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Journal articles on the topic 'Musician's issues'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Xueying, Wang, and Yap Jin Hin. "The Performance Issues of the Selected Chinese Art Song." ISSRA Journal of Arts, Humanities, and Social Studies 3, no. 1 (2024): 27–36. https://doi.org/10.5281/zenodo.10692649.

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<strong>Abstract: </strong>This paper explores objects of aesthetics in Yoruba culture from the artistic standpoint of Yusuf Grillo, with a view to explaining the creativity There is a noticeable dearth of academics who have conducted exhaustive research on the performance issues related to Chinese art song performance. This issue presents a significant knowledge deficit in our comprehension. The existence of this gap poses a barrier to the formulation of efficient strategies and solutions aimed at tackling the difficulties encountered by performers and instructors in this field. This study co

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2

Zaman, Halima. "Turning a Person Into a Brand." International Journal of Applied Management Theory and Research 1, no. 1 (2019): 45–53. http://dx.doi.org/10.4018/ijamtr.2019010104.

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A person's turning into a brand means his entire process of becoming a distinguished personality in terms of career or other extraordinary talent. The main purpose of the study is to identify the brand personality traits in a musician and also to identify the scopes and the limitations in the past and future he had and will have being turned into a distinct brand personality. The study has shown the elements of sincerity, competence and sophistication of brand personality traits based on a particular musician. The study also discussed the scopes and limitations of a musician while turning into

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Гордеева, Е. В., and В. М. Скобёлкин. "STRUCTURAL AND SEMANTIC METAMORPHOSES OF THE CONTEMPORARY PIANO TEXT (THROUGH THE EXAMPLE OF THE «FIVE PIECES FOR PIANO» BY VALERIY SKOBYOLKIN)." Music Journal of Northern Europe, no. 1(25) (April 8, 2024): 1–26. http://dx.doi.org/10.61908/2413-0486.2021.25.1.1-26.

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Данная статья посвящена вопросам концептуального восприятия и детализированного прочтения современного музыкального текста. На материале фортепианных пьес уфимского композитора Валерия Скобёлкина разбираются структурные, содержательные компоненты и константы музыкального текста. Обогащение творческого диапазона музыканта приёмами-инструментами конструктивного семантического анализа, заключающегося в расшифровке смысловых структур и их многополярных значений, не только не умаляет и не уменьшает, но, наоборот, увеличивает пространство возможностей, поле вероятностных смыслов, мир звукообразов, т

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Podguzova, O. A. "SERGEY YAKOVENKO: HE KNEW HOW TO EMBRACE THE IMMENSITY." Arts education and science 1, no. 3 (2020): 173–82. http://dx.doi.org/10.36871/hon.202003021.

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The article is dedicated to the famous singer and teacher, Doctor of Arts Sergey Borisovich Yakovenko. It presents selected pages of the master's life, his performing activity, tells about the musician's creative contacts with representatives of Russian culture of the second half of the XXth – early XXIst centuries. The first performer of many modern vocal works, monooperas, cantatas and oratorios, outstanding and little-known works of world music, romances and songs by Soviet composers, S. B. Yakovenko is also a major figure in science, education and musical enlightenment. His research focuse

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Gafurova, Shokhida, and Munavara Abdullaeva. "How Important Is Physical Education For The State Conservatory Of Uzbekistan Students’ Successful Performing Activities." Eurasian music science journal, no. 2 (December 12, 2021): 44–53. http://dx.doi.org/10.52847/eamsj/vol_2021_issue_2/68.

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Every musician’s profession assumes regular hours-long practices, long-term music performance training and concert activities. The music profession is hard work that involves continuous rehearsals, followed by performances at concerts. This negatively affects the state of their health. This becomes the reason for the manifestation of occupational diseases and the termination of performing activities. Therefore, the formation of the physical well-being of a musician seems to be extremely important for successful and long-term performing activity. Consequently, it is relevant to introduce variou

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Firmansyah, Zaenuri, Harti Widyastuti Sri, and Mulyana. "Critical Discourse Analysis Model of Teun A. Van Dijk on the Lyrics of the Song 'Indonesia Bakoh' By Ndarboy Genk." INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND ANALYSIS 07, no. 09 (2024): 4408–19. https://doi.org/10.5281/zenodo.13812984.

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Discourse is a representation of the world. Through song lyrics, musicians can convey various forms of opinions, views, or criticisms about the realities of life. This is also the case with Daru Jaya Ndarboy Genk, whose song titled 'Indonesia Bakoh' is the subject of this research. The lyrics of this song contain criticism and social realities regarding the grievances of Indonesian society concerning employment issues. The aim of this study is to investigate the discourse in the lyrics of the song 'Indonesia Bakoh,' which features criticism and social reality. This research employs a discourse

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7

Mstislavskaya, Elena Vasil’evna. "Divergence as a Criterion of Musical Performance Quality." Pan-Art 2, no. 2 (2022): 29–36. http://dx.doi.org/10.30853/pa20220008.

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The purpose of the study is to substantiate that divergence is a criterion of musical performance quality. The material presented in the paper is addressed to those musicians whose musical abilities do not manifest themselves in the obviously higher sides of the cognitive sphere, for example, in phenomenal memory, etc. The paper considers two aspects of a musician’s creative activities – the intellectual one and the emotional one; determines the roles of divergent qualities of a musician. The novelty of the study lies in a scientific substantiation of divergent thinking development in musical

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8

Constantinovici, Cătălina. "Sabin Pautza, 80 years of life: “We understand from music what we are”." ARTES. JOURNAL OF MUSICOLOGY 30, no. 29-30 (2024): 200–213. http://dx.doi.org/10.35218/ajm-2024-0011.

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Sabin Pautza turned 80 on February 8, 2023. Known to the Romanian musical world, and not only, through his stylistically diverse works, the musician dedicated his life especially to composition. His creation is included on vinyl discs and CDs, it has tempted various performers who are passionate about academic music, as well as entertainment music, and has been approached musicologically over time, in studies, such as those signed by: Liliana Gherman (1978 - Cantata „Columne” pentru cor și orchestră pe versuri de Vasile Filip [Cantata "Columne" for choir and orchestra with lyrics by Vasile Fil

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9

Shinde, Ketaki Vijay, and Pradeep Borkar. "Epidemiology of Musculoskeletal Disorders in Musicians - Systematic Review." International Journal of Health Sciences and Research 11, no. 12 (2021): 114–27. http://dx.doi.org/10.52403/ijhsr.20211217.

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Musicians performing over an instrument demands repetitive, awkward postures and postural stress from prolonged sitting or standing. Musicians are found to be more prone to the development of Playing-Related Musculoskeletal Disorders (PRMDs) due to these factors. PRMDs are defined as ‘pain, weakness, numbness, tingling or other symptoms that interfere with their ability to play an instrument’. There is an increasing interest seen in the medical issues faced by the musicians performing over an instrument. There are different type of musicians playing different instruments which means different

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10

Іван Дерда. "FORMATION OF PROFESSIONAL COMPETENCE OF THE FUTURE TEACHER-MUSICIAN DURING THE PROFESSIONAL TRAINING." Collection of Scientific Papers of Uman State Pedagogical University, no. 3 (September 4, 2020): 56–63. http://dx.doi.org/10.31499/2307-4906.3.2020.219090.

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The article analyzes various interpretations of the concepts “competence”, “professional competence”, “teacher-musician’s professional competence”. The article highlights the scientists’ views on the issue of future teachers-musicians’ professional competence developing during professional training. It is determined that the formation of professional competence implies a comprehensive, harmonious development of the future teacher-musician who has not only theoretical knowledge but also practical skills and abilities.The author notes that one of the most important subjects in the content of spe

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Dr., Amol Kamble. "A Role Of Indian Classical Music In The Development Of Anxiety And Self-Esteem Among Musician And Non-Musician." International Journal of Advance and Applied Research S6, no. 6 (2025): 324–33. https://doi.org/10.5281/zenodo.15067284.

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<em>Psychological issues are very common among the people of every single community. These psychological glitches are leading people to mental health issues like anxiety. Human mental well-being is required to be enhanced appropriately for the improved health of the public. Music is one of the great psychotherapy that gives relief from anxiety. Instruments used in Indian classical carry rich cultural and spiritual importance, transcending simple musical use to offer deep psychological and emotional impacts. This study endeavor </em><em>to examine the influence of music on the level of self-est

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12

Anacin, Carljohnson. "‘Can You Hear Me? Are We Live Yet?’: An Autoethnography of Online Live Music Performances amid the Covid-19 Pandemic." Asiascape: Digital Asia 10, no. 3 (2023): 256–80. http://dx.doi.org/10.1163/22142312-bja10051.

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Abstract Because of the Covid-19 pandemic, artists could not perform live at music venues, and online performance on social media platforms has become an ordinary event. This transition from the physical stage to virtual platforms benefited many artists and audiences. However, it has also raised some questions about the music industry and its impacts on musicians. Through an autoethnographic analysis of my experience as an independent Filipino musician delivering livestreamed performances during the pandemic, this paper analyzes the constraints – personal, technological, and performative – on

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13

Rohwer, Debbie. "Health and Wellness Issues for Adult Band Musicians." Medical Problems of Performing Artists 23, no. 2 (2008): 54–58. http://dx.doi.org/10.21091/mppa.2008.2011.

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Because issues involved with playing an instrument may be complicated by the aging process, age may be an important variable to investigate in health studies. The current study examined the perceived health challenges of a group of adult instrumental musicians and possible accommodations for these challenges. Participants included 83 adult white musicians, aged 47 to 91 yrs, 52 females and 31 males, who were attending a national summer senior band camp. Fifty-two played woodwind and 31 brass or percussion instruments. The participants were given a questionnaire asking about (1) the degree of t

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Ovchar, О. P. "V. O. Bohdanov – an outstanding researcher of the history of wind art in Ukraine: his life and creative career." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 8–23. http://dx.doi.org/10.34064/khnum1-54.01.

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Background. The question of a comprehensive assessment of certain musicians’ work has both artistic and aesthetic, sociocultural, and ethical projections associated with the evaluation of the creativity and activity of the musician both during their lifetime and after their passing. This issue also continues to be acutely relevant in the area of studying and shaping the scope of cultural knowledge about traditions and innovations in all spheres of musical art, about the role of an individual in the historical and cultural process both in the national and in the civilizational, globalizational

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Sveschynska, Natalia. "FORMATION OF CREATIVE-PERFORMANCE SKILLS OF FUTURE TEACHERS OF MUSIC ART IN THE PROCESS OF INSTRUMENTAL TRAINING." Academic Notes Series Pedagogical Science 1, no. 190 (2020): 133–37. http://dx.doi.org/10.36550/2415-7988-2020-1-190-133-137.

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The level of professional qualification of a music art teacher is especially evident at the stage of creative and performing activities, when the synthesis of pedagogical and creative-performing components of activity allows to achieve the artistic influence of musical art on the individual. Analysis of the activities of music teachers of different levels of skill reveal the unity of pedagogical and creative- performing aspects of skill, their equivalence and complementarity in achieving teacher interaction with students. It is extremely important to reveal the original features of the nationa

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Dawson, William J. "Abstracts from the Literature." Medical Problems of Performing Artists 23, no. 1 (2008): 33–35. http://dx.doi.org/10.21091/mppa.2008.1007.

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Once again, papers devoted to a single topic have recently appeared in several scientific and artistic periodicals. The papers are written by different authors, each with a specific focus and background. The first four papers abstracted in this issue's column are devoted to the instrument-musician interface; they present a variety of views and recommendations, and most have an emphasis on problems of string musicians.

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17

Livingstone, Steven. "The Kinematics of Musical Expression in the Spatiotemporal Dimension." Empirical Musicology Review 8, no. 2 (2013): 124. http://dx.doi.org/10.18061/emr.v8i2.3931.

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During performance, musicians are known to move their bodies in rhythmic and expressive displays. Buck, MacRitchie, and Bailey&rsquo;s intriguing article aims to show that these visual gestures reflect a musician&rsquo;s expressive interpretation of the composition and underlying phrasal structure. I briefly discuss three issues that may be taken into account when interpreting musicians&rsquo; reported movements. First, performers&rsquo; movements were interpreted as reflecting ancillary movements that are not associated with sound generation. However, these movements may not b

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18

Vastamäki, M., L. Ristolainen, M. Heliövaara, and H. Vastamäki. "Musculoskeletal pain among Finnish orchestra musicians versus core workforce." Occupational Medicine 70, no. 7 (2020): 507–13. http://dx.doi.org/10.1093/occmed/kqaa146.

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Abstract Background Professional musicians show a high prevalence of musculoskeletal pain, but information is limited about prevalence of pain compared to the general populations. Aims Our cross-sectional epidemiological study compared the prevalence of musculoskeletal pain between professional orchestra musicians and the working population in Finland. Methods Musicians with a permanent contract with all domestic professional symphony and philharmonic orchestras and a population sample of the workforce in Finland completed questionnaires including the same questions on musculoskeletal pain and

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Brandfonbrener, Alice G. "Old Musicians Never Die: Issues of Aging in Orchestral Musicians." Medical Problems of Performing Artists 18, no. 4 (2003): 135–36. http://dx.doi.org/10.21091/mppa.2003.4023.

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Although in different contexts, many of us daily face aging-related issues that may concern ourselves, our families, or our patients, and all are complex. Issues of aging were the subject matter of three recent and very different conversations I had that were focused on a specific segment of the aging population, symphony musicians.

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20

Victoria, Tusheva. "Self-awareness in the formation of the future music teacher’s scientific research culture." Professional Art Education, no. 2 (2022): 6–12. http://dx.doi.org/10.34142/27091805.2022.3.02.01.

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The purpose of the article is to highlight the functional characteristics of future music teacher’s selfawareness and worldview orientations as determinants of his scientific and research culture formation. Methods and methodology. The ideas of H.S.Kostyuka, S.D.Maksimenko, S.L.Rubinstein regarding the understanding of the ontology of mental phenomena, generalized by the principle of the unity of consciousness and activity, the development of professionally important qualities of the individual in the systemogenesis of activity; as well as the position of higher art education in relation to cu

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Navei, Nyamawero. "The Lioness of African Music: Cultural Interpretation of Wiyaala’s Stage Costume Art." International Journal of Cultural and Art Studies 7, no. 1 (2023): 49–63. http://dx.doi.org/10.32734/ijcas.v7i1.10463.

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In stage performance, costume art is an essential visual signature device with the veracity to unveil the character and cultural identity of the performer. Stage costume art could also be deployed to respond to pertinent societal issues. In spite of its versatile essentiality in performing arts, there seems to be a dearth of scholarly interpretation of stage costume art of Ghanaian musicians, thereby creating a knowledge gap. This qualitative case study makes a hermeneutical interpretation of eight random-purposively sampled stage costumes of Wiyaala (a Ghanaian female musician) to establish t

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Komenda, Olha, Bohdan Kysliak, Oleksandr Marach, Olha Moskvych, and Iryna Rehulich. "The structural and activity method of studying the universal creative personality (on the example of musical culture)." Convergences - Journal of Research and Arts Education 17, no. 33 (2024): 201–12. http://dx.doi.org/10.53681/c1514225187514391s.33.240.

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The trend of the global educational process aimed at developing a universal creative personality is leading young people to expand their professional spectrum. The study of the universal personality of a musical artist is a prominent issue in the context of socio-cultural changes in the life of modern society. The aim of the research is to study the specific and characteristic features of a creative personality as well as to clarify the aspects of the formation of a musician’s universal personality. This article uses the following scientific methods to study the issue of universal creative per

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Publicover, Jennifer L., Tarah S. Wright, Steven Baur, and Peter N. Duinker. "Engaging with Environmental Issues as a Musician: Career Perspectives from the Musicians of the Playlist for the Planet." Popular Music and Society 42, no. 2 (2018): 167–87. http://dx.doi.org/10.1080/03007766.2018.1426367.

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Brandfonbrener, Alice G. "“It’s the Music, Stupid,” or Why Are Performers So Conservative?" Medical Problems of Performing Artists 16, no. 4 (2001): 131–32. http://dx.doi.org/10.21091/mppa.2001.4021.

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In my editorial in the previous issue of Medical Problems of Performing Artists , I observed that there appears to be a real difference in people’s inborn abilities to memorize, although in some this ability can be developed and improved upon as a skill. My purpose in writing about memorization was to question the wisdom of requiring solo musical performers to play from memory since the fear of memory slips appears to be a significant and for many the major cause of performance anxiety. I further questioned why, since memorizing is so difficult for some, all musicians are subjected to this add

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Woolford, Donald H., Edward C. Carterette, and Donald E. Morgan. "Hearing Impairment among Orchestral Musicians." Music Perception 5, no. 3 (1988): 261–84. http://dx.doi.org/10.2307/40285400.

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It would seem anomalous that an orchestral musician would have less than normal hearing in order to monitor an exacting musical output. However, some recent studies show that a proportion of symphony musicians do have hearing impairments of various pathologies of which noise exposure, including the music alone, is the dominant causal factor. Intense music exposures in symphony orchestras often exceed the intensity standards of hearing conversation. A basic procedure for industrial hearing conservation is the control of the sound at the source, but the very purpose of the orchestra prevents its

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Lingold, Mary Caton. "In search of Mr Baptiste: on early Caribbean music, race, and a colonial composer." Early Music 49, no. 1 (2021): 49–66. http://dx.doi.org/10.1093/em/caab002.

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Abstract Mr Baptiste was a musician living in late 17th-century Jamaica who composed music portraying African traditions as they were performed by enslaved musicians on the island. This article argues that Baptiste was probably a free person of colour and perhaps one of the earliest-known Black American composers to have published Western notation. His music was printed in Hans Sloane’s 1707 travelogue and natural history of Jamaica. The article also addresses broader issues concerning the underrepresentation of marginalized performers in colonial music histories, with special attention to mus

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Sanga, Imani. "Postcolonial Cosmopolitan Music in Dar es Salaam: Dr. Remmy Ongala and the Traveling Sounds." African Studies Review 53, no. 3 (2010): 61–76. http://dx.doi.org/10.1017/s0002020600005679.

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Abstract:This article concerns Dr. Remmy Ongala, a Congolese-Tanzanian musician, and the making of postcolonial cosmopolitan music in Dar es Salaam, Tanzania. It argues that Dr. Remmy's music is shaped by the postcolonial consciousness and conditions of contemporary Tanzania. It also shows Dr. Remmy's cosmopolitan citizenship in his songs that address political and social issues. Focusing on his involvement in worldbeat festivals, it argues that he, like other musicians, enters into the worldbeat system not as a fully autonomous individual but as a constituted postcolonial subject, compelled t

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Ramirez, Michael. "“I’m Not a Musician, But…”: Negotiating the Research Process in Examining the Lives of Musicians." Qualitative Sociology Review 10, no. 3 (2014): 80–93. http://dx.doi.org/10.18778/1733-8077.10.3.04.

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Identity politics have been of considerable interest to the qualitative research tradition as researchers have speculated on the extent to which identity and positionality matter in the field. In this autoethnography, I analyze private writings I composed while studying musicians’ life course trajectories in musical careers, paying particular attention to the methodological implications of my fieldwork decisions. I concentrate on: 1) issues of access, 2) identity politics, and 3) the ethics of relationships in the field. I analyze the extent to which I negotiated several (sometimes conflicting

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Postu, Angelica. "Emotional Health Issues in Professional Classical Musicians." Musicology Papers 37, no. 2 (2024): 7–12. http://dx.doi.org/10.47809/mp.2022.37.02.01.

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Keller, Damián. "Challenges for a second decade of ubimus research: knowledge transfer in ubimus activities." Revista Música Hodie 18, no. 1 (2018): 148–65. http://dx.doi.org/10.5216/mh.v18i1.53578.

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   This is the second part of a discussion on the challenges of a second decade of ubimus research. I discuss the issues involved in supporting knowledge transfer in musical activities. I lay out and exemplify the concept of metaphor for creative action. I summarize the results of three studies employing the time tagging metaphor, configuring an effective strategy for supporting everyday musical creativity. Then I report results of a study employing the stripe meta- phor – an extension of time tagging devised for usage of a large number of resources. Twelve subjects, encompas

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Polisi, Joseph W. "The Subtle Art: Educating the Musician of the Twenty-First Century." Medical Problems of Performing Artists 20, no. 1 (2005): 52–55. http://dx.doi.org/10.21091/mppa.2005.1009.

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The broad goals of this paper are to discuss the relation of the art of music to our society and our culture, to examine the artist as an individual in today's world, and most importantly, to present some of the personal and artistic conflicts that young musicians may experience during their formative years. In addition, I will suggest a few general solutions that address the problems inherent in educating the performing musician of the late twentieth century. [In celebration of MPPA's 20 years of publication, we are looking back at some of the notable articles that appeared in the early issue

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Herer, Bertrand. "Tuberculosis and Music: A Case Report and Review of Clinical, Epidemiologic, and Cultural Factors." Medical Problems of Performing Artists 20, no. 3 (2005): 131–34. http://dx.doi.org/10.21091/mppa.2005.3026.

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Tuberculosis occupies a special place among respiratory diseases due to a number of widely discrepant factors: its continued clinical and scientific importance, the major socioeconomic issues associated with the disease, and the frequency with which it figures in artistic life. This case report of tuberculosis in a musician provides an introduction to a review of the clinical, epidemiologic, and cultural links between tuberculosis and music. The following points are considered: medical management of tuberculosis, transmission of tuberculosis in congregate musical settings, tuberculosis and soc

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Agyekum, Kofi, Joshua Amuah, and Adwoa Arhine. "Proverbs and stylistic devices of Akwasi Ampofo Agyei’s Akan highlife lyrics." Legon Journal of the Humanities 31, no. 1 (2020): 117–44. http://dx.doi.org/10.4314/ljh.v31i1.5.

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This paper examines the stylistic features and proverbs in ɔba nyansafo wɔbu no bɛ na wɔnka no asɛm, ‘A wise child is spoken to in proverbs’ a popular Ghanaian highlife song by the late Akwasi Ampofo Agyei. This is an area which is still grey in the study of highlife music. The paper basically adopted qualitative methodology through interviews and recordings. The paper combines the theories of language ideology and ethnomusicology, and looks at the indispensable, didactic and communicative functions of stylistic devices and proverbs in Akan highlife. These tropes as forms of indirection help t

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Agyekum, Kofi, Joshua Amuah, and Adwoa Arhine. "Proverbs and stylistic devices of Akwasi Ampofo Agyei’s Akan highlife lyrics." Legon Journal of the Humanities 31, no. 1 (2020): 117–44. http://dx.doi.org/10.4314/ljh.v31i1.5.

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This paper examines the stylistic features and proverbs in ɔba nyansafo wɔbu no bɛ na wɔnka no asɛm, ‘A wise child is spoken to in proverbs’ a popular Ghanaian highlife song by the late Akwasi Ampofo Agyei. This is an area which is still grey in the study of highlife music. The paper basically adopted qualitative methodology through interviews and recordings. The paper combines the theories of language ideology and ethnomusicology, and looks at the indispensable, didactic and communicative functions of stylistic devices and proverbs in Akan highlife. These tropes as forms of indirection help t

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35

Brandfonbrener, Alice G. "Special Issues in the Medical Assessment of Musicians." Physical Medicine and Rehabilitation Clinics of North America 17, no. 4 (2006): 747–53. http://dx.doi.org/10.1016/j.pmr.2006.06.002.

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Gembris, Heiner, Andreas Heye, and Andreas Seifert. "Health problems of orchestral musicians from a life-span perspective." Music & Science 1 (January 1, 2018): 205920431773980. http://dx.doi.org/10.1177/2059204317739801.

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The profession of orchestral musician is often linked to musculoskeletal problems, hearing disorders, and struggles with stage fright. However, data on the prevalence of physical problems are very divergent because of different research methods and sampling procedures. It is to be expected that physical problems generally increase with age, but the literature on medical issues that affect musicians contains very few studies on this aspect. In light of this, the data produced by a cross-sectional study of 2,536 musicians from 133 professional symphony orchestras in Germany were analyzed with re

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HOLLERBACH, PETER. "(Re)voicing tradition: improvising aesthetics and identity on local jazz scenes." Popular Music 23, no. 2 (2004): 155–71. http://dx.doi.org/10.1017/s0261143004000121.

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Historically, the field of ethnomusicology has tended to neglect the lives and work of individual musicians in favour of a view of music as culture, a disciplinary perspective that has assumed the homogeneity of the world's cultures. Contesting this erasure of the musical subject, biographical micro-histories situate the individual at the centre of music studies. Accordingly, the subject of this article is a self-identified ‘local’ jazz musician, whose narrative elucidates the exigencies of his musical and social life. One of the music's ‘lesser lives’, ‘LC’ is typical of those players who neg

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Cloonan, Martin, and Matt Brennan. "Alien invasions: the British Musicians' Union and foreign musicians." Popular Music 32, no. 2 (2013): 277–95. http://dx.doi.org/10.1017/s0261143013000093.

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AbstractThis article examines the policies of the British Musicians' Union towards the employment of musicians who were not UK citizens in the period from the 1920s to the 1950s, with particular emphasis on an alleged ban on American musicians entering the country. Drawing on a number of hitherto largely ignored and/or unavailable sources, it argues that many previous accounts of these policies have simplified a more complex picture. We illustrate that complexity and suggest that the issues surrounding the ban are ones which continue to resonate.

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Barton, Rebecca, Clyde Killian, Morgan Bushee, et al. "Occupational Performance Issues and Predictors of Dysfunction in College Instrumentalists." Medical Problems of Performing Artists 23, no. 2 (2008): 72–78. http://dx.doi.org/10.21091/mppa.2008.2014.

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Music-related injuries among musicians, including younger musicians, have been well documented; however, minimal research has been completed with college-aged instrumentalists. The purpose of this research study was to describe the presence of physical symptoms in college-age musicians and the impact of these symptoms on music-playing and other daily occupations. Data collection was completed on college instrumental music majors using two survey questionnaires, which documented the presence of physical symptoms in the upper limb and the impact of these symptoms on function. The results indicat

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Мациевский, И. В. "Theoretical Problems of Activities and Professional Status of a Folk Musician." OPERA MUSICOLOGICA 16/2, no. 2024 (2024): 230–39. http://dx.doi.org/10.26156/operamus.2024.16.2.012.

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Статья посвящена вопросам подготовки профессиональных музыкантов — исполнителей на народных музыкальных инструментах, специалистов по традиционному народному пению и исследователей музыкального фольклора в высших учебных заведениях. Одной из проблем воспитания кадров является недостаточность внимания музыкантов, получающих специальное образование, к сфере народного исполнительства. Изолированность от опыта и принципов традиционного музицирования, отказ от опоры на веками складывавшиеся в устной культуре приемы обучения пению, игре на народных инструментах и взаимодействия в ансамбле приводят к

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Kucherenko, Stanislav. "The synthetic nature of the violinist-performer’s professionalism (on the material of L. Spohr’s “Violin school”)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 68, no. 68 (2023): 54–71. http://dx.doi.org/10.34064/khnum1-68.03.

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Statement of the problem. The modern academic violin performance art is an extensive and multi-level phenomenon. Musicians choose one or another direction of self-realization (soloist, ensemble or quartet player, orchestra artist), achieving a certain level of mastery in it. Such a narrowing of specialization, determined by the history of musical art, on the one hand, helps to increase the level of professionalism, and on the other hand, it ruins the integrity of the figure of the performer in the perception of musicians and listeners. The scientific literature devoted to the issues of violin

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Fairchild, Charles. "LET US NOW PRAISE FAMOUS GUITARS: PERSONA AND THE MATERIAL DISPLAYS OF POPULAR MUSIC MUSEUMS." Persona Studies 5, no. 1 (2019): 61–74. http://dx.doi.org/10.21153/psj2019vol5no1art841.

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The study of popular music museums has expanded greatly in the past decade or so. The numerous studies produced so far have largely focused on issues to do with tourism, heritage, and curatorship. Most analysis has attempted to gauge the effectiveness and degree of success of the various methods of constructing and displaying collections of sounds, objects, and ideas. One area that can be of interest in moving beyond these analyses of museum practice is to examine how larger ideologies of artistry and artists that pervade the celebrity personas so assiduously built around famous musicians are

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Iorwerth, Miriam, and Don Knox. "Playing Together, Apart." Music Perception 36, no. 3 (2019): 289–99. http://dx.doi.org/10.1525/mp.2019.36.3.289.

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Classical musicians in ensembles are accustomed to performing in the same physical space. However, situations such as networked music performance (NMP) require physical separation with audio and sometimes video links. Effects of latency on synchronization have been extensively studied; however, research is limited on the effects of physical separation on the subjective experience of musicians. This separation is likely to have an effect on interaction between musicians as usual channels of communication are interrupted. The impact of this physical separation on the experience of classical musi

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Chesky, Kris. "Preventing noise induced hearing loss: Issues and challenges facing musicians." Journal of the Acoustical Society of America 149, no. 4 (2021): A123. http://dx.doi.org/10.1121/10.0004729.

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Watson, Amanda. "Musicians as instrumental music teachers: Issues from an Australian perspective." International Journal of Music Education 28, no. 2 (2010): 193–203. http://dx.doi.org/10.1177/0255761410362939.

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Iorwerth, Miriam, and Don Knox. "The ‘Playing Together, Apart Framework’: A framework for communication in networked music performance." Journal of Music, Technology & Education 15, no. 2 (2022): 149–64. http://dx.doi.org/10.1386/jmte_00051_1.

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The 'Playing Together, Apart Framework' is a framework for understanding communication between musicians in networked music performance (NMP). Previous research has largely focused on technical issues such as latency and synchronization, and this framework aims to extend this research into further understanding of the experiences of, and the communication between, musicians in NMP, and the factors affecting this. The framework is based on duo musicians, working in informal NMP situations, playing acoustic instruments. The framework shows the audio and video communication paths, and the influen

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Soldatenko, Oleksandr. "Innovative Forms of Folk Songs Arrangement." Folk art and ethnology, no. 4 (December 30, 2024): 49–56. https://doi.org/10.15407/nte2024.04.049.

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The purpose of the article is to research, analyze and systematize innovative forms of processing folk songs in the context of modern Ukrainian culture. The works of Ukrainian scientists researching the issues of song folklore processing are analyzed in the article. These are, for example, Andrii Kovbasiuk, Andrii Soloviov, Nataliia Fedorniak, Ruben Tolmachov, Hennadii Savenko, Andrii Mosieiev, Andrii Furdychko, Olena Batovska, Olha Buha, Oleksandr Yakovchuk. The reasons for the relevance of the use of innovative forms of processing folk songs by musicians, composers and producers are consider

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Clemente, Miguel Pais, André Moreira, Catarina Morais, José Manuel Amarante, Afonso Pinhão Ferreira, and Joaquim Mendes. "Tooth Position in Wind Instrument Players: Dentofacial Cephalometric Analysis." International Journal of Environmental Research and Public Health 18, no. 8 (2021): 4306. http://dx.doi.org/10.3390/ijerph18084306.

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Background: Specific dentofacial characteristics in wind instrumentalists should be taken in consideration when analyzing physiological and anatomical issues regarding the musician’s embouchure, posture, and biomechanics during musical performance. Objectives: To compare tooth cephalometric characteristics between wind instrument players and string players (overjet, overbite, lower facial height, facial convexity, lower incisor inclination, and interincisal angle). Methods: In total, 48 wind instrumentalists (67%) and 24 string instrumentalists (33%). These musicians performed lateral tele-rad

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Greasley, A. E., R. J. Fulford, M. Pickard, and N. Hamilton. "Help Musicians UK hearing survey: Musicians’ hearing and hearing protection." Psychology of Music 48, no. 4 (2018): 529–46. http://dx.doi.org/10.1177/0305735618812238.

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Musicians’ hearing has received increased attention due to the rising prevalence of hearing loss among general and musical populations. This paper reports results of a national survey exploring professional musicians’ awareness of, and perceptions surrounding, their hearing health, and associated help-seeking behavior including attitudes towards hearing protection. Professional musicians ( N = 693) took part, the majority being orchestral or instrumental musicians. Forty percent of the sample had experienced hearing loss or other hearing issues and many attributed hearing problems to their mus

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Vesic, Ivana. "Countering prejudice and discrimination: Women musicians in the pursuit of socio-economic advancement and social affirmation in interwar Yugoslavia." Muzikologija, no. 38 (2025): 213–41. https://doi.org/10.2298/muz2538213v.

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This paper explores the challenges and efforts of women musicians in interwar Yugoslavia to improve their working conditions and oppose widespread prejudices. Despite relatively favorable conditions in the Yugoslav labor market for professional musicians, women musicians faced numerous obstacles due to prevalent patriarchal norms and negative representations. These issues were exacerbated by state regulations and policies, as well as the hostile approach of male musicians and biased media framing. I will discuss in detail the dominant narratives on women musicians and the attempts at creating

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