Relevant bibliographies by topics / Musiqiy did

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Musiqiy did'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Musiqiy did"

1

Mahmudov, Jahongir Saminjon o'g'li. "DARSDA MUSIQIY DIDNI SHAKLLANTIRISH OMILLARI." Educational Research in Universal Sciences 2, no. 2 (2023): 209–11. https://doi.org/10.5281/zenodo.7705729.

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Ushbu maqolada umumiy o‘rta ta’lim maktablarida musiqa darslarida darsda musiqiy didni shakllantirish omillari, bolalarga musiqa fani yuzasidan yanada kengroq ma’lumotlar berish va qiziqishlarini yana oshirish hamda yangi metodlar bilan dars olib botish yuzasidan so‘z boradi.
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Mo'minova, Lobar Raxmonjonovna. "ISSUES OF EFFECTIVE ORGANIZATION OF EDUCATIONAL WORK TO EDUCATE STUDENTS IN THE NATIONAL SPIRIT THROUGH MUSIC." JOURNAL OF SCIENCE-INNOVATIVE RESEARCH IN UZBEKISTAN 2, no. 2 (2024): 579–82. https://doi.org/10.5281/zenodo.10722082.

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Ushbu maqolada musiqa orqali o‘quvchilarni milliy va umuminsoniy g‘oyalar asosida tarbiyalash, dunyoqarashini kengaytirish, musiqiy didini o‘stirish kabi bugungi kun uchun dolzarb masalalarga amaliy tavsiyalar va takliflar bayon etilgan.
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RAJEPBAEV, Batir Bekimbetovich. "DARSDA MUSIQIY-BADIIY DIDNI SHAKLLANTIRISHNING PEDAGOGIK MEZONLARI." МАДАНИЯТ ВА САНЪАТ ЖУРНАЛИ 3, no. 3 (2023): 86–90. https://doi.org/10.5281/zenodo.7953428.

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Mazkur maqolada musiqiy maktablarda pedogoglarning musiqiy didni shakllantirish mezonlari ko‘rsatib o‘tiladi. Asosan musiqiy didni shakllanishi tarixdan bizga qadar qay yosinda qay darajada yetib kelganligi, hozirgi kunda uning rivojlanib o‘zida mujassam etgan mezonlari haqida so‘z boradi.
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Tojiboyev, Elmurod. "Milliy va mumtoz musiqaning barkamol avlod kamolotidagi o’rni va ahamiyati." Общество и инновации 2, no. 5/S (2021): 522–27. http://dx.doi.org/10.47689/2181-1415-vol2-iss5/s-pp522-527.

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Ushbu maqolada Respublikamizda ta’sis etilgan davlat ta’lim standartlarida nazarda tutilgan yangi ta’lim mazmunining o`quvchilarning musiqiy bilim va malakalarini o`stirish bilan birga ularda kuzatuvchanlik, ijodiy fikrlash, tashabbuskorlik, badiiy va musiqiy did kabi individual xislatlarni rivojlantirishdagi ahamiyati haqida so’z yuritilgan. Yosh avlodni kelajagi ko’p jihatdan o’qituvchiga uning salohiyatiga, kasbiy tayyorgarligiga, o’quvchilarni o’qitish va tarbiyalashga bog’liq bo’lib, kelajak avlodga bu musiqiy madaniy merosni qanday olgan bo’lsak shunday yetkazishdir.
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Tojiboyeva, Sharofat Ergashovna. "PEDAGOGICAL TENDENCIES OF MUSICAL CULTURE FORMATION IN YOUTH." JOURNAL OF SCIENCE-INNOVATIVE RESEARCH IN UZBEKISTAN 2, no. 3 (2024): 234–37. https://doi.org/10.5281/zenodo.10840505.

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Аrаbov, Ilyos. "YOSH AVLODNI TARBIYALASHDA OʻZBEK MILLIY MUMTOZ MUSIQASINING AHAMIYATI." Journal of Science-Innovative Research in Uzbekistan 2, № 12 (2024): 198–202. https://doi.org/10.5281/zenodo.14423557.

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“Yosh avlodni tarbiyalashda o‘zbek milliy mumtoz musiqasining ahamiyati” mavzusidagi maqolada milliy musiqa san’atining tarbiya jarayonidagi o‘rni va ahamiyati chuqur tahlil qilinadi. Maqolada o‘zbek mumtoz musiqasining boy merosi, uning tarixiy, madaniy va estetik qadriyatlari yosh avlodga axloqiy va estetik tarbiya berishda qanday rol o‘ynashi ko‘rsatilgan. Mumtoz musiqa orqali bolalar va yoshlar milliy madaniyatga, an’analarga hurmat, ona vatan va xalq tarixi bilan bog‘liq chuqur his-tuyg‘ularni rivojlantiradi. Maqolada, shun
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TOSHTEMIROV, Qobuljon Qubbijonovich. "TALABALARGA MUSIQIY TA'LIM-TARBIYA BERISHDA MUMTOZ ASHULACHILIK SAN'ATINING AHAMIYATI." МАДАНИЯТ ВА САНЪАТ ЖУРНАЛИ 2, no. 2 (2023): 77–81. https://doi.org/10.5281/zenodo.7844766.

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Ushbu maqolada talabalarga  musiqiy ta’lim – tarbiya berishda mumtoz ashulachilik san’atining ahamiyati, uning ilmiy mazmuni va o‘rni, mohiyati yoritilgan. Talabalarga  musiqiy ta’lim – tarbiya berishda mumtoz ashulachilik san’atining kasbiy mahoratini takomillashtirish bo‘yicha zamon talabiga javob beradigan, har tomonlama keng bilim doirasiga ega bo‘lgan, mustaqil fikr yuritadigan yuqori malakali ijrochi va o‘qituvchi – mutaxassislar tayyorlash bugungi kunning dolzarb masalalaridan biridir. Mumtoz ashulalarning g&lsq
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RAJEPBAEV, Batir Bekimbetovich. "QORAQALPOG'ISTONDAGI MUSIQA VA SAN'AT MAKTABLARINING SHAKLLANISHI." МАДАНИЯТ ВА САНЪАТ ЖУРНАЛИ 3, no. 3 (2023): 91–95. https://doi.org/10.5281/zenodo.7953491.

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Bu maqolada Qoraqalpog‘istondagi musiqa va san’at maktablarining rivojlanishi Respublikamizdagi yaratilayotgan imkoniyatlar haqida so‘z boradi. Maktablardagi islohatlar yo‘nalishlarning maqsadi va ularda ta’lim olayotgan o‘quvchi yoshlarning Respublikamizda tutgan o‘rni haqida so‘z boradi.
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Karimov, Mansur Muxammedovich. "INTRODUCING STUDENTS TO THE ART OF NATIONAL STATUS IN MUSIC CLASSES." МЕДИЦИНА, ПЕДАГОГИКА И ТЕХНОЛОГИЯ: ТЕОРИЯ И ПРАКТИКА 2, no. 3 (2024): 186–96. https://doi.org/10.5281/zenodo.10828531.

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maqolada   umumiy o‘rta ta’lim maktabi musiqa darslarida o‘quvchilarni maqom san’ati bilan tanishtirishning ahamiyati, o‘qituvchining mahorati, maqom san’ati namunalariga qiziqtirishning usul va vositalari haqida mulohazalar yuritiladi.
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Mustafoyev, Baxtiyor Ibragimovich. ""BUKHARA FRESHMAN" IS A NATIONAL EDUCATIONAL INSTRUMENT." МЕДИЦИНА, ПЕДАГОГИКА И ТЕХНОЛОГИЯ: ТЕОРИЯ И ПРАКТИКА 2, no. 2 (2024): 208–16. https://doi.org/10.5281/zenodo.10658566.

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Mustaqillik yillarida  o‘zbek milliy maqom san’atining noyob namunalarini keng targ‘ib etish, uni asrab avaylash va rivojlantirish, yosh avlod qalbida milliy mumtoz san’atimizga  hurmat va e’tibor tuyg‘ularini kamol toptirishda O‘zbekiston Respublikasi Prezidentining 2017-yil 17-noyabrdagi “O‘zbek milliy maqom san’atini yanada rivojlantirish chora tadbirlari to‘g‘risida” gi PQ-3391-sonli  Qarorda “Xalqimiz, xususan  yosh avlodni maqom san’ati bilan keng tanishtirish orqali ularda milli
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Dissertations / Theses on the topic "Musiqiy did"

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Basilico, Brenda. "Musique, mathématiques et philosophie dans l'oeuvre de Marin Mersenne." Thesis, Lille 3, 2017. http://www.theses.fr/2017LIL30038/document.

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Cette thèse doctorale prétend contribuer, premièrement, à soumettre à discussioncette interprétation dominante de la pensée philosophique et scientifique du PèreMinime Marin Mersenne (1588-1648), étant portée et structurée par la question duscepticisme, et deuxièmement, à mettre en avant la manière dont cette philosophieincarne l’esprit de la révolution scientifique du XVIIe siècle par sa capacité de se mettreen question dans sa recherche insatiable de la vérité; une recherche accompagnée d’unsouci de conservation de l’ordre politique et religieux. L’hypothèse principale de notretravail consis
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Benhaïm, Sarah. "Aux marges du bruit. Une étude de la musique noise et du Do it Yourself." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH140/document.

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Objet d’un intérêt tardif dans la recherche universitaire, la musique noise représente pourtant une forme d’art emblématique de l’underground sonore. Elle porte et cristallise une approche radicale en faisant du bruit sa matière, en se jouant de la forme et du développement, en hybridant ses territoires stylistiques. Les pratiques de jeu ne signent plus la suprématie de l’instrument ni de la composition, mais se placent sous le régime d’une expérimentation ludique et bricoleuse. On n’évalue plus la qualité musicale selon le niveau de compétence technique de l’artiste, tandis que les modalités
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Greve, Martin. "Die Europäisierung orientalischer Kunstmusik in der Türkei /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1995. http://catalogue.bnf.fr/ark:/12148/cb36958409x.

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Baecker, Carlernst J. "Die Poetik des lyrischen Klavierstücks um 1900 /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1991. http://catalogue.bnf.fr/ark:/12148/cb35350551w.

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Morales-Cañadas, Esther. "Die Verzierungen der spanischen Musik im 17. und 18. Jahrhundert /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1998. http://catalogue.bnf.fr/ark:/12148/cb36970049j.

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Brzoska, Matthias. "Die Idee des Gesamtkunstwerks in der Musiknovellistik der Julimonarchie /." Laaber : Laaber-Verlag, 1995. http://catalogue.bnf.fr/ark:/12148/cb366856869.

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Pelker, Bärbel. "Die deutsche Konzertouvertüre (1825-1865) : Werkkatalog und Rezeptionsdokumente /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1993. http://catalogue.bnf.fr/ark:/12148/cb356026665.

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Houben, Eva-Maria. "Die Aufhebung der Zeit : zur Utopie unbegrenzter Gegenwart in der Musik des 20. Jahrhunderts /." Stuttgart : F. Steiner, 1992. http://catalogue.bnf.fr/ark:/12148/cb36955894c.

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Beer, Axel. "Die Annahme des "stile nuovo" in der katholischen Kirchenmusik Süddeutschlands /." Tutzing : H. Schneider, 1989. http://catalogue.bnf.fr/ark:/12148/cb369545720.

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Ullrich, Almut. "Die "Literaturoper" von 1970-1990 : Texte und Tendenzen /." Wilhelmshaven : F. Noetzel : Heinrichshofen Bücher, 1991. http://catalogue.bnf.fr/ark:/12148/cb354704636.

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Books on the topic "Musiqiy did"

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Gallusser, Lion. Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9.

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Vetter, Michael. Musik: Texte und Bilder zur Einführing in die Kunst sich in Nichts zu verlieben. Verlag Via Nova, 1995.

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Ludwig, Finscher, ed. Die Musik in Geschichte und Gegenwart. 2nd ed. Bärenreiter, 1999.

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March, Ivan. The Penguin guide to compact discs and DVDs: Yearbook. 2nd ed. Penguin, 2006.

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March, Ivan. The Penguin guide to compact discs and DVDs. 2nd ed. Penguin Books, 2005.

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Paolo, Cattelan, ed. Viaggio musicale. Marsilio, 2008.

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March, Ivan. The Penguin guide to compact discs and DVDs. 2nd ed. Edited by Greenfield Edward, Layton Robert, and Czajkowski Paul. Penguin, 2005.

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Dragonetti, Roger. La musique et les lettres: E tudes de litte rature me die vale. Droz, 1986.

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Amazigh, Koceil. Deux grands maîtres de la musique classique dans la tourmente coloniale: Cheikh Mohammed Dib et cheikh Ghouti Dib. Amis du vieux Tlemcen, 1985.

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Badura-Skoda, Paul. Bach-Interpretation: Die Klavierwerke Johann Sebastian Bachs. Laaber-Verlag, 1990.

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Book chapters on the topic "Musiqiy did"

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Gallusser, Lion. "Die Tragédie en musique im offenen Kontext." In Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9_16.

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Dobelli, Rolf. "Framing: C'est le ton qui fait la musique." In Die Kunst des Klaren Denkens. Carl Hanser Verlag GmbH & Co. KG, 2011. http://dx.doi.org/10.3139/9783446430402.043.

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Zedler, Andrea, Lena van der Hoven, and Kordula Knaus. "3 »[T]oute l'Europe a récours à sa musique«." In Die Opera buffa in Europa. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467039-003.

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Gallusser, Lion. "Festsetzen der neuen Kontexte und Vorzeichen für die Tragédie en musique." In Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9_10.

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Gallusser, Lion. "Verstärkter Einfluss der jungen Milieus um den Dauphin und Philippe II d’Orléans." In Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9_7.

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Gallusser, Lion. "Zwischen Galanterie und Tragik: Ausprägungen der Tragédie en musique um 1700." In Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9_8.

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Gallusser, Lion. "Neuausrichtungen." In Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9_4.

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Gallusser, Lion. "Konsolidierungen." In Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9_5.

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Gallusser, Lion. "Dynamisches Potenzial der Gattung in Lullys Nachfolge: Präfiguration einer neuen Tragédie en musique in »Achille et Polyxène« (1687)." In Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9_2.

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Gallusser, Lion. "Alternativen zur Tragédie dramatique." In Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9_12.

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Conference papers on the topic "Musiqiy did"

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Kerr, Vicki. "Interpretar a Natureza de forma não natural: A música concreta e a performance do conhecimento – uma ave marinha de cada vez." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.129.g229.

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As aves marinhas migratórias são um canal invisível entre os sistemas marinho e terrestre, transportando os nutrientes que consomem no mar para as florestas onde se reproduzem. Atuando como sentinelas ambientais, seu sucesso reprodutivo e de saúde fornecem sinais de alerta precoce de deterioração dos ecossistemas marinhos, à medida que o clima muda e os estoques de peixes diminuem. Aotearoa é a capital mundial das aves marinhas, com cerca de 25% de todas as espécies se reproduzindo aqui e cerca de 10% exclusivamente. Elas desempenham um papel crítico na manutenção de ecossistemas saudáveis, in
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