Relevant bibliographies by topics / Musil, Robert. Der Mann ohne Eigenschaften

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Academic literature on the topic 'Musil, Robert. Der Mann ohne Eigenschaften'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Musil, Robert. Der Mann ohne Eigenschaften"

1

Schurz, Gerhard. "Weltanschauungsanalyse und Robert Musils Der Mann ohne Eigenschaften." KRITERION – Journal of Philosophy 1, no. 21 (January 1, 2007): 16–45. http://dx.doi.org/10.1515/krt-2007-012103.

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Abstract In this paper I develop a theory of Weltanschauungen (world- views). A judgment belongs to a Weltanschauung if it represents reality simultaneously in three dimensions: the descriptive- cognitive dimension (true/false), the ethical-practical dimension (right/wrong), and the esthetic-emotive dimension (beautiful/ugly). It is a crucial anthropological function of Weltanschauungen that they coordinate human perception and action in all these three dimensions (this idea goes to Ernst Topitsch). Different Weltanschauungen differ from each other in the weight of importance which they attach to each of these three dimensions. Therefore I suggest to classify Weltanschauungen according to their position within a triangle, the so-called Weltanschauungsdreieck, whose vertices represent these three dimensions. In sections 1-3 my analysis of Weltanschauungen is based on general epistemological and anthropological reections, drawing on the philosophical and scientific literature. My sections 4-6 make use of Robert Musil's impressing novel \The man without qualities", in which Musil explores Weltanschauungen by literary methods: at hand of the major figures of his novel he brings Weltanschauungen into being, lets them develop, reconstructs them, parodises them and finally deconstructs them. In the final section I show how a variety of typical bipolarities of Weltanschauungen (such rational vs. intuitive, passive versus active, etc.) can be analyzed within the Weltanschauungsdreieck.
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2

Bell, Thomas R. "Religion without Content in Robert Musil’s Der Mann ohne Eigenschaften." Literatur für Leser 41, no. 2 (January 1, 2020): 105–20. http://dx.doi.org/10.3726/lfl.2018.02.02.

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Religion and science, war and peace, love and hate, chance and determinacy – these are a few of the many topics Der Mann ohne Eigenschaften (Vol. 1, 1931 / Vol. 2 Part 1, 1933)1 – an unfinished philosophic and poetic masterpiece spanning more than one thousand pages – addresses, as it communicates the narrator’s efforts to think more precisely and more accurately about elemental aspects of the human experience. In his monumental tome, Robert Musil presents numerous figures who espouse a broad range of ideas proliferating within the society of “Kakanien”, representative of the Habsburg Empire in 1913/1914. Musil’s fictional rendition of this milieu focuses particularly on the intellectual mood pulsating throughout Austro-Hungarian society during the twelve months preceding the outbreak of World War One; the novel’s first paragraph ends with the following statement: “Es war ein schöner Augusttag des Jahres 1913” (9). In July of the following year, mayhem breaks out. What were people thinking before the violence erupted? What influential ideas were proliferating and, indeed, may have been adopted prior to the catastrophe known as the Great War? Meticulously and perspicaciously, Musil textually articulates – and experiments with – those concepts permeating throughout the pre-war Austro-Hungarian empire, in order to investigate which of them may have been fallaciously used and, consequently, led to the ensuing disaster. Simultaneously, through his narration, he offers an aesthetic framework for considering the possibilities of more refined thinking, which, if embraced and actualized, may have brought about a more intellectually consistent society that would have been able to stave off the horrific crisis that occurred. Contextually, it is important to keep in mind that he writes about 1913/1914 from the perspective of 1931/1933: the “Weimarer Republik” and the “Erste Republik Österreich” are both on the verge of dissolution; fascism in Germany and Austria is on the rise; and the “Militarisierung Deutschlands” is readily evident.2 Musil is keenly aware of the similarity in circumstances. For this reason, he projects the failures apparent in the late 1920’s and early 1930’s back onto 1913/1914, when the Habsburg Monarchy and the German Empire could not provide a counterforce to the developing war machine.3 Writing in the shadow of a past war and with the looming sense of imminent danger, Musil generates impassioned essays,4 endeavoring to think in an informed, dynamic, and new manner about the situation in which he finds himself, hoping that his exploration of ideas will actualize the dissemination of peace.5
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3

Bell, Thomas R. "Religion without Content in Robert Musil’s Der Mann ohne Eigenschaften." Literatur für Leser 41, no. 2 (January 1, 2020): 105–20. http://dx.doi.org/10.3726/lfl.2018.02.02.

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Religion and science, war and peace, love and hate, chance and determinacy – these are a few of the many topics Der Mann ohne Eigenschaften (Vol. 1, 1931 / Vol. 2 Part 1, 1933)1 – an unfinished philosophic and poetic masterpiece spanning more than one thousand pages – addresses, as it communicates the narrator’s efforts to think more precisely and more accurately about elemental aspects of the human experience. In his monumental tome, Robert Musil presents numerous figures who espouse a broad range of ideas proliferating within the society of “Kakanien”, representative of the Habsburg Empire in 1913/1914. Musil’s fictional rendition of this milieu focuses particularly on the intellectual mood pulsating throughout Austro-Hungarian society during the twelve months preceding the outbreak of World War One; the novel’s first paragraph ends with the following statement: “Es war ein schöner Augusttag des Jahres 1913” (9). In July of the following year, mayhem breaks out. What were people thinking before the violence erupted? What influential ideas were proliferating and, indeed, may have been adopted prior to the catastrophe known as the Great War? Meticulously and perspicaciously, Musil textually articulates – and experiments with – those concepts permeating throughout the pre-war Austro-Hungarian empire, in order to investigate which of them may have been fallaciously used and, consequently, led to the ensuing disaster. Simultaneously, through his narration, he offers an aesthetic framework for considering the possibilities of more refined thinking, which, if embraced and actualized, may have brought about a more intellectually consistent society that would have been able to stave off the horrific crisis that occurred. Contextually, it is important to keep in mind that he writes about 1913/1914 from the perspective of 1931/1933: the “Weimarer Republik” and the “Erste Republik Österreich” are both on the verge of dissolution; fascism in Germany and Austria is on the rise; and the “Militarisierung Deutschlands” is readily evident.2 Musil is keenly aware of the similarity in circumstances. For this reason, he projects the failures apparent in the late 1920’s and early 1930’s back onto 1913/1914, when the Habsburg Monarchy and the German Empire could not provide a counterforce to the developing war machine.3 Writing in the shadow of a past war and with the looming sense of imminent danger, Musil generates impassioned essays,4 endeavoring to think in an informed, dynamic, and new manner about the situation in which he finds himself, hoping that his exploration of ideas will actualize the dissemination of peace.5
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4

Sebastian, Thomas. "Die Entstehungsgeschichte des "Mann ohne Eigenschaften" von Robert Musil (review)." MLN 118, no. 3 (2003): 771–74. http://dx.doi.org/10.1353/mln.2003.0065.

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5

Scholvin, Nikolaus. ",,Vom Realismus zur Wahrheit.“ Zum Stellenwert der Moosbrugger-Passagen in Robert Musils Roman Der Mann ohne Eigenschaften." Literatur für Leser 41, no. 2 (January 1, 2020): 87–104. http://dx.doi.org/10.3726/lfl.2018.02.01.

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In einem im Jahre 1926 geführten Gespräch mit Oskar Maurus Fontana äußert sich Robert Musil, befragt über den Roman, an dem er gerade arbeite: ,,Die reale Erklärung des realen Geschehens interessiert mich nicht. Mein Gedächtnis ist schlecht. Die Tatsachen sind überdies immer vertauschbar. Mich interessiert das geistig Typische, ich möchte geradezu sagen: das Gespenstische des Geschehens.“1
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Scholvin, Nikolaus. ",,Vom Realismus zur Wahrheit.“ Zum Stellenwert der Moosbrugger-Passagen in Robert Musils Roman Der Mann ohne Eigenschaften." Literatur für Leser 41, no. 2 (January 1, 2020): 87–104. http://dx.doi.org/10.3726/lfl.2018.02.01.

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In einem im Jahre 1926 geführten Gespräch mit Oskar Maurus Fontana äußert sich Robert Musil, befragt über den Roman, an dem er gerade arbeite: ,,Die reale Erklärung des realen Geschehens interessiert mich nicht. Mein Gedächtnis ist schlecht. Die Tatsachen sind überdies immer vertauschbar. Mich interessiert das geistig Typische, ich möchte geradezu sagen: das Gespenstische des Geschehens.“1
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7

Fanzun, Sebastien. "An einem starken Baum ein kräftges Ende finden." Zeitschrift für Ideengeschichte 13, no. 4 (2019): 54–56. http://dx.doi.org/10.17104/1863-8937-2019-4-54.

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Wo Robert Musils Der Mann ohne Eigenschaften (1930) mit der Kollision eines Laswegens und eines Fußgängers beginnt, endet F. Scott Fitzgeralds The Greate Gatsby (1925) mit dem Zusammenstoß eines Personenwagens mit einer Fußgängerin. Als würde Musils Text diese auf den ersten Blick wilde - unverhoffte - Zusammenstellung mit einem amerikanischen Gegenpart selbst bekräftigen wollen, unternimmt Der Mann ohne Eigenschaften einen transatlantischen Brückenschlag, gekleidet in die nur auf den ersten Blick kühle Sprache der Empirie: "Nach dem amerikanischen Statistiken", so bemerkt ein informierter Zeuge des LKW-Unfalls, "werden dort jährlich durch Autos 190.000 Personen getötet und 450.000 verletzt."
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8

Máiz, Ramón. "Ilusiones perdidas en la Europa de entreguerras: nación y yo en Robert Musil." Araucaria, no. 49 (2022): 1–11. http://dx.doi.org/10.12795/araucaria.2022.i49.01.

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La obra de Robert Musil Der Mann ohne Eigenschaften no sólo se considera una de las cumbres de la novela del siglo XX, sino que constituye también un ensayo de profundo calado teórico político sobre la nación y los nacionalismos en la Europa de entreguerras. La crisis del Imperio austrohúngaro sirve de motivo al autor para desarrollar una crítica profunda de algunos de los fundamentos teóricos fundamentales del pensamiento político moderno. Este artículo muestra cómo la crítica sistemática a la que el nacionalismo esencialista y racista se somete en la obra se basa en una revisión de dos de los presupuestos filosóficos que la hacen posible: la concepción lineal del tiempo y la historia, y la metafísica del sujeto. El análisis explora las profunda relación que existe en la obra entre la identidad individual (el sujeto) y la identidad colectiva (la nación), entre la crisis del sujeto unitario moderno como individuo autónomo y las dificultades de la construcción de un concepto pluralista, democrático e inclusivo de Nación. Palabras-clave: Nacionalismo, nacionalidades, Imperio Austro-Húngaro, Robert Musil, identidad colectiva.
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9

Mendicino, Kristina. "Fictions of Phenomenology: Husserl and Musil." Scientia Poetica 23, no. 1 (October 21, 2019): 302–18. http://dx.doi.org/10.1515/scipo-2019-025.

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Abstract Despite the express intentions of his phenomenological investigations, the radical significance of Edmund Husserl’s discussions of signs and meaning may reside in their exposure of the ways in which language remains structurally alien to the field of subjectivity and cognition. If this would mean that a phenomenological theory of cognition could not guide the study of literary language, however, fiction may nonetheless turn out to be one of the most important sources for phenomenological »Erkenntnis«, albeit in a different way than Husserl could have meant in his famous affirmation of fiction in phenomenological research: as the exposure of its limits, and as the further explication of a field where, as Jacques Derrida would write, »every present subject can be absent.« This possibility is explored in the present contribution through an analysis of Robert Musil’s Der Mann ohne Eigenschaften.
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Classen, Albrecht, and Peter C. Pfeiffer. "Aphorismus und Romanstruktur: Zu Robert Musils "Der Mann ohne Eigenschaften"." German Quarterly 67, no. 3 (1994): 426. http://dx.doi.org/10.2307/408647.

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Dissertations / Theses on the topic "Musil, Robert. Der Mann ohne Eigenschaften"

1

Neymeyr, Barbara. "Psychologie als Kulturdiagnose : Musils Epochenroman "Der Mann ohne Eigenschaften" /." Heidelberg : Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2643142&prov=M&dok_var=1&dok_ext=htm.

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Pfeiffer, Peter C. "Aphorismus und Romanstruktur : zu Robert Musils "Der Mann ohne Eigenschaften /." Bonn : Bouvier Verl, 1990. http://catalogue.bnf.fr/ark:/12148/cb369559892.

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Mitterer, Nicola. "Liebe ohne Gegenspieler : androgyne Motive und moderne Geschlechteridentitäten in Robert Musils Romanfragment "Der Mann ohne Eigenschaften" /." [Graz] : Grazer Univ.-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2894733&prov=M&dok%5Fvar=1&dok%5Fext=htm.

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Völse, Hans-Joachim. "Im Labyrinth des Wissens : zu Robert Musils Roman "Der Mann ohne Eigenschaften /." Wiesbaden : Deutscher Universitätsverlag, 1990. http://catalogue.bnf.fr/ark:/12148/cb355458067.

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Puppe, Heinrich. "Musse und Müssiggang in Robert Musils Roman "Der Mann ohne Eigenschaften" /." St. Ingbert : W.J. Röhrig, 1991. http://catalogue.bnf.fr/ark:/12148/cb357412675.

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Hassler-Rütti, Ruth. "Wirklichkeit und Wahn in Robert Musils Roman "Der Mann ohne Eigenschaften"." Bern ; Frankfurt am Main [etc.] : P. Lang, 1990. http://catalogue.bnf.fr/ark:/12148/cb355094126.

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Kassung, Christian. "Entropie Geschichten Robert Musils "Der Mann ohne Eigenschaften" im Diskurs der modernen Physik /." München : W. Fink, 2001. http://catalogue.bnf.fr/ark:/12148/cb39018397s.

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Marini, Loredana. "Der Dichter als Fragmentist : Geschichte und Geschichten in Robert Musils Roman Der Mann ohne Eigenschaften /." Bern [u.a.] : Lang, 2002. http://www.gbv.de/dms/bs/toc/336805403.pdf.

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Schärer, Hans-Rudolf. "Narzissmus und Utopismus : eine literaturpsychologische Untersuchung zu Robert Musils Roman "Der Mann ohne Eigenschaften /." München : W. Fink, 1990. http://catalogue.bnf.fr/ark:/12148/cb35530925c.

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Krause, Robert. "Abstraktion - Krise - Wahnsinn die Ordnung der Diskurse in Robert Musils Roman "Der Mann ohne Eigenschaften"." Würzburg Ergon-Verl, 2006. http://d-nb.info/990145794/04.

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Books on the topic "Musil, Robert. Der Mann ohne Eigenschaften"

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Boss, Ulrich. Männlichkeit als Eigenschaft: Geschlechterkonstellationen in Robert Musils Der Mann ohne Eigenschaften. Berlin: De Gruyter, 2013.

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Fanta, Walter. Die Entstehungsgeschichte des "Mann ohne Eigenschaften" von Robert Musil. Wien: Böhlau, 2000.

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Pfeiffer, Peter C. Aphorismus und Romanstruktur: Zu Robert Musils "Der Mann ohne Eigenschaften". Bonn: Bouvier, 1990.

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Der "bewusste Utopismus" im Mann ohne Eigenschaften von Robert Musil. Würzburg: Königshausen & Neumann, 2008.

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Ludwig, Mark. Zurechnungsfähigkeiten: Kriminologie in Robert Musils "Mann ohne Eigenschaften". Würzburg: Königshausen & Neumann, 2011.

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Schreiben als anderes Leben: Eine Untersuchung zu Robert Musils Roman "Der Mann ohne Eigenschaften". Frankfurt am Main: P. Lang, 1990.

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Marini, Loredana. Der Dichter als Fragmentist: Geschichte und Geschichten in Robert Musils Roman "Der Mann ohne Eigenschaften". Bern: P. Lang, 2002.

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Völse, Hans-Joachim. Im Labyrinth des Wissens: Zu Robert Musils Roman "Der Mann ohne Eigenschaften". Wiesbaden: Deutscher Universitäts-Verlag, 1990.

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Angelis, Enrico De. Der Nachlassband von Robert Musils Der Mann ohne Eigenschaften. Pisa: Jacques e i suoi quaderni, 2004.

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Zustand der Dichtung: Interpretationen zur Sprachlichkeit des "anderen Zustands" in Robert Musils "Der Mann ohne Eigenschaften". Münster: Aschendorff, 1990.

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Book chapters on the topic "Musil, Robert. Der Mann ohne Eigenschaften"

1

Luserke, Matthias. "Der Mann ohne Eigenschaften." In Robert Musil, 83–109. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03986-6_7.

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Dawidowski, Christian. "Musil, Robert: Der Mann ohne Eigenschaften." In Kindlers Literatur Lexikon (KLL), 1–4. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12610-1.

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Kundera, Milan. "Der Mann ohne Eigenschaften von Robert Musil." In Mein Jahrhundertbuch, 11–13. Stuttgart: J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-02728-3_4.

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Frostenson, Katarina. "Der Mann ohne Eigenschaften von Robert Musil." In Mein Jahrhundertbuch, 169–72. Stuttgart: J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-02728-3_50.

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Schreiter, Ekkehard. "Technik im „Mann ohne Eigenschaften“: Der Erzähler als Kippfigur." In Verkehr bei Robert Musil, 18–43. Wiesbaden: VS Verlag für Sozialwissenschaften, 1994. http://dx.doi.org/10.1007/978-3-322-97056-5_2.

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Wagner-Egelhaaf, Martina. "Red-Seligkeit: Robert Musil, “Der Mann Ohne Eigenschaften” (1930–1952)." In Mystik der Moderne, 108–47. Stuttgart: J.B. Metzler, 1989. http://dx.doi.org/10.1007/978-3-476-03282-9_5.

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Fanta, Walter. "Die textgenetische Darstellung des Romans Der Mann ohne Eigenschaften von Robert Musil auf MUSIL ONLINE." In Textgenese in der digitalen Edition, edited by Anke Bosse and Walter Fanta, 229–50. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110575996-015.

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Wille, R. "Die Affäre Moosbrugger, in Robert Musils Der Mann ohne Eigenschaften." In Forensische Psychiatrie heute, 227–31. Berlin, Heidelberg: Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/978-3-642-71681-2_19.

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Arslan, Cüneyt. "Der Wiener Kreis und die Mystik – Ein Verhältnis Robert Musils zwischen Nähe und Distanz." In Der Mann ohne Eigenschaften und die Wissenschaftliche Weltauffassung, 89–157. Vienna: Springer Vienna, 2014. http://dx.doi.org/10.1007/978-3-7091-1577-0_3.

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Christian, Margareta Ingrid. "Wind: Turbulenzen der Zeit – Klimatographie in Robert Musils Der Mann ohne Eigenschaften." In Phänomene der Atmosphäre, 408–19. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04492-1_32.

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