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Relevant bibliographies by topics / Muslim Modernist Discourse

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Academic literature on the topic 'Muslim Modernist Discourse'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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Journal articles on the topic "Muslim Modernist Discourse"

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Tikhonova, N., and O. Sokolov. "Divine Punishment, “the Last Jihad” or the Origin of Protestantism: the Crusades in the Written Legacy of Arab and Tatar Muslim reformers (19th — Early 20th Centuries)." Manuscripta Orientalia. International Journal for Oriental Manuscript Research 27, no. 2 (2021): 45–52. http://dx.doi.org/10.31250/1238-5018-2021-27-2-45-52.

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This case study is a first ever attempt to compare the perceptions of the Crusades that emerged in Arab and Tatar Muslim modernist narratives of the late 19th — early 20th centuries through the discourse analysis of their written legacy. The comparison itself is of particular interest to understand the emergence of early Muslim modernist discourse, influential enough to set the tone for the various ideological concepts among modern Muslims. It is argued in this paper that Arab and Tatar Muslim reformers expressed significant differences in their interpretations of the Crusades period, despite

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Bessmertnaya, Olga. "Только ли маргиналии? Три эпизода с «мусульманским русским языком» в поздней Российской империи". Islamology 7, № 1 (2017): 139. http://dx.doi.org/10.24848/islmlg.07.1.08.

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The paper discusses 3 cases of the Russian Empire Muslims’ (Tatars) using the Russian language to speak about themselves and Islam. The cultural processes underlying ‘Muslim Russian’ turning into a discoursal practice, its aims and expanding functions are analyzed, as well as its links with ‘mass Orientalism’ in the Russian imperial space and the speakers’ quest of the ways to speak about Islam in Russian. The role of choosing Russian in forming the actors’ identity as expert representatives of the imagined Russian Muslim community, while they acted as colonial intermediaries and/or political

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Mazher, Hussain Muhammad Anwar Farooq Muhammad Yaseen Muhammad Husnain Sadia Saleem Ammara Rehman. "Rise of Muslim Modernist Discourse in the Nineteenth Century India: A Thematic." Multicultural Education 8, no. 1 (2022): 211. https://doi.org/10.5281/zenodo.5914905.

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<em>Post-1857 milieu produced a number of Muslim scholars and thinkers in South Asia whose contributions in the domain of modernist and reformist thought have been acclaimed and applauded worldwide. They developed and disseminated their own Islamic reformist and modernist discourse. Their ideologue and methodology gave social reformists impetus and advancement throughout the Islamic world. These scholars although held variant views but their results were amazingly the same in the arena of social reformation which was extensively studied and became the basis of two extremes i.e., the Orthodox M

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Wahyudi, Muhammad. "From Mosques to Cafes: Muslim Youth and Mawlid Celebration in Yogyakarta." Islamic Studies Review 2, no. 2 (2023): 251–74. http://dx.doi.org/10.56529/isr.v2i2.183.

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Abstract The celebration of Mawlid has sparked ongoing discussions among traditionalist and modernist Muslims. Traditionalists perceive Mawlid as a cherished tradition symbolizing joy and love for Prophet Muhammad, passed down through generations. Conversely, modernists often deem it heretical, indicating a societal decline. Within this discourse, an unconventional Mawlid phenomenon has emerged—celebrations hosted in cafes in Yogyakarta, primarily attended by Muslim youth, in contrast to the traditional mosque gatherings of older generations. The Cafe-based Mawlid celebration is characte

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Rohmana, Jajang A. "Ideologisasi Tafsir Lokal Berbahasa Sunda: Kepentingan Islam-Modernis dalam Tafsir Nurul-Bajan dan Ayat Suci Lenyepaneun." JOURNAL OF QUR'AN AND HADITH STUDIES 2, no. 1 (2013): 125–54. http://dx.doi.org/10.15408/quhas.v2i1.1311.

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This article studies the ideological motive of modernist Islam in the indegenous tafsir using local Sundanese language: Nurul-Bajan of Muhammad Romli and Ayat Suci Lenyepaneun of Moh. E. Hasim. Using critical discourse analysis approach, the author shows how the modernist ideology of Islam took place and influenced the interpretation of religious texts (tafsi@r), such as the Sundanese tafsir. This ideological tendency can be understood not only as the life background of the author as a local activist modernist Muslim, but also influenced by the historical situation in the 1970s and 1990s, when

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Efremova, N. V. "The Falsafa Prophetology in Modernist Discourse." Islam in the modern world 19, no. 2 (2023): 79–98. http://dx.doi.org/10.22311/2074-1529-2023-19-2-79-98.

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The article shows how the concept of «natural prophecy», which developed within the framework of Falsafa (the Hellenizing philosophy of classical Islam) and traditionally qualifi ed as heterodox, was revived in the works of Muslim modernists of the 19th-20th centuries (especially Jamalad-din al-Afghani, Muhammad Abdo and their followers), who focused on the reconstruction of theological discourse in the spirit of openness to religious and confessional diversity, scientifi c rationality and socio-cultural progress. In reformist theology were accumulated both rational substantiations of propheti

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Firdaus, Muhammad Anang, Muhammad Syihabuddin, and Zein Fuady. "ISLAM AND ARTIFICIAL INTELLIGENCE: Perspectives from Traditionalist and Modernist Muslim Communities in Indonesia." MIQOT: Jurnal Ilmu-ilmu Keislaman 49, no. 1 (2025): 141. https://doi.org/10.30821/miqot.v49i1.1333.

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<p>This study explores how traditionalist and modernist Muslim communities in Indonesia respond to the ethical, religious, and social implications of Artificial Intelligence (AI). Using a qualitative analysis of fatwas, religious texts, and scholarly discourse, the research identifies distinct approaches: traditionalists prioritize doctrinal continuity and exhibit caution, while modernists adopt more adaptive interpretations that seek to align AI with Islamic ethical principles. Despite methodological differences, both groups express shared concerns regarding AI’s influence on human agen

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Masud, Muhammad Khalid. "Rethinking sharī'a: Javēd Ahmad Ghāmidī on hudūd." Die Welt des Islams 47, no. 3 (2007): 356–75. http://dx.doi.org/10.1163/157006007783237455.

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AbstractModern Muslim thought is usually studied in terms of a dichotomy between modernity and tradition; the former as Western impact, the latter as Muslim societies supposedly petrified in the past. These studies, however, have failed to appreciate the dynamics of Muslim intellectual movements. The west-centrism tends to overlook the local contexts. This paper is a study of a contemporary thought movement in Pakistan led by Javēd Ahmad Ghāmidī. In some ways this movement resembles the Wasatiyya of Egypt, especially in rethinking the application of sharīa in a modern state and the necessity o

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Amzi-Erdogdular, Leyla. "Alternative Muslim Modernities: Bosnian Intellectuals in the Ottoman and Habsburg Empires." Comparative Studies in Society and History 59, no. 4 (2017): 912–43. http://dx.doi.org/10.1017/s0010417517000329.

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AbstractThe Habsburg takeover of Ottoman Bosnia Herzegovina (1878–1918) is conventionally considered the entry of this province into the European realm and the onset of its modernization. Treating the transition from one empire to another not as a radical break, but as in many respects continuity, reveals that the imperial context provided for the existence of overlapping affiliations that shaped the means by which modernity was mediated and embodied in the local experience. Drawing on Bosnian and Ottoman sources, this article analyzes Bosnian intellectuals’ conceptions of their particular Mus

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Halim, Wahyuddin. "PERAN PESANTREN DALAM WACANA DAN PEMBERDAYAAN MASYARAKAT MADANI." AKADEMIKA: Jurnal Pemikiran Islam 22, no. 2 (2017): 191. http://dx.doi.org/10.32332/akademika.v22i2.976.

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Abstrak  Di Indonesia, wacana tentang civil society atau masyarakat sipil bermula pada sekitar akhir dekade 1990-an. Hal itu merupakan respons terhadap wacana yang sama yang juga sedang hangat diperbincangkan secara global sejak sekitar pertengahan dekade yang sama. Namun demikian, di Indonesia pada awalnya wacana bahkan perdebatan tentang civil society terbatas pada kalangan intelektual, akademisi kampus dan aktivis lembaga swadaya masyarakat. Dalam berbagai diskursus akademik dan non-akademik tentang civil society, isu pertama berkaitan dengan padanan atau terjemahan mana yang te

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Dissertations / Theses on the topic "Muslim Modernist Discourse"

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Turner, Matthew. "T.S. Eliot, mass culture, and the music hall : a study of urban ritual and modernist discourse." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285370.

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Rodrigues, Dias de Camargo Joandre. "Analyse du discours musical d’Antônio Carlos Jobim : les spécificités d’une modernité." Thesis, Toulouse 2, 2012. http://www.theses.fr/2012TOU20129/document.

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Notre sujet de recherche est le compositeur brésilien Antônio Carlos Jobim. Il est né à Rio de Janeiro dans les années 1920, époque de grandes transformations socioculturelles au Brésil, mais aussi en Europe. Il est un compositeur issu de la musique populaire brésilienne, qui sera l’un de principaux acteurs responsables de transformations de cette musique. Son essence est sa caractéristique savante/populaire qui s’illustre symboliquement dans le concept de « l’anthropophagie ». Notre problématique est liée à la «modernité » dont fait partie Jobim, et à ses effets sur la musique populaire. C’es

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Abowd, Mary R. "Atavism and Modernity in Time's Portrayal of the Arab World, 2001-2011." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1374671433.

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Aydogdu, Zeynep. "Modernity, Multiculturalism, and Racialization in Transnational America: Autobiography and Fiction by Immigrant Muslim Women Before and After 9/11." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1557191593344128.

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Books on the topic "Muslim Modernist Discourse"

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Prevost, Roxane, and Kimberly Francis. Teaching Silence in the Twenty-First Century. Edited by Patricia Hall. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.26.

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This article examines the prejudices that women continue to experience in the field of composition in the twenty-first century. More specifically, it analyzes the host of factors that may be responsible for this reality from three perspectives: the notion that the language of modernist music is a gendered discourse, the role of precedent in the acceptance of women composers, and the role of societal stereotypes. The article looks at Catherine Parson Smith’s contention that the use of sexual linguistics has been detrimental to women artists during the modernist era; the various contexts that ga

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Słodkowski, Piotr. Polish Modernism and Jewish Identity. Bloomsbury Publishing Plc, 2024. https://doi.org/10.5040/9781350292536.

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Modernist painter, socialist realist, Holocaust survivor, and student of the Parisian Avant Garde, Jewish-Polish artist Henryk Streng was extraordinary for his aesthetic innovation during the two major traumas of 20th-century European history, the Holocaust and Stalinism.Yet his legacy in the development of European modernism is rarely acknowledged. In this book, inspired by the 2021 exhibition at the Museum of Modern Art in Warsaw, Piotr Slodkowski demonstrates that the work of Streng disrupts established notions of 20th-century Polish art, connecting local Polish art history with wider 20th-

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Cannady, Kimberly. Echoes of the Colonial Past in Discourse on North Atlantic Popular Music. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.11.

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This chapter brings a postcolonial perspective into the study of popular music in Iceland and the North Atlantic. The argument is that the fascination with Icelandic culture and nature, in which popular music plays a key role, evolves from a sense of “discovery” in the 1980s in Anglophone media that echoes a longer colonial history. The fascination with the present is grounded in the familiar myth of an isolated culture and nature untouched by modernity. Iceland’s authenticity is thus inseparable from the country’s mythical status as a deep freeze for Old Norse heritage and its location at the

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Spannaus, Nathan. Preserving Islamic Tradition. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190251789.001.0001.

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Abu Nasr Qursawi (1776–1812) was a major figure in the history of the Muslim communities of the Russian Empire. An important religious scholar, he wrote works calling for the reform of the Islamic scholarly tradition that shaped the religious discourse of these communities into the 20th century. Qursawi focused on the construction of Islamic scholarship in the postclassical period (14th–19th centuries), criticizing scholars’ overreliance on taqlid, which had led them to hold incorrect theological views and prevented them from engaging with scripture in legal interpretation (through ijtihad). H

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Takim, Liyakat. Shi'ism Revisited. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197606575.001.0001.

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Contemporary Muslims face the challenge of how a legal system that was formulated in the classical period of Islam can respond to the multitudinous challenges that present-day Muslims encounter. Is there a need for reformation in Islam? If so, where should it begin and in which direction should it proceed? Addressing this gap in Western scholarship, and contributing to the ongoing debate in Islamic scholarship, Shi‘ism Revisited: Ijtihad and Reformation in Contemporary Times (1) explores how modernity has impinged on the classical formulation of Islamic law, and (2) analyzes how Shi‘i jurists

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Thompson, Todd. Norman Anderson and the Christian Mission to Modernize Islam. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190697624.001.0001.

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Western Christians in the twentieth century viewed Islam through a lens of social and political concerns that would have appeared novel to their medieval and early-modern predecessors. Concerns about the predicament of secular 'modernity' infused Christian discourse with distinct assumptions that shaped engagement with Islam in fundamentally new ways. J. N. D. (Norman) Anderson (1908-94), a highly influential British Christian scholar of Islam, embodied this new orientation in his commitment to 'modernize' Islam. Anderson's engagement with Islam as a missionary, intelligence agent, scholar of

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Nash, Geoffrey. Religion, Orientalism and Modernity. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474451680.001.0001.

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Falling within the disciplines of postcolonial religious and literary studies this book examines the colonial dimensions behind the development of three modern mahdi movements: the Babis and Baha’is of Iran and the Ahmadiyya from South Asia. The book attempts to evaluate western interest in these religious movements according to key thematic paradigms: Orientalism, race, and the politics of empire. It questions whether movements with mahdi claims and reform agendas emerging in the Islamicate world in the period in question adopted the Orientalist discourse of the coloniser, and if so, why? The

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Figueroa, Michael A. City of Song. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197546475.001.0001.

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It seems obvious that modern Jerusalem, a city that is central to Jewish, Muslim, and Christian religious imaginaries and the political epicenter of the Israeli-Palestinian crisis, is a highly contested space. More surprising, perhaps, is that its musical landscape not only reflects these rifts but also helped to define them as the ancient city transitioned to modernity during the twentieth century. City of Song: Music and the Making of Modern Jerusalem argues that musical renderings of Jerusalem have been critical to the formation of Israeli political consciousness. The book demonstrates how

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Begbie, Jeremy, Daniel K. L. Chua, and Markus Rathey, eds. Theology, Music, and Modernity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846550.001.0001.

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This book addresses the question: how can the study of music contribute to the theological reading of modernity? It seeks to demonstrate that the making and hearing of music, and the discourses surrounding music, can bear their own particular kind of witness to the theological dynamics that have characterized and shaped modernity, and especially with respect to modernity’s ambivalent relation to the God of the Christian faith. Music can provide a distinctive ‘theological performance’ of some of modernity’s most characteristic impulses and orientations. The guiding theme of the book is freedom:

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Hillewaert, Sarah. Morality at the Margins. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286515.001.0001.

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This book considers the day-to-day lives of young Muslims on the island of Lamu (Kenya) who live simultaneously “on the edge and in the center”: they are situated at the edge of the (inter)national economy and at the margins of Western notions of modernity; yet they are concurrently the focus of (inter)national campaigns against Islamic radicalization and are at the heart of Western (touristic) imaginations of the untouched and secluded. What does it mean to be young, modern, and Muslim in this context? And how are these denominators differently imagined and enacted in daily encounters? Docume

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Book chapters on the topic "Muslim Modernist Discourse"

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Hunzai, Nazim Aman, and Karim Aman. "Rethinking Islamic Education in Muslim Modernist Discourse." In The Routledge International Handbook of Life and Values Education in Asia. Routledge, 2024. http://dx.doi.org/10.4324/9781003352471-12.

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Onur, Petek. "Introduction: Studying Muslim Women in Ethnographic Discourse—A Background." In Modernity, Memory and Identity in South-East Europe. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-50875-2_1.

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Valiquet, Patrick. "Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_5.

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AbstractThis chapter uses the discourse of musicological lateness as an index of the changing capacity of contemporary music production in European universities to function as a source of institutional critique, and then stakes out a dissenting perspective on the political economy of music research today to show how historiographical and epistemological feelings have changed since musicology began to lag. Critique is framed in a ‘non-modern’ perspective emphasising the actions of institutions and governments as machines drifting closer or farther from states of equilibrium, rather than a moder

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Mirkova, Anna M. "The Past, Present, and Future of the Muslim Millet: Discourses of Modernity and Identity in Interwar Bulgaria, 1923–39." In 'Regimes of Historicity' in Southeastern and Northern Europe, 1890-1945. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137362476_15.

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Jung, Dietrich. "Making Modernity Islamic: The Quest for Religious, Political, and Social Reform." In Islamic Modernities in World Society. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474492638.003.0005.

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In which ways should Muslims address the challenges of modernity in the historical context of imperialism? In the second part of the nineteenth century, the Islamic reform movement answered this question in advocating projects of comprehensive reforms by going back to the pristine traditions of early Islam. Interpreting Islamic traditions through modern concepts such as religion, law, culture, nation, and civilization, these modernist Muslim intellectuals lay the fundaments for a specifically Islamic discourse of modernity. They attached completely new meanings to classical Islamic concepts, l

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Bang, Anne K. "Prologue." In Zanzibari Muslim Moderns. Oxford University Press, 2024. https://doi.org/10.1093/oso/9780197797754.003.0002.

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Abstract This prologue discusses the so-called “Zanzibari questions” posed from Zanzibar to the Egyptian modernist journal al-Manar in 1904. In these questions, a Zanzibari reader questioned the statement by al-Manar’s editor Rashid Rida that the Quran does not have any healing properties in and of itself. This debate reflects a broader intellectual shift in early 20th-century Zanzibari Islamic discourse, as modernist thinkers sought to align Islam with scientific materialism, challenging traditional beliefs in supernatural forces. The discussion encapsulates the tension between modernist inte

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Kersten, Carool. "Bourgeois Islam and Muslims Without Mosques." In Islam after Liberalism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190851279.003.0009.

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Within the context of Indonesia’s encounters with liberalism in late colonial and postcolonial times, this chapter examines Muslim discourses that are critical of both Western liberal ideology and its Islamist detractors. After problematizing the existing categories of Islamic neo-modernism, Liberal Islam, and Islamic liberalism, the chapter focuses on alternative discourses formulated by Muslim intellectuals from both traditionalist and modernist-reformist Islamic backgrounds during the Reformasi era when Indonesia transitioned from a military autocracy to a democratic system of governance. I

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Cheng, Anne Anlin. "Back to the Museum." In Second Skin, 2nd ed. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197748381.003.0010.

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Abstract The book started with Pablo Picasso in the museum; it ends with Josephine Baker in the museum. This short “coda” chapter tells the story of Josephine Baker responding to a question asked of her about modernism. Baker’s arched reply is seen here as a clever rejoinder to both Picasso and the European modernism that had sought to stereotype and appropriate her. It is yet another instance of how the colonial object can speak back against the “master” and reveals how the so-called object may have her own wayward life that cannot be contained by the modernist-primitivist discourse that soug

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Brodsky, Seth. "Repetition (3)." In From 1989, or European Music and the Modernist Unconscious. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520279360.003.0014.

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This chapter considers the question of what the “analytic modernist” would look like. We might begin to answer on a formal level, deriving the schema itself by turning the master's discourse two clockwise quarter turns. The schema is suggestive: the modernist, as a split subject, and modernity as its Real object always about to be, are transposed from the unconscious “into the open.” Modernity retains its status as a Real object, and also as the surplus precipitated by an aesthetic knowledge and know-how inscribed in the symbolic other. Hence, modernity remains the tychic left over constantly

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Jung, Dietrich. "Boundary Negotiations between Islam and Economics: Islamic Finance, Halal Markets, and the Muslim Entrepreneur." In Islamic Modernities in World Society. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474492638.003.0008.

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How did Caviar turn out to be halal? This question was posed by the author of a short article on a ruling by Ayatollah Khomeini that marked a decisive break with the Shiite tradition. Since the rise of Islamic modernism, Muslim intellectuals have been struggling with the structural imperatives of global capitalism. Does Islamic economics represent a morally grounded alternative to modern capitalism? This chapter will argue that it does not. It shows the various ways in which the Islamic discourse of modernity has been fused with elements of consumerism, capitalist entrepreneurship, and global

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Conference papers on the topic "Muslim Modernist Discourse"

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Schuller, Christoph. "Modernism – Postmodernism – Anti-Americanism? The Negative Reception of American Minimal Music in West Germany." In Ninth International Conference on Music and Minimalism. Institute of Musicology SASA, 2024. https://doi.org/10.46793/mininters.049s.

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This chapter aims to shed light on reasons for the highly ambivalent reception of American minimalism in West Germany. Starting with reactions to Michael Fahres’s European Minimal Music Project from 1982 on minimalism’s situation in Europe, this chapter elaborates on two reasons for the negative reception of American minimal music in West Germany: the debate of modernism versus postmodernism on the one hand, and European anti-American narratives on the other. A particularly vivid example of the connection between these two misunderstandings is the controversy between Clytus Gottwald and Steve

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Toguslu, Erkan. "GÜLEN’S THEORY OF ADAB AND ETHICAL VALUES OF GÜLEN MOVEMENT." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/rzxz8734.

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This paper seeks to explore and explain the prominent place of ‘adab’ (roughly, good man- ners) in the description and building of Muslim identity and personality, and the implications for Muslim individual and collective behaviour in contemporary societies. In particular, the paper examines the role of ethical values in the formation of character, through Fethullah Gülen’s discourses addressed to, and successful in inspiring, Muslim youth: the definition of moral character on the basis of religion provides the movement’s members with the ideal and a roadmap to the ideal of the ‘perfected huma

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Irrgang, Daniel. "Thought Exhibition. On critical zones, cosmograms, and the impossible outside." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-66-full-irrgang-thought-exhibition.

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The paper discusses the curatorial concept of “thought exhibition” coined by Bruno Latour and Peter Weibel and developed in collaboration with curators, artists, and researchers during four exhibitions at the ZKM Centre for Art and Media, Karlsruhe (Germany). Thought exhibitions transgress the distinctions between philosophy, art, and science by testing ideas in an art museum, a space of discourse, representation, and participation. They engage visitors in a spatio-aesthetic thought experiment by bringing them into a position where preconceptions derived from epistemes of European Modernity ar

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Fries-Briggs, Gabriel. "Device-Media-Architecture: Julia Child’s Kitchens." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.32.

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This paper traces a lineage of device-as-architecture through the mediatization of Julia Child’s kitchens. A historical survey of the changes to her kitchen and its relationship to interior design during the latter half of the 20th century suggest a reading of interior architecture not as a means to house new technology but rather as composed by technology and devices. Counter to Ryener Banham’s projection of a future where interior technologies give shape to an architectural exterior, Child’s kitchen reflects a growing trend in the second half of the 20th century in which tool-based clutter a

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Kulish, Yuliia. "The 1960s as a Landmark of Ukrainian Literary Emancipation (American and French Comparative Aspects)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8956.

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The term “global sixtieth” has persisted in historiography since the 2000s denoting the revolutionary movements united by common discontent with the political, socioeconomic, and cultural status quo. Although their national literary manifestations differed, they appear to be interconnected regarding the attempts to establish other political and aesthetical orders, hence counterculture. This comparative article explores the liberation effect of the counterculture of the 1960s manifested in Ukrainian literature contrasted to American and French. It is stated the former pursued double emancipatio

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Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.

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The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern time

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