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Journal articles on the topic 'Musik, Tempo'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Budrianto, Budrianto Budrianto, Wilma Sriwulan, and Marta Rosa. "APROPRIASI GITAR DALAM KESENIAN REJUNG PADA MASYARAKAT SUKU BASHEMAH KABUPATEN KAUR PROVINSI BENGKULU." Gorga : Jurnal Seni Rupa 7, no. 2 (2018): 94. http://dx.doi.org/10.24114/gr.v7i2.10915.

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AbstrakPenelitian bertujuan untuk membahas peran gitar sebagai bentuk apropriasi dalam kesenian rejung pada masyarakat suku bashemah ,sekaligus bertujuan untuk menambah wawasan,mendeskripsikan dan mencari kebenaran tentang kesenian tersebut mengapa kesenian ini memakai iringan permainan gitar konvensional barat. Rejung adalah perpaduan antara sastralisan beserta iringan musik menggunakan petikan gitar. Irama-irama rejung sangatlah beragam dan khas.Sastralisan yangterkandung dalam rejung terletak pada tembang-tembangnya, berupa pantun nasehat, pesanmoral, sindiran, kisah seseorang, sebuah ungka

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Aryanto, Christ Billy, and Rhesa Megananda. "PENGARUH MUSIK DENGAN TEMPO CEPAT & LAMBAT TERHADAP ATENSI MAHASISWA." MANASA 8, no. 2 (2020): 52–61. http://dx.doi.org/10.25170/manasa.v8i2.1957.

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This study aims to investigate the effect of listening to music with fast and slow tempo onundergraduate student’s attention. Music is used to accompany students in carrying out activitiesin daily life. The results of previous studies have shown that music can be a distraction when theywere doing their work, but other studies have shown that music has no effect on attention. Attentionis the first stage in the cognitive process, which is the starting point for a person’s cognitiveproesses to finally create a memory. In this study, an experiment with within-subject design wascarried out by liste

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Braun, Hartmut, and Klaus Miehling. "Das Tempo in der Musik von Barock und Vorklassik." Jahrbuch für Volksliedforschung 40 (1995): 180. http://dx.doi.org/10.2307/847958.

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4

Pramudya, Nicolas Agung. "Penciptaan Karya Komposisi Musik Sebagai Sebuah Penyampaian Makna Pengalaman Empiris Menjadi Sebuah Mahakarya." Gelar : Jurnal Seni Budaya 17, no. 1 (2019): 14–23. http://dx.doi.org/10.33153/glr.v17i1.2597.

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ABSTRAK Komposisi Musik “Katur Ibu” adalah komposisi musik yang ide penggarapannya berangkat dari sebuah cinta, pengorbanan dan kasih sayang yang dikemas dengan format tradisi dan modern menghadirkan warna baru dalam komposisi penciptaan, yang membentuk sebuah karya musik yang utuh. Jenis karya seni tidak menata pada kejadian menurut alur yang sebenarnya akan tetapi lebih kepada suasana yang mendukung. Komposisi musik “Katur Ibu” terdiri dari 5 bentuk utama dengan menggunakan tempo Allegro, moderato, adagio, andante, dan vivance, yang dapat menggambarkan suasana tenang, sedih, gembira dan sema

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Andaryani, Eka Titi. "Pengaruh Musik Sebagai Moodboster Mahasiswa." Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik 1, no. 2 (2019): 109–15. http://dx.doi.org/10.24036/musikolastika.v1i2.31.

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Musik memiliki banyak manfaat bagi kesehatan manusia dan dapat memberikan kekuatan mentalitas yang baik bagi pendengarnya. Orang yang mendengarkan musik, akan memiliki mental yang kuat, emosi yang tenang, hidup lebih nyaman dan santai serta menjadikan hidup mereka lebih percaya diri dengan mengembangnya intelektual serta pengetahuan bagi mereka. Musik juga dapat mempengaruhi penurunan depresi pada mahasiswa. Hal ini dibuktikan oleh Lerik & Prawitasari (2005) yang meneliti sekelompok mahasiswa yang mengalami depresi. Hasilnya, musik sebagai media terapi mampu menurunkan tingkat depresi sete

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Kharisma, Bethoven. "Analisis Komposisi Soundtrack dalam Video Game “Genshin Impact”." Indonesian Journal of Performing Arts Education 1, no. 2 (2021): 12–15. http://dx.doi.org/10.24821/ijopaed.v1i2.5432.

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Role-playing games merupakan merupakan salah satu genre utama dari sebagian banyak game dan ada dalam bentuk dan format yang berbeda. Dalam sebuah game cenderung menggunakan musik cinematic yang mampu membawa suasana dan emosi kepada pemain game tersebut. Pemilihan soundtrack Genshin Impact pada “Main Theme: from The Wind and The Star Traveler” sebagai objek penelitian dikarenakan penataan musik cinematic yang megah. Penelitian kualitatif deskriptif ini memiliki tujuan untuk menganalisis teknik pengolahan komposisi dari soundtrack tersebut. Metode yang digunakan adalah studi diskografi, studi

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Vida Mastrika Giri, Gst Ayu. "Klasifikasi Musik Berdasarkan Genre." Jurnal Ilmu Komputer 11, no. 2 (2018): 103. http://dx.doi.org/10.24843/jik.2018.v11.i02.p05.

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Genre musik adalah salah satu cara yang sangat umum digunakan untuk mengatur database musik digital. Dengan bertambahnya jumlah musik, tentunya pemberian genre secara maual akan membutuhkan banyak tenaga ahli dan waktu yang lama. Saat ini, pemberian genre musik secara otomatis dapat membantu menyelesaikan masalah tersebut. Berbagai teknik klasifikasi dan fitur musik telah digunakan untuk klasifikasi musik berdasarkan genre. Penelitian ini membahas tentang klasifikasi musik berdasarkan genre (classical, EDM, hip-hop, metal, pop, punk, R&B, rap, dan rock) dengan metode K-Nearest Neighbor den

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Jatmika, Ovan Bagus. "Suita Zodiak: Komposisi Musik untuk String Kuartet dan Trio Woodwind." Journal of Urban Society's Arts 3, no. 1 (2016): 10–18. http://dx.doi.org/10.24821/jousa.v3i1.1472.

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Zodiak adalah rasi bintang di sepanjang garis ekliptika yang terdiri atas 12 bagian, yaitu Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagitarius, Capricorn, Aquarius, dan Pisces. Ke-12 zodiak tersebut memiliki karakter yang berbeda karena dibedakan oleh modus (cardinal, fixed, mutable) dan elemen (api, tanah, udara, air) yang menyusunnya. Fenomena ini, dalam konteks komposisi musik, merupakan hal-hal ekstra musikal. Hal-hal ekstra musikal inilah yang akan diangkat ke dalam komposisi musik programa dengan judul “Suita Zodiak”. Komposisi ini disusun dalam 12 gerakan dan disusun d

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Patriantoro, Teguh Hartono. "Selera Keindahan Warga Tionghoa di Semarang: Studi Kasus Transformasi Fungsi Musik Hiburan ke Ritual." Imaji 17, no. 1 (2019): 44–50. http://dx.doi.org/10.21831/imaji.v17i1.23478.

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Artikel ini menganalisa tentang selera keindaan yang mendapatkan intervensi dari politik praktis. Kondisi politik yang dimaksudkan adalah adanya INPRES no. 14 tahun 1967 yang berisi tentang larangan bagi Masyarakat Tionghoa di Indonesia untuk menggelar acara budaya di depan umum. Munculnya Inpres tersebut mempengaruhi eksistensi Masyarakat Tionghoa dan menyebabkan para pelaku seni untuk merubah fungsi musik yang awalnya bersifat hiburan menjadi pseudo ritual. Proses perpindahan fungsi tersebut juga berdampak pada letak keindahan, dimana ungkapan spontan seperti “ciamik”, perasaan kagum, dan ge

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Pambayun, Wahyu Thoyyib. "“Kalatidha” : Sebuah Komposisi Musik Program." Gelar : Jurnal Seni Budaya 17, no. 1 (2019): 64–86. http://dx.doi.org/10.33153/glr.v17i1.2602.

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ABSTRAK Karya “Kalatidha” adalah pertunjukan komposisi musik yang mengangkat isi Serat Kalatidha sebagai ide gagasannya. Terciptanya karya “Kalatidha” dilatarbelakangi oleh kegundahan hati melihat keadaan sekitar yang mengalami kemerosotan di berbagai bidang. Karya sastra Serat Kalatidha dianggap mampu untuk mewadahi kegundahan hati karena substansinya masih aktual dan apresiatif hingga sekarang. Tujuan penyusunan karya “Kalatidha” adalah dapat menyampaikan dan menggambarkan secara musikal isi substansi Serat Kalatidha. Hasil dari pengamatan mendalam terhadap Serat Kalatidha, dapat ditangkap b

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Nailiyah, Wildany Mafazatin. "Analisis Interpretasi Musik Jaman Barok Pada Prelude From Suite No.1 For Violoncello Solo Karya J.S. Bach." Virtuoso: Jurnal Pengkajian dan Penciptaan Musik 1, no. 2 (2020): 1. http://dx.doi.org/10.26740/vt.v1n2.p1-12.

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Peneliti menganalisis interpretasi musik Jaman Barok pada lagu Prelude from Suite No.1 for Violoncello dilatar belakangi oleh kurangnya pemahaman banyak orang terutama para pemain dan mahasiswa musik tentang bagaimana penginterpretasian musik Jaman Barok yang tepat. Metode yang digunakan dalam penelitian ini adalah metode penelitian kualitatif karena tidak menggunakan angka-angka sebagai sumber datanya. Objek penelitian difokuskan pada interpretasi dari lagu tersebut dengan menerapkan beberapa teori diantaranya bentuk musik, struktur musik, aturan-aturan interpretasi musik Jaman Barok, dan eks

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Suhaeni, Tintin, Sri Raharso, and Ivon Sandya Sari Putri. "Musik Dalam-Toko dan Perilaku Pembeli: Kajian Empiris di Minimarket." Inovbiz: Jurnal Inovasi Bisnis 8, no. 1 (2020): 47. http://dx.doi.org/10.35314/inovbiz.v8i1.1281.

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This study experimentally tests the effects of in-store background music on the shopping behavior of its customers. Field experiments employ pre-experiment the one group pretest-posttest. The researcher chooses a kind of musics tempo and volume as structural characteristics (2 x 2 factorial experiment). The analysis technique used is the analysis of variance (ANOVA). The results of the analysis found that tempo and volume of music did not play a significant role in the amount of money spent, but influence significantly on shopping time and mood change. The research answered urgency for designi

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Jeniati, Tri, and S. Suyoto. "KAJIAN MUSIKAL KESENIAN WAROK DI DESA TALUNOMBO, KECAMATAN SAPURAN KABUPATEN WONOSOBO." Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi 19, no. 1 (2019): 1–14. http://dx.doi.org/10.33153/keteg.v19i1.2647.

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“Kajian Musikal Kesenian Warok di Desa Talunombo, Kecamatan Sapuran, Kabupaten Wonosobo” dilatarbelakangi bahwa kesenian warok memiliki beberapa ragam bentuk gending dan irama. Permasalahan musikal di dalamnya cukup kompleks, mulai dari instrumentasi, pola-pola garap permainan instrumen. Berbagai permasalahan musikal kesenian warok cukup menarik untuk diungkap, karena memiliki berbagai permasalahan musikal yang cukup kompleks. Persoalannya adalah 1) Bagaimana peran musik di dalam Kesenian Warok di Desa TalunomboKecamatan Sapuran Kabupaten Wonosobo? 2) Bagaimana garap instrumen Kesenian Warok d

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Drew, David. "NORTH SEA CROSSINGS. WALTER LEIGH, HINDEMITH AND ENGLISH MUSIC (2008)." Tempo 64, no. 252 (2010): 44–64. http://dx.doi.org/10.1017/s0040298210000185.

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This was David Drew's last published article. Completed in December 2008, it appeared in May 2009 as a contribution to “… dass alles auch hätte anders kommen können”. Beiträge zur Musik des 20. Jahrhunderts edited by Susanne Schaal-Gotthardt, Luitgard Schader and Heinz-Jürgen Winkler, published as Band XII of Frankfurter Studien, a publication of the Hindemith-Institut (Frankfurt am Main: Schott ED 20571, 2009).David Drew had discussed with the present editor a projected followup article for Tempo, to deal specifically with Walter Leigh's music for A Midsummer Night's Dream and the ideological

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Ganda Saputra, Muhammad Burhanudin. "Pengaruh Mendengarkan Musik Bagi Kenyamanan Pengendara Mobil Angkutan Umum di Gresik." Virtuoso: Jurnal Pengkajian dan Penciptaan Musik 2, no. 1 (2020): 47. http://dx.doi.org/10.26740/vt.v2n1.p47-55.

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Kenyamanan bekerja menjadi aspek penting bagi pengemudi angkutan umum. mereka rentan mengalami stress sebagai dampak dari kemacetan, pola makan tidak teratur dan target setoran. Salah satu cara yang digunakan untuk menghindari stress yaitu mendengarkan musik. Musik memberikan stimulus tertentu dengan menawarkan bentuk emosi lain dimana mampu meredakan stress. Berdasarkan pada latarbelakang tersebut, peneliti mencoba untuk meneliti apakah mendengarkan musik juga berpengaruh pada kenyamanan pengendara mobil angkutan umum di Gresik. Musik merupakan karya seni bunyi sebagai bentuk pengaktualisasia

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GRANT, ROGER MATHEW. "EPISTEMOLOGIES OF TIME AND METRE IN THE LONG EIGHTEENTH CENTURY." Eighteenth Century Music 6, no. 1 (2009): 59–75. http://dx.doi.org/10.1017/s1478570609001730.

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ABSTRACTWilhelm Seidel was the first to regard Johann Philipp Kirnberger’s reformulation of metre in Die Kunst des reinen Satzes in der Musik as a watershed moment in the history of music theory. As we consider Kirnberger’s innovation and importance in regard to his break with the past, we might examine more closely the conditions that made his re-imagining of metre possible. Kirnberger’s vital treatise participated in a broad epistemological shift in the conception of time. Changing metaphysical notions of time, along with technological developments such as the mechanical clock and the marine

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Zai, Chintya Claudya. "PENGGUNAAN ANSAMBEL ARAMBA PADA UPACARA ADAT PERNIKAHAN MASYARAKAT NIAS DI DESA OMBOLATA ULU KOTAMADYA GUNUNGSITOLI." Areopagus : Jurnal Pendidikan Dan Teologi Kristen 18, no. 2 (2020): 59–70. http://dx.doi.org/10.46965/ja.v18i2.322.

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Penelitian ini bertujuan untuk mengetahui penggunaan musik tradisional Nias ansambel aramba pada upacara adat pernikahan masyarakat Nias di Desa ombolata Ulu dan untuk mengetahui struktur musikal dalam musik tradisional Nias ansambel aramba.Pendekatan yang penulis lakukan adalah dengan menggunakan metode penelitian kualitatif. Adapun proses kerja yang dilakukan yaitu pengamatan, wawancara, dokumentasi, (termasuk pustaka online), perekaman kegiatan, transkripsi. Penelitian dilakukan dengan mengumpulkan informasi melalui penelitian di lapangan untuk memperoleh hasil yang diolah menjadi data asli

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Harahap, Zul Hazmi, and Theodora Sinaga. "Komparasi Unsur Musik dan Introduksi Lagu Yamko Rambe Yamko Aransemen Agustinus Bambang Jusan Dengan Budi Susanto Yohanes." Grenek Music Journal 10, no. 1 (2021): 82. http://dx.doi.org/10.24114/grenek.v10i1.26099.

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Penelitian ini bertujuan untuk mengetahui (1) Komparasi unsur musik lagu Yamko Rambe Yamko aransemen Agustinus Bambang Jusana Dengan Budi Susanto Yohanes (2) Komparasi introduksi lagu Yamko Rambe Yamko aransemen Agustinus Bambang Jusana Dengan Budi Susanto Yohanes. Teori yang digunakan dalam penelitian ini yaitu teori komparasi, aransemen, unsur musik, dan introduksi. Hasil penelitian ini menunjukkan bahwa (1) Kedua aransemen memiliki perbedaan pada unsur musiknya, aransemen Agustius Bambang Jusana terdiri dari 80 birama , dengan nada dasar F=Do, tempo Allegro = 130 MM, tidak terdapat perubaha

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Setiaji, Denis. "TINJAUAN KARAKTERISTIK DANGDUT KOPLO SEBAGAI PERKEMBANGAN GENRE MUSIK DANGDUT." Handep: Jurnal Sejarah dan Budaya 1, no. 1 (2017): 19–34. http://dx.doi.org/10.33652/handep.v1i1.13.

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Penelitian ini difokuskan untuk meninjau karakteristik Dangdut Koplo secara tekstual. Riset yang dilakukan menggunakan metode fenomenologi dengan melakukan studi lapangan ke sejumlah wilayah pertunjukan Dangdut Koplo di wilayah Jawa Tengah dan Jawa Timur. Perkembangan dangdut secara historis, dipaparkan melalui sejumlah riset dalam menelusuri karakteristik dangdut yang pada akhirnya berbeda dengan Dangdut Koplo. Sejumlah fakta hasil riset dan studi lapangan menghasilkan sejumlah unsur yang membangun karakteristik Dangdut Koplo berupa, (1) pola permainan khusus pada gendang, (2) kecenderungan t

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Haryani, Sri, Umi Romayati Keswara, Dessy Hermawan, Aryanti Wardiyah, Eka Trismiyana, and Wahid Tri Wahyudi. "Pemberian Terapi Klenengan Gending Jawa Pada Penderita Stroke Di Desa Bandar Agung Bandar Sribawono Lampung Timur." JURNAL KREATIVITAS PENGABDIAN KEPADA MASYARAKAT (PKM) 4, no. 1 (2021): 31–36. http://dx.doi.org/10.33024/jkpm.v4i1.2797.

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Abstrak Dampak psikologis penderita stroke adalah perubahan mental. Setelah stroke memang dapat terjadi gangguan pada daya pikir, kesadaran, konsentrasi, kemampuan belajar, dan fungsi intelektual lainnya. Semua hal tersebut dengan sendirinya memengaruhi kondisi psikologis penderita. Tujuan Asuhan Keperawatan Komprehensif Pada Klien Stroke Dengan Terapi Komplementer Klenengan Gending Jawa Di Desa Bandar Agung Bandar Sribawono Lampung Timur Tahun 2020. Metode yang di lakukan dengan Pemberikan terapi musik mendengarkan musik kleningan gending jawa klasik memiliki tempo lambat antara 60-100 bpm (b

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Cahyadi, Agus, Ni Wayan Ardini, Desak Made Suarti Laksmi, and Ketut Sumerjana. "Trompong, Trombone, Trumpet, and Jegogan in Trom-Trom-Trum Composition." Journal of Music Science, Technology, and Industry 2, no. 2 (2019): 146–68. http://dx.doi.org/10.31091/jomsti.v2i2.864.

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Trom-Trom-Trum diciptakan oleh seniman Bali I Nyoman Windha pada tahun 2003. Judul ini merupakan ungkapan dari penggunaan kombinasi alat musik trompong, trombone, dan trompet yang digunakan dalam komposisi musik ini. Dua di antaranya adalah instrumen Barat, yaitu trombone dan trompet, dan instrumen lainnya adalah gamelan Bali, yaitu trompong dan satu pasang jegogan yang fungsinya dalam komposisi ini sebagai aksen. Metode penelitian yang digunakan adalah metode kualitatif, dengan teknik pengumpulan data melalui observasi, wawancara, studi dokumen, dan diskografi. Hasil penelitian menunjukkan, d

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Wulandari, Rina. "PEMBELAJARAN MUSIK MENGGUNAKAN GELAS BERBAHAN KACA PADA MAHASISWA JURUSAN PAUD FIP UNY TAHUN AJARAN 2016/2017." Jurnal Pendidikan Anak 6, no. 1 (2017): 92–98. http://dx.doi.org/10.21831/jpa.v6i1.15684.

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Tujuan penelitian ini adalah untuk mendeskripsikan pembelajaran musik menggunakan gelas berbahan kaca pada mahasiswa jurusan PAUD FIP UNY tahun angkatan 2016/2017. Metode penelitian menggunakan jenis deskriptif. Sumber data penelitian adalah komponen pembelajaran dalam permainan musik gelas berbahan kaca. Teknik pengumpulan data menggunakan observasi, dokumentasi, dan wawancara. Analisis data menggunakan model interaktif, yaitu pengumpulan data, reduksi data, display data, kesimpulan/verifikasi. Uji kredibilitas menggunakan perpanjangan pengamatan. Hasil penelitian yaitu pembelajaran dilaksana

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Ariesta, I. Made Jacky, Ni Wayan Ardini, I. Komang Darmayuda, and Ketut Sumerjana. "Analisis Bentuk dan Struktur Komposisi “Morning Happiness” Gus Teja." Journal of Music Science, Technology, and Industry 1, no. 1 (2018): 35. http://dx.doi.org/10.31091/jomsti.v1i1.504.

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ABSTRAKKomposisi musik “Morning Happiness” (2008) Gus Teja World Music terinspirasi saat komposernya Agus Teja Sentosa (Gus Teja) tertegun bahagia melihat anaknya di pagi hari tiba-tiba sembuh dari sakit dan bisa tersenyum. Muncullah nada-nada kebahagiaan yang dituangkan dalam karya musik instrumental “Morning Happiness” atau kebahagiaan di pagi hari yang dimasukkan dalam album “Rhytm of Paradise”. Permasalahan penelitian ini adalah bagaimana bentuk dan struktur komposisi “Morning Happiness” Gus Teja. Metode penelitian yang digunakan adalah kualitatif. Teori yang digunakan untuk mengupas perma

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Setiawardani, Maya, and Tintin Suhaeni. "Penggunaan Musik Daerah Untuk Meningkatkan Kompetensi Kecepatan Dan Ketepatan Mengetik Mahasiswa." Jurnal Riset Bisnis dan Investasi 2, no. 3 (2017): 12. http://dx.doi.org/10.35697/jrbi.v2i3.90.

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Mastery of keyboarding being part urgent to communicate through the computer, and very important, especially students who study in the field of business. On the other side, individual performance also influenced by the work environment, and music is one form the environment that could effect keyboarding performance. A model that can describe this is the stimulus-responsible model of mehrabian-russell which explains that music can affect the performance of individual writing. Almost all of Indonesia has traditional music. Therefore, research is needed to identify the effects of traditional musi

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Arigustika, Dara. "MUSIK BECANANG DALAM MALAM ADAT BEGURU PADA MASYARAKAT GAYO KECAMATAN BEBESEN, KABUPATEN ACEH TENGAH (Kajian terhadap bentuk penyajian dan bentuk musik)." Grenek Music Journal 6, no. 1 (2018): 56. http://dx.doi.org/10.24114/grenek.v6i1.10963.

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Becanang Traditional Music In The EveningBeguru in Gayo Society Bebesen Districts, District Central Aceh (Study of the form ofpresentation and form of music). Faculty Of Language and Art. Medan State University,2015.This research is a study about the existence of the forms of presentation becanangmusic and music form becanang the Gayo people in the District of Central Aceh DistrictBebesen. The purpose of this study was to determine the presence of music in the districtbecanang Bebesen, form of presentation and form of music in the evening becanangbeguru indigenous community in the district of

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Santoso, Ahmad Teguh, and Wimbrayardi Wimbrayardi. "ANALISIS TARI PIRING KREASI SANGGAR SYOFYANI DALAM STUDI KASUS MUSIK IRINGAN TARI." Jurnal Sendratasik 8, no. 1 (2019): 18. http://dx.doi.org/10.24036/jsu.v8i1.106414.

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Abstract The purpose of this study is to describe results of the analysis of creative Piring Dance at Syofyani's studio in the Case Study of Dance Accompaniment which is viewed from the relationship of the dance movements to the music rhythm. This type of research was qualitative research with using a content analysis approach. The instrument of this research was the researcher and it was assisted by supporting instruments such as stationery, camera and laptop. The types of data used were primary and secondary data. Techniques of data collection were conducted by doing library research, observ

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Ihsan, Rivaldi. "Estetika Eeewahh dalam Rentak Joget." Resital: Jurnal Seni Pertunjukan 18, no. 2 (2017): 78–87. http://dx.doi.org/10.24821/resital.v18i2.2446.

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Penelitian ini, bertujuan menggali konsep estetis eeewahh dalam rentak joget studi kasus pada Orkes Melayu Pancaran Senja (OMPS) dalam masyarakat Kampung Melayu Batu Besar Batam. Data diperoleh melalui pengamatan terlibat pada pementasan OMPS. Berdasarkan penelitian dapat disimpulkan bahwa Eeewahh merupakan fenomena estetis dari seorang penyanyi yang mengalami suasana senang, gembira, atau takjub ketika berada dalam keadaan klimaks saat sajian melodibagian interlud dalam teks lagu pantun rentak joget. Pada suasana ini akan muncul ucapan eeewahh sebagai ungkapan emosi rasa keindahan. Eeewahh di

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Faozata Adzkia, Sagaf. "Analisis Bentuk Musik atas Kesenian Laras Madya dan Resistensinya dalam Budaya Jawa." PROMUSIKA 4, no. 1 (2018): 1–12. http://dx.doi.org/10.24821/promusika.v4i1.2267.

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The Laras madya is a development form of Santiswaran music from the time of Pakubuwono X (1893-1930) in Kasunanan Surakarta. This is a Javanese-Islamic cultures blend of music that its song lyric is based on the Serat Wulangreh text written by Pakubuwono IV. The Laras Madya instrumentation is generally utilized traditional percussions such as the kendang, the terbang dhana, the terbang gong, and the two-pitches saron, to accompany the Bowo (solo singer), and the Gerong (accompanist singer). This study discusses the uniqueness of Larasa Madya’s musical form and its resistance from the dominatio

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Firdaus, Ade Surya, Hendra Santosa, and Ni Wayan Ardini. "I Gusti Anglurah Panji Sakti: Sebuah Interpretasi dalam Musik Jazz." Gondang: Jurnal Seni dan Budaya 3, no. 2 (2019): 86. http://dx.doi.org/10.24114/gondang.v3i2.13843.

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Interpretation of I Gusti Anglurah Panji Sakti is a title of musical composition that interprets or reinterprets the figure of King Panji Sakti who has smart characters, courageous, sympathetic, accommodating, and always close to his subordinates and thick with the Patriotism nature of anti-hegemony, anti-imperialism and anti monopoly in a jazz composition. In the process of its creation, it was motivated by an interest in the figure of Panji Sakti as a King who deserved to be a role model, because of his nationalist and patriotic character which according to the composer was very good in buil

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Baines, Sue. "The Role of Culture in Music and Medicine: Considerations to Enhance Health." Music and Medicine 8, no. 3 (2016): 91. http://dx.doi.org/10.47513/mmd.v8i3.439.

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The expression and understanding of culture is relative to time and social context as individuals and groups within cultures struggle to negotiate the substance and implication of specific cultures [1]. Music and medicine are culturally derived as is the intersection between music and medicine, which at times can be integrated disciplines while at other times they may fester as disconnected treatment modalities. Analyzing the role of culture in music and medicine can reveal unique possibilities that may serve to enhance health.Keywords: cultural competence, anti-oppresive practice, social just

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Raharja, Budi, and Rr Akita Rheanita Nevada. "Pelatihan Metode dan Strategi Mengajar Gamelan Autis Bagi Guru-Guru Sekolah Khusus Autis Bina Anggita Yogyakarta." Jurnal Pengabdian Seni 2, no. 1 (2021): 15–26. http://dx.doi.org/10.24821/jps.v2i1.5733.

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Jumlah penyandang autis di Indonesia masih menjadi perhatian bagi pemerintah, akademisi, dan masyarakat luas untuk terus mendapatkan penanganan. Salah satu usaha adalah terapi di sekolah berkebutuhan khusus autis, khususnya di Sekolah Bina Anggita Yogyakarta. Penyuluhan seni sebagai sarana bagi akademisi dalam melaksanakan pengabdian kepada masyakarat yang menjadi bagian dari Tridarma Perguruan Tinggi. Teori pembelajaran dan pengertian gamelan menjadi dasar pelaksanaan penyuluhan seni “Metode dan Strategi Gamelan Autis bagi Guru-Guru Sekolah Khusus Autis”. Penyuluhan Seni di Sekolah Khusus Aut

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Hartono, Hartono, and Syeilendra Syeilendra. "PELAKSANAAN PEMBELAJARAN MUSIK TALEMPONG PACIK DI KELAS VIII-1 SMP ISLAM AL-AZHAR KOTA PADANG." Jurnal Sendratasik 10, no. 1 (2020): 168. http://dx.doi.org/10.24036/jsu.v9i2.110530.

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This study aims to find out the ability of students at class VIII.1 in Padang city in playing Talempong Pacik with the song Cak Din Din. This research belongs to a descriptive qualitative research. The main instrument on this study was the researcher itself and was supported by supporting instruments such as writing tools and cameras. The data were collected through interview, literature study, and documentation. The data analysis was conducted by classifying the data, describing the data, and making conclusions. The results show that the students’ ability in playing Talempong Pacik with the s

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Putri, Aliffa Dwi, and Elva Rahmah. "Persepsi Mahasiswa terhadap Instrumen Musik di Perpustakaan Universitas Bung Hatta dalam Kenyamanan Membaca." Ilmu Informasi Perpustakaan dan Kearsipan 8, no. 1 (2019): 27. http://dx.doi.org/10.24036/107294-0934.

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Abstract In this paper discussed about Student Perceptions of Musical Instruments in the Bung Hatta University Library in Reading Comfort. The purpose of this research is to describe students' perceptions of musical instruments in the Bung Hatta University Library in Padang in the comfort of reading. This research method uses a quantitative approach. Data collected by distributing questionnaires to visitors at the Bung Hatta University library. Samples taken as many as 100 respondents. The results of the questionnaire were compiled by recapitulating research results. The analysis is by describ

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Situmeang, Mona Wenni. "Kajian Syair dan Bentuk Struktur Lagu Kekuatan Serta Penghiburan Pada Prodi PMG IAKN Tarutung." Areopagus : Jurnal Pendidikan Dan Teologi Kristen 19, no. 1 (2021): 143–51. http://dx.doi.org/10.46965/ja.v19i1.503.

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AbstrakKajian syair dan bentuk struktur lagu No. 332 Kekuatan Serta Penghiburan pada prodi PMG IAKN tarutung. Tujuan dari penelitian ini adalah untuk mengetahui lebih banyak mengenai pengembangan kajian yang terdapat dalam lagu kekuatan serta penghiburan dan mengetahui bentu-bentuk dan struktur lagu yang di teliti. Penelitian ini menggunakan metode kajian pustaka dengan pendekatan kualitatif. Adapun proses kerja yang dilakukan yaitu pengamatan, wawancara, dokumentasi, studi pustaka (online) dan analisis. Penelitian dilakukan dengan mengumpulkan informasi melalui penelitian di lapangan untuk me

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Diah K., Francisca Xaveria. "PERMAINAN DUET PIANO EMPAT TANGAN SEBAGAI UPAYA PENINGKATAN KEMAMPUAN MAHASISWA PADA PEMBELAJARAN PRAKTEK INSTRUMEN MAYOR II PIANO DI JURUSAN PENDIDIKAN SENI MUSIK." Imaji 14, no. 1 (2016): 38–49. http://dx.doi.org/10.21831/imaji.v14i1.9532.

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Penelitian ini bertujuan untuk mendiskripsikan proses pembelajaran Praktek Instrumen Mayor II Piano melalui permainan duet piano empat tangan sebagai upaya peningkatan kemampuan mahasiswa. Penelitian ini menggunakan metode penelitian tindakan. Subyek penelitian adalah mahaisswa Jurusan Pendidikan Seni Musik Semester II yang mengambil matakuliah Praktek Instrumen Mayor II Piano Kelas B sejumlah 10 orang. Teknik pengumpulan data berupa observasi, wawancara, dokumentasi visual dan angket. Prosedur penelitian menggunakan dua siklus dengan masing-masing siklus terdiri atas empat pertemuan dan terdi

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Tamir-Ostrover, Hila, and Zohar Eitan. "Higher is Faster." Music Perception 33, no. 2 (2015): 179–98. http://dx.doi.org/10.1525/mp.2015.33.2.179.

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While determining an appropriate tempo is crucial to music performers, composers and listeners, few empirical studies have investigated the musical factors affecting tempo choices. In two experiments we examined how aspects of musical pitch affect tempo choice, by asking participants (musically trained and untrained) to adjust the tempi of melodic sequences varying in pitch register and pitch direction, as well as sequences typically associated with specific registers in common period music. In Experiment 1, faster tempi were assigned to higher registers. Specific melodic direction (rise vs. f

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Iwanaga, Makoto, and Maki Tsukamoto. "Preference for Musical Tempo Involving Systematic Variations of Presented Tempi for Known and Unknown Musical Excerpts." Perceptual and Motor Skills 86, no. 1 (1998): 31–41. http://dx.doi.org/10.2466/pms.1998.86.1.31.

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Previous studies have indicated inconsistently that preferred tempo was moderate or fast. The basis for inconsistency might be differences in methods, i.e., differences in tempo operation and subjects' experience of listening to musical pieces. The present study examined the preference for tempo using known and unknown melodies which were presented at varied tempi systematically. 119 undergraduates not majoring in music were subjects, divided into three subgroups, slow, medium, and fast music groups according to tempi designated by composers. Subjects rated items about Perceived Activity and a

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Thyssen, Peter. "Grundtvig, Laub og kirkesangen." Grundtvig-Studier 45, no. 1 (1994): 229–55. http://dx.doi.org/10.7146/grs.v45i1.16148.

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Grundtvig, Laub and Church Singing.By Peter ThyssenThe article deals with the importance that Grundtvig’s hymn writing acquired for the development of church music in Denmark through the 19. and 20. centuries. At first, the lack of tunes for the hymns written by Grundtvig for his own metres, resulted in the appearance of a great number of romantic hymn tunes which became widely used in church singing all over the country through the 19. century. Compared with these new lively and romantic tunes, however, the old chorales, isorhytmical at that time, were bound to seem more and more »stiff« and

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Geringer, John M. "Musicians’ Preferences for Tempo and Pitch Levels in Recorded Orchestral Music." Journal of Research in Music Education 58, no. 3 (2010): 294–308. http://dx.doi.org/10.1177/0022429410380464.

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This study was designed to ascertain musicians’ tempo and pitch level preferences when listening to orchestral music. Ninety graduate and undergraduate music major students were assigned randomly to one of three groups. Participants listened individually to recorded symphonic excerpts, 5 with relatively fast and 5 with relatively slow tempos. Listeners in the tempo group modulated a dial to adjust tempos to their preferred levels for each of the 10 excerpts (pitch was unchanged). Similarly, pitch group participants turned the dial to modify pitch to preferred levels (tempo was unchanged). For

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SINAGA, KRISTIAN. "BENTUK PENYAJIAN DAN FUNGSI MUSIK DALAM UPACARA THAU CHIT PADA AGAMA KHONGHUCU DI YAYASAN BUDI MULIA KECAMATAN LUBUK PAKAM KABUPATEN DELI SERDANG." Grenek Music Journal 6, no. 2 (2018): 96. http://dx.doi.org/10.24114/grenek.v6i2.10966.

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Presentation Form And Function In Ceremony Thau Music Chit On Confucian Religion inYayasan Budi Mulia Lubuk Pakam District of Deli Serdang. Faculty of Language and Art. StateUniversity of Medan. This study aims to determine rites Chit Thau, the usefulness of theinstrument, the form of presentation and function of music in Chit Thau ceremony at the Confucianreligion in Yayasan Budi Mulia Lubuk Pakam District of Deli Serdang. This study is based on atheoretical foundation that explains the sense of form, sense of presentation, understanding thefunction, understanding music, understanding, Thau c

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McKinney, Martin F., and Dirk Moelants. "Ambiguity in Tempo Perception: What Draws Listeners to Different Metrical Levels?" Music Perception 24, no. 2 (2006): 155–66. http://dx.doi.org/10.1525/mp.2006.24.2.155.

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The distribution of listeners’ perceived tempi across large collections of music has been modeled previously by a resonance function with a peak near the “preferred tempo” of 120 beats per minute (BPM) [Van Noorden and Moelants, J. New Music Res., 28, 43–66]. Here, through a series of experiments in which listeners were asked to tap to the most salient pulse of musical excerpts,we examined distributions of tapped tempi from single musical excerpts to see if the global resonance of preferred tempo is dependent on musical content. Results show that for some musical excerpts, the distribution of

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McEvilly, Daniel K. "Chills and Tempo." Music Perception 16, no. 4 (1999): 457–62. http://dx.doi.org/10.2307/40285804.

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A correlation between "chills" and specific tempos might partially account for the notion of the "right tempo" in Western art-music performance. Thus, as a call for empirical research, I hypothesize that, for a given passage of music, there is a set of specific optimal tempos (related by transposition and/or proportion) for which the character, coherence, and vitality of the music can be significantly more well marked than for all other tempos.

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Coorevits, Esther, and Dirk Moelants. "Tempo in Baroque Music and Dance." Music Perception 33, no. 5 (2016): 523–45. http://dx.doi.org/10.1525/mp.2016.33.5.523.

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Growing interest in studies on the relationship between music and movement has given rise to many paradigms and theories, including embodied approaches that provide interesting methodologies in studies on music and dance. Insight into the relation between dance and music is particularly important for the Baroque period, as a direct connection between music and dance was omnipresent, even if music was not used to dance to. Many types of Baroque dances existed, each of them with particular dance steps and a specific character, requiring a specific tempo. However, in music performance practice to

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Iwanaga, Makoto. "Relationship between Heart Rate and Preference for Tempo of Music." Perceptual and Motor Skills 81, no. 2 (1995): 435–40. http://dx.doi.org/10.1177/003151259508100215.

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People prefer music with tempi ranging from 70 to 100 cycles per minute similar to that of adults’ heart rate within normal daily situations. Previous studies of the relation between preferred tempi and heart rates using a pure tone also have indicated that subjects tended to prefer tempi similar to their heart rates. The present study examined this relationship using a musical piece (the theme of “It's a small world”) as a stimulus. 14 undergraduate women were subjects who searched for their favorite tempi by controlling the musical tempo by themselves. The most preferred tempo was close to t

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Repp, Bruno H. "Quantitative Effects of Global Tempo on Expressive Timing in Music Performance: Some Perceptual Evidence." Music Perception 13, no. 1 (1995): 39–57. http://dx.doi.org/10.2307/40285684.

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This study examines whether global tempo and expressive timing microstructure are independent in the aesthetic judgment of music performance. Measurements of tone interonset intervals in pianists' performances of pieces by Schumann ("Traumerei") and Debussy ("La fille aux cheveux de lin") at three different tempi show a tendency toward reduced relative variation in expressive timing at both faster and slower tempi, relative to the pianist's original tempo. However, this could reflect merely the pianists' discomfort when playing at an unfamiliar tempo. Therefore, a perceptual approach was taken

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Bailes, Freya, and Linda Barwick. "Absolute Tempo in Multiple Performances of Aboriginal Songs: Analyzing Recordings of Djanba 12 and Djanba 14." Music Perception 28, no. 5 (2011): 473–90. http://dx.doi.org/10.1525/mp.2011.28.5.473.

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songs that are not notated but transmitted through live performance are of particular interest for the psychological study of the stability of tempo across multiple performances. While experimental research points to highly accurate memory for the tempi of well-known recorded music, this study asks whether there is any evidence of absolute tempo in a performance tradition that does not draw on such reference recordings. Fifty-four field recordings of performances of one Aboriginal dance-song, Djanba 14, were analyzed. Results showed that over a span of 34 years, performance tempi deviated posi

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Hammerschmidt, David, Clemens Wöllner, Justin London, and Birgitta Burger. "Disco Time: The Relationship Between Perceived Duration and Tempo in Music." Music & Science 4 (January 1, 2021): 205920432098638. http://dx.doi.org/10.1177/2059204320986384.

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Our perception of the duration of a piece of music is related to its tempo. When listening to music, absolute durations may seem longer as the tempo—the rate of an underlying pulse or beat—increases. Yet, the perception of tempo itself is not absolute. In a study on perceived tempo, participants were able to distinguish between different tempo-shifted versions of the same song (± 5 beats per minute (BPM)), yet their tempo ratings did not match the actual BPM rates; this finding was called tempo anchoring effect (TAE). In order to gain further insights into the relation between duration and tem

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Bretherton, Beatrice, Jim Deuchars, and W. Luke Windsor. "The Effects of Controlled Tempo Manipulations on Cardiovascular Autonomic Function." Music & Science 2 (January 1, 2019): 205920431985828. http://dx.doi.org/10.1177/2059204319858281.

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Music has been associated with alterations in autonomic function. Tempo, the speed of music, is one of many musical parameters that may drive autonomic modulation. However, direct measures of sympathetic nervous system activity and control groups and/or control stimuli do not feature in prior work. This article therefore reports an investigation into the autonomic effects of increases and decreases in tempo. Fifty-eight healthy participants (age range: 22–80 years) were randomly allocated to either an experimental ( n = 29, tune) or control (rhythm of the same tune) group. All participants und

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Repp, Bruno H., W. Luke Windsor, and Peter Desain. "Effects of Tempo on the Timing of Simple Musical Rhythms." Music Perception 19, no. 4 (2002): 565–93. http://dx.doi.org/10.1525/mp.2002.19.4.565.

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We investigated whether and how the timing of musical rhythms changes with tempo. Twelve skilled pianists played a monophonic eight-bar melody in 21 different rhythmic versions at four different tempi. Within bars, the rhythms represented two isochronous patterns and all possible ordered pairs and triplets of different note values with ratios from the set {3, 2, 1}. The three-note rhythms also occurred in each of two meters (3/4 and 6/8). Significant deviations from the notated interval ratios were observed in performances of most rhythms, even at the slowest tempo. The observed ratios of the

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Navarro, Jordan, François Osiurak, and Emanuelle Reynaud. "Does the Tempo of Music Impact Human Behavior Behind the Wheel?" Human Factors: The Journal of the Human Factors and Ergonomics Society 60, no. 4 (2018): 556–74. http://dx.doi.org/10.1177/0018720818760901.

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Objective: Assess the influence of background music tempo on driving performance. Background: Music with a fast tempo is known to increase the level of arousal, whereas the reverse is observed for slow music. The relationship between driving performance and level of arousal was expected to take the form of an inverted U-curve. Method: Three experiments were undertaken to manipulate the musical background during driving. In Experiment 1, the driver’s preferred music track played at its original and modified (plus or minus 30%) tempo were used together with the simple ticking of a metronome. In

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