.46926/musmat.2020v4n2.41-51.

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This is an attempt to combine Matthai philosophy (of Heraclitan inspiration) and Category Theory using the Yoneda Lemma as a means for harmonizing the traditionally opposite values and conceptions dissociated between the Euclidean tradition and Heraclitus thought. The text is divided in three sections: general background and description of Yoneda, a contextualization on Heraclitan aesthetics and polar semiotics (a notion firstly intuited by I. M. Lotman and Th. Sebeok), and an experiment suggested for the revision of the grounds of music theory, with the purpose of conciliate extremely dissoci
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Berehova, Olena. "The Imagosphere of Myroslav Skoryk's Opera Moses 1." Musicology Today 19, no. 1 (2022): 3–27. http://dx.doi.org/10.2478/muso-2022-0001.

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Abstract The paper is dedicated to the eminent Ukrainian composer Myroslav Skoryk's opera Moses, which has been researched here from the standpoint of musical imagology for the first time. The methodology of the paper is based on the complex imagological concepts of Manfred S. Fischer and Jean-Marc Moura, in which they propose to analyse literary phenomena in national comparative contexts in terms of imagemes, imagothemes, and imagotypes. This triad in its totality makes up the imagosphere, that is, the world of artistic images which are both a cultural representation of a given national ident
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Ostanina, Maria N., and Svetlana S. Goncharenko. "Neo-Baroque Concertizing in the Works by Russian Composers of the Final Quarter of the 20th Century." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (2024): 25–38. http://dx.doi.org/10.56620/2782-3598.2024.2.025-038.

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The relevance of the stated topic is determined by the significance of neo-Baroque trends in the 20th century as a means of support for the high humanistic traditions that shaped classical musical art. In the research methodology, the authors rely on the general theoretical principles concerning the baroque concertos developed in the Russian musicological tradition (Yuri Kholopov, Natalia Zeifas, Svetlana Bakuto, Svetlana Goncharenko, etc.), as well as on the typology of compositional models in the contemporary concerto genre proposed by Irina Grebneva. A comparative method, applied to such hi
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Petryk, Vladyslav. "Fantasy for solo clarinet by Jorg Widmann: composer vs performer." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 65, no. 65 (2022): 118–36. http://dx.doi.org/10.34064/khnum1-65.07.

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Statement of the problem. The relevance of the research topic is related to the need for a comprehensive study of Jörg Widmann’s musical creative work, in particular in the aspects of compositional and performing activities and an indepth performing analysis of his Fantasy for solo clarinet. Analysis of recent research and publications. The study is based on the works that examine the creativity of composers of the 20th century (Gromchenko, Vovk, Metlushko, Odom, Rehfeldt, Teixeira); the creative work of J. Widmann (Bruhn, Besthorn, Reyes, Dierickx); of the fantasy genre (Nikolaievska
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Chlasta-Obłąk, Dagmara, and Mirosław Kisiel. "Music family traditions vs the music activity of adolescents." Problemy Opiekuńczo-Wychowawcze 619, no. 4 (2023): 16–25. http://dx.doi.org/10.5604/01.3001.0053.5962.

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The article describes the issue of music family traditions as a stimulator of the music activity of adolescents. This study introduces the issue of the inspiration of home and family education in the music development of adolescents. The subject is presented on the basis of the analysis of the source literature and research conducted in the area of narrative inquiry among a group of adolescents from selected cities in Silesia. The paper contains a report on the conducted interpretative research and reports the subjective opinions of the surveyed adolescents. The aim of the article is to draw t
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Perigo, Jeremy. "Beyond Translated vs. Indigenous: Turkish Protestant Christian Hymnody as Global and Local Identity." Religions 12, no. 11 (2021): 905. http://dx.doi.org/10.3390/rel12110905.

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At Turkey’s first national worship conferences in 2011, a passionate debate arose on whether Western music or indigenous Turkish music was most appropriate for worship. Some Turks felt that the Western missionaries were imposing indigenous musics on Turks as a type of “reverse colonization”. They felt that the current Western musical styles were best for worship. One Turk stated, “the saz is being forced down our throats”. Other Turks felt liberated to sing and play songs in traditional Turkish musical styles. The debate at the conference highlights the desire of missionaries and Turks to see
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Dissertations / Theses on the topic "Musical tradition vs"

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Sandu-Dediu, Valentina. "Costin Moisil, Geniu românesc vs. tradiţie bizantină. Imaginea cântării bisericeş, ti în muzicologia românească [Rumänischer Genius versus byzantinische Tradition. Das Image des Kirchengesangs in der rumänischen Musikwissenschaft], Bucureşti: Editura Muzicală 2016, 191 S., rumänisch, ISBN 978-973-42-0922-4. Nicolae Gheorghiţă, Musical Crossroads. Church Chants and Brass Bands at the Gates of the Orient, Bucharest [Bucureşti]: Editura Musicală, 2015, 259 S., englisch, ISBN 978-973-42-0891-3 [Rzension]." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2016. https://ul.qucosa.de/id/qucosa%3A16199.

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Die musikwissenschaftliche Auseinandersetzung mit der psalmodischen Musik, die bis 1990 etwas undifferenziert als ‚Byzantinologie‘ bezeichnet wurde, nahm an Klarheit und Raffinesse zu, so dass man heute von einer regelrechten ‚byzantinischen Musikologie‘ sprechen kann.
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Book chapters on the topic "Musical tradition vs"

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Aryandari, Citra. "Performing vs. Recording: The Sound of Modern Bali." In Religious Sounds Beyond the Global North. Amsterdam University Press, 2024. https://doi.org/10.5117/9789463726269_ch12.

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This chapter explores the connection between religious sounds and recordings in Bali. It describes the practices of a secluded village community that emphasizes the continuity of tradition. The music of a sacred gamelan ensemble cannot be recorded in accordance with local cultural prohibitions. In contrast, recordings of a yearly incantation of Javanese epic narratives are permitted. Looking at several Balinese sonic/performative practices reveals a textured landscape that factors in the history and politics of specific technologies and people. Foreign scholars have influenced the ways the wor
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Levinson, Jerrold. "Performative vs. Critical Interpretation in Music." In The Interpretation of Music. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198239581.003.0003.

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Abstract This chapter takes as starting-point the curious fact that two activities, on the surface quite different, are called by the same name: interpreting. On the one hand, there is what critics of the arts do with respect to individual artworks, such as Kafka’s Penal Colony, Picasso’s Demoiselles d’Avignon, or Mahler’s Ninth Symphony—that is, offer interpretations of them. In other words, they try to say, roughly, how such works should be viewed, what they mean, and why they are structured as they are. On the other hand, there is what performers in the performing arts do with respect to in
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Russell, Tony. "“Sugar Hill”/“Fresno Blues”." In Rural Rhythm. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190091187.003.0044.

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Orsini, Francesca. "Colonial Impact and Indian Response." In East of Delhi. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197658291.003.0005.

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Abstract How does our understanding of the cultural impact of colonialism change if we take a located and multilingual perspective? That colonialism had a profound impact on North Indian society and literature at structural and epistemic levels—from education to notions of literature—is beyond doubt. This chapter shows how ideas of indigeneity vs. foreignness produced competing discourses about Hindi and Urdu as distinct languages with separate, quasi-monolingual, literary histories, which elided not only traditions in the “other” language but also contemporary orature and Muslim folklore. But
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Journal articles
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