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Books on the topic 'Musically beautiful'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Hanslick, Eduard. On the musically beautiful: A contribution towards the revision of theaesthetics of music. Hackett Pub. Co., 1986.

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1926-, Payzant Geoffrey, ed. On the musically beautiful: A contribution towards the revision of the aesthetics of music. Hackett Pub. Co., 1986.

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Hanslick, Eduard. On the musically beautiful: A contribution toward the revision of the aesthetics of music. Hackett Pub. Co., 1986.

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4

group), Diamond Rio (Musical. Beautiful mess. Thomas Nelson, 2009.

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5

Tom, Roland, ed. Beautiful mess. Thomas Nelson, 2009.

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6

1945-, Kamal Sajed, ed. Awake beautiful eternal-youth!: A musical play. Nazrul Institute, 2006.

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7

Mordden, Ethan. Beautiful mornin': The Broadway musical in the 1940s. Oxford University Press, 1999.

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8

One Direction: What makes you beautiful! Triumph Books, 2012.

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9

Beautiful monsters: Imagining the classic in musical media. University of California Press, 2008.

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10

Dyer, Geoff. But beautiful: A book about jazz. North Point Press, 1996.

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11

Dyer, Geoff. But beautiful: A book about jazz. Vintage, 1992.

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12

Marsh, John. A most elegant & beautiful instrument: The organ. M. Renshaw, 2003.

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13

Meantone is beautiful: Studies on tunings of musical instruments. P. Lang, 2002.

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14

Not necessarily stoned, but beautiful: The making of Are you experienced. Unanimous, 2002.

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15

Eduard Hanslick's on the Musically Beautiful: A New Translation. Oxford University Press, Incorporated, 2018.

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16

Payzant, Geoffrey. Hanslick on the Musically Beautiful: Sixteen Lectures on the Musical Aesthetics of Eduard Hanslick. Cybereditions, 2003.

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17

Dyer, Geoff. But Beautiful. Abacus, 2003.

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18

Jake, Brown, ed. Strange beautiful music: A musical memoir. 2014.

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19

King, Carole. Beautiful : the Carole King Musical: Easy Piano. Leonard Corporation, Hal, 2017.

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20

Cantwell, Michael. A Beautiful Song: A Musical Soul Story. KSM Publishing, 2011.

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21

Whitesell, Lloyd. Beautiful Uselessness. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.003.0006.

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This chapter explores special cases where glamour conventions demonstrate aestheticist values, that is, the exaltation of style for its own sake. At such times, the aesthetic intensity of glamour seems to offer an escape to a world of pure artifice, beauty, and style. The discussion identifies the central values of aestheticism as expressed in the high-art milieu and illustrates the same values at work in glamorous numbers. To analyze ultrastylishness in musical arrangement, it considers finesse on a small scale (e.g., contrapuntal ornamentation, textural and harmonic ingenuity) before turning

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22

Long, Michael. Beautiful Monsters: Imagining the Classic in Musical Media. University of California Press, 2008.

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23

Mordden, Ethan. Beautiful Mornin': The Broadway Musical in the 1940s. Oxford University Press, USA, 1999.

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24

Dyer, Geoff. But Beautiful: A Book about Jazz. North Point Press, 1997.

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25

Dyer, Geoff. But Beautiful: A Book about Jazz. Jonathan Cape, 1991.

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26

Meantone Is Beautiful!: Studies on Tunings of Musical Instruments. Lang AG International Academic Publishers, Peter, 2002.

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27

Hand, Dr Ferdinand. Aesthetics of Musical Art; Or, The Theory Of Beautiful In Music. Home Farm Books, 2006.

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28

Worship in heaven and on earth: Responsive, congregational, reverent, musical, and beautiful. Wells Gardner, Darton, 1994.

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29

(Translator), Gustave Cohen, ed. The Beautiful In Music: A Contribution To The Revisal Of Musical Aesthetics. Kessinger Publishing, LLC, 2007.

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30

(Translator), Gustave Cohen, ed. The Beautiful In Music: A Contribution To The Revisal Of Musical Aesthetics. Kessinger Publishing, LLC, 2006.

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31

Classic and Vintage Guitars: 101 of the World's Most Beautiful and Desirable Instruments. Carlton Books, Limited, 2019.

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32

Shaftel, Matthew. A Consideration of Drama, Lyrics, and Musical Structure in a Porter Film. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040092.003.0014.

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This chapter examines the lyrics and musical structure of the three ballads that Porter wrote in the fall of 1939 for the movie musical Broadway Melody of 1940. It underscores Porter's attention to detail not only in his intricate texts and musical designs but also in his consideration of plot, story, and dramatic impulse. Even in the filmic medium, where Porter had a great deal less control over the final product than in his more native Broadway context, his work reveals an interconnectedness that allows for a deeper understanding of the film. Although the film's plot hardly represents high d

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33

Arbiter, Eric. The Way of Cane. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190919610.001.0001.

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The philosophical, musical, personal and scientific basis for the author’s particular approach to reed-making. The importance of the communication of being human as expressed through the arts in general and music in particular. Knowing, not knowing and intimacy as aspects of good reed-work. The method of building reeds which are both beautiful to hear and comfortable to play is introduced. The concept of the distribution of the cane affects the tone quality and ease of playing is introduced. Reeds are seen as interconnected to our concept of sound musicianship and our grounding in the physical

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34

Heinsohn, Robert, and Michael Cermak. Life in the Cape York Rainforest. CSIRO Publishing, 2008. http://dx.doi.org/10.1071/9780643101180.

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The remote, beautiful and poorly known rainforests of Cape York Peninsula tell a special story about Australia’s historic and present-day connections to New Guinea. Life in the Cape York Rainforest highlights these connections by examining the fascinating biology of some of the most spectacular animals shared between the two regions.   The author recounts his own ground-breaking research on ‘cross-dressing’ Eclectus parrots, musical palm cockatoos and multi-coloured pythons, together with the exotic lifestyles of other animals, while painting the bigger picture of the past when Aus

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35

Reno, Kelly. Good Gifts from the Home: Soaps, Shampoos, and Other Suds--Make Beautiful Gifts to Give (or Keep). Prima Lifestyles, 2000.

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36

Reno, Kelly. Good Gifts from the Home: Oils, Lotions, and Other Luxuries--Make Beautiful Gifts to Give (or Keep). Prima Lifestyles, 2000.

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37

Def Leppard Beautiful Coloring Book: Stress Relieving Adult Coloring Book for All Ages. Independently published, 2020.

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38

Reno, Kelly. Good Gifts from the Home: Perfumes, Scented Gifts, and Other Fragrances--Make Beautiful Gifts to Give (or Keep). Prima Lifestyles, 2000.

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39

Reno, Kelly. Good Gifts from the Home: Candles, Bubble Baths, and Other Romantic Gifts--Make Beautiful Gifts to Give (or Keep). Prima Lifestyles, 2000.

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40

Olsen, Dale A. Flute Origin Myths and Flute-Playing Heroes. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037887.003.0008.

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Flutes get much of their power from the breath of their players, and that breath is transformed into whistle tones that are manipulated by the player's fingers or tongue to produce all sorts of patterns of sound, from bird imitations to beautiful melodies and more. In addition, flutes derive power from the “proper” culturally determined materials used in their construction, from animal bones or rustic bamboo to precious metals or stone, giving each instrument its desired tone quality or voice. Whether used for meditation, fertility, courting, protection, or just playing a melody, the sounds an

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41

Caps, John. The Music Factory. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0004.

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This chapter details events following Mancini's employment as a Universal Studios staff composer in 1952. The Universal Studios staff composers were a highly organized, well-oiled team, able to score any sort of film, any story or setting, albeit with fairly generic music and always in a rush. Mancini's daily routine at Universal, studying the clichés of Hollywood storytelling music, was the perfect on-the-job training for his career to come. Among his first assignments was to score the studio's glamorous two-reeler films with titles like The World's Most Beautiful Girls, Fun for All, and Caly

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42

Grand Opera House, London, Ont., programme: Thursday and Friday, Nov. 1st and 2nd, England's foremost lady entertainer, beautiful Nellie Ganthony ... in her unique musical sketches (a la Grossmith) .. s.n., 1986.

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43

Washburne, Christopher. Latin Jazz. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780195371628.001.0001.

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Latin Jazz: The Other Jazz is an issue-oriented historical and ethnographic study that focuses on key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence from eighteenth- and nineteenth-century colonial New Orleans through to the present global stage, provides an in-depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the eth

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