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Dissertations / Theses on the topic 'Mussorgsky'

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Published: 4 June 2021

Last updated: 26 July 2025

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1

Lee, Chen-Tien. "Mussorgsky's Pictures at an exhibition : an analytical and performance study /." Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1187906733.

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2

Nagachevskaya, Svetlana. "Pictures at an Exhibition: a Reconciliation of Divergent Perceptions about Mussorgsky's Renowned Cycle." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/194168.

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This research is consecrated to Mussorgsky's famous cycle of character pieces, Pictures at an Exhibition. The author of this study examines, analyzes, and compares divergent perceptions about Mussorgsky's renowned cycle that have emerged among Mussorgsky scholars in Russia and abroad. Due to the fact that there is such an array of diverse viewpoints about Pictures at an Exhibition, some of which are conflicting or even contradictory, there is need to collect, expose, and discuss these findings. Therefore, the purpose of this study is to come to a better understanding of Mussorgsky's composi

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3

Di, Sabbatto Sérgio. "Três transcrições do "Quadro de uma Exposição" de Modest Mussorgsky: uma análise comparativa." Universidade Federal do Rio de Janeiro, 2002. http://hdl.handle.net/11422/2388.

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Submitted by Miguel R. Amorim Neto (miguel@sibi.ufrj.br) on 2017-07-10T21:32:43Z No. of bitstreams: 1 580844.pdf: 18693090 bytes, checksum: a53bd2e1125b0ef11f4c1be99490f445 (MD5)<br>Made available in DSpace on 2017-07-10T21:32:43Z (GMT). No. of bitstreams: 1 580844.pdf: 18693090 bytes, checksum: a53bd2e1125b0ef11f4c1be99490f445 (MD5) Previous issue date: 2002-08-28<br>Partindo da premissa de Samuel Adler, que compara a transcrição orquestral à tradução poética, o presente texto investiga três transcrições orquestrais da suíte para piano “Quadros de uma Exposição” de Modest Mussorgsky. As

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4

Quick, Matthew G. "Mussorgsky’s Pictures at an Exhibition:Identifying the Expressive Narrative through Comparisons with Vocal Literature." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1406819727.

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5

Reale, Diva Evelyn. "Um estudo sobre o conteúdo descritivo na interpretação da obra "Quadros de Uma Exposição" de: Mussorgsky." Universidade Federal do Rio de Janeiro, 1992. http://hdl.handle.net/11422/2608.

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Submitted by Alberto Vieira (martins_vieira@ibest.com.br) on 2017-08-09T17:14:57Z No. of bitstreams: 2 508913 vol.1.pdf: 16149594 bytes, checksum: 9ee6d83785d1623de27b3412efdd0fa0 (MD5) 508913 vol.2.pdf: 25612230 bytes, checksum: 675fcb34e4b8d3331a8f79ff694e1e56 (MD5)<br>Made available in DSpace on 2017-08-09T17:14:57Z (GMT). No. of bitstreams: 2 508913 vol.1.pdf: 16149594 bytes, checksum: 9ee6d83785d1623de27b3412efdd0fa0 (MD5) 508913 vol.2.pdf: 25612230 bytes, checksum: 675fcb34e4b8d3331a8f79ff694e1e56 (MD5) Previous issue date: 1992-12-15<br>Estudo sobre o conteúdo descritivo na obra

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6

Benbalit, Tatiana I. "The shaping of Modest Moussorgsky's musical language : an assimilation of social, artistic and folk influences /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11252.

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7

Wong, Mohamed Najib. "A COMPREHENSIVE GUIDE TO TRUMPET ORCHESTRAL EXCERPTS: AN ANALYSIS OF EXCERPTS BY BARTÓK, BEETHOVEN, MAHLER, AND MUSSORGSKY." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/469065.

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Music Performance<br>D.M.A.<br>Orchestral excerpts have become one of the most, if not the most important component of classical trumpet education in the last 50 years. This monograph discusses how trumpet orchestral excerpts grew in importance and how the demand for it catalyzed a rush for publications. As the number of trumpet players grew exponentially more than the supply of orchestral jobs, the mindset toward perfect performances of these excerpts began to narrow the focus of learning to an emphasis on technical proficiency. Context and the understanding of how the trumpet part relates to

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8

Campbell, James Stuart. "Music as Text and Image: Musorgsky's «Songs and Dances of Death»." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37135.

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9

Gurewitsch, Wladimir. "Das Schicksal von Mussorgskis Oper Chovanščina im Kontext der europäischen Opernkultur Ende des 19. bis Ende des 20. Jahrhunderts." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-220980.

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In diesem Auditorium ist es nicht nötig, die Bedeutung des Opernschaffens Mussorgskis für die Musikkultur unseres Jahrhunderts zu erklären. Wenn wir aber von seinen Opern und deren Aufführungen in Europa sprechen, dürfen wir nicht übersehen, daß den Löwenanteil der Popularität dem Autor nur ein Werk brachte, Boris Godunov. Sowohl für die Ontologie als auch für die Gnoseologie der modernen Opernkunst ist aber das Schicksal des zweiten Kunstwerks des russischen Komponisten, der Chovanščina, nicht weniger interessant.

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10

Burde, Tamara. "Musik und Sprache in den Opern Modest Mussorgskijs." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37145.

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11

Pollard, Carol J. "Nobody's Fool: A Study of the Yrodivy in Boris Godunov." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2242/.

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Modest Musorgsky completed two versions of his opera Boris Godunov between 1869 and 1874, with significant changes in the second version. The second version adds a concluding lament by the fool character that serves as a warning to the people of Russia beyond the scope of the opera. The use of a fool is significant in Russian history and this connection is made between the opera and other arts of nineteenth-century Russia. These changes are, musically, rather small, but historically and socially, significant. The importance of the people as a functioning character in the opera has precedence i

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12

Carrell, Scott Allen. "The French Sonatina of the Twentieth Century for Piano Solo with Three Recitals of Works by Mussorgsky, Brahms. Bartok, Dutilleux, and Others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc1038907/.

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The purpose of this study is to define the French sonatina of the twentieth century, to expose those works which are most suitable for concert performances, and to provide a resource for teachers and performers. Of the seventy-five scores available to the writer, five advanced-level piano sonatinas of the twentieth century were chosen as the best of those by French composers, in attractiveness and compositional craftsmanship: Maurice Ravel's Sonatine (1905), Maurice Emmanuel's Sonatine VII (1926), Noel Gallon's Sonatine (1931), Alexandre Tansman's Troiseme Sonatine (1933), and Jean-Michel Da

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13

Carrell, Scott Allen. "The French Sonatina of the Twentieth Century for Piano Solo: With Three Recitals of Works by Mussorgsky, Brahms, Bartok, Durilleux, and others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc935608/.

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The purpose of this study is to define the French sonatina of the twentieth century, to expose those works which are most suitable for concert performances, and to provide a resource for teachers and performers. Of the seventy-five scores available to the writer, five advanced-level piano sonatinas of the twentieth century were chosen as the best of those by French composers, in attractiveness and compositional craftsmanship: Maurice Ravel's Sonatine (1905), Maurice Emmanuel's Sonatine VI VI(1926), Noel Gallon's Sonatine (1931), Alexandre Tansman's Troisieme Sonatine (1933), and Jean-Michel Da

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14

Fuh, Jason. "Musical Means in Mussorgsky’s Songs and Dances of Death: A Singer’s Study Guide." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1491830492191113.

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15

Gurewitsch, Wladimir. "Das Schicksal von Mussorgskis Oper Chovanščina im Kontext der europäischen Opernkultur Ende des 19. bis Ende des 20. Jahrhunderts: Das Schicksal von Mussorgskis Oper Chovanščina im Kontext dereuropäischen Opernkultur Ende des 19. bis Ende des 20. Jahrhunderts." Musikgeschichte in Mittel- und Osteuropa ; 3 (1998), S. 54-63, 1998. https://ul.qucosa.de/id/qucosa%3A15433.

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In diesem Auditorium ist es nicht nötig, die Bedeutung des Opernschaffens Mussorgskis für die Musikkultur unseres Jahrhunderts zu erklären. Wenn wir aber von seinen Opern und deren Aufführungen in Europa sprechen, dürfen wir nicht übersehen, daß den Löwenanteil der Popularität dem Autor nur ein Werk brachte, Boris Godunov. Sowohl für die Ontologie als auch für die Gnoseologie der modernen Opernkunst ist aber das Schicksal des zweiten Kunstwerks des russischen Komponisten, der Chovanščina, nicht weniger interessant.

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16

Green, James Matthew. "The History and Usage of the Tuba in Russia." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1449095115.

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17

Barton, Peter Alan. "Modeste Mussorgsky's "Songs and Dances of Death" [A performer's guide]." UNIVERSITY OF SOUTH CAROLINA, 2012. http://pqdtopen.proquest.com/#viewpdf?dispub=3488352.

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18

Court, Sarah Kathleen Mary. "Death and Transformation in Romantic Song Cycles: Journeys in Interpretation." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/365450.

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The Romantic period gave rise to the genre of the song cycle – a collection of songs grouped by poetic theme or narrative arc - through which composers align their musical inspiration with the works of poets and delve into the human experience. Profound themes, such as death and transformation, appear often in song cycle works as the genre provides a vehicle within which they are carefully examined and expanded upon. The form of the song cycle gives performers an opportunity to explore a long narrative, a particular set of emotions, a philosophical perspective, or a defining set of circumstanc

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19

Ejmund, Filip. "Att spela med erfarenhet : att öva och förbereda sig inför en trumpetprovspelning till en symfoniorkester." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2136.

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Detta är en studie som handlar om att förbereda sig inför en trumpetprovspelning till en symfoniorkester och en dokumentation av den processen samt en undersökning huruvida man kan få till ett rikare trumpetspel med erfarenhet och kunskap vad beträffar trumpetteknik, orkestertradition, repertoarkännedom och djupare förståelse kring musiken. Jag kommer att analysera två inspelningar jag gör med trumpetutdrag ur den symfoniska orkesterrepertoaren för att sedan komma fram till en avslutande tredje inspelning.<br><p>Tidigare efternamn: Svensson</p>

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20

Hsiao-Shan, Chiang, and 江曉珊. "Mussorgsky：《Pictures at an Exhibition》." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/99781672612129858356.

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碩士<br>臺北市立教育大學<br>音樂教育學系碩士班<br>95<br>This thesis focuses on Mussorgsky’s piano work《Pictures at an Exhibition》. I divide my research into 5 chapters. Chapter 1 deals with the motivation and purpose of my study, and the scope and method I research into this work. Chapter 2 talks about Mussorgsky’s music career. Chapter 3 emphasizes the background of his composing in 《Pictures at an Exhibition》and the influence on Debussy. Chapter 4 seeks out the interpretation, analysis, musical language and the painting in this work. Finally, I will make a conclusion by summarizing my research findings in chap

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21

Hsu, Yu-Hsin, and 徐又新. "Modest Mussorgsky: Pictures at an Exhibition." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/89125266874804166673.

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22

Wang, Hui-Mei, and 王惠眉. "The Study of Mussorgsky Pictures at an Exhibition." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/47648005917872151585.

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23

Tien, Fang-Hsien, and 田方嫻. "A Study of Mussorgsky`s “Pictures at an Exhibition”." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/4cm4vd.

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碩士<br>中國文化大學<br>音樂研究所<br>94<br>A Study of Mussorgsky`s “Pictures at an Exhibition” Abstract “Pictures at an Exhibition”is one of the most important piano works of Mussorgsky. It is also the first important signature in Russia during the 19th century. And one of the most important piano works at all time. An in depth observation of the culture and the ecademia of the adveance of music of that century helps understand the milieu of Mussorgsky. Hence, the process of writing“Pictures at an Exhibition” and the relationship between the artist and the comporser was discussed. Each opuscule of“

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24

Lin, Kuan-Yueh, and 林寬悅. "An Analysis of Pictures at an Exhibition by Modest Mussorgsky." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/25866122165242034470.

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碩士<br>國立臺南藝術大學<br>音樂學系碩士班<br>101<br>The main purpose of this paper is to analyze Mussorgsky’s (1839-1874) piano work Pictures at an Exhibition (1874). This paper discusses the historical background of the time, composer’s musical career and creative composing skills, as well as a thorough analysis of this particular work. This paper is divided into five chapters. Chapter 1 illustrates the motivation, purpose, scope and methods of this study. Chapter 2 explores Western music in the late 19th century, which contains the historical evolution, the rise of Nationalism, and the artistic background o

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25

Tsai, Chia-Ying, and 蔡佳穎. "The Interpretation and Analysis ofModest Petrovich Mussorgsky “Pictures at an Exhibition”." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/24753987323371775532.

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26

CHEN, PO HSUN, and 陳柏勳. "The Analysis and Interpretation of “Picture at an Exhibition” by Modest Mussorgsky." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/jee7ve.

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27

Chen, Wan-Fang, and 陳莞方. "An Analysis and Interpretation of Songs and Dances of Death by Modest Mussorgsky." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/c37738.

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碩士<br>國立臺南藝術大學<br>鋼琴合作藝術研究所<br>106<br>Modest Mussorgsky (1839-1881) is considered to be one of the greatest Russian composers of the nineteenth century. “The Mighty Five”, which was formed by him, Mily Balakirev (1837-1910) and others, generated a distinctive Russian style that was different from the main-stream European music. Mussorgsky had created many compositions throughout his life, most of them are operas and songs, with the exception of the piano suite Pictures at an Exhibition (1874). The song cycle Songs and Dances of Death (1877), composed between 1875 and 1877, was published in

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28

Ming, yu li, and 李明玉. "An Edition Comparison and Interpretative Study of Pictures at an Exhibition by Modest Mussorgsky." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/03769309379033479427.

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碩士<br>國立臺南藝術大學<br>音樂學系碩士班<br>103<br>This paper is based on Pictures at an Exhibition by Modest Mussorgsky and includes six chapters. The first is a discussion of the reason for this research, Pictures at an Exhibition, and the method used for comparing the editions. Chapter two addresses the background of the era and is divided into three parts starting with an introduction to 19th-century Russian culture, the influence of the politics of the time and the development of Russian critical realism. The works of Ivan Kramskoi and Ilya Repin are used as examples for discussing the painting styles a

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29

Ichmouratov, Airat. "Comparative Analysis of first scene of Prologue of Mussorgsky's "Boris Godunov" in orchestrations by Mussorgsky and Shostakovich, also presentation of my own compositions: “Youth” Overture and Viola concerto N2." Thèse, 2017. http://hdl.handle.net/1866/20811.

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30

HO, HSING-YI, and 何欣頤. "Analysis and Interpretation on Modest Petrovich Mussorgsky's Pictures at an Exhibition." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/jcurwf.

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碩士<br>國立臺北藝術大學<br>音樂學系碩(博)士班<br>107<br>Modest Petrovich Mussorgsky (1839－1881) is one of the most representative Russian Nationalism composers, also the composer with more achievements in piano works among " The Five ". The theme to be researched of this thesis is Mussorgsky‘s piano work Pictures at an Exhibition. Pictures at an Exhibition is one of my favorite piano works, it contains vivid characters and abundant stories. Each piece has an unique character and strong dramatic tension. There are five chapters in this thesis. The first chapter divided by two parts to introduce the times and t

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31

Lin, Hung-Yu, and 林虹妤. "The Interpretation of Mussorgsky’s Pictures at an Exhibition — based on Ravel’s Orchestral Version." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/16002881837458960851.

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碩士<br>輔仁大學<br>音樂研究所<br>101<br>Modest Mussorgsky ( 1839-1881 ) is one of the most representative Russian nationalism composers in the mid-late nineteenth century. His piano works are more acclaimed than the other Mighty Five. The purpose of this study is to interpret Mussorgsky’s Pictures at an Exhibition based on Maurice Ravel’s ( 1875-1937 ) orchestral version. There are seven chapters in this paper. The first chapter is an introduction. The second chapter introduces Mussorgsky’s life and discusses Mussorgsky’s music contribution and the music style of mid-late nineteenth century. The thi

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32

Fabbri, Isabella. "Sounds at an exhibition : uma proposta de intervenção performativa musical para os museus de arte moderna e contemporânea." Doctoral thesis, 2022. http://hdl.handle.net/10451/51712.

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The purpose of this doctorate project is to build a proposal for a performative intervention that can be combined with cultural and educational activities aimed at visitors of modern and contemporary art museums. Having as protomodel the work Pictures at an Exhibition by the composer Modest Mussorgsky, the artistic creation project Sounds at an Exhibition consists of a site-specific performance in the shape of a guided tour with me participating as performer-musician. This performance, based on an interartistic transposition process, calls for a visitors group to be accompanied on a tour throu

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