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1

Gillett, Paula. Musical women in England, 1870-1914: "encroaching on all man's privileges". Macmillan, 2000.

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2

Wainwright, Jonathan. Musical patronage in seventeenth-century England: Christopher, first Baron Hatton (1605-1670). Scolar Press, 1997.

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3

Griffiths, David. "A musical place of the first quality": A history of institutional music-making in York, c.1550-1990. York Settlement Trust, 1994.

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4

Weber, William. The rise of musical classics in eighteenth-century England: A study in canon, ritual, and ideology. Clarendon Press, 1996.

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5

Rainbow, Bernarr. The land without music: Musical education in England, 1800-1960, and its continental antecedents. Boethius Press, 1991.

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6

Stump, Paul. Unknown pleasures: A cultural biography of Roxy Music. Quartet Books, 1998.

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7

Stump, Paul. Unknown pleasures: A cultural biography of Roxy Music. Thunder's Mouth Press, 1998.

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8

BASHFORD, CHRISTINA. PURSUIT OF HIGH CULTURE: JOHN ELLA AND CHAMBER MUSIC IN VICTORIAN LONDON. BOYDELL PRESS, 2007.

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9

Hansen, Jutta Raab. NS-verfolgte Musiker in England: Spuren deutscher und österreichischer Flüchtlinge in der britischen Musikkultur. von Bockel, 1996.

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10

Palmer, Fiona M. Domenico Dragonetti in England (1794-1846): The career of a double bass virtuoso. Clarendon Press, 1997.

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11

Hupfauf, Sandra. Die Lieder der Geschwister Rainer und "Rainer Family" aus dem Zillertal (1822-1843): Untersuchungen zur Popularisierung von Tiroler Liedern in Deutschland, England und Amerika. Universitätsverlag Wagner, 2016.

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12

Welch, Chris. Led Zeppelin: Dazed and confused. Carlton, 1998.

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13

Koerner, Julie. Hollywood musicals. Friedman/Fairfax, 1993.

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14

Dodson, Will. Hollywood musicals. QNY, 2010.

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15

Koerner, Julie. Hollywood musicals. Friedman/Fairfax, 1997.

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16

Scholten, Hilde. Musicals in Nederland. Terra, 2004.

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17

Banfield, Stephen. Sondheim's Broadway musicals. University of Michigan Press, 1993.

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18

Davies, Ray. X-ray: The unauthorized autobiography. Overlook Press, 1995.

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19

Davies, Ray. X-ray. Viking, 1994.

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20

John, Muir, ed. Collins musicals. HarperCollins, 1997.

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21

Banfield, Stephen. Sondheim's Broadway musicals. University of Michigan Press, 1993.

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22

Venezia, Mike. The Beatles. Children's Press, 1997.

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23

Roger, Prior, ed. The Bassanos: Venetian musicians and instrument makers in England, 1531-1665. Scolar Press, 1995.

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24

Staskowski, Andréa. Movie musicals. Lerner Publications, 1992.

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25

Hughes, Maureen. A pocket guide to musicals. Remember When, 2008.

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26

Galloway, William Johnson. Musical England. Library Reprints, 2001.

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27

British Musical Theatre. Macmillan Publishers Limited, 1986.

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28

Musical Creativity In Restoration England. Cambridge University Press, 2013.

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29

Herissone, Rebecca. Musical Creativity in Restoration England. Cambridge University Press, 2013.

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30

Herissone, Rebecca. Musical Creativity in Restoration England. Cambridge University Press, 2013.

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31

Herissone, Rebecca. Musical Creativity in Restoration England. Cambridge University Press, 2018.

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32

Herissone, Rebecca. Musical Creativity in Restoration England. Cambridge University Press, 2013.

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33

Printed Musical Propaganda in Early Modern England. Clemson University Press, 2020.

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34

Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s (Palgrave Studies in Theatre and Performance History). Palgrave Macmillan, 2008.

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35

Regulation and Reform of Music Criticism in Nineteenth-Century England. Taylor & Francis Group, 2017.

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36

Regulation and Reform of Music Criticism in Nineteenth-Century England. Taylor & Francis Group, 2017.

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37

The Manchester Musical History Tour. Empire Books, 2011.

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38

England Resounding: Elgar, Vaughan Williams, Britten and the English Musical Renaissance. The Crowood Press, 2019.

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39

DeSimone, Alison. Power of Pastiche: Musical Miscellany and the Cultural Identity in Early Eighteenth-Century England. Clemson University Press, 2021.

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40

Michael Costa, England's First Conductor: The Revolution in Musical Performance in England, 1830-1880. Taylor & Francis Group, 2015.

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41

Goulden, John. Michael Costa : England's First Conductor: The Revolution in Musical Performance in England, 1830-1880. Taylor & Francis Group, 2016.

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42

Goulden, John. Michael Costa : England's First Conductor: The Revolution in Musical Performance in England, 1830-1880. Taylor & Francis Group, 2016.

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43

Goulden, John. Michael Costa : England's First Conductor: The Revolution in Musical Performance in England, 1830-1880. Taylor & Francis Group, 2016.

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44

Goulden, John. Michael Costa : England's First Conductor: The Revolution in Musical Performance in England, 1830-1880. Taylor & Francis Group, 2016.

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45

Canterbury Scene: Jazzrock in England. Halbscheffel Verlag, 2014.

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46

Charles Avison in Context: National and International Musical Links in Eighteenth-Century Northeast England. Taylor & Francis Group, 2017.

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47

Charles Avison in Context: National and International Musical Links in Eighteenth-Century North-East England. Taylor & Francis Group, 2017.

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48

Charles Avison in Context: National and International Musical Links in Eighteenth-Century North-East England. Taylor & Francis Group, 2017.

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49

Chorley, Henry Fothergill. Thirty Years' Musical Recollections. Library Reprints, 2001.

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50

Musgrave, Michael. The Musical Life of the Crystal Palace. Cambridge University Press, 2005.

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