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Books on the topic 'Myth of Narcissus'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Gallery, Fruit Market, ed. Narcissus reflected: The myth of Narcissus in surrealist and contemporary art. Edinburgh: Fruitmarket Gallery, 2011.

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2

1840-1926, Monet Claude, ed. Monet, Narcissus, and self-reflection: The modernist myth of the self. Chicago, Ill: University of Chicago Press, 1994.

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3

Zisi, Roland. Miti i Narcisit në letërsinë shqipe: Studim monografik. Tiranë: Albpaper, 2013.

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4

Oedipe, Narcisse, Sisyphe et vous: Mythes grecs et psychanalyse. Paris: Éd. France loisirs, 2004.

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5

Brunson, Ph D. Hal. Lesbos, Narcissus, and Paulos: Homosexual Myth and Christian Truth. iUniverse, Inc., 2006.

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6

Levine, Steven Z. Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. University Of Chicago Press, 1995.

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7

Levine, Steven Z. Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. University Of Chicago Press, 1995.

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8

Brooke, Alice. Divine Reflections. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816829.003.0002.

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This chapter explores Sor Juana’s best known auto sacramental, El divino Narciso. In particular, it focusses on what previous critics have perceived to be the weakness of the play, that is Sor Juana’s choice of Narcissus as a figure of Christ. In contrast, this study argues that the apparent dissimilarity between Narcissus’ self-love and Christ’s selfless love is precisely the reason for Sor Juana’s choice. In particular, it explores a little-known source for the play, Jakob Masen’s Speculum imaginum, and its connection to Golden Age theories of wit. Specifically, it demonstrates how Masen’s emphasis on originality and the unexpected, together with his theories on mirrors and optics, explains Sor Juana’s Christological reading of the Ovidian myth. The study then turns to the loa to explore how the treatment of optics in the auto can also be applied to its introductory piece, and how this illuminates its reading of the Conquest.

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9

Simon, J. H. How To Kill A Narcissist: Debunking The Myth Of Narcissism And Recovering From Narcissistic Abuse. JH Simon, 2016.

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10

Simon, J. H. How to Kill a Narcissist: Debunking the Myth of Narcissism and Recovering from Narcissistic Abuse. Independently Published, 2016.

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11

Hartmann, Anna-Maria. While the Winds Breathe, Adore Echo. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807704.003.0006.

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Henry Reynolds’s Mythomystes (1632) is a dynamic response to the tensions between Neo-Platonic claims for the divinity of ancient poetry and a Protestant poetics that rejected syncretism and sought to set the truth of Christianity apart. Reynolds draws on Pico della Mirandola to emphasize the divine knowledge of the ancient pagan poets, who were ‘iointrunners’ with Moses and used fables for the secret communication of wisdom. But in other parts of the book Reynolds carefully separates the pagan and Christian traditions in everything but natural knowledge. These different perspectives can be explained by the rising and falling rhetorical pitch of the mythography and can be compared to Philip Sidney’s practice in his Defence of Poetry. In the end, Reynolds’s mythography returns to a Neo-Platonic conception of the ancient fables, and offers a version of the Narcissus myth that rests upon a Pythagorean symbol.

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12

American Narcissism: The Myth of National Superiority. Algora Publishing, 2006.

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13

Caldwell, Wilber W. American Narcissism: The Myth of National Superiority. Algora Publishing, 2006.

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14

Caldwell, Wilber W. American Narcissism: The Myth of National Superiority (HC). Algora Publishing, 2006.

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15

Isis, narcisse, psyche entre lumieres et romantisme. mythe et écritures, écritures mythe. 1. Presses Universitaires Blaise Pascal Clermont-Fer, 2000.

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16

Isis, Narcisse, Psyché entre lumières et romantisme: Mythe et écritures, écritures du mythe : études. Clermont-Ferrand (France): Presses universitaires Blaise-Pascal, 2000.

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