Academic literature on the topic 'Muzhiks'

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Journal articles on the topic "Muzhiks"

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Blizniuk-Biskup, Jekaterina. "“Russian Muzhiks – Who Else if not Russians…”: Why Gogol is so Difficult to Translate." Przegląd Wschodnioeuropejski 10, no. 2 (December 30, 2019): 315–24. http://dx.doi.org/10.31648/pw.5483.

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The author addresses the issue of how peculiarities of Gogol’s narrative style can be retained in the translations of “Petersburg Stories” and “Dead Souls”, with special focus on the attitude of the narrator towards what is reported. The main attention is paid to constructions with the qualificator russkij ‘Russian’ referring to phenomena deeply rooted in Russian culture and, on the face of it, serving to highlight the national “local color”. Still, on a closer inspection one finds that, contrary to expectations, relevant constructions reflect alienation of the narrator with respect to reported events, being a kind of exoticisms and thus additionally complicating translation. It is well-advised for Gogol’s translators to be mindful of this special variety of exoticization characteristic of his prose.
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Badcock, Sarah. "'We're for the Muzhiks' Party!' Peasant Support for the Socialist Revolutionary Party During 1917." Europe-Asia Studies 53, no. 1 (January 2001): 133–49. http://dx.doi.org/10.1080/09668130124440.

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Pickard, Tom. "From "Rough Music (Ruff Muzhik)"." Chicago Review 46, no. 1 (2000): 9. http://dx.doi.org/10.2307/25304452.

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Führer, Margo, and Arch Tait. "Ode To the Russian Muzhik." Index on Censorship 34, no. 4 (November 2005): 58–59. http://dx.doi.org/10.1080/03064220500429775.

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Robbins, Bruce. "A Little Muzhik, Muttering to Himself." boundary 2 47, no. 2 (May 1, 2020): 71–89. http://dx.doi.org/10.1215/01903659-8193245.

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The night before her suicide, Anna Karenina has a strange nightmare about a muzhik, or former serf, who speaks French and is doing something with a piece of iron. Given the place of class in the novel, if mainly on the Levin side rather than the Anna side, critics of Tolstoy have said less than might have been expected about the simple fact that this is a wealthy woman dreaming uneasily about a poor man. This essay attempts an interpretation of the dream, which Anna shared, more or less, with Vronsky, relating it both to Anna Karenina as a whole and to the general issue of the marginal existence of the poor in novels by, for, and about their social superiors. Reference is made to Gabriel García Márquez’s One Hundred Years of Solitude (1967), John James Bezer’s Autobiography of One of the Chartist Rebels of 1848, Edmund Wilson’s 1942 novella, “The Princess with the Golden Hair,” and Jacques Rancière’s The Philosopher and His Poor.
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OTA-TSUKADA, Erina. "The Muzhir Family." Orient 54 (March 31, 2019): 127–44. http://dx.doi.org/10.5356/orient.54.127.

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Engelstein, Laura, and Joseph Bradley. "Muzhik and Muscovite: Urbanization in Late Imperial Russia." Journal of Interdisciplinary History 18, no. 1 (1987): 174. http://dx.doi.org/10.2307/204756.

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McDaniel, Tim, and Joseph Bradley. "Muzhik and Muscovite: Urbanization in Late Imperial Russia." Contemporary Sociology 16, no. 3 (May 1987): 311. http://dx.doi.org/10.2307/2070263.

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Bater, James H., and Joseph Bradley. "Muzhik and Muscovite: Urbanization in Late Imperial Russia." Russian Review 45, no. 4 (October 1986): 443. http://dx.doi.org/10.2307/130486.

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Koenker, Diane P., and Joseph Bradley. "Muzhik and Muscovite: Urbanization in Late Imperial Russia." American Historical Review 92, no. 2 (April 1987): 458. http://dx.doi.org/10.2307/1866734.

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Dissertations / Theses on the topic "Muzhiks"

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Planas, Penadés Ricard. "Yuan Muzhi y la comedia modernista de Shanghai." Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/668767.

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En esta tesis se analizará la obra de Yuan Muzhi, especialmente los filmes que dirigió, su debut, Scenes of City Life (都市風光,1935) y su segunda y última obra Street Angel (马路天使, 1937). Para ello se propone el concepto comedia modernista de Shanghai, como una perspectiva alternativa a las que se han mantenido tanto en la academia china como en la anglosajona. En este trabajo expondremos las razones por las que Yuan Muzhi puede ser considerado un cineasta modernista, justificaremos el término comedia como el más adecuado para describir su obra y la situaremos en el contexto shanghainés de los años 30, donde juega un papel peculiar.
This thesis will discuss Yuan Muzhi's work, especially the films he directed, his debut, Scenes of City Life (都市風光,1935) and his second and last work Street Angel (马路天使, 1937). For this purpose, the concept of Shanghai modernist comedy is proposed, as an alternative perspective to those that have been maintained in both Chinese and Anglo-Saxon academies. In this work we will explain the reasons why Yuan Muzhi can be considered a modernist filmmaker, justify the term comedy as the most suitable to describe his work and place it in the Shanghainese context of the 30s, where he plays a peculiar role.
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Maria, Altaeva, and 瑪麗. "Documentary movie “Muzhik” as an example of work." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/2xhyfe.

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碩士
國立臺灣藝術大學
電影學系
103
“Have you heard of the illness hysteria siberiana? Try to imagine this: You're a farmer, living all alone on the Siberian tundra. Day after day you plow your fields. As far as the eye can see, nothing. To the north, the horizon, to the east, the horizon, to the south, to the west, more of the same. Every morning, when the sun rises in the east, you go out to work in your fields. When it's directly overhead, you take a break for lunch. When it sinks in the west, you go home to sleep. And then one day, something inside you dies. Day after day you watch the sun rise in the east, pass across the sky, then sink in the west, and something breaks inside you and dies. You toss your plow aside and, your head completely empty of thought, begin walking toward the west. Heading toward a land that lies west of the sun. Like someone, possessed, you walk on, day after day, not eating or drinking, until you collapse on the ground and die. That's hysteria siberiana.” This thesis is dedicated to observation of work that our small team of two people has done while working on documentary “Muzhik” and is observing main topics of the movie: person, alcoholism and family. The idea of the movie was born in 2012 and it was shot in winter 2013. The team of the crew on set was only of two people: me, student of NTUA as a producer, interviewer, sound recording person, translator; and Mitchell Arens, student of NYU Tisch School of the Arts Asia in Singapore as a director, cameraman, editor. In this thesis I observe our documentary in terms of our main topic, method of shooting and work that we have done. It’s very hard to underestimate the work that we have done because that work was a challenge, pure inspiration and some kind of a struggle, mentally and physically. While working on that movie we were trying to get answers on main questions such as: How does this person live? What does he feel? And essentially why does he/she drink? I’ve chosen this quote from Haruki Murakami because I felt that this is kind of an answer for our questions. It’s very subjective and personal. Our documentary in general is very subjective, personal and full of compassion, probably it’s not the easiest piece of work and movie to understand to but I believe that people who can really see beyond the borders will see something more than alcoholism and cold winter in this documentary, I believe the audience will see the human being. Although technically I was working as a producer/ interviewer/ translator/ sound recording person I feel that in some way I was a co-director as well.
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Books on the topic "Muzhiks"

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Kasatkin, Ivan. Muzhik: Povesti. Moskva: Sov. pisatelʹ, 1991.

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Kasatkin, Ivan. Muzhik: Rasskazy. Moskva: Sov. pisatelʹ, 1991.

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Reznik, Ilʹi︠a︡. Muzhik: Narodnai︠a︡ poėma. Moskva: Biblioteka Ilʹi Reznika, 2000.

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Muzhik: Narodnai︠a︡ poema. Moskva: Biblioteka Ilʹi Reznika, 2000.

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Mozhaev, Boris. Muzhiki i baby: Roman. Moskva: Sovremennik, 1988.

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Mozhaev, Boris. Muzhiki i baby: Roman. Kishinev: Lumina, 1989.

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Mozhaev, Boris. Muzhiki i baby: Roman. Moskva: Sovremennik, 1988.

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Romanov, Vladislav. Nastoi͡a︡shchie muzhiki deteĭ ne brosai͡u︡t. Moskva: AST, 2001.

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Vilʹmont, Ekaterina. Polosa vezenii︠a︡, ili, Vse muzhiki kozly. Moskva: Izd-vo AST, 2000.

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Vilʹmont, Ekaterina. Polosa vezenii͡a︡, ili, Vse muzhiki kozly. Moskva: AST, 2002.

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Book chapters on the topic "Muzhiks"

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"Feeding the Mute Millions of Muzhiks." In Modernization from the Other Shore, 103–24. Harvard University Press, 2004. http://dx.doi.org/10.2307/j.ctv21ptzd2.9.

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"6 Feeding the Mute Millions of Muzhiks." In Modernization from the Other Shore, 103–24. Harvard University Press, 2003. http://dx.doi.org/10.4159/9780674036529-008.

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"Arkhangelsk Muzhik." In Woman with a Movie Camera, 107–20. University of Texas Press, 2006. http://dx.doi.org/10.7560/714649-021.

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DiGioia, Amanda. "‘A real muzhik’." In Duelling, the Russian Cultural Imagination, and Masculinity in Crisis, 12–40. Routledge, 2020. http://dx.doi.org/10.4324/9780429331459-2.

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"CHAPTER EIGHT. Welfare: Reform and Regeneration." In Muzhik and Muscovite, 299–344. University of California Press, 1985. http://dx.doi.org/10.1525/9780520312968-013.

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"Abbreviations." In Muzhik and Muscovite, XV—XVI. University of California Press, 1985. http://dx.doi.org/10.1525/9780520312968-004.

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"APPENDIX C. Occupation, Age, and Birthplace, 1902." In Muzhik and Muscovite, 373–76. University of California Press, 1985. http://dx.doi.org/10.1525/9780520312968-017.

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"APPENDIX A. Occupations in White-collar, Blue-collar Moscow." In Muzhik and Muscovite, 359–70. University of California Press, 1985. http://dx.doi.org/10.1525/9780520312968-015.

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"Illustrations." In Muzhik and Muscovite, IX—X. University of California Press, 1985. http://dx.doi.org/10.1525/9780520312968-001.

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"Frontmatter." In Muzhik and Muscovite, I—VI. University of California Press, 1985. http://dx.doi.org/10.1525/9780520312968-fm.

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Conference papers on the topic "Muzhiks"

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Miftakhova, Aliya. "THE GENDER PORTRAIT OF �A MUZHIK� IN THE INTERNET-DISCOURSE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/41/s16.024.

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