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Relevant bibliographies by topics / Musicians in art

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Academic literature on the topic 'Musicians in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Musicians in art"

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Nörholm Lundin, Anna. "Maestro! Yrkesmusikers sociala praktik, relativa framgång och habitus." Praxeologi – Et kritisk refleksivt blikk på sosiale praktikker 1 (January 1, 2019): e1566. http://dx.doi.org/10.15845/praxeologi.v1i0.1566.

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Maestro! The social practice, relative success and habitus of professional musiciansIn art music the Maestro is an important figure. The Maestro is an outstanding musician and teacher at one of the prestigious music colleges in Sweden. To be admitted as a student of a Maestro is to be granted access to the atrium of music. However, this is no guarantee of actually succeeding as a musician. Who is the Maestro? Which social practice is the Maestro part of, and which social practice is he/she maintaining? Who achieves a position as an outstanding musician, and what is required to hold such a posi

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School, Veronika, and Amélie Zosso. "“You Cannot Perform Music Without Taking Care of Your Body”: A Qualitative Study on Musicians’ Representation of Body and Health." Medical Problems of Performing Artists 27, no. 3 (2012): 129–36. http://dx.doi.org/10.21091/mppa.2012.3024.

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OBJECTIVE: To identify professional musicians’ representation of health and illness and to identify its perceived impact on musical performance. METHODS: A total of 11 professional musicians participated in this phenomenological study. Five of the musicians were healthy, and the others suffered debilitating physical health problems caused by playing their instruments. Semi-structured interviews were conducted, transcribed verbatim and analysed. Thematic analysis, including a six-step coding process, was performed (ATLAS-ti 6). RESULTS: Three major themes emerged from the data: music as art, th

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Umam, Khothibul, and Gregorius Tri Hendrawan Manurung. "Merchandise and Memorabilia: Between Art Products, Self-Image, and Musicians Existence." E3S Web of Conferences 359 (2022): 02019. http://dx.doi.org/10.1051/e3sconf/202235902019.

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This study aims to examine three merchandise of Semarang bands/musicians, namely Soegi Bornean, Pyong-pyong, and Vice Versa. The method used is a Sociology of Art approach with a focus on the production and distribution of works of art. The data of this research is the result of observations on the unique side of the merchandise production of Soegi Bornean, Pyong-pyong, and Vice Versa. The data collection method used is in-depth observation. The observation method is used to cover data related to the production and distribution of merchandise. The analytical method used in this study is to exa

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Andika, Wirvan, and Esy Maestro. "PEMUSIK JALANAN STUDI DESKRIPTIF PEMUSIK JALANAN DI DAERAH PULAI LUBUK MINTURUN KOTA PADANG." Jurnal Sendratasik 10, no. 1 (2020): 425. http://dx.doi.org/10.24036/jsu.v9i2.110594.

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This research aims to find and describe Rian's activities as one of the street musicians in Padang City. This type of research is Qualitative Research. The main instruments in the study were researchers themselves and assisted with supporting instruments such as stationery, recording devices and cameras. Data collection techniques are carried out by observation, interview, library study and documentation. The steps to analyze the data are to collect data and describe the data and draw conclusions. The results showed that there are still many lay people who think street musicians or worshippers

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Pratt, Emily, Henning Vauth, Gary McIlvain, and Mark K. Timmons. "Musicians Have Thicker Median Nerve Cross Sectional Area and More Symptoms of Carpal Tunnel Than Non-Musicians." Medical Problems of Performing Artists 35, no. 3 (2020): 138–44. http://dx.doi.org/10.21091/mppa.2020.3023.

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AIMS: Musicians spend numerous hours perfecting their skills and art, often leading to overuse injuries of the hand; of specific concern to musicians is carpal tunnel syndrome (CTS). This study evaluated the median nerve cross-sectional area and hand function of musicians and made comparisons to non-musicians. METHODS: Seventy-six participants took part in the study, 38 music students and professors in the musician group and 38 participants in the control group. Participants completed patient-reported questionnaires to assess the level of pain and hand function. Ultrasound images were collecte

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Navei, Nyamawero. "The Lioness of African Music: Cultural Interpretation of Wiyaala’s Stage Costume Art." International Journal of Cultural and Art Studies 7, no. 1 (2023): 49–63. http://dx.doi.org/10.32734/ijcas.v7i1.10463.

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In stage performance, costume art is an essential visual signature device with the veracity to unveil the character and cultural identity of the performer. Stage costume art could also be deployed to respond to pertinent societal issues. In spite of its versatile essentiality in performing arts, there seems to be a dearth of scholarly interpretation of stage costume art of Ghanaian musicians, thereby creating a knowledge gap. This qualitative case study makes a hermeneutical interpretation of eight random-purposively sampled stage costumes of Wiyaala (a Ghanaian female musician) to establish t

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Massetti, Gemma, Carlotta Lega, Zaira Cattaneo, Alberto Gallace, and Giuseppe Vallar. "Exploring the Effects of Brain Stimulation on Musical Taste: tDCS on the Left Dorso-Lateral Prefrontal Cortex—A Null Result." Brain Sciences 12, no. 4 (2022): 467. http://dx.doi.org/10.3390/brainsci12040467.

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Humans are the only species capable of experiencing pleasure from esthetic stimuli, such as art and music. Neuroimaging evidence suggests that the left dorsolateral prefrontal cortex (DLPFC) plays a critical role in esthetic judgments, both in music and in visual art. In the last decade, non-invasive brain stimulation (NIBS) has been increasingly employed to shed light on the causal role of different brain regions contributing to esthetic appreciation. In Experiment #1, musician (N = 20) and non-musician (N = 20) participants were required to judge musical stimuli in terms of “liking” and “emo

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Denny, Walter. "Music and Musicians in Islamic Art." Asian Music 17, no. 1 (1985): 37. http://dx.doi.org/10.2307/833740.

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Ahlquist, Karen. "Playing for the Big Time: Musicians, Concerts, and Reputation-Building in Cincinnati, 1872–82." Journal of the Gilded Age and Progressive Era 9, no. 2 (2010): 145–65. http://dx.doi.org/10.1017/s1537781400003911.

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Like many midwestern cities in the nineteenth century, Cincinnati, Ohio, was home to large numbers of German immigrant musicians, among them the founders of the Cincinnati Grand Orchestra in 1872. Their model of musician-based organization eventually ran counter to the prestige-building potential of Western art music, which made it attractive to local civic leaders determined to earn respect for their city at a national level. The successful Cincinnati May festivals beginning in 1873 under the artistic leadership of conductor Theodore Thomas brought the city the desired renown. But the musical

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Dushniy, Аndriy, Volodymyr Salii, Nataliia Storonska, Hanna Ulych, and Vіtalіy Zaets. "Performing musicology in the socio-cultural space of Ukraine of the XXI century: scientific and creative discourse." Revista Amazonia Investiga 11, no. 54 (2022): 137–45. http://dx.doi.org/10.34069/ai/2022.54.06.13.

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At the present stage, performing musicology plays an important role in the formation and development of professional musicians. In the socio-cultural space of Ukraine of the 21st century, it continues the historical traditions of research on the formation of performers, but, at the same time, it undergoes serious transformations. The aim of the research is to identify the key, fundamental principles of performance skill in the context of today’s realities, to determine the factors influencing the reformatting of the essential features of the creative activity of musicians. The methods of work

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Dissertations / Theses on the topic "Musicians in art"

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Gaines, Adam W. "Work of Art : the life and music of Art Farmer." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1317924.

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Gillette, Amy Elizabeth. "Depicting the Sound of Silence: Angel-Musicians in Trecento Sacred Art." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/397051.

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Art History<br>Ph.D.<br>The effusion of music-making angels in medieval art stood in opposition to the fact that in Scripture, angels did not perform music, and to contemporaneous beliefs that they were both bodiless and silent. This rupture between signification and idiom suggests that angel-musicians were more than passive symbols of “concelebration,” the idea that angels and humans performed the liturgy in concert with one another. I propose a synthetic account of their meanings and functions, focusing on Trecento Tuscany as a place where diverse artistic modes and devotional practices blen

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Maclean, Gavin. "Art versus commerce? : the works of musicians in the field of cultural production." Thesis, Heriot-Watt University, 2016. http://hdl.handle.net/10399/3104.

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Labour process theory has been a key resource for the sociological study of work for over four decades. Yet, labour process theory has been conspicuous by its absence from research into cultural labour (Banks, 2007; Dean and Jones, 2003; Hesmondhalgh and Baker et al., 2011). This thesis firstly examines value production and the dynamics of managerial control and creative autonomy within the recorded music industry. Acknowledging the weaknesses identified with “critical theory” approaches in failing to consider the “content” of cultural work (Banks, 2007; McKinlay and Smith, 2009), this thesis

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Johnson, Abigail. "Hendrick ter Brugghen’s Musicians and the Engagement of the Viewer." Master's thesis, Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/461409.

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Art History<br>M.A.<br>Hendrick ter Brugghen (1588-1629), a Dutch Baroque painter, is known as one of the more prominent artists among the Utrecht Caravaggisti, so-named for the city in which he worked and as a follower of Caravaggio. The Caravaggesque style swept through Northern Europe during the cusp of the sixteenth and seventeenth centuries, and genre scenes of half-length figures could be found in every art fair and open market. The label of Utrecht Caravaggisti, however, is a limiting descriptor for ter Brugghen, who created works in response to the changing art market and tastes of a g

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Kowalczyk, Beata Maria. ""Transnational" art world : career patterns of japanese musicians in the European world of classical music." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01E003.

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Toujours plus visibles sur les scènes occidentales de la musique classique, les musicien-ne-s japonais-e-s évoluant en Europe constituent un phénomène social intéressant. Adoptant deux perspectives complémentaires - celle des «mondes de l’art» et des trajectoires d’artistes d’un côté, et celle des mobilités et des migrations de travailleurs d’un autre -, cette thèse vise à examiner la construction des carrières artistiques des musicien-ne-s japonais en Europe étudiées comme des trajectoires «transnationales» de professionnel-le-s qualifié-e-s. Comment se fait-il que des personnes socialisées d

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Barnas, Adam J. "Emotional Responses Evoked by Paintings and Classical Music in Artists, Musicians, and Non-Experts." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1417794794.

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Bougher, Heather A. "The Venetian Paragone: A Study of Titian’s Five “Venus and Musician” Paintings." Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1610037915548072.

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Sweat, Ashley Dawn. "What is the nature of the professional practice of artist-teachers? four case studies /." unrestricted, 2005. http://etd.gsu.edu/theses/available/etd-11172005-212321/.

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Thesis (M.A. Ed.)--Georgia State University, 2005.<br>Title from title screen. Paula P. Eubanks, committee chair; Melody Milbrandt, Joseph Peragine,Teresa Bramlette-Reeves, committee members. Electronic text (50 p.) : digital, PDF file. Description based on contents viewed May 29, 2007. Includes bibliographical references (p. 49-50).

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Fugazza, Lorenzo. "Methods to support guitarists to recover from injuries and/or maintain health." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3338.

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Musicians tend to suffer from a broad range of problematics related to their playing, from muscle/tendon injuries, to joint injuries, nerve compression disorders and central nervous system disorders. The purpose of this essay was therefore to explore methods used for health and wellbeing of guitarists. The research question was: Which actions are described to support guitarists to recover from injuries and/or maintain health? A qualitative approach was used to collect and analyse the data that were acquired through in-depth interviews and analysis of annotations of musicians who have been pati

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Esslin-Peard, M. S. "The art of practice : learning through the looking-glass : understanding the musical learning of popular and classical undergraduate musicians based upon their reflections about their experiences of a UK university performance course." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3008704/.

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Much has been written in the last 30 years about musical practice and performance, but there is little consensus over what practice really means, or how musicians progress by practising. Researchers tend to focus on specific elements in practice rather than taking a more holistic perspective. Whilst academics historically focused on (primarily Western) classical musicians, more recent research has focused upon popular, jazz and folk musicians, drawing on formal and informal learning models. This research project at the University of Liverpool focuses on the practice and performance experiences

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Books on the topic "Musicians in art"

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Roalf, Peggy. Musicians. Hyperion Books for Children, 1993.

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Alade, Art. The great Art: Life & times of Art Alade. Jemi-Alade, 2003.

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Degenhardt, Gertrude. Gertrude Degenhardt: Vagabondage ad Mortem = Musikanten des Todes = musicians of death = musiciens de la mort. Edition GD, 1995.

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Pepper, Art. Straight life: The story of Art Pepper. Mojo Books, 2000.

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Pepper, Art. Straight life: The story of Art Pepper. Da Capo Press, 1994.

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Gourse, Leslie. Art Blakey, jazz messenger. Schirmer Trade Books, 2002.

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Ranade, Ashok D. Maharashtra art music. Maharashtra Information Centre, Govt. of Maharashtra, 1989.

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Gordon, Stewart. Mastering the art of performance: A primer for musicians. Oxford University Press, 2010.

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Stewart, Gordon. Mastering the art of performance: A primer for musicians. Oxford University Press, 2010.

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Stewart, Gordon. Mastering the art of performance: A primer for musicians. Oxford University Press, 2010.

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Book chapters on the topic "Musicians in art"

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Smith, Dana. "A Bavarian Musical Department without Bavarian Musicians." In Jewish Art in Nazi Germany. Routledge, 2022. http://dx.doi.org/10.4324/9781003160311-9.

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Castelo-Branco, Salwa El-Shawan. "Performing Soviet Cultural Diplomacy: “Western Art Music” and Musicians in Cairo 1955–1970." In Music and Cultural Diplomacy in the Middle East. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-36279-8_8.

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Carrico, Alexandria, and Katherine Grennell. "Case Studies of Disabled Composers and Musicians in the Western Art Music Canon." In Disability and Accessibility in the Music Classroom. Routledge, 2022. http://dx.doi.org/10.4324/9781003222224-4.

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Dalbauer-Stokkebæk, Birte. "How Are You Doing?" In Mindfulness for Musicians. Routledge, 2025. https://doi.org/10.4324/9781003487975-2.

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Turek, Ralph, and Daniel McCarthy. "The Art of Countermelody." In Theory for Today’s Musician. Routledge, 2019. http://dx.doi.org/10.4324/9781351246262-24.

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Cutler, David. "The Art of Getting Hired." In The Savvy Musician 2.0. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197795965.003.0020.

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Abstract The final five chapters address specific professional opportunities for musicians. Landing a “gig” requires a sophisticated obstacle course. Each move is a hurdle in itself, one that must be adequately cleared before advancing to subsequent rounds. Assume that desirable opportunities motivate many applicants, often 50 to 300+. Savvy musicians spend significant energy drafting cover letters, updating resumes/curricula vitae, and practicing for interviews/auditions. While many factors are outside your control, aim to blow away the competition by every metric. Beyond demonstrating expert

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Shchepakin, Vasyl. "KHARKIV MUSICIANS THE MARECHEKS: ANCESTRY – FINDINGS – NEW RIDDLES." In MUSICAL ART: HISTORICAL AND THEORETICAL DISCOURSE. Liha-Pres, 2020. http://dx.doi.org/10.36059/978-966-397-198-8/82-103.

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Rempe, Martin. "Conclusion: Musicians’ Lives as Creative Work." In Art, Play, Labour: the Music Profession in Germany (1850–1960). BRILL, 2023. http://dx.doi.org/10.1163/9789004542723_014.

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MacDonald, Raymond A. R., and Graeme B. Wilson. "Distributed creativity and the myth of shared understanding." In The Art of Becoming. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190840914.003.0005.

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This chapter examines the prevalent assumption that improvisers must share understanding of what they are trying to achieve and how they are thought to do so, investigating the importance of identities and how they are constructed among co-improvisers. The role of talk between musicians in constructing understanding is examined with reference to interviews with improvisers. Implications for teaching and new creative practice are discussed with specific examples of how improvisation can be taught. Research on improvisation tends to assume that in a successful group performance, musicians must h

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Whitmore, Aleysia K. "The Art of Representing the Other." In World Music and the Black Atlantic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083946.003.0003.

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This chapter explores how industry personnel respond to audience and industry expectations by examining the negotiations behind the production of world music. The chapter looks behind and underneath world music products to analyze, not just the effects of representational decisions, but also how people make these decisions—how they negotiate the dynamics of representational and interpretive distortion. Industry personnel work with musicians and audiences to develop products that are authentic and sellable. They play with and push against markers of authenticity that intersect and parallel each

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Conference papers on the topic "Musicians in art"

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Karpova, E. K. "The first organization of musicians in Ufa musical history." In Scientific trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-02-2020-06.

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Singer, Eric L., Ken Perlin, and Clilly Castiglia. "Real-time responsive synthetic dancers and musicians." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. ACM Press, 1996. http://dx.doi.org/10.1145/253607.253779.

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Pizzolitto, Elia. "Are Musicians Entrepreneurs? A Preliminary Analysis." In Seventh International Scientific-Business Conference LIMEN Leadership, Innovation, Management and Economics: Integrated Politics of Research. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2021. http://dx.doi.org/10.31410/limen.2021.231.

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In this narrative literature review, we employed the grounded theory for studying the scientific debate, the contradictions, and the tensions between entrepreneurship and music activity. In particular, this work represents a preliminary study for a more in-depth future analysis of this relationship. The analysis let emerge two superordinate structures, five themes, and eight subthemes. The two superordinate structures represent the most relevant tensions we found in the analyzed articles. The first tension highlights the complicated relationship between musicians’ identity and the entreprene

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Zhurkova, Daria. "Russian Biopics About Popular Soviet Musicians: Between Conventions, Past and Reality." In The 5th International Conference on Art Studies: Research, Experience, Education (ICASSEE 2021). Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048557240/icassee.2021.017.

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Lukina, Galima. "The System of Formation of Compensatory Factors in Blind Musicians in the Solfeggio Lessons." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.79.

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Cabacov, Dmitrii. "Modern scientific publications of musicians from the Republic of Moldova about the local piano art." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.04.

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The pianistic art of the Republic of Moldova is covered in numerous booklets, articles and books, revealing the peculiarities of the creation of local composers, showing the development trends of the national music genres, representing outstanding performers and pedagogues. The problems of the development of the Sonata genre are reflected in the works of E. Mironenco, V. Melnic, N. Chiciuc, G. Cocearova, I. Hatipova. A number of publications by V. Mamalîga, M. Belȋh, E. Gȋrbu, A. Rojnoveanu and other musicologists are dedicated to research in the field of piano miniatures and miniature cycles.

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Peng, Chen, and Wang Qian. "Study on the Digital Art Presentation Based on Tri-colored Camel Carrying Musicians on the Back." In ICVIP 2017: International Conference on Video and Image Processing. ACM, 2017. http://dx.doi.org/10.1145/3177404.3177447.

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Ekşioğlu, Mahmut, N. Kaan Öztürk, and Orkun Şirin. "Save the Musicians! The Ergonomics of the Drumming." In Applied Human Factors and Ergonomics Conference. AHFE International, 2018. http://dx.doi.org/10.54941/ahfe100073.

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Drumming is a highly repetitive and demanding physical art nearly played in all music styles. Drummers use both two hands and feet during playing. Due to this fact, the musicians in the drumming profession are facing the risks of developing musculoskeletal pain and injury in the hands, wrists, elbows, shoulders, ankles as well as low back and neck areas. Especially, wrists, ankles and back are the most risky parts. To reduce the risks involved and improve the drumming performance, the drummer´ workstation set up, instruments and the method of performing need to be evaluated and redesigned acco

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Druta, Andrei, and Diana Bunea. "The repertoire for pan-flute in the context of the development of performing art in contemporaneity." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.09.

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The article presents an analysis of an academic and folkloric repertoire for Pan-Flute, from both the musicological and interpretative perspectives, of the artistic and technical possibilities of performing on this instrument at present. The authors selected representative creations, systematizing them into two groups — transcribed from other instruments and originals, written specifically for the Pan-Flute. The repertoire in question sums up and reflects the remarkable achievements of the art of performing on this instrument in contemporaneity, due to some famous musicians and composers from

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Kaidi, Wang. "The Formation of the Professional Vocal Education in China Regarding the Russian Musicians’ Contribution." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.10.

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Reports on the topic "Musicians in art"

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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of ce

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Білоус, О. С. Український фольклор як засіб морально-естетичного становлення особистості школяра. ПДПУ ім. К. Д. Ушинського, 2002. http://dx.doi.org/10.31812/123456789/3317.

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The article deals with the meaning of folklore as the means of a moral-aesthetic making of a pupil’s personality. The author’s conclusions are based on the opinions of famous pedagogues and musicians. The curriculum in Music analysis, the recommendations concerning the broadening of a used repertoire of a folk music creative work in the practice of a compulsory school at the expense of introduction of the material of an folk creative work are given.

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Cai, Wenjie, and Hwan-Ching Tai. String Theories: Chemical Secrets of Italian Violins and Chinese Guqins. AsiaChem Magazine, 2020. http://dx.doi.org/10.51167/acm00006.

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The most valuable musical instruments in the world are 17-18th century violins from Cremona, Italy (made by Stradivari and Guarneri), and Chinese guqins (7-string zithers) from the 8-13th century. Today, musicians still prefer these antique instruments for their superior acoustic qualities that cannot be reproduced by later makers. Over the centuries, many theories have been proposed to explain the unique playing properties of famous violins and guqins, but most are based on conjectures rather than factual evidence.

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Keogh, Brendan, Dan Golding, and Taylor Hardwick. Australian Music and Games 2023 Benchmark. Queensland University of Technology and Swinburne University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.243139.

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Digital games are a global cultural force, of which music is a foundational aspect. Music is crucial for digital games to develop atmosphere, convey narratives, and frame player interactions. At the same time, digital games provide musicians exciting new opportunities to experiment with dynamic, adaptive, and non-linear music structures. However, writing, producing, licensing, and implementing music for digital games also poses new challenges to existing screen music practices and business models. This benchmark is the first ever investigation into the scope and scale of Australia’s game music

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Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481294.

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Symphonies Reframed recreates symphonies as chamber music. The project aims to capture the features that are unique for chamber music, at the juncture between the “soloistic small” and the “orchestral large”. A new ensemble model, the “triharmonic ensemble” with 7-9 musicians, has been created to serve this purpose. By choosing this size range, we are looking to facilitate group interplay without the need of a conductor. We also want to facilitate a richness of sound colours by involving piano, strings and winds. The exact combination of instruments is chosen in accordance with the features of

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Manhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), 2020. http://dx.doi.org/10.19088/ids.2020.001.

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This study examines Mozambican popular music to investigate three questions: Are notions of empowerment and accountability present in popular music in Mozambique? If so, what can these existing notions of empowerment and accountability reveal about relations between citizens and state institutions in general and about citizen-led social and political action in particular? In what ways is popular music used to support citizen mobilisation in Mozambique? The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field int

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Gratzke, Michael. ‘Confessions of a MILF (I chose being an artist over being a wife)’. Love and relationships in Viv Albertine’s memoirs. University of Dundee, 2022. http://dx.doi.org/10.20933/100001240.

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The memoirs of (post-) punk musician Viv Albertine address the issue of choice or lack thereof in romantic and family relationships. They depict a world in which choice of romantic partners appears normal if often unsuccessful, whereas choice within family relationships is restricted. It is self-evident that one cannot choose one’s blood relatives. However, amplified by Albertine’s scepticism towards any social relationships, her two memoirs represent ‘negative choice’ (Eva Illouz) in heterosexual romantic relationships and the complex ways in which negative choice can change family dynamics.

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