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Journal articles on the topic 'Musicians'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Grašytė, Toma. "Traditional Musician in the Nowadays Lithuanian Village or Small Town’s Community." Tautosakos darbai 52 (December 30, 2016): 213–30. http://dx.doi.org/10.51554/td.2016.28874.

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Folk musicians belonging to the older generations and playing various instruments have been subject to rather exhaustive research in Lithuania since the end of the 20th century until the present. Various aspects of their music making, including the repertoire, changes in the style of their performance, the musician’s image, role and place in the community have also received considerable attention. However, traditional musicians belonging to the younger generation and their music making have scarcely fallen into the focus of study so far. The modern ethnomusicologists researching and appreciati

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2

King, Caleb J., Anya E. Shorey, Kelly L. Whiteford, and Christian E. Stilp. "Testing the role of primary musical instrument on context effects in music perception." Journal of the Acoustical Society of America 152, no. 4 (2022): A132. http://dx.doi.org/10.1121/10.0015790.

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Musicians display numerous perceptual benefits versus nonmusicians, such as better pitch and melody perception (the “musician advantage”). Recently, Shorey et al. (2021 ASA) investigated whether this musician advantage extended to spectral contrast effects (SCEs; categorization shifts produced by acoustic properties of surrounding sounds) in musical instrument recognition. Musicians and nonmusicians listened to a context sound (filtered string quartet passage highlighting frequencies of the horn or saxophone), then categorized a target sound (tone from a six-step series varying from horn to sa

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3

Nörholm Lundin, Anna. "Maestro! Yrkesmusikers sociala praktik, relativa framgång och habitus." Praxeologi – Et kritisk refleksivt blikk på sosiale praktikker 1 (January 1, 2019): e1566. http://dx.doi.org/10.15845/praxeologi.v1i0.1566.

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Maestro! The social practice, relative success and habitus of professional musiciansIn art music the Maestro is an important figure. The Maestro is an outstanding musician and teacher at one of the prestigious music colleges in Sweden. To be admitted as a student of a Maestro is to be granted access to the atrium of music. However, this is no guarantee of actually succeeding as a musician. Who is the Maestro? Which social practice is the Maestro part of, and which social practice is he/she maintaining? Who achieves a position as an outstanding musician, and what is required to hold such a posi

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Son, Han-Na, and Seong-Joon Limb. "Indie Musicians Support System of the Naver Musician League." Dongguk Business Research Institute 44, no. 2 (2022): 25–39. http://dx.doi.org/10.55685/bcr.2022.44.2.25.

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Despite the importance of indie music and musicians required in the music industry ecosystem, much research has not been conducted on the practical support method for fostering indie musicians. This study introduces the operation method of the 'Musician League' platform created to support indie musicians by the portal site Naver, and analyzes the cases of indie musicians who have grown up through it, in order to see if the same method as the Musician League could be a practical alternative for fostering indie musicians. Based on literature research and interviews with related parties, this stu

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Gafurova, Shokhida, and Munavara Abdullaeva. "How Important Is Physical Education For The State Conservatory Of Uzbekistan Students’ Successful Performing Activities." Eurasian music science journal, no. 2 (December 12, 2021): 44–53. http://dx.doi.org/10.52847/eamsj/vol_2021_issue_2/68.

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Every musician’s profession assumes regular hours-long practices, long-term music performance training and concert activities. The music profession is hard work that involves continuous rehearsals, followed by performances at concerts. This negatively affects the state of their health. This becomes the reason for the manifestation of occupational diseases and the termination of performing activities. Therefore, the formation of the physical well-being of a musician seems to be extremely important for successful and long-term performing activity. Consequently, it is relevant to introduce variou

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Barton, Rebecca. "The aging musician." WORK: A Journal of Prevention, Assessment & Rehabilitation 22, no. 2 (2004): 131–38. https://doi.org/10.3233/wor-2004-00350.

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Objective: Older musicians may develop occupational performance problems resulting from age-related changes and features unique to their occupation. The purpose of this study was to describe the impact of the aging process on an older professional musician. Method: A phenomenological approach was used to study the effects of the aging process on a 71 year old, semi-retired, part-time paid jazz musician. Data were gathered through interviews and observations of performance environments, and analyzed using a grounded hermeneutic approach. An expert panel facilitated theme development. Results: T

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7

Jabusch, Hans-Christian, and Eckart Altenmüller. "Anxiety as an Aggravating Factor During Onset of Focal Dystonia in Musicians." Medical Problems of Performing Artists 19, no. 2 (2004): 75–81. http://dx.doi.org/10.21091/mppa.2004.2012.

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Focal dystonia in musicians is a task-specific movement disorder that in many cases leads to the end of musical careers. In a recent study, perfectionism and anxious traits were found to be elevated in musicians with dystonia. Dynamics of different anxiety disorders and their possible role during the development of musician’s dystonia still are unclear. Dystonic musicians (n = 20) were investigated by means of self-estimation and compared with healthy musicians (n = 30) and musicians with chronic pain syndromes (n = 20). Participants completed a questionnaire focusing on different anxiety diso

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Cygańska, Anna Katarzyna, Michał Kaczorowski, and Beata Rodzik. "The Musculoskeletal Pain Intensity and Interference Questionnaire for Musicians: Assessment of Patient-Related Outcomes among Professional Orchestra Musicians in Poland—A Cross-Sectional Study." Journal of Clinical Medicine 13, no. 16 (2024): 4751. http://dx.doi.org/10.3390/jcm13164751.

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Background: Musculoskeletal pain is one of the reasons for a musician’s inability to play an instrument. An assessment of the localization, intensity, and interference of those complaints is important among musicians because of the risk of occupational disease. Assessment by validated tools is especially important and serves as an indicator to take up proper preventive or treatment actions. The aim of the study was to assess the prevalence of playing-related musculoskeletal disorders (PRMDs) and the relationships with PRMDs’ impact on playing musical instruments among Polish professional orche

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9

Rosset-Llobet, Jaume, Álvaro Pascual-Leone, and Sílvia Fàbregas-Molas. "Role of Female Reproductive Hormones in Musicians' Dystonia." Medical Problems of Performing Artists 27, no. 3 (2012): 156–58. http://dx.doi.org/10.21091/mppa.2012.3027.

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Musicians’ dystonia is an occupational focal dystonia affecting men more often than women. METHODS: We identified all patients presenting with musicians’ dystonia and prospectively collected data on reproductive and menstrual history from the women with musician’s dystonia and female musicians without dystonia. RESULTS: 149 men and 23 women (13.37%) with musician’s dystonia where identified. We did not identify any effect of contraceptive hormones, pregnancy, or menstrual phases on dystonia symptoms, but as compared with women without dystonia, those with musician’s dystonia reported oligomeno

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10

Altenmüller, Eckart, and Hans-Christian Jabusch. "Focal Dystonia in Musicians: Phenomenology, Pathophysiology, Triggering Factors, and Treatment." Medical Problems of Performing Artists 25, no. 1 (2010): 3–9. http://dx.doi.org/10.21091/mppa.2010.1002.

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Musician’s dystonia is a task-specific movement disorder that manifests itself as a loss of voluntary motor control in extensively trained movements. Approximately 1% of all professional musicians develop musician’s dystonia, and in many cases, the disorder terminates the careers of affected musicians. The pathophysiology of the disorder is not completely clarified. Findings include 1) reduced inhibition at different levels of the central nervous system, 2) maladaptive plasticity and altered sensory perception, and 3) alterations in sensorimotor integration. Epidemiological data demonstrate a

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11

Weijkamp, Janne, and Makiko Sadakata. "Attention to affective audio-visual information: Comparison between musicians and non-musicians." Psychology of Music 45, no. 2 (2016): 204–15. http://dx.doi.org/10.1177/0305735616654216.

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Individuals with more musical training repeatedly demonstrate enhanced auditory perception abilities. The current study examined how these enhanced auditory skills interact with attention to affective audio-visual stimuli. A total of 16 participants with more than 5 years of musical training (musician group) and 16 participants with less than 2 years of musical training (non-musician group) took part in a version of the audio-visual emotional Stroop test, using happy, neutral, and sad emotions. Participants were presented with congruent and incongruent combinations of face and voice stimuli wh

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12

Nørholm Lundin, Anna. "Att bli och att vara framgångsrik musiker – socialisation och sortering genom livet." Educare - vetenskapliga skrifter, no. 1 (March 20, 2020): 82–108. http://dx.doi.org/10.24834/educare.2020.1.5.

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This article concerns learning, socialization and social sorting among successful musicians. The aim is to understand and problematize not only what it means to become a classical musician but also what it entails to be a successful classical musician. In what ways are musicians socialized through life? What approaches are formed among musicians, and what is the meaning of these when it comes to performance of work? Are their specific arenas and rituals of particular importance, when it comes to socializing and sorting among musicians? Interviews and documents about twelve musicians have been

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Wöllner, Clemens. "Call and response: Musical and bodily interactions in jazz improvisation duos." Musicae Scientiae 24, no. 1 (2018): 44–59. http://dx.doi.org/10.1177/1029864918772004.

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When individuals coordinate their behaviour, they need to both anticipate actions and respond to each other in meaningful ways. Jazz musicians often encounter situations in jam sessions in which they interact with previously unknown musicians, allowing insights into spontaneous collaboration. The current study investigated call and response patterns in free jazz improvisations by analysing movement and musical characteristics of duos. Twelve jazz musicians were paired into six duos of an e-guitar and a saxophone. Balanced across duos, one musician was asked to play a series of improvisations e

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Perrenoud, Marc, and Pierre Bataille. "Being a Music Performer in French Speaking Switzerland: Relationships to Work and Employment." Swiss Journal of Sociology 43, no. 2 (2017): 309–34. http://dx.doi.org/10.1515/sjs-2017-0017.

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Abstract Ordinary musicians are a relatively hard to find population. Based on the results of the research project Musicians’ LIVES carried out between 2012 and 2015, this article presents the working situation of performing musicians in French speaking Switzerland. We compare the social characteristics of the musicians with the active population. We then analyse musicians’ relationship to work and examine the composition of their income. Three main ways of being a musician in Western Switzerland are presented: the “craftsman,” the “teacher” and the “artist.”

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Kaczmarek, Stella. "MARIA MANTURZEWSKA AND HER STUDIES ON MUSICIANS’ PERSONALITIES." Notes Muzyczny 2, no. 18 (2022): 129–44. http://dx.doi.org/10.5604/01.3001.0016.1109.

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The structure and nature of professional musicians’ personalities have been examined by numerous scholars. The issue of musicians’ personalities and the role of personality traits in their music activities is the subject of both reflective considerations and systematic research. The studies in the field of psychology of music analysed those personality traits that had a direct influence on the process of learning, creating, or performing music. When choosing a music profession, it is hard to be guided only by personality factors, without considering perception-related, technical, and intellect

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Zhang, J. Diana, Marco Susino, Gary E. McPherson, and Emery Schubert. "The definition of a musician in music psychology: A literature review and the six-year rule." Psychology of Music 48, no. 3 (2018): 389–409. http://dx.doi.org/10.1177/0305735618804038.

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The aim of this paper was to investigate if a general consensus could be established for the term “musician.” Research papers ( N = 730) published between 2011 and 2017 were searched. Of these, 95 papers were identified as investigating relationships of any sort connected with a musician-like category ( e.g., comparison of musically trained vs. non-musically trained people), of which 39 papers detailing comparative studies exclusively between musicians and non-musicians were analyzed. Within this literature, a variety of musical expertise criteria were used to define musicians, with years of m

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Daellenbach, Kate, Rachael Kusel, and Michel Rod. "The ties that bind? Online musicians and their fans." Asia Pacific Journal of Marketing and Logistics 27, no. 2 (2015): 168–90. http://dx.doi.org/10.1108/apjml-08-2013-0095.

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Purpose – The purpose of this study is to examine the relationships between musician’s social network sites (SNS), the tie that fans may develop via these sites, and music acquisition, via legal and illegal means. Design/methodology/approach – A quantitative approach was taken, gathering 352 responses from young adults via an online survey. Findings – Perceptions of interactivity and sincerity on musicians’ SNS are found to lead to stronger ties, enhancing the fan’s feeling of closeness to the musician, the fan’s inclination to spread positive word-of-mouth, and the time a fan spends on the si

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18

Prabowo, Yulius Andar. "Pengaruh Modal Sosial Terhadap Pendapatan Musisi Kafe di Yogyakarta." Cerdika: Jurnal Ilmiah Indonesia 5, no. 6 (2025): 1615–20. https://doi.org/10.59141/cerdika.v5i6.2652.

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This study aims to examine the influence of social capital on the income of café musicians in Yogyakarta, a city with a vibrant music ecosystem yet stagnant musician welfare. Using a qualitative approach, data were collected through in-depth interviews with three key informants: a café musician, a café manager, and an individual who serves as both musician and manager. The findings indicate that social capital—such as professional networks, trust, and reputation—plays a significant role in providing work opportunities. However, social capital alone is insufficient to improve income optimally w

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Nygaard Andersen, Lotte, Kirsten K. Roessler, and Henning Eichberg. "Pain Among Professional Orchestral Musicians: A Case Study in Body Culture and Health Psychology." Medical Problems of Performing Artists 28, no. 3 (2013): 124–30. http://dx.doi.org/10.21091/mppa.2013.3026.

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BACKGROUND: Professional musicians experience high rates of musculoskeletal pain, but only few studies have investigated how this pain is accepted by musicians. AIM: To investigate the culture of pain and to explore how professional musicians experience and cope with pain. METHODS: Ten semi-structured in-depth interviews were conducted; 8 with musicians and 2 with professional elite athletes. In addition, a concert and two rehearsals were observed. The audiotaped interviews were transcribed verbatim. Configurational analysis was used to interpret the material as a whole. RESULTS: Musicians oft

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20

Pratt, Emily, Henning Vauth, Gary McIlvain, and Mark K. Timmons. "Musicians Have Thicker Median Nerve Cross Sectional Area and More Symptoms of Carpal Tunnel Than Non-Musicians." Medical Problems of Performing Artists 35, no. 3 (2020): 138–44. http://dx.doi.org/10.21091/mppa.2020.3023.

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AIMS: Musicians spend numerous hours perfecting their skills and art, often leading to overuse injuries of the hand; of specific concern to musicians is carpal tunnel syndrome (CTS). This study evaluated the median nerve cross-sectional area and hand function of musicians and made comparisons to non-musicians. METHODS: Seventy-six participants took part in the study, 38 music students and professors in the musician group and 38 participants in the control group. Participants completed patient-reported questionnaires to assess the level of pain and hand function. Ultrasound images were collecte

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Bultman, Bethany Ewald. "Do Ya Know What It Means to Miss New Orleans?: A Musicians' Clinic Creates Nimble Solutions to Keep Music Alive." Medical Problems of Performing Artists 22, no. 4 (2007): 135–39. http://dx.doi.org/10.21091/mppa.2007.4030.

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The New Orleans Musicians Clinic (NOMC) was founded in 1998 to help sustain Louisiana's musicians in mind, body, and spirit by developing access to primary care, preventative health services, and social and occupational outreach. Before Katrina, an estimated 3500 professional musicians were living and performing in New Orleans, and the NOMC had 1,300 musician-patients treated by a volunteer network of more than 300 nurses and doctors within the LSU Medical School. Today, there are less than 1800 professional musicians, who now struggle to survive as part-time musicians, and the Clinic likewise

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Brandfonbrener, Alice G. "Advice from One Musician to Another: Beware of Friends Bearing Gifts." Medical Problems of Performing Artists 18, no. 3 (2003): 89–90. http://dx.doi.org/10.21091/mppa.2003.3016.

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In my last editorial, in the June 2003 issue, I discussed the importance of accuracy in communications between performing arts medicine practitioners and their patients. In this editorial, I deal with an even more delicate subject, the nature of medical communications from one musician to another. Occasional musicians who have come for my medical evaluation will quote prior diagnostic opinions voiced by their stand-partners and other fellow musicians. However, this editorial was precipitated not by this observation but by the increasing number of books by musicians for musicians.

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School, Veronika, and Amélie Zosso. "“You Cannot Perform Music Without Taking Care of Your Body”: A Qualitative Study on Musicians’ Representation of Body and Health." Medical Problems of Performing Artists 27, no. 3 (2012): 129–36. http://dx.doi.org/10.21091/mppa.2012.3024.

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OBJECTIVE: To identify professional musicians’ representation of health and illness and to identify its perceived impact on musical performance. METHODS: A total of 11 professional musicians participated in this phenomenological study. Five of the musicians were healthy, and the others suffered debilitating physical health problems caused by playing their instruments. Semi-structured interviews were conducted, transcribed verbatim and analysed. Thematic analysis, including a six-step coding process, was performed (ATLAS-ti 6). RESULTS: Three major themes emerged from the data: music as art, th

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van Fenema, Esther, Jolien E. Julsing, Ingrid V. Carlier, et al. "Musicians Seeking Psychiatric Help: A Preliminary Study of Psychiatric Characteristics." Medical Problems of Performing Artists 28, no. 1 (2013): 9–18. http://dx.doi.org/10.21091/mppa.2013.1003.

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Musicians are at increased risk for mental disorders, in particular performance anxiety. Likely causes are high levels of occupational stress, special personality traits, and coping skills. In this cross-sectional study, routine outcome monitoring (ROM) data on clinical and psychosocial characteristics were collected from the first 50 musicians visiting our outpatient psychiatric clinic for performing artists and were compared to those of a large sample of psychiatric outpatients (n=1,498) and subjects from the general population. Of the musician outpatients, 82% (n=41) met the criteria of an

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Guptill, Christine, and Matthew Bruijn Golem. "Case study: Musicians' playing-related injuries." WORK: A Journal of Prevention, Assessment & Rehabilitation 30, no. 3 (2008): 307–10. https://doi.org/10.3233/wor-2008-00698.

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Professional and student musicians are at high risk of acquiring a playing-related injury at some point in their careers. Yet, specialized healthcare for musicians is scarce and expensive for most self-employed musicians. Diagnosing these injuries is challenging, and simply taking a break from an activity that has caused physical problems does not address the ergonomic and biomechanic causes of the problem. Under these circumstances, it is not surprising that musicians are reluctant to seek care, and when they do, lack trust in the care that is provided to them. This article is a case presenta

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Mstislavskaya, Elena Vasil’evna. "Divergence as a Criterion of Musical Performance Quality." Pan-Art 2, no. 2 (2022): 29–36. http://dx.doi.org/10.30853/pa20220008.

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The purpose of the study is to substantiate that divergence is a criterion of musical performance quality. The material presented in the paper is addressed to those musicians whose musical abilities do not manifest themselves in the obviously higher sides of the cognitive sphere, for example, in phenomenal memory, etc. The paper considers two aspects of a musician’s creative activities – the intellectual one and the emotional one; determines the roles of divergent qualities of a musician. The novelty of the study lies in a scientific substantiation of divergent thinking development in musical

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Shinde, Ketaki Vijay, and Pradeep Borkar. "Epidemiology of Musculoskeletal Disorders in Musicians - Systematic Review." International Journal of Health Sciences and Research 11, no. 12 (2021): 114–27. http://dx.doi.org/10.52403/ijhsr.20211217.

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Musicians performing over an instrument demands repetitive, awkward postures and postural stress from prolonged sitting or standing. Musicians are found to be more prone to the development of Playing-Related Musculoskeletal Disorders (PRMDs) due to these factors. PRMDs are defined as ‘pain, weakness, numbness, tingling or other symptoms that interfere with their ability to play an instrument’. There is an increasing interest seen in the medical issues faced by the musicians performing over an instrument. There are different type of musicians playing different instruments which means different

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VASILJEVIĆ, MAJA, and HARIS DAJČ. "BETWEEN COURTLY, CIVIL AND MILITARY SERVICE: MILITARY MUSICIANS IN THE PRINCIPALITY AND KINGDOM OF SERBIA." ИСТРАЖИВАЊА, no. 28 (December 27, 2017): 118–33. http://dx.doi.org/10.19090/i.2017.28.118-133.

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The Principality and later Kingdom of Serbia with its less pronounced class differences, with a thin layer of urban population and the dominance of rural population, was the perfect target for the military musicians that were coming from the Habsburg Empire. “Foreigners” as military musicians would progress into higher strata. Czech musicians were the most important and most numerous among the newcomers in Serbia and the role of Josif Schlesinger as the first important musician is essential for understanding their importance and influence. The educational and modernization process could be fol

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Chesky, Kris, and Karendra Devroop. "The Effects of College Music Instruction, Gender, and Musician Type on Income from Performing Music." Medical Problems of Performing Artists 18, no. 2 (2003): 72–77. http://dx.doi.org/10.21091/mppa.2003.2014.

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Studies in the social sciences imply a relationship between levels of employment and potential adverse effects on health. The lack of information regarding musicians makes it difficult to describe and prepare for the potential adverse relationships between musicians’ economic patterns and health. The purpose of this study was to characterize economic patterns of musicians and to investigate the relationships between income from performing music and college music instruction, age, and gender. A total of 4,017 subjects participated in an Internet-based musician survey. Data analysis included the

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Chesky, Kris, and Miriam A. Henoch. "Instrument-specific Reports of Hearing Loss: Differences between Classical and Nonclassical Musicians." Medical Problems of Performing Artists 15, no. 1 (2000): 35–38. http://dx.doi.org/10.21091/mppa.2000.1007.

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The purpose of this study was to examine the incidence of hearing problems reported from a heterogeneous group of musicians as a function of both primary performance area and primary instrument. Information for the investigation was obtained from the University of North Texas Musician Health Survey that allows musicians to report medical problems via the World Wide Web. Data were generated from a question regarding the presence or absence of hearing loss. The respondents were grouped according to primary performance area, according to primary instrument, and by primary instrument relative to w

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Choi, Chul-Hee, and Hea-Sung Cho. "Effect of Music Training on Auditory Brainstem and Middle Latency Responses." Audiology and Speech Research 16, no. 1 (2020): 41–47. http://dx.doi.org/10.21848/asr.190098.

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Purpose: The auditory system has potentials to reorganize its structure and function in response to environmental changes such as training, experience, learning, injury, and disease. This is called neuroplasticity. A typical example of neuroplasticity is the music training, which demands cognitive and neural challenges resulting in enhanced auditory perception. This study investigated the effect of music training on auditory evoked responses, particularly auditory brainstem and middle latency responses. Methods: Forty college students consisting of twenty students with music training (musician

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Bennett, Dawn. "Utopia for music performance graduates. Is it achievable, and how should it be defined?" British Journal of Music Education 24, no. 2 (2007): 179–89. http://dx.doi.org/10.1017/s0265051707007383.

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For the majority of undergraduate classical music performance students, ‘musotopia’ is a place where performance ambitions are realised with an international performance career. However, given that so few musicians achieve this ambition, should this ideal be redefined? This paper investigates instrumental musicians' careers by exploring the realities of professional practice. A detailed study which incorporated interviews, focus groups and a lengthy survey, revealed the multiplicity of roles in which most musicians engage in order to sustain their careers. The findings call into question the c

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Ramírez-Moreno, Mauricio A., Jesús G. Cruz-Garza, Akanksha Acharya, et al. "Brain-to-brain communication during musical improvisation: a performance case study." F1000Research 11 (September 1, 2022): 989. http://dx.doi.org/10.12688/f1000research.123515.1.

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Understanding and predicting others' actions in ecological settings is an important research goal in social neuroscience. Here, we deployed a mobile brain-body imaging (MoBI) methodology to analyze inter-brain communication between professional musicians during a live jazz performance. Specifically, bispectral analysis was conducted to assess the synchronization of scalp electroencephalographic (EEG) signals from three expert musicians during a three-part 45 minute jazz performance, during which a new musician joined every five minutes. The bispectrum was estimated for all musician dyads, elec

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Ramírez-Moreno, Mauricio A., Jesús G. Cruz-Garza, Akanksha Acharya, et al. "Brain-to-brain communication during musical improvisation: a performance case study." F1000Research 11 (July 6, 2023): 989. http://dx.doi.org/10.12688/f1000research.123515.3.

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Understanding and predicting others' actions in ecological settings is an important research goal in social neuroscience. Here, we deployed a mobile brain-body imaging (MoBI) methodology to analyze inter-brain communication between professional musicians during a live jazz performance. Specifically, bispectral analysis was conducted to assess the synchronization of scalp electroencephalographic (EEG) signals from three expert musicians during a three-part 45 minute jazz performance, during which a new musician joined every five minutes. The bispectrum was estimated for all musician dyads, elec

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Ramírez-Moreno, Mauricio A., Jesús G. Cruz-Garza, Akanksha Acharya, et al. "Brain-to-brain communication during musical improvisation: a performance case study." F1000Research 11 (May 9, 2023): 989. http://dx.doi.org/10.12688/f1000research.123515.2.

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Understanding and predicting others' actions in ecological settings is an important research goal in social neuroscience. Here, we deployed a mobile brain-body imaging (MoBI) methodology to analyze inter-brain communication between professional musicians during a live jazz performance. Specifically, bispectral analysis was conducted to assess the synchronization of scalp electroencephalographic (EEG) signals from three expert musicians during a three-part 45 minute jazz performance, during which a new musician joined every five minutes. The bispectrum was estimated for all musician dyads, elec

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Ramírez-Moreno, Mauricio A., Jesús G. Cruz-Garza, Akanksha Acharya, et al. "Brain-to-brain communication during musical improvisation: a performance case study." F1000Research 11 (November 3, 2023): 989. http://dx.doi.org/10.12688/f1000research.123515.4.

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Understanding and predicting others' actions in ecological settings is an important research goal in social neuroscience. Here, we deployed a mobile brain-body imaging (MoBI) methodology to analyze inter-brain communication between professional musicians during a live jazz performance. Specifically, bispectral analysis was conducted to assess the synchronization of scalp electroencephalographic (EEG) signals from three expert musicians during a three-part 45 minute jazz performance, during which a new musician joined every five minutes. The bispectrum was estimated for all musician dyads, elec

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Ramadhan, Andi Muhammad Fauzi, Sudirman Karnay, and Andi Subhan Amir. "333 SOUNDCLOUD SEBAGAI MEDIA ALTERNATIF DISTRIBUSI KARYA MUSIK MUSISI INDIE KOTA MAKASSAR." KAREBA : Jurnal Ilmu Komunikasi 6, no. 2 (2017): 333. http://dx.doi.org/10.31947/kjik.v6i2.5337.

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ABSTRACT The purpose of this research is: (1) To find motive of indie musicians on using Soundcloud as an alternative media distribution for musical pieces. (2) To find effort of indie musicians on using Soundcloud as an alternative media distribution for musical pieces. This research is in Makassar, on indie musicians who using Soundcloud. As for the method of this research used Descriptive Qualitative. The result of this research shows that indie musicians in Makassar have different motives on using Soundcloud as an alternative media distribution. The first, musicians used soundcloud to prom

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Fuhrmann, Anita, Suzanne Wijsman, Philip Weinstein, Darryl Poulsen, and Peter Franklin. "Asthma Among Musicians in Australia: Is There a Difference Between Wind/Brass and Other Players?" Medical Problems of Performing Artists 24, no. 4 (2009): 170–74. http://dx.doi.org/10.21091/mppa.2009.4034.

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Control of respiration is important in wind/brass instrument playing. Although respiratory diseases, such as asthma, may affect breathing control, little is known about the prevalence of asthma among wind and brass musicians. The aim of this study was to compare the prevalence of self-reported asthma between wind/brass musicians and non-wind/brass musicians through different stages of experience. A total of 1960 musicians completed a respiratory health questionnaire. The participants were categorized into the following five subgroups: primary students, secondary students, tertiary students, co

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BRENNAN, MATT. "The rough guide to critics: musicians discuss the role of the music press." Popular Music 25, no. 2 (2006): 221–34. http://dx.doi.org/10.1017/s0261143006000870.

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This article explores the relationship between musicians and the music press from the musicians' point of view, based on a collection of recent interviews with musicians working in the pop and jazz fields. It will expose some of the concrete effects of the music press using examples from the everyday experiences of musicians, which include the influence of the press in record retail, genre labelling, and creating industry buzz. But while musicians may have a pragmatic understanding of the role of music criticism, their perspectives are emotionally heated in direct proportion to the influence t

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Nesser, Whitney, and Scott Snyder. "INTERGENERATIONAL QUALITY OF LIFE: SIMILARITIES AND DIFFERENCES AMONG MUSICIANS." Innovation in Aging 8, Supplement_1 (2024): 1090. https://doi.org/10.1093/geroni/igae098.3502.

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Abstract Music has been shown to improve Quality of Life (QoL) for various populations. However, few studies have studied older musicians’ QoL or QoL in an intergenerational sample of musicians. To address this gap this study assessed four QoL domains (physical, psychological, social, and environmental) in a nationally representative intergenerational sample of musicians using the WHOQOL-BREF scale. Data were obtained via a survey of professional and amateur musicians (N=407) across the United States (US). Results demonstrated that while the oldest subgroup of musicians had the highest mean sc

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Chanduszko-Salska, Jolanta, and Anna Młynarczyk. "Jak uczyć grać innych, nie gubiąc własnych nut. Wybrane zasoby osobiste a zespół wypalenia zawodowego u muzyków klasycznych." Acta Universitatis Lodziensis. Folia Psychologica, no. 16 (January 1, 2012): 89–102. http://dx.doi.org/10.18778/1427-969x.16.07.

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Stress in the workplace, personal resources and professional burnout concern many workers in the contemporary world. These are common problems also among two groups of musicians: teaching musician and non-teaching musicians. The purpose of the study was to establish the dependence between occupational stress and burnout syndrome in these groups. The studied groups consisted of 94 musicians. The Perceived Job Stress Questionnaire, Maslach Burnout Inventory, Generalized Self- Efficacy Scale, The Resiliency Assessment Scale were used in this study. The data obtained revealed significant different

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Yuono, Glorius Timoty, and Alvin Hadiwono. "RUANG EKSPRESI DAN APRESIASI BAGI MUSISI JALANAN DI KAWASAN SENEN, JAKARTA PUSAT." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 6, no. 2 (2024): 1109–22. http://dx.doi.org/10.24912/stupa.v6i2.30970.

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The city of Jakarta has a profession called Street Musician. However, many streets are affected by economic pressures in the development of the city of Jakarta. Street musicians have no platform and are starting to be neglected. There is a need for space to accommodate the activities of street musicians in the city of Jakarta. The aim is to help develop quality musicians and entertainment spaces for the city of Jakarta, where currently music is embedded in everyday lifestyle. Based on data collected through interviews and observations, there is a formation process that represents the reality o

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Nogaj, Anna Antonina, Izabela Czarnecka, and Roman Ossowski. "Differences in the stress coping styles and social skills between classical and jazz musicians." Roczniki Psychologiczne 22, no. 4 (2020): 337–52. http://dx.doi.org/10.18290/rpsych.2019.22.4-3.

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The musical milieu raises a number of challenges for artists. Coping with these depends not only on the level of musical abilities but also on a number of personal skills. The diverse styles of music education and the expectations set for musicians performing various music genres have inspired research exploring the differences between classical and jazz musicians. Of the psychological areas important for functioning effectively as a musician, stress management styles and social skills have been examined in this study. It was assumed that the genre of publicly performed music, and thus the dif

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Molińska, Weronika, Joanna Rajchert, and Marta Bodecka-Zych. "Do Narcissists Play Solo? Differences in Self-Efficacy and Narcissism Among Band and Solo Musicians." Roczniki Psychologiczne 27, no. 1 (2024): 91–101. http://dx.doi.org/10.18290/rpsych2024.0005.

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The following study focuses on individual differences between musicians who play solo (performing individually or as leaders), and musicians performing as part of a chamber ensemble, band, choir, orchestra, etc. We predicted that soloists would be higher on grandiose narcissism and self-efficacy. The results showed that soloists (n = 59) not only were higher on narcissism, but also had higher self-efficacy scores than musicians who perform in ensembles (n = 65). However, soloist and band players are not different in narcissism and self-efficacy when the other trait is controlled, which indicat

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Kappen, P. R., J. van den Brink, J. Jeekel, et al. "P01.13.A The effect of musicality on language recovery after awake glioma surgery." Neuro-Oncology 24, Supplement_2 (2022): ii26. http://dx.doi.org/10.1093/neuonc/noac174.085.

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Abstract Background Awake craniotomy is used to resect tumor while preserving language. However, differences between patients in post-operative speech/language outcome are observed despite careful intra-operative monitoring. Literature describes improved performance in language tasks during cognitive tests in musicians. Moreover increased white matter connectivity properties in the corpus callosum are described in musicians compared to non-musicians. We hypothesize better recovery of language in musical patients after awake glioma surgery, caused by higher connectivity properties from the corp

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Kenny, Dianna T., Tim Driscoll, and Bronwen J. Ackermann. "Is Playing in the Pit Really the Pits? Pain, Strength, Music Performance Anxiety, and Workplace Satisfaction in Professional Musicians in Stage, Pit, and Combined Stage/Pit Orchestras." Medical Problems of Performing Artists 31, no. 1 (2016): 1–7. http://dx.doi.org/10.21091/mppa.2016.1001.

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INTRODUCTION: Typically, Australian orchestral musicians perform on stage, in an orchestra pit, or in a combination of both workplaces. This study explored a range of physical and mental health indicators in musicians who played in these different orchestra types to ascertain whether orchestra environment was a risk factor affecting musician wellbeing. METHODS: Participants comprised 380 full-time orchestral musicians from the eight major state orchestras in Australia comprised of two dedicated pit orchestras, three stage-only symphonic orchestras, and three mixed stage/pit orchestras. Partici

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Liu, Yang-wenyi, Xiaoting Cheng, Chenru Ding, John J. Galvin, Bing Chen, and Qian-Jie Fu. "Musician Advantage for Segregation of Competing Speech in Native Tonal Language Speakers." Music Perception: An Interdisciplinary Journal 42, no. 1 (2024): 73–91. http://dx.doi.org/10.1525/mp.2024.42.1.73.

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The aim of this study was to replicate previous English-language musician advantage studies in Mandarin-speaking musicians and nonmusicians. Segregation of competing speech, melodic pitch perception, and spectro-temporal pattern perception were measured in normal-hearing native Mandarin-speaking musicians and nonmusicians. Speech recognition thresholds were measured in the presence of two-talker masker speech. The masker sex was either the same as or different from the target; target and masker speech were either co-located or spatially separated. Melodic pitch perception was tested using a me

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Endo, Nozomi, Takayuki Ito, Katsumi Watanabe, and Kimitaka Nakazawa. "Enhancement of loudness discrimination acuity for self-generated sound is independent of musical experience." PLOS ONE 16, no. 12 (2021): e0260859. http://dx.doi.org/10.1371/journal.pone.0260859.

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Musicians tend to have better auditory and motor performance than non-musicians because of their extensive musical experience. In a previous study, we established that loudness discrimination acuity is enhanced when sound is produced by a precise force generation task. In this study, we compared the enhancement effect between experienced pianists and non-musicians. Without the force generation task, loudness discrimination acuity was better in pianists than non-musicians in the condition. However, the force generation task enhanced loudness discrimination acuity similarly in both pianists and

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Calissendorff, Maria, and Haukur F. Hannesson. "Educating Orchestral Musicians." British Journal of Music Education 34, no. 2 (2016): 217–23. http://dx.doi.org/10.1017/s0265051716000255.

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This article examines research on the specific training of musicians before they begin work as players in professional orchestras. Most of the research is in the area of education. The present article suggests that little research exists that is specific to the development of a traditional orchestra musician from an early age through the music education system, although considerable research exists on the development and broadening of the actual role of the professional musician in a changing world (portfolio careers).

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Strong, Jessica V., and Allison Midden. "Cognitive differences between older adult instrumental musicians: Benefits of continuing to play." Psychology of Music 48, no. 1 (2018): 67–83. http://dx.doi.org/10.1177/0305735618785020.

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Previous research suggests that ongoing cognitive engagement in late life may help maintain cognitive functioning. We assessed cognition across all major domains in older adult instrumental musicians (active vs. former) and non-musicians using a standardized neuropsychological battery and collected self-report information on levels of physical activity, social activity, and overall health. We used ANCOVAs to determine if there were differences in cognitive test scores among groups. Results showed that all musicians (active and former) had higher scores on a test of language (Boston Naming Test

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