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Relevant bibliographies by topics / Musicals Musical theater Musical theater / Books

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Books on the topic 'Musicals Musical theater Musical theater'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Allen, Cohen. Writing musical theater. New York, NY: Palgrave Macmillan, 2006.

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2

Hatta. Tun Perak: Sebuah teater semi musikal = a semi musical theatre. Kuala Lumpur: Istana Budaya, 2001.

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3

Cohen, Allen, and Steven L. Rosenhaus. Writing Musical Theater. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-04810-3.

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4

1948-, Walker Christine, ed. Wooleycat's musical theater. Santa Rosa, Calif: Tortuga Press, 2003.

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5

Len, Platt, ed. Musical theater and American culture. Westport, Conn: Praeger, 2003.

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6

Chen, Bill. The musical. Alhambra, Calif: Heryin Books, Inc., 2013.

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7

1952-, Briggs Tom, and Hammerstein Oscar 1895-1960, eds. Musical scene study: The musicals of Rodgers & Hammerstein. New York: Applause Theatre and Cinema Books, 2007.

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8

Novak, Elaine Adams. Staging musical theatre. Cincinnati, Ohio: Betterway Books, 1996.

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9

The musical: A look at the American musical theater. New York: Applause, 1995.

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10

Drone, Jeanette Marie. Musical theater synopses: An index. Lanham, Md: The Scarecrow Press, 1998.

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11

Irving Berlin's American musical theater. New York: Oxford University Press, 2012.

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12

Everett, William A. The A to Z of the Broadway Musical. Lanham: Rowman & Littlefield Pub. Group, 2009.

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13

Böttger, Dirk. Das musikalische Theater: Oper, Operette, Musical. Düsseldorf: Artemis & Winkler, 2002.

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14

Weill's musical theater: Stages of reform. Berkeley: University of California Press, 2012.

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15

Bowers, Dwight Blocker. American musical theater: Shows, songs, and stars. Washington, D.C: Smithsonian Collection of Recordings, 1989.

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16

Pest in Show. New York: Dial Books for Young Readers, 2013.

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17

Jamieson, Victoria. Bug Musical. New York: Dial Books for Young Readers, 2013.

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18

Our musicals, ourselves: A social history of the American musical theatre. Hanover: Brandeis University Press, published by University Press of New England, 2003.

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19

Showtime: A history of the Broadway musical theater. New York, NY: W.W. Norton & Co., 2010.

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20

Musical design in Sophoclean theater. Hanover: Dartmouth College, 1996.

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21

Blumenfeld's dictionary of musical theater: Opera, operetta, musical comedy. New York: Limelight Editions, 2010.

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22

Blumenfeld, Robert. Blumenfeld's dictionary of musical theater: Opera, operetta, musical comedy. New York: Limelight Editions, 2010.

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23

Musical theatre: A history. New York: Continuum, 2010.

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24

Our musicals, ourselves: A social history of the American musica theater. Hanover: Brandeis University Press, published by University Press of New England, 2003.

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25

Musical theatre, realism and entertainment. Farnham, Surrey, England: Ashgate, 2012.

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26

Lamb, Andrew. 150 years of popular musical theatre. New Haven [Conn.]: Yale University Press, 2000.

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27

Staging a musical. New York: Routledge/Theatre Arts Books, 1999.

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28

Raum, Elizabeth. Song and dance: A journey through musical theater. Chicago: Raintree, 2011.

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29

Raum, Elizabeth. Song and dance: A journey through musical theater. Chicago: Raintree, 2011.

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30

Gänzl, Kurt. The musical: A concise history. Boston: Northeastern University Press, 1997.

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31

Clum, John M. Something for the boys: Musical theater and gay culture. New York: St. Martin's Press, 1999.

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32

American Musical Theater. Oxford University Press, 2015.

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33

McLamore, Alyson. Musical Theater. Routledge, 2017. http://dx.doi.org/10.4324/9781315563770.

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34

McLamore, Alyson. Musical Theater. Taylor & Francis, 2016. http://dx.doi.org/10.4324/9781315663517.

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35

McLamore, Alyson. Musical Theater: An Appreciation. Taylor & Francis Group, 2017.

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36

McLamore, Alyson. Musical Theater: An Appreciation. Taylor & Francis Group, 2017.

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37

Musical Theater: An Appreciation. Prentice Hall, 2004.

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38

McLamore, Alyson. Musical Theater: An Appreciation. Prentice Hall, 2004.

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39

McLamore, Alyson. Musical Theater: An Appreciation. Taylor & Francis Group, 2017.

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40

A, Cohen, and S. Rosenhaus. Writing Musical Theater. Palgrave Macmillan, 2017.

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41

Scott, Derek B. Musical Theater(s). Edited by Helen M. Greenwald. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195335538.013.003.

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42

Grossman, Barbara Wallace. Musical Theater Directors. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780195385946.013.0021.

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43

Platt, Len, and Dave Walsh. Musical Theater and American Culture. Praeger Publishers, 2003.

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44

Bordman, Gerald. American Musical Theater: A Chronicle. Oxford University Press, USA, 2001.

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45

Kislan, Richard. The Musical: A Look at the American Musical Theater. Applause Books, 2000.

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46

Jones, John Bush. Our Musicals, Ourselves: A Social History of the American Musical Theater. Brandeis, 2003.

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47

Jones, Tom. Making Musicals: An Informal Introduction to the World of Musical Theater. Limelight Editions, 2004.

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48

Jones, John Bush. Our Musicals, Ourselves: A Social History of the American Musical Theater. Brandeis University Press, 2004.

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49

Magee, Jeffrey. Irving Berlin's American Musical Theater. Oxford University Press, 2014.

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50

Johnson, Jake. Mormons, Musical Theater, and Belonging in America. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042515.001.0001.

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Abstract:

American musical theater is often dismissed as frivolous or kitschy entertainment. But what if musicals actually mattered a great deal? What if perhaps the most innocuous musical genre in America actually defined the practices of Mormonism--America’s fastest-growing religion? Mormons, Musical Theater, and Belonging in America is an interdisciplinary study of voice, popular music, and American religion that analyzes the unexpected yet dynamic relationship between two of America’s most iconic institutions, Mormonism and American musical theater. This book argues that Mormonism and early American musical theater were cut from the same ideological cloth--formed in the early nineteenth century out of Jacksonian principles of self-fashioning, white supremacy, and broader understandings of the democratic principles of vicariousness. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common ideological platform, using musicals not only to practice a theology of voice but also to transition from outlier polygamist sect to become by the mid-twentieth century emblems of white, middle-class respectability in America. In an effort to become gods themselves, Mormons use the musical stage to practice transforming into someone they are not, modeling closely the theatrical qualities of Jesus and other spiritual leaders in Mormon mythology. Thus, learning to vicariously voice another person on the musical stage actually draws the faithful closer to godliness. Looking outward from the shared ideological roots of Mormonism and musical theater, this book offers a compelling study of how the ways Americans sound determine the paths of their belonging.

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