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1

Gallusser, Lion. Die Tragédie en musique zwischen Lully und Rameau. Bärenreiter-Verlag, 2023. http://dx.doi.org/10.1007/978-3-7618-7252-9.

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2

Vetter, Michael. Musik: Texte und Bilder zur Einführing in die Kunst sich in Nichts zu verlieben. Verlag Via Nova, 1995.

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3

Ludwig, Finscher, ed. Die Musik in Geschichte und Gegenwart. 2nd ed. Bärenreiter, 1999.

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4

March, Ivan. The Penguin guide to compact discs and DVDs: Yearbook. 2nd ed. Penguin, 2006.

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5

March, Ivan. The Penguin guide to compact discs and DVDs. 2nd ed. Penguin Books, 2005.

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6

Paolo, Cattelan, ed. Viaggio musicale. Marsilio, 2008.

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7

March, Ivan. The Penguin guide to compact discs and DVDs. 2nd ed. Edited by Greenfield Edward, Layton Robert, and Czajkowski Paul. Penguin, 2005.

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8

Dragonetti, Roger. La musique et les lettres: E tudes de litte rature me die vale. Droz, 1986.

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9

Amazigh, Koceil. Deux grands maîtres de la musique classique dans la tourmente coloniale: Cheikh Mohammed Dib et cheikh Ghouti Dib. Amis du vieux Tlemcen, 1985.

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10

Badura-Skoda, Paul. Bach-Interpretation: Die Klavierwerke Johann Sebastian Bachs. Laaber-Verlag, 1990.

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11

1820-1900, Grove George Sir, and Sadie Stanley, eds. The New Grove dictionary of music and musicians. Macmillan Publishers, 1995.

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12

Gaar, Gillian G. Rebellinnen: Die Geschichte der Frauen in der Rockmusik. Argument, 1994.

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13

Torino, Biblioteca nazionale di, ed. Poésie et musique: À l'âge de l'ars subtilior : autour du manuscrit Torino BNU, J.II.9. Brepols, 2021.

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14

Peter, Wollny, ed. Die Bach-Quellen der Bibliotheken in Brüssel: Katalog, mit einer Darstellung von Überlieferungsgeschichte und Bedeutung der Sammlungen Westphal, Fétis und Wagener. Olms, 1997.

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15

Fermor, Gotthard. Ekstasis: Das religiöse Erbe in der Popmusik als Herausforderung an die Kirche. Kohlhammer, 1999.

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16

Michelle, Biget-Mainfroy, Schmusch Rainer, and Schneider Herbert 1941-, eds. "L' esprit francais" und die Musik Europas: Enstehung, Einfluss und Grenzen einer ästhetischen Doktrin ; Festschrift für Herbert Schneider = "L'esprit francais" et la musique en Europe : émergence, influence et limites d'une doctrine esthétique. Olms, 2007.

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17

Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig and Albert-Lortzing-Gesellschaft, eds. Lortzing und Leipzig: Musikleben zwischen Öffentlichkeit, Bürgerlichkeit und Privatheit : Bericht über die Internationale Tagung an der Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (im Rahmen des vierten Mitgliedertreffens der Albert-Lortzing-Gesellschaft) vom 25. bis 28. Juni 2009. Georg Olms Verlag, 2014.

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18

Klinkert, Thomas. Das Fremde im Eigenen. Erich Schmidt Verlag GmbH & Co. KG, 2011. http://dx.doi.org/10.37307/b.978-3-503-12285-1.

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Übersetzung wird im vorliegenden Band verstanden als grundlegende Technik der Aneignung des Fremden. Im Zentrum steht dabei die Übertragung literarischer Texte von einer Sprache in eine andere. Das damit verbundene Spannungsverhältnis zwischen Fremdem und Eigenem wird an verschiedenen Fallbeispielen aus mehreren Literaturen untersucht, wobei der kreativen Aneignung besondere Aufmerksamkeit geschenkt wird. Darüber hinaus werden Probleme des Kulturtransfers betrachtet ebenso wie die linguistische Transkription mündlicher Rede, die Übersetzung als poetologisches Prinzip am Beispiel der Gruppe Oul
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19

... dass die Fuge keine Fuge mehr ist: Beethovens poetischer Kontrapunkt. ET+K, Edition Text + Kritik, 2019.

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20

Die Künste des Kinos. FISCHER, S., 2013.

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21

March, Ivan, Edward Greenfield, and Robert Layton. The Penguin Guide to Compact Discs and DVDs Yearbook 2004/5 (Penguin Guide to Compact Discs and Dvds Yearbook). Penguin (Non-Classics), 2004.

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22

March, Ivan, Edward Greenfield, and Robert Layton. The Penguin Guide to Compact Discs and DVDs 2005/06 Edition: The Key Classical Recordings on CD, DVD and SACD, 30th Anniversary Edition (Penguin Guide to Compact Discs and Dvds). Penguin (Non-Classics), 2006.

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23

Greenfield, Edward, and Robert Layton. The Penguin Guide to Compact Discs and DVDs Yearbook 2006/07 Edition (Penguin Guide to Compact Discs and Dvds Yearbook). Penguin (Non-Classics), 2006.

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24

Eine Reise in den anderen Westen: Die Musik der Seidenstrasse und China. Iudicium, 2014.

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25

Damaged Goods: 150 Einträge in die Punkgeschichte. 2nd ed. Ventil, 2016.

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26

Sadie, Stanle, and Grove George. The New Grove Dictionary of Music and Musicians (20 Volume Set. Oxford University Press, USA, 2000.

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27

Elite Art Worlds: Philanthropy, Latin Americanism, and Avant-Garde Music. Oxford University Press, Incorporated, 2020.

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28

Marek, Dan H. Alto. The Rowman & Littlefield Publishing Group, 2016. https://doi.org/10.5040/9798881809898.

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Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Hande
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29

Condat, Jean-Bernard. Nombre D'or Et Musique: Goldener Schnitt Und Musik/Golden Section and Music (Quellen Und Studien Zur Musikgeschichte Von Der Antike Bis in Die Gegenwart, Band 19). Peter Lang Pub Inc, 1988.

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30

Die Anfänge einer Bach-Gesamtausgabe: Editionen der Klavierwerke durch Hoffmeister und Kühnel (Bureau de Musique) und C.F. Peters in Leipzig 1801-1865 : ein Beitrag zur Wirkungsgeschichte J.S. Bachs. G. Olms, 2004.

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31

Spooner, James. High Desert: Black. Punk. Nowhere. Houghton Mifflin Harcourt Publishing Company, 2022.

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32

High Desert: Black. Punk. Nowhere. Houghton Mifflin Harcourt Publishing Company, 2022.

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33

High Desert: Black. Punk. Nowhere. HarperCollins Publishers, 2024.

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34

Silk, M. S., and J. P. Stern. Nietzsche on Tragedy. Cambridge University Press, 2016.

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35

Silk, M. S., and J. P. Stern. Nietzsche on Tragedy. Cambridge University Press, 2016.

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36

Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così Fan Tutte. Taylor & Francis Group, 2016.

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37

Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così Fan Tutte. Taylor & Francis Group, 2016.

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38

Charles, Ford. Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così Fan Tutte. Taylor & Francis Group, 2016.

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39

Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte. Ashgate, 2012.

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40

Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così Fan Tutte. Taylor & Francis Group, 2016.

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41

Hofkultur um 1600: Die Hofmusik Herzog Friedrichs I. von Württemberg und ihr kulturelles Umfeld : Beiträge zur wissenschaftlichen Tagung am 23. und 24. Oktober 2008 iim Hauptstaatsarchiv Stuttgart = Culture de cour vers 1600 : la musique à la cour du duc Frédéric Ier de Würtemberg et son contexte culturel. Jan Thorbecke Verlag, 2010.

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