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1

Kolisch, Rudolf. Tempo und Charakter in Beethovens Musik. Edition Text + Kritik, 1992.

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2

Sachs, Curt. Rhythm and tempo: A study in music history. Columbia University Press, 1988.

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3

Prestississimo: Die Wiederentdeckung der Langsamkeit in der Musik. Kellner, 1989.

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4

Musik und Zeit: Kognitive Reflexion versus rhythmische Interpretation. P. Lang, 1997.

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5

Danuser-Zogg, Elisabeth. Musik und Bewegung: Struktur und Dynamik der Unterrichtsgestaltung. Academia, 2002.

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6

Miehling, Klaus. Das Tempo in der Musik von Barock und Vorklassik: Die Antwort der Quellen auf ein umstrittenes Thema. F. Noetzel, "Heinrichshofen Bücher,", 1993.

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7

Nater, Walter. Viell zu geschwinde!: Anleitung zur richtigen Umsetzung der Metronomzahlen und der Ausführungsvorschriften der vorromantischen Musik. Musikverlag Pan, 1993.

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8

Internationale, Wissenschaftliche Arbeitstagung zu Fragen der Aufführungspraxis und Interpretation der Musik des 18 Jahrhunderts (23rd 1995 Michaelstein Germany). Tempo, Rhythmik, Metrik, Artikulation in der Musik des 18. Jahrhunderts: XXIII. Internationale Wissenschaftliche Arbeitstagung zu Fragen der Aufführungspraxis und Interpretation der Musik des 18. Jahrhunderts, Michaelstein, 16.-bis 18. Juni 1995. Stiftung Kloster Michaelstein, 1998.

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9

Rötter, Günther. Musik und Zeit: Kognitive Reflexion versus rhythmische Interpretation. P. Lang, 1997.

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10

Susanto, Hadi. Pengaruh tempo dan ritme dalam menstimulir gerakan tubuh senam erobik: Sebuah psikologi musik : laporan penelitian. Lembaga Penelitian, Institut Seni Indonesia Yogyakarta, 1999.

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11

Lüdtke, Karsten. Con la sudetta sprezzatura: Tempomodifikation in der italienischen Musik der ersten Hälfte des 17.Jahrhunderts. Bosse, 2006.

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12

Bach und die drei Temporätsel: Das wohltemperirte Clavier gibt Bachs Tempoverschlüsselung und weitere Geheimnisse preis. P. Lang, 2000.

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13

ed, Aniello Barbara, ed. Tempo da música, música do tempo. Gradiva, 2012.

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14

Tempo change. Delacorte Press, 2009.

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15

Shaping time: Music, the brain, and performance. Schirmer Books, 1995.

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16

Chang, Leiling. Dialogues, temps musical, temps social. Harmattan, 2012.

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17

Representing musical time: A temporal-logic approach. Swets & Zeitlinger Publishers, 2000.

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18

Busch, Veronika. Tempoperformance und Expressivität: Eine Studie zwischen Musikpsychologie und Musiktherapie. P. Lang, 2005.

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19

Abravaya, Ido. On Bach's rhythm and tempo. Bärenreiter, 2006.

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20

Salvi, Francesco. Mozart e il suo tempo. DoGi, 1997.

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21

Ellis, Mark Carlton. The effect of concurrent music reading and performance on the ability of three groups of musicians to detect tempo modulation. s.n.], 1986.

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22

Brosta, Joseph. BPM: A beats per minute guide to dance music, 1980-1985. Time Warp Pub., 1986.

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23

Giorgio, Gaslini, ed. Il tempo del musicista totale. Baldini & Castoldi, 2002.

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24

Marty, Jean-Pierre. The tempo indications of Mozart. Yale University Press, 1988.

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25

Palermo al tempo del vinile. D. Flaccovio, 2012.

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26

Ab'Sáber, Tales A. M. A música do tempo infinito. Cosac Naify, 2012.

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27

Wehmeyer, Grete. Zu Hilfe! zu Hilfe! sonst bin ich verloren: Mozart und die Geschwindigkeit. Kellner, 1990.

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28

Le temps musical. Desclée De Brouwer, 2001.

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29

Colaci, Anna Maria. Vincenza Cerati Rivolta: Un modello educativo nel tempo. Milella, 2012.

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30

Hudson, Richard. Stolen time: The history of tempo rubato. Clarendon Press, 1994.

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31

Stolen time: The history of tempo rubato. Clarendon Press, 1994.

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32

Richard, Hudson. Stolen time: The history of tempo rubato. Clarendon Press, 1997.

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33

Anesa, Marino. Il tempo, le bande: Itinerari musicali bergamaschi. Anbima, 1989.

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34

Goodridge, Janet. Rhythm and timing of movement in performance: Drama, dance, and ceremony. J. Kingsley Publishers, 1999.

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35

Musique, habiter le temps. Symétrie, 2002.

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36

Stefania, Macioce, and De Pascale Enrico, eds. La musica al tempo di Caravaggio. Gangemi, 2012.

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37

Takt und Pendelschlag: Quellentexte zur musikalischen Tempomessung des 17. bis 19. Jahrhunderts neu betrachtet. Katzbichler, 2010.

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38

Schulz-Storck, Ruth. Tempobezeichnungen in Franz Schuberts Liedern. s.n.], 1985.

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39

de, Mello Zuza Homem, ed. A canção no tempo: 85 anos de músicas brasileiras. Editora 34, 1997.

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40

Franz Schubert: Das Zeitmass in seinem Klavierwerk. Text + Kritik, 2001.

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41

Alves, Andréa Ribeiro. Tempos de outrora. Governo do Estado do Rio de Janeiro, 1994.

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42

Guirard, Laurent. Le temps d'apprendre-- la musique. Université de Paris-Sorbonne, Observatoire musical français, 2001.

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43

Diniz, André. Pixinguinha: O gênio e o tempo. Casa da Palavra, 2011.

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44

Iovino, Roberto. Gli Strauss: Una dinastia a tempo di valzer. Giunti, 1998.

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45

Gleich, Clemens von. Bach tempo guide: With 200 practical exercises. Göteborg Organ Art Center, 2002.

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46

Gleich, Clemens von. Beethoven, "klassiek" of "authentiek"?: Een onmogelijke keuze. Gleich, 1993.

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47

Leclère, François. Harmonie et courbure du temps. Editions M. de Maule, 1994.

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48

Cazuza no vídeo O tempo não para. Editora Unisul, 2006.

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49

Duta, Eugenia. Temps, expérience du temps, en musique: Aspects formels et temporels dans la musique du 18e siècle. Atelier national de reproduction des thèses, 2005.

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50

La musique, architecture du temps. L'Harmattan, 2002.

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