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Books on the topic 'Mutability'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

Chadwick, Helen. Of mutability. Institute of Contemporary Arts, 1986.

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2

Of mutability. Faber and Faber, 2010.

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3

Mutability and division on Shakespeare's stage. University of Delaware Press, 2004.

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4

1944-, Lojek Helen, ed. The theatre of Frank McGuinness: Stages of mutability. Carysfort Press, 2002.

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5

Xing yao shuo: Mutability : the shrine of perfection and pride. Qing ma wen hua shi ye, 2009.

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6

Tripp, Bryan Patrick. On-line mutability of compensatory stepping reactions to perturbations of standing balance. National Library of Canada, 2002.

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7

1928-, Kellogg Robert L., Steele Oliver, and Spenser Edmund 1552?-1599, eds. Books I and II of the Faerie queene, the Mutability cantos, and selections from the minor poetry. Macmillan, 1986.

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8

McGuinness, Frank. Mutabilitie. Faber and Faber, 1997.

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9

Celebrating Mutabilitie: Essays on Edmund Spenser's Mutabilitie cantos. Manchester University Press, 2010.

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10

Mutabilité et cohérence du régime matrimonial. LGDJ, Lextenso éditions, 2014.

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11

Champagne, Alain. La mutabilité des choses humaines: Roman. Les Intouchables, 2000.

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12

Peter, Heinrich Hans, ed. A mirrour of mutabilitie. P. Lang, 1990.

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13

Usakiewicz, Joanna. Bonum et (im)mutabilitas: Myśl filozoficzna Anne Conway (1631-1679). Trans Humana, 2002.

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14

La mutabilité de l'instance fiscale et le droit à un procès équitable. Harmattan, 2003.

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15

Of Mutability. Faber & Faber, 2011.

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16

Of Mutability. Faber & Faber, 2011.

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17

Of Mutability. Faber & Faber, Limited, 2019.

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18

Helen Chadwick, Of mutability. ICA Television for Channel Four, 1987.

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19

Changescapes: Complexity, Mutability, Aesthetics. UWA Publishing, 2015.

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20

Mutability: Scripts for Infancy. Seagull Books, 2013.

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21

Gibson, Ross. Changescapes: Complexity, Mutability, Aesthetics. UWA Publishing, 2016.

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22

Jon Serl The Mutability of Being. San Jose State University, 2013.

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23

Ko, Yu Jin. Mutability and Division on Shakespeare's Stage. University of Delaware Press, 2004.

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24

Nissen, Nina, and Mette Bech Risør, eds. Diagnostic Fluidity: Working with Uncertainty and Mutability. Publicacions Universitat Rovira i Virgili, 2018. http://dx.doi.org/10.17345/9788484246633.

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25

Gabrovsky, Alexander N. Chaucer the Alchemist: Physics, Mutability, and the Medieval Imagination. Palgrave Macmillan, 2014.

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26

Gabrovsky, Alexander N. Chaucer the Alchemist: Physics, Mutability, and the Medieval Imagination. Palgrave Macmillan, 2016.

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27

Islam and God-Centricity: Plurality and Mutability of Religion. Sajjadiyya Press, 2022.

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28

Chaucer the Alchemist: Physics, Mutability, and the Medieval Imagination. Palgrave Macmillan, 2015.

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29

Spenser's Ethics: Empire, Mutability, and Moral Philosophy in Early Modernity. Manchester University Press, 2022.

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30

Christine de Pizan: The Book of the Mutability of Fortune. Iter Press, 2017.

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31

Wadoski, Andrew, and Joshua Samuel Reid. Spenser's Ethics: Empire, Mutability, and Moral Philosophy in Early Modernity. Manchester University Press, 2022.

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32

Wadoski, Andrew, and Joshua Samuel Reid. Spenser's Ethics: Empire, Mutability, and Moral Philosophy in Early Modernity. Manchester University Press, 2022.

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33

Guenther, Mathias. Human-Animal Relationships in San and Hunter-Gatherer Cosmology, Volume II: Imagining and Experiencing Ontological Mutability. Springer International Publishing AG, 2020.

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34

Wilson, Edward M. Spanish and English Literature of the 16th and 17th Centuries: Studies in Discretion, Illusion and Mutability. Cambridge University Press, 2010.

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35

Guenther, Mathias. Human-Animal Relationships in San and Hunter-Gatherer Cosmology, Volume II: Imagining and Experiencing Ontological Mutability. Palgrave Macmillan, 2019.

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36

McGuinness, Frank. Mutabilitie. Faber & Faber, Limited, 2014.

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37

Hampton, Timothy. Michel de Montaigne, or Philosophy as Improvisation. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.012.

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This chapter underscores the unique position of Montaigne’sEssaysin the western philosophical tradition. Montaigne’s practice of constantly adding to his previously published essays as his mood and interests changed means that theEssaysare an extended exercise in improvisation. Montaigne’s improvised, provisional philosophical approach has broad implications. Politically, it is intimately linked to his undogmatic rejection of the extremism of the French wars of religion. Intellectually, it underpins his relationship to the classical culture that he inherited from Renaissance humanism. And it b

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38

Chenevix, Richard. On Industry. 2. On The Arts Of War. 3. On Social Habits. 4. On Patriotism. 5. On The Mutability Of National Character. Arkose Press, 2015.

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39

Cook, Pam. No Fixed Address. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0002.

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This chapter draws on post-structural conceptions of the mutability of gendered and sexualized identities in order to question cinematic identification with one's gendered like, an assumption underpinning categorization of genres by gender. Speculating that we go to the cinema to lose rather than confirm identities, it opens a conceptual space for male masochism and female violence, thus challenging a dominant binary in feminist thinking. In questioning the gendering of genres, the chapter notes shared structures and affects between the western and women's picture, normally posed in antithetic

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40

Thomas, Philippa. Single Ladies, Plural. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.019.

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This chapter seeks to explore how cultural texts disseminated online are made and remade, challenged and championed by audiences, with the mutability inherent to all texts becoming highly visible in this environment. The entry point of this inquiry is the music video accompanying Beyoncé Knowles’s 2008 hitSingle Ladies (Put a Ring on It), which quickly became an Internet phenomenon, spawning numerous homages, parodies, and reinterpretations. Additionally, this popular cultural phenomenon was the subject of a social media scandal invoking issues of racism, “authenticity,” appropriation, the dem

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41

Clarke, Katherine. Writing an Imperial Geography. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820437.003.0007.

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This chapter explores Herodotus’ presentation of mobility as opposed to stability, such as autochthony. As with monumental projects, context and perspective help to determine whether movement should be viewed as positive or destabilizing. It then considers whether Herodotus supports the idea of a ‘natural order’, on either a small or large scale, and whether changes to the natural world are inherently disrespectful, hubristic, even sacrilegious; or whether such judgements are to be associated only with the enraged, passionate, punitive behaviour of Persia’s grand imperial scheme. The propensit

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42

Irish, David. Animadversio Astrologica: Or, a Discourse Touching Astrology. to Which Are Added, These Considerations, I. of the Mutability of Sublunary Beings. ... ... of Several Phænomena's [sic] ... by D. Irish,. Gale Ecco, Print Editions, 2018.

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43

Forster, Michael N. Philosophy of History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199588367.003.0009.

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Herder makes a number of vitally important contributions to the philosophy of history. His well-known teleological conception of history as a realization of humanity and reason was influential but is probably untenable. A more intrinsically important contribution is a deep commitment to historicization, or the radical transformation of phenomena over time, including historicism, or the deep mutability of human mental life over the course of history. Others are a closely related commitment to reorienting historiography away from explanation towards understanding; a “genetic” or “genealogical” m

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44

Cox, Fiona. Jo Shapcott. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779889.003.0008.

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Jo Shapcott has engaged extensively with Ovid in her poetry (her volume My Book draws extensively upon both the Metamorphoses and the Tristia), but it was especially through her volume Of Mutability that she meditated upon the unexpected pleasures and perils of metamorphosis, since she invoked Ovid in her response to her diagnosis and treatment of breast cancer. As well as using Ovid to comment upon a contemporary experience of illness, she also employs Ovidian imagery to address issues such as the financial crisis, the Iraq war, and global warming. In doing so she responds to the tenets of th

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45

Prestholdt, Jeremy. Icons of Dissent. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190632144.001.0001.

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The global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have re

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46

Long, Kathleen. Montaigne on Monsters and Monstrosity. Edited by Philippe Desan. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190215330.013.42.

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Monsters take on many roles in Montaigne’s Essays, almost always in novel ways. They do not take on their usual roles as markers of other races, genders, or bodies, as threats or objects of repulsion. Rather, the authorial self and his work are seen as monstrous; Europeans and their culture are seen as monstrous; the knowledge systems that create monsters are themselves monstrous; man’s vanity is monstrous. But most of all, the monster is the provocation to meditation on man’s presumption, and on the limitations of human knowledge and power in the face of the world and the divine. As the sign

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47

Miklitsch, Robert. The Woman on Pier 13. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040689.003.0002.

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Part one of this chapter examines the production history of The Woman on Pier 13 to highlight the ideological mutability of the film’s ostensible, “right-wing” agenda, one endorsed by RKO’s head of production at the time, Howard Hughes. Part two aims to counter the claim that the anticommunist noir is without aesthetic interest by proffering a close textual analysis of a number of noir sequences in The Woman on Pier 13. Part three argues that--as the film’s original title, I Married a Communist, indexes--the political discourse of anticommunism cannot be divorced from questions about genre (me

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48

Greenwood, Isaac. A Philosophical Discourse Concerning the Mutability and Changes of the Material World; Read to the Students of Harvard-College, April 7. 1731. Upon the News of the Death of Thomas Hollis. Gale ECCO, Print Editions, 2018.

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49

Teskey, Gordon. Two Cantos of Mutabilitie (1609). Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199227365.013.0019.

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50

Agrimed Research Programme: Lupinus Mutabilis. European Communities / Union (EUR-OP/OOPEC/OPOCE), 1992.

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