Relevant bibliographies by topics / Mysteries and miracle-plays, Provencal

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Mysteries and miracle-plays, Provencal'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Mysteries and miracle-plays, Provencal"

1

Lin, Alisa Ballard. "The “Miracle” of the Russian Revolution: The Mystery Play in Early Soviet Culture." Modern Drama 67, no. 2 (2024): 129–50. http://dx.doi.org/10.3138/md-67-2-1299.

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Some of the very first theatre productions following the Russian Revolution of 1917 were built around Christian imagery and dramatic forms, a surprising choice given that atheism was a key tenet of the new Soviet nation. The first Soviet play, Vladimir Mayakovsky’s Mystery Bouffe, is modelled after the medieval mystery play and depicts workers coming to revolutionary consciousness after encountering a Christ-like figure. Subsequently, several of the earliest Soviet mass spectacles, a vibrant form of state-sponsored propaganda, also drew comparisons to mystery plays. This article examines the i
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2

Trinkūnaitė, Šarūnė. "Miraculous Lithuania: the national open-air mysteries in Lithuania between the wars." Menotyra 24, no. 2 (2017). http://dx.doi.org/10.6001/menotyra.v24i2.3479.

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In the wake of the wave of disappointment with the patriotic repertoire of the new-established State Theatrewhich seemed not to respond to the desire of the celebrating nation, an alternative theatre – theatre of national mass open-air mysteries, mostly organized by the Christian youth organization – came to life in Lithuania in the 1920-ies and gained in popularity. These celebratory performances were devoted to the synthesis of Christian and national ideologies; their main subject was the rebirth of Lithuania as a God’s miracle. This miraculous Lithuania was supposed to become a real experie
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3

Kolff, Louise Moana. "New Nordic Mythologies." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1328.

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IntroductionNordic mythology, also known as Norse mythology, is a term used to describe Medieval creation myths and tales of Gods and otherworldly realms, told and retold by Northern Germanic and Scandinavian tribes of the ninth century AD (see for example Gaiman).I discuss a new type of Nordic mythology that is being created through popular culture, social media, books, and television shows. I am interested in how contemporary portrayals of the Nordic countries has created a kind of mythological place called Scandinavia, where things, people, and ideas are better than in other places.Whereas
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Dissertations / Theses on the topic "Mysteries and miracle-plays, Provencal"

1

Sokolowski, Mary E. ""For God of Jewes is crop and roote" : the cyclic performance of Judaism and Jewish-Christian intimacy in the Chester mystery plays /." Online version via UMI:, 1999.

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2

Longtin, Mario. "Edition du Mystère de sainte Barbe en deux journées BN Yf 1652 et 1651." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24090.

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This thesis consists in editing, side by side, two printed texts of Le Mystere de sainte Barbe en deux journees. The oldest (which can be found at "La Bibliotheque Nationale de Paris", call number BN Yf 1652) has been published by la Veuve Trepperel and Jehan Jehannot between the years 1511 and 1517. The other text, also to be found at "La B.N.P." (call number BN Yf 1651) is a revised edition of the former published between the years 1552 and 1585 on Simon Calvarin's press. The BN Yf 1652 contains 3 677 lignes, whilst the Calvarin's edition is of 3 734 lignes; both texts are at fourteenth char
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3

Beauchamp, Pauline. "The Corpus Christi plays as dramatizations of ritual : an examination of the decline of the medieval theatre." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63121.

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Dupras, Elyse. "Rôle des diables dans les mystères hagiographiques français (de la fin du XIVe siècle au début du XVIe siècle)." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82861.

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Masks, actions, words. These three elements provide a starting point for a study of the devil figure as represented in Middle French saint's plays (mysteres hagiographiques).<br>An urban, popular art, mediaeval French theatre addressed a broad public that it was considered useful to both edify---particularly in the case of the mysteres---and divert. The mysteres represented and interpreted the world. In this theatre, the devil figures embody Evil and adversity, but also alterity. Placed in opposition to the saints and the sublime inhabitants of Heaven, they appear grotesque, crude and c
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5

Christie, Sheila. "Marking the boundaries : explorations of meaning and identity in the York Corpus Christi cycle." Thesis, 2000. http://hdl.handle.net/2429/10577.

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This thesis explores the implications of the relationships between building trade guilds and the pageants they produced in York, and examines this relationship over the two-hundred-year production of the York Cycle. Because this relationship and the reception of any dramatic performance is heavily influenced by context, we need to look closer at the social, political, and economic environment of late medieval York in order to better understand the range of interpretations available to the Cycle's original audience. Doing so also allows us to witness the issues of identity and community t
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6

Kuntz, Emily Ciavarella. "Transformed Within, Transformed Without: The Enactment of Religious Conversion in Medieval and Early Modern European Saint Plays." Thesis, 2020. https://doi.org/10.7916/d8-k4t2-b552.

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My dissertation investigates the ways in which both medieval and early modern saint plays depict and incite religious conversion through self-aware theatrical techniques. In each of my chapters, I examine one or two popular saint plays from a given period and area (medieval England, medieval France, early modern Spain, and early modern England) and show how each play invites the audience to undergo a spiritual shift parallel to that of the saint protagonist. These playmakers harnessed the affective power and technology of theatrical performance to invite the audience to engage with performed r
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Books on the topic "Mysteries and miracle-plays, Provencal"

1

Bellone, Luca. Moralitas Sancti Heustacii: Mistero provenzale. Ledizioni, 2013.

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2

Henrard, Nadine. Le théâtre religieux médiéval en langue d'oc. Librairie Droz, 1998.

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3

vaticana, Biblioteca apostolica, and Biblioteca apostolica vaticana, eds. Il Mistero provenzale di sant'Agnese: Edizione critica con traduzione e trascrizione delle melodie. Viella, 2016.

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4

Cooling, Margaret. Ten-minute miracle plays. British and Foreign Bible Society, 1995.

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5

C, Cawley A., ed. Everyman, and medieval miracle plays. Fitzhenry & Whiteside, 1988.

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6

Adrian, Henri. The Wakefield mysteries. Methuen Drama, 1991.

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7

C, Cawley A., ed. Everyman, and medieval miracle plays. J.M. Dent, 1990.

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8

William, Tydeman, and Ramsay Keith 1933-, eds. Acting medieval plays. Honywood Press Lincoln Cathedral Library, 1985.

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9

Sahlins, Bernard. The mysteries--The Passion. I.R. Dee, 1993.

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10

Adrian, Henri. The Wakefield mysteries. Methuen Drama, 1991.

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Book chapters on the topic "Mysteries and miracle-plays, Provencal"

1

Öhrström, Lars. "The Emperor and Miss Smilla." In The Last Alchemist in Paris. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199661091.003.0013.

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Biking south from Avignon, brief residence of the popes in southern France, towards Arles, town of bulls and van Gogh, should be a leisurely experience in the smiling Provencal landscape, making no undue demands on one’s physical abilities. That is, providing you stay away from the only obstacle on the way—the fortified hilltop village of Les Baux-de-Provence. An odd (some would say suspect) error of navigation brought us to the top one sunny day in September many years ago, but this detour proved to be well worth the effort. Both the village and the view are spectacular, and well justified cl
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