Academic literature on the topic 'Musician's spouses'

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Journal articles on the topic "Musician's spouses"

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Wang, Xiaolu, Chiew Hwa Poon, and Ku Wing Cheong. "Intrinsic Factors Influencing Career Development among College Music Teachers in Establishment Stage from Fujian, China." Malaysian Journal of Social Sciences and Humanities (MJSSH) 8, no. 12 (2023): e002641. http://dx.doi.org/10.47405/mjssh.v8i12.2641.

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In the career development, individuals show a stronger need on the professional advancement and are expected to make more definite career decisions in the establishment career stage. This study used semi-structure interview of qualitative study to investigate the intrinsic motivation influencing career development among three music teachers who were in the career stage of establishment from higher educational institutions in Fujian, China. The interview was modelled and the interview transcriptions were analysed and coded based on the theory of Maslow’s Hierarchy of Needs. The results indicate
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TURG'UNOVA, NASIBA MAMATOVNA. "Ritual songs "Yor-yor" of the Fergana valley of Uzbekistan." Euro Afro Studies International Journal, (EASIJ.COM), 3, no. 1 (2021): 13–23. https://doi.org/10.5281/zenodo.4534223.

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Fergana Valley is located on the territory of the Republic of Uzbekistan and is one of the centers of culture and art. The population of the valley has been engaged in agriculture, gardening and handicrafts since ancient times. In the social and cultural life of the valley, it has become a tradition to hold mass folk festivals and family rituals, which are accompanied by appropriate songs and dances. In this process, solo and choral song traditions, characteristic of female creativity, were formed. Family ritual songs "Yor-Yor" (Yor-Yor - the refrain word, means "friend-spouse&q
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Bakutytė, Vida. "Baronas ir baronienė Ernstas ir Jekaterina von der Osten-Sacken - kultūrinio gyvenimo Vilniuje dalyviai (XIX a. antroji pusė)." Lietuvos kultūros tyrimai 11 (2019): 186–213. https://doi.org/10.53630/lkt.2019.7.

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In this article the author takes a look at the couple of Russian noble intellectuals - Baron Ernst von der Osten-Sacken (1841/1846-1911), a descendant from the Germans o f Courland, and Baroness Ekaterina von der Osten-Sacken (1845/1846-1923), who lived in Vilnius in the 2nd half of the 19th century. Their life and cultural activities in Vilnius (1874-1892) can be considered as a characteristic phenomenon of the epoch: husband, who was appointed to a high-ranking post in the public service in Vilnius, and his wife accompanying him, who was a singer, amateur composer, poetess and writer, got ac
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Starostina, A. B. "Folklore Basis of Three Late Tang Period Stories About the Intrusion into Another’s Dream." Vestnik NSU. Series: History and Philology 22, no. 4 (2023): 102–14. http://dx.doi.org/10.25205/1818-7919-2023-22-4-102-114.

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The article aims to explore alleged folklore basis of three Chinese chuanqi tales about a husband's intrusion into his wife's dream written during the middle-late Tang period, namely, the first episode of “A Record of Three Dreams” by Bai Xingjian, “Student Zhang” by Li Mei, and “Dugu Xiashu” by Xue Yusi. The psychologism inherent in these stories masks their closeness to folklore and literature tales about supernatural or uncommon road encounters. The use of Chinese and foreign comparative material allows us to show that these stories originate in belief in the night feasts of spirits and in
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Latinytė, Rūta. "Not a Gift: Phenomenological Research of Everyday Experience." Tautosakos darbai 57 (June 1, 2019): 34–53. http://dx.doi.org/10.51554/td.2019.28426.

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By using approaches of phenomenological anthropology and research of everyday experience, the author of the article introduces a possibility to study practices of gift giving and receiving, occurring in modern social life. Special attention is paid to a peculiar case of the gift giving – when a gift is not given, and the act of gift giving does not take place.Every instance of gift giving or losing presents a unique moment in the life of an individual experiencing the world. The author analyzes descriptions of experience and qualitative unstructured interviews with commentaries, conducted espe
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Serdiuk, Ya O. "Amanda Maier: a violinist, a pianist, a composer – the representative of Leipzig Romanticism." Aspects of Historical Musicology 17, no. 17 (2019): 232–48. http://dx.doi.org/10.34064/khnum2-17.15.

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Background. The performance practice of recent decades demonstrates an obvious tendency to expand and update the repertoire due to the use of the works of those composers whose pieces had “lost” over time against to the pieces of their more famous contemporaries. At the same time, in sociology, psychology, culturology, gender issues are largely relevant. Musicology does not stand aside, applying the achievements of gender psychology in the study of composer creativity and musical performing (Tsurkanenko, I., 2011; Gigolaeva-Yurchenko, V., 2012, 2015; Fan, Liu, 2017). In general, the issue of g
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Malinin, Laura H., Meara Faw, and Deana Davalos. "Performing arts as a non-pharmacological intervention for people with dementia and care-partners: a community case study." Frontiers in Psychology 14 (May 9, 2023). http://dx.doi.org/10.3389/fpsyg.2023.1149711.

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Participation in psychosocial enrichment activities, such as music and arts programming, have shown potential to delay or reduce functional decline - without adverse effects that can be associated with pharmaceuticals. The performing-arts programming described in this community case study was inspired by a community music program called B-Sharp Music Wellness, located in Phoenix, Arizona, which involved small groups of musicians who provided symphony performances for people with dementia. Our community programming sought to engage people with dementia and their informal care partner (typically
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Пожидаева, Галина. "Творческие принципы Арама Хачатуряна в сочинениях его учеников: произведения Владимира Пожидаева". Journal of Art Studies, 30 травня 2024, 67–84. http://dx.doi.org/10.54503/2579-2830-2023.2(10)-67.

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Композитор Владимир Анатольевич Пожидаев, член Союза композиторов России, заслуженный деятель искусств Российской Федерации, член-корреспондент Петровской академии наук и искусств, сейчас в мире ином. Пишу о своем супруге, поскольку ему посчастливилось учиться у гениально одаренного музыканта и прекрасного человека, композитора Арама Ильича Хачатуряна. Период учебы и общение во внеучебное время с великим композитором XX в. сыграли огромную роль в формировании творческой личности Владимира Пожидаева, который оказался одним из последних его учеников. Хотелось бы своими воспоминаниями дополнить н
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Bauder, Amy. "Keeping It Real? Authenticity, Commercialisation and Family in Australian Country Music." M/C Journal 18, no. 1 (2015). http://dx.doi.org/10.5204/mcj.939.

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Getting the Family Together: A Fieldwork Account The final gig of Bob Corbett and the Roo Grass Band’s 2013 tour is a hometown show at New Lambton Community Hall in Newcastle on the coast of New South Wales, Australia. The tour had already covered Newcastle and surrounds at various locations within 50 to 100km of the Newcastle CBD. In addition to lead singer and guitarist Bob Corbett, there are three main members of the Roo Grass Band, Sue Carson on fiddle and mandolin, Dave Carter on banjo, bass and bagpipes and Robbie Long on guitar, mandolin and bass. I enter the building and at the top of
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Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li
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Dissertations / Theses on the topic "Musician's spouses"

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Hammond, Leanne. "Access all areas: a backstage look at women’s experiences in the West Coast rock music scene." Thesis, 1995. http://hdl.handle.net/2429/3700.

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This study attempts to address a gap in existing subcultural research. While there has been extensive work done on the experiences of men in subcultural groupings, the examination of women's experiences is sadly lacking. Using a combination of participant observation and ethnographic interviewing, this study looks at the role women play in the local rock music scene. Some interesting themes emerge that challenge existing notions that women are either marginal or absent from subcultural activity. Women in the scene occupy a richly contradictory social position. While they exercise an
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Books on the topic "Musician's spouses"

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Jordan, Martha. The debutante that went astray: An autobiography of Martha, Mrs. Louis Jordan. E.L.M. Institute Publishers, 2005.

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Krupp, Nadi︠a︡. Plata za vdokh. BZh Vagant-Moskva, 2003.

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Citrānanda. Amara gāyakuni arthāṅgi: Śrīmati Ghaṇṭasāla Sāvitri. Ghaṇṭasāla Gāna Sabha, 2009.

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Trzcińska, Zofia Komedowa. Nietakty: Mój czas, mój jazz. Wydawnictwo Szelest, 2015.

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Nitani, Yurie. Tate. Bungei Shunjū, 2001.

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Barthélemy, Maurice. De Léopold à Constance: Wolfgang Amadeus. Actes sud, 1993.

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London, Nora. Aria for George. Dutton, 1987.

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Weidenthaler, Daniela. Duetto concertante: Herbert und Marianne Baumann - ein Komponistenleben. Allitera, 2013.

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Menuhin, Diana. Fiddler's moll. Weidenfeld and Nicolson, 1985.

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Garaventa, Olga. Sandro íntimo. Planeta, 2013.

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Book chapters on the topic "Musician's spouses"

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Jones, Alisha Lola. "“Preaching to the Choir and Being Played”." In Flaming? Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190065416.003.0009.

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More than the coupling of women with gay men in vocal music participation is the impenetrable work spouse relationships that occur between the preacher and the chief musician. Protected by compensation arrangements and confidentiality expectations that favor the pastor as boss, that coupling is the dominant relationship in African American Christian religiosity. With this in mind, I wonder what are the ways in which men’s collective participation in vocal music ministry has come to function as a form of eunuchoidism to handle women in churches, while granting access to men who are phallogocent
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