Relevant bibliographies by topics / Mystery of Marie Roget

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  2. Dissertations / Theses
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Academic literature on the topic 'Mystery of Marie Roget'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Mystery of Marie Roget"

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Booth, Nathanael Thomas. "“Seeking Truth in Detail”: “The Mystery of Marie Rogêt” and Its Structure of Revision." Edgar Allan Poe Review 17, no. 1 (April 1, 2016): 41–56. http://dx.doi.org/10.5325/edgallpoerev.17.1.41.

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Abstract “The Mystery of Marie Rogêt” has, since William Wimsatt's 1941 article “Poe and the Mystery of Mary Rogers,” enjoyed careful critical attention, most of it focusing on the ways the tale corresponds to or diverges from the historical events on which it is based. Poe revised the story in 1845. Most often, Poe's revisions are seen as an attempt to correct errors in his earlier version. This article will argue that, far from concealing Poe's earlier mistakes, Poe's revisions introduce discrepancies that cause the story to turn in on itself and to turn outward toward the reader. “Rogêt” is successful precisely because it is designed to call attention to its own falsity. Poe's alterations—and especially his initial footnote—invite the reader to apply Dupin's method and interrogate the text itself.
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Shan. "“Thou Art the Man” as a Clue to “The Mystery of Marie Rogêt”." Edgar Allan Poe Review 20, no. 2 (2019): 239. http://dx.doi.org/10.5325/edgallpoerev.20.2.0239.

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Booth. "“Seeking Truth in Detail”: “The Mystery of Marie Rogêt” and Its Structure of Revision." Edgar Allan Poe Review 17, no. 1 (2016): 41. http://dx.doi.org/10.5325/edgallpoerev.17.1.0041.

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Choi, Yoon Young. "The Atypical Flâneurs in the Modern City Space: Edgar Allan Poe’s “The Mystery of Marie Rogêt” & Lydia Maria Child’s Letters from New-York." Nineteenth Century Literature In English 21, no. 1 (February 28, 2017): 85. http://dx.doi.org/10.24152/ncle.2017.02.21.1.85.

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Gallo, Callie J. "Seeing the ‘excessively obvious’: The penny press, gender and work in Edgar Allan Poe’s Dupin stories." Explorations in Media Ecology 18, no. 4 (December 1, 2019): 413–34. http://dx.doi.org/10.1386/eme_00013_1.

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This article considers the biases of the popular press, the first mass-print medium, alongside the biases of gender and professionalism in Edgar Allan Poe’s early 1840s detective fiction. In the tales ‘The Murders in the Rue Morgue’, ‘The Mystery of Marie Rogêt’ and ‘The Purloined Letter’, detective C. Auguste Dupin develops unmatched analytical and professional capabilities through his extensive reading of print media and his familiarity with the protocols of the nineteenth-century penny press. Based on the model of the New York Sun, these cheap publications popularized women’s gruesome deaths and cruel misfortunes for profit. In Dupin’s media environment, women are always-already victims without the means or opportunity to speak for themselves, maintain steady employment, or find shelter from the exploitative practices of the commercial press. Men like Dupin, on the other hand, stand to build professional skills, wealth and fame the more they study and replicate the practices of their print media environment. Reading Poe’s representation of gender inequity as an extension of the penny press and middle-class professionalism complicates previous assessments of Dupin (by Marshall McLuhan and literary scholars alike) as an inclusive literary figure that invites reader participation.
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Mould, R. F. "Marie and Pierre Curie and radium: History, mystery, and discovery." Medical Physics 26, no. 9 (September 1999): 1766–72. http://dx.doi.org/10.1118/1.598680.

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Solander, Tove. "Sinnlighetens slott. Eva-Marie Liffners Drömmaren och sorgen som queert allkonstverk." Tidskrift för genusvetenskap 34, no. 4 (June 13, 2022): 69–89. http://dx.doi.org/10.55870/tgv.v34i4.3343.

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This article is a close reading of Eva-Marie Liffner’s 2006 novel Drömmaren och sorgen (The Dreamer and the Sorrow). Drawing on theories of queer and lesbian literature and on the writings of Gilles Deleuze, I argue for a queer aesthetics of sensual excess. Liffner’s novel is a mystery without a solution, a beautiful enigma resisting reader expectations of plot and closure. Its labyrinthine or kaleidoscopic structure connects and reconnects a large amount of vivid, concrete figures. I read the novel through five of its key figures: the castle, the sea, the heart, the song and the knight. The castle is the architectural principle of the novel, which features gothic elements such as the trapdoor and the secret passage. The sea lends atmosphere to the novel and is best understood as an element in the humoural sense, permeating landscapes and characters alike. The heart exemplifies Liffner’s use of intensely sensual figures and connects to the genre of anatomical blazons. The song points to an alternative, musical organisation of the novel and works to transcend barriers of sex and species. The knight, finally, is identified as the androgynous hero(ine) of queer literary history riding through works such as Virginia Woolf’s Orlando and Djuna Barnes’ Nightwood before showing up in Liffner’s novel.
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Matyjaszczyk, Joanna. "Struggles with Dramatic Form in 16th-Century English Biblical Plays." Anglica. An International Journal of English Studies, no. 31/1 (October 2022): 5–27. http://dx.doi.org/10.7311/0860-5734.31.1.01.

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The aim of the article is to pinpoint how 16th-century biblical drama tried to appropriate its genre and medium to carry the reformist message and in what sense the project turned out to be a self-defeating one. The analysis of selected plays from reformed biblical cycles (The Chester Mystery Cycle, play iv; and “The Norwich Grocers’ Play”) and newly composed drama (John Bale’s plays, Lewis Wager’s Life and Repentaunce of Marie Magdalene, the anonymous “History of Jacob and Esau”), supported with an over- view of the criticism on the matter, reveals some common tensions in the dramatic texts which may have had their roots in the reformist need to eliminate any room for doubt that a theatrical performance could leave. The conclusion is that, in its attempts at striking the right balance between dramatizing and overt sermonizing, engaging and distancing, as well as providing an immersive experience and discouraging it, post-Reformation Scrip- ture-based drama oscillated between being more effective as a performance or as a carrier of the doctrinal message, with the resulting tendency to subvert either the former or the latter.
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Hawthorne, Melanie. "Gisèle d’Estoc: Portraits of a decadent woman." Nordlit 15, no. 2 (March 26, 2012): 223. http://dx.doi.org/10.7557/13.2057.

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A quarrel in the pages of the literary review Le Décadent in 1888 recalls the often belligerent existence of Gisèle d'Estoc, a shadowy figure who stalks the margins of the decadent period and whose life beyond the pages of specialized reviews has long presented something of a mystery. Who was she, and what did she look like? The first question proves the easiest to answer. Tied intimately - by love, by hatred, or by both - to numerous figures of the French decadent movement (Léo Pillard d'Arkaï, Laurent Tailhade, Rachilde), d'Estoc's real name was Marie-Paul Alice Courbe Desbarres. In addition to being the lover of Guy de Maupassant, and of being accused of planting a bomb at the Foyot Restaurant, d'Estoc had an independent career as an artist before launching her literary career in the 1880s. It proves more difficult to know what she looked like, even though she was often represented in paintings, drawings, and photographs. This article analyses some of these representations in order to understand why it is sometimes so difficult to see the decadent woman even when she emerges from the shadows of literary history.
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Rostova, Natalya N. "Aggiornamento of anthropology: Bridging the border between nature and culture." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 36, no. 4 (2020): 731–50. http://dx.doi.org/10.21638/spbu17.2020.411.

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The article analyzes modern western projects to update anthropology. The projects are united by the idea of the end of human exclusiveness, which is a modern form of the concept of human death. According to idea of the end of human exclusiveness, a person has no ontological privileges in the world, and he must be thought of as a part in the totality of other parts of the whole — nature, space, objects, etc. It is possible to allocate four forms of the realization of this idea: overcoming the oppositions “nature-culture”, “man-animal”, “man-technician”, and “man-objects”. In the article the first form of this idea, projects of anthropology beyond nature and culture, is analyzed. Within the framework of these projects, two tendencies are observed — naturalization of man and anthropomorphization of the world. Both directions are investigated on the example of works, on the one hand, of Jean-Marie Schaeffer, on the other, Philippe Descola and Ernesto B. Viveiros de Castro. Schaeffer’s anthropology becomes anti-anthropology the moment he starts speaking of man in the language of evolutionary biology. Man fits them into an evolutionary process, within which the cause of a person’s actions appears beyond him. The anthropomorphization of the world is based on ethnographic data on the so-called “primitive peoples”. If naturalism concerns the reduction of the anthropological to the biological, then here it is possible to speak of an intellectual forgery. Descola and de Castro identify the ideas of weak philosophy on the bases where the life of the mystery community is constructed. In this case, the mystery is described in social categories, and the exotic content of representations of the studied peoples serves as an argument for the chaotization of our own ideas. The author of the article believes that modern anti-anthropologists are trying to interpret the truly human, contained in mysteries, in terms of the inhuman.
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Dissertations / Theses on the topic "Mystery of Marie Roget"

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Little, Jean A. "Poe's Entangled Fiction: Quantum Field Theory in "The Colloquy of Monos and Una" and "The Mystery of Marie Rogêt"." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6009.

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When seen among the constellation of Edgar Allan Poe's works culminating in Eureka, "The Colloquy of Monos and Una" and "The Mystery of Marie Rogêt," take on an important role as vehicles for scientific contemplation. Similar to early quantum physicists, such as Einstein and Schrödinger, Poe uses macro-level analogies to explore the unity of individual entities, which becomes an important tenet of his explanation of the universe. His thought experiments also resemble those of modern physics in their approach to reality as probabilistic, an idea that finds its echo in quantum field theory, which distinguishes between observed particles and their underlying existence as vibrations in a field rather than distinct units. In this thesis, I use specific examples from "Monos and Una" to demonstrate that the barrier between individuals blurs when viewed from the perspective of a unified field. I also examine ways that "Marie Rogêt" expands the idea of a unified field in terms of entangled individuals and correlated events, and pushes against the Newtonian deterministic tradition. In the context of Poe's body of work, these stories depart from the aesthetic that characterizes many of his most widely-read stories, in that their exploration of the scientific seems to overtake the narrative. However, their composition, which leaves some readers dissatisfied, expertly comments on the dichotomy between the observed and the real, and the role that narrative plays in interpreting experience.
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Bardata, Kornelius Supranoto. "A descriptive assessment of sacraments as language events in Louis- Marie Chauvet and David Noel Power." Master's thesis, 2017. http://hdl.handle.net/10400.14/22755.

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This paper is entitled: A Descriptive Assessment of Sacraments as Language Events in Louis-Marie Chauvet and David Noel Power. What motivates the author to proceed with this topic is that the author feels the need of finding a new and creative approach to the sacraments. The author is determined to discuss this topic using the methodology of library reading. The two theologians whose theologies are being presented in this paper, namely, Louis-Marie Chauvet and David Noel Power, are the main sources. In addition to reading the works of Chauvet and Power, the author also gets into discussions with the supervisor. Since Chauvet and Power live in postmodern world, their theology can be of the good readings for students of theology who are interested in the theology of the sacraments in the midst of this ever-changing world. Chauvet, for example, proposes a new looking into the sacraments as language of the Trinitarian communication with his people. The church is the place where this interaction happens. The interaction itself occurs through the listening of the Scripture, sacraments and ethical commitment. In the same rhythm, David Noel Power suggests a theology where the sacraments are read as the language of God’s giving. They are the language of God’s giving because the church is the bodily present of the Trinity in the church. This present is, in turn, celebrated and relived through the Scripture, the sacraments, liturgy, rite, customs and cultures. Through all these elements, the language of God’s giving in the past is brought to life in the present time through the language of the church. Chauvet and Power recommend a fundamental theology through which the sacraments are no longer viewed as alienated from the daily experience of the church.The paper is written primarily as the author’s personal journey into the reflection on the sacraments. The author, therefore, hopes to achieve nothing more important than the growing of a personal love of the sacraments. In the second place, the author expects to have been able to introduce the fundamental sacraments of Louis-Marie Chauvet and David Noel Power to a larger context.
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Books on the topic "Mystery of Marie Roget"

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author, Druet, and Poe Edgar Allan (1809-1849), eds. Le mystère de Marie Roget: Une enquête du chevalier Dupin. [Paris]: Delcourt, 2010.

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Allan, Poe Edgar. Double assassinat dans la rue Morgue: Suivi de Le mystère de Marie Roget. Paris: Librio, 2015.

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Rhodes, Jewell Parker. Voodoo season: A Marie Laveau mystery. New York: Atria Books, 2005.

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illustrator, Giovine Sergio, ed. The haunted opera: A Marie-Grace mystery. Middleton, WI: American Girl Pub., 2013.

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Seeing the Light: A Marie Jenner mystery. 2nd ed. Alberta, Canada: Tyche Books, 2014.

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Simenon, Georges. Schele Marie. [Amsterdam etc.]: Pandora, 2003.

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ill, Durham Lyn, ed. Marie: Mystery at the Paris ballet, Paris, 1775. New York: Aladdin Paperbacks, 1997.

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Latulippe, Martine. Au secours, Marie-P! Québec: Éditions FouLire, 2009.

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Simenon, Georges. Marie qui louche. Paris: Presses de la Cité, 2010.

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Allan, Poe Edgar. Edgar Allan Poe - Obras Selectas: Los crímenes de la Rue Morgue; El misterio de María Roget; La carta robada. Barcelona (España): Ediciones Rayuela, 1992.

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Book chapters on the topic "Mystery of Marie Roget"

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Kopley, Richard. "The Mystery of Marie Rogêt and Various Newspaper Files." In Edgar Allan Poe and the Dupin Mysteries, 45–63. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230616448_4.

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Arntfield, Michael. "“The Mystery of Marie Rogêt”: Holdback Evidence and the Copycat Effect." In Gothic Forensics, 79–103. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-56580-8_5.

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Allan Poe, Edgar. "THE MYSTERY OF MARIE ROGÊT." In Selected Tales. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199535774.003.0014.

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Es giebt eine Reihe idealischer Begebenheiten, die der Wirklichkeit parallel lauft. Selten fallen sie zusammen. Menschen und Zufälle modificiren gewöhnlich die idealische Begebenheit, so dass sie unvollkommen erscheint, und ihre Folgen gleichfalls unvollkommen sind. So bei der Reformation; statt des Protestantismus kam das Lutherthum hervor....
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"Averse from Swerving in “The Mystery of Marie Rogêt”." In Certain Concealments, 57–73. University of Massachusetts Press, 2022. http://dx.doi.org/10.2307/j.ctv2x8v613.8.

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Glazzard, Andrew. "The Fall of the House of Musgrave." In The Case of Sherlock Holmes, 50–60. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474431293.003.0006.

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In Memories and Adventures, Conan Doyle recounted how his Edinburgh lecturer, Joseph Bell, provided the real-life model for Sherlock Holmes’s methods of reasoning: ‘It is no wonder that after the study of such a character I used and amplified his methods when in later life I tried to build up a scientific detective who solved cases on his own merits and not through the folly of the criminal.’ But Bell was not the only source for Holmes. His literary model was Edgar Allan Poe’s ‘masterful’ Parisian detective, Le Chavalier C. Auguste Dupin, who first appeared in ‘The Murders in the Rue Morgue’ (1841), and reappeared in ‘The Mystery of Marie Rogêt’ (1842) and ‘The Purloined Letter’ (1844). Poe was one of the most powerful literary influences on Doyle’s writing.
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Rigal-Aragón, Margarita. "Tracking Daniel's Steps." In Teaching Language and Literature On and Off-Canon, 262–95. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3379-6.ch015.

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This chapter shows the results of a teaching-learning experience carried out for over 15 academic years. Since it is usually agreed that Edgar Allan Poe is the father of detective fiction, students are embarked in a deductive process to explore some key antecedents to “The Murders of the Rue Morgue.” This starts with the analysis of a few lines of Daniel's Book, Aesop's “The Fox and the Old Lion,” and some sections of Oedipus Rex. Afterwards the students enter the modern world, examining Hamlet, learning about Voltarie's Zadig, Vidocq, and The Newgate Calendar. Thenceforth, the impact of “Murders” among the 1840s public, together with its two sequels (“The Mystery of Marie Rogêt” and “The Purloined Letter”) is investigated, completing the Dupin Trilogy and assisting to the birth of “serialized” ratiocination narratives. Finally, students study “Thou Art the Man,” a non-Dupin detective story in which country manners are called into question.
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Peck, Ellen M. "Dream Girl." In Sweet Mystery, 131–44. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190873585.003.0007.

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The final chapter recounts the last few plays of Young’s career, with a focus on The Dream Girl (music by Victor Herbert). This was an adaptation of the 1906 play The Road to Yesterday by Beulah Marie Dix and Evelyn Greenleaf Sutherland. Soon before opening, the Shuberts brought in Harold Atteridge to write material for vaudeville comedian Billy B. Van, which greatly altered the script Young had spent about three years writing. As a result, the script is uneven and was panned by critics. Young only wrote one more play after this, Cock o’ the Roost, before falling ill with breast cancer. She died in 1926 and left behind an estate worth more than $95,000, or about $1.3 million in today’s money. The chapter concludes with an appraisal of Young’s legacy.
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"THE WEASEL, THE ROSE AND LIFE AFTER DEATH: REPRESENTATIONS OF MEDIEVAL PHYSIOLOGY IN MARIE DE FRANCE’S ELIDUC." In Restoring the Mystery of the Rainbow (2 Vols.), 207–23. Brill | Rodopi, 2011. http://dx.doi.org/10.1163/9789401200011_013.

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