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Books on the topic 'Musiciens argentins'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Risetti, Ricardo. Memorias del jazz argentino: Décadas del '40 y del '50 : músicos y orquestas argentinas de jazz. B[ueno]s A[ire]s: Corregidor, 1994.

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2

Confesionario: Historia de mi vida privada. Buenos Aires: Libros del Rojas, 2006.

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3

Moyano, Daniel. Dondé estás con tus ojos celestes. Buenos Aires: Gárgola, 2005.

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4

Cortazar, Julio. Las armas secretas. México, D.F: Alfaguara, 2014.

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5

Donozo, Leandro. Diccionario bibliográfico de la música argentina: (y de la música en la Argentina). Buenos Aires: Gourmet Musical Ediciones, 2006.

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6

Roldán, Waldemar Axel. Música colonial en la Argentina: La enseñanza musical. Buenos Aires: El Ateneo, 1988.

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7

Risetti, Ricardo. De corazón a corazón: Memorias del bolero en la Argentina. B[ueno]s A[ire]s: Corregidor, 1996.

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8

Cómo vino la mano: Orígenes del rock argentino. 4th ed. Buenos Aires, Argentina: Gourmet Musical Ediciones, 2008.

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9

Fraga, Rosendo. Argentina en las urnas: 1931-1991. Buenos Aires: Editorial Centro de Estudios Unión para la Nueva Mayoría, 1992.

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10

Fraga, Rosendo. Argentina en las urnas: 1916-1989. Buenos Aires: Editorial Centro de Estudios Unión para la Nueva Mayoría, 1989.

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11

Fraga, Rosendo. Argentina en las urnas: 1916-1994. Buenos Aires: Editorial Centro de Estudios, 1995.

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12

Guerrero, Gloria. La historia del palo: Diario del rock argentino, 1981-1984. Capital Federal [Argentina]: Ediciones de la Urraca, 1994.

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13

Penón, Arturo. The bandonian: A tango history. London, Ont: Nightwood Editions, 1988.

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14

Portorrico, Emilio Pedro. Diccionario biográfico de la música argentina de raíz folklórica. 2nd ed. Ciudad Autónoma de Buenos Aires: E.P. Portorrico, 2004.

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15

Portorrico, Emilio Pedro. Diccionario biográfico de la música argentina de raíz folklórica. Florida, Prov. de Buenos Aires: E.P. Portorrico, 1997.

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16

Calamaro, Andrés. Tirados en el pasto. Buenos Aires: Editorial Sudamericana, 2000.

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17

Colino, Juan. El libro de oro del tango de Clarín. [Montevideo, Uruguay]: Mera Editor, 1996.

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18

Marchini, M. Darío. No toquen: Músicos populares, gobierno y sociedad : de la utopía a la persecución y las listas negras en la Argentina 1960-1983. Buenos Aires, Argentina: Catálogos, 2008.

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19

Marchini, M. Darío. No toquen: Músicos populares, gobierno y sociedad : de la utopía a la persecución y las listas negras en la Argentina 1960-1983. Buenos Aires, Argentina: Catálogos, 2008.

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20

No toquen: Músicos populares, gobierno y sociedad : de la utopía a la persecución y las listas negras en la Argentina 1960-1983. Buenos Aires, Argentina: Catálogos, 2008.

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21

Mittelman, Mario A. Laburantes de la música: Apuntes de su historia sindical. Ciudad de Buenos Aires: Centro Cultural de la Cooperación, 2003.

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22

Lezano, Nora. Imagenes del Rock Argentino. Vazquez Mazzini, 2003.

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23

Karush, Matthew B. Musicians in Transit: Argentina and the Globalization of Popular Music. Duke University Press, 2017.

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24

Musicians in transit: Argentina and the globalization of popular music. 2017.

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25

Link, Kacey, and Kristin Wendland. Tracing Tangueros: Argentine Tango Instrumental Music. Oxford University Press, Incorporated, 2016.

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26

Tracing Tangueros: Argentine Tango Instrumental Music. Oxford University Press, Incorporated, 2016.

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27

León, Gieco, ed. El Rock argentino. Santiago de Chile: Editora Granizo, 1985.

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28

Schwartz-Kates, Deborah. Alberto Ginastera: A Research and Information Guide. Taylor & Francis Group, 2015.

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29

1966-, D'Addario Fernando, ed. Música argentina: La mirada de los críticos. [Buenos Aires]: Libros del Rojas, Universidad de Buenos Aires, 2005.

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30

Rock y Dictadura: Cronica de Una Generacion (1976-1983) (Memoria Argentina). Emece Editores, 2005.

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31

Portorrico, Emilio Pedro. Diccionario biográfico de la música argentina de raíz folklórica. 2nd ed. Del autor, 2004.

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32

Bandonion: A Tango History. Nightwood Editions, 1988.

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33

1949-, Delgado Aparaín Mario, ed. Cuentos para pluma y orquesta. Montevideo, Uruguay: Ediciones Trilce, 1989.

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34

Rozitchner, Alejandro, and Andres Calamaro. Tirados En El Pasto. Sudamericana, 2000.

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35

Derrumbando la Casa Rosada: Mitos y leyendas de los primeros punks en la Argentina, 1978-1988. [Buenos Aires?]: Piloto de Tormenta, 2011.

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36

Dewar, Andrew Raffo. Performance, Resistance, and the Sounding of Public Space. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0015.

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Abstract:

Two years after the 1966 military coup in Argentina, three musicians, Norberto Chavarri, Roque de Pedro and Guillermo Gregorio, formed the intermedia performance collective Movimiento Música Más. The collective combined experimental music, visual art, poetic performance, and political action, carrying out activities in concert halls, plazas, and city buses. This chapter examines the activist art of this little-known “Other” avant-garde that existed at the periphery of 1960s internationalism, focusing on two of its performance pieces: Plaza para una siesta de domingo (1970) and Música para colectivo línea 7 (1971), composed by Norberto Chavarri. These two performances embody the group’s approach to experimentalism: a commitment to bringing art and people into public spaces during a time of rigid governmental control of those spaces and bodies, creating domestically inspired aesthetic responses to the complex problems of late 1960s and early 1970s Buenos Aires.

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