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Relevant bibliographies by topics / Mythological images

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Journal articles

Academic literature on the topic 'Mythological images'

Author: Grafiati

Published: 28 May 2022

Last updated: 18 June 2025

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Journal articles on the topic "Mythological images"

1

Karakin, Yevgeniy V., and Tatyana V. Pashkova. "Entomological images in Karelian beliefs." Finno-Ugric World 13, no. 2 (2021): 136–42. http://dx.doi.org/10.15507/2076-2577.013.2021.02.136-142.

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Introduction. Insects act as an element of the mythological system and rituals, provided by a variety of functions, occupied a certain place in the rituals, beliefs and medical practice of the Karelians. Among domestic insect parasites, the lice are most widely represented in the Karelian language and rituals. The research novelty of the study is determined by the fact that researchers did not turn to the question of the functioning of insects in mythological views and the ritual tradition of Karelians. However, such research is necessary in order to recreate the integrity of the mythological picture of the Karelians, which determines the relevance of this article. Materials and Methods. The material for the study was entomological images in the beliefs and folk medicine of the Karelians. They were considered using comparative historical, comparative and comparative and ethnolinguistic methods. Results and Discussion. The authors dwell on the mythological views of Karelians about domestic parasite insects using the example of lice. These beliefs are reflected in the causes of diseases, methods of treatment, as well as in mythological stories and folklore. Conclusion. The collected and analyzed linguistic and ethnographic data make it possible to come to the conclusion that the lice are the representatives of the entomofauna. Karelians have many beliefs connected with lice, which are reflected in the linguistic picture of the world and traditional culture.

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Mysyk, Oksana. "THE TROPES OF THE AXIS OF PSEUDO-IDENTITIES IN I. KALYNETS’ POETRY IN THE ASPECT OF OBJECTIVATION OF THE RITUAL-MYTHOLOGICAL ETHNOCULTURAL CODE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 12(80) (2021): 106–8. http://dx.doi.org/10.25264/2519-2558-2021-12(80)-106-108.

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The article deals with the study of artistic texts of the poet of the sixties I. Kalynets. In particular, it is concentrated on the study of the models of linguistic objectification of the ritual and mythological ethnocultural code in the poems of the collections «Awakened Muse» and «Slave Muse» have been studied. The formalization of mythological images of pagan gods, demonological beings, characters of calendar holidays and seasonal rites, Christianized mythological figures in subjective and object positions has been described, their ethnosemantics has been established. The trope potential of nominations to denote a song as a symbolic rite in the Ukrainian culture has been clarified. The analysis has shown that in the tropes of the axis of pseudo-identity, which were based on the mythological ethnocode, background knowledge of mythological characters was often the basis for their understanding. It has been found that the meanings included in the intentionality of mythological images were often not expressed explicitly and could not be taken out of context. Thus the mythological ethnocode was implied or presented at the level of a motive. For the most part, the images through which the religious-mythological ethnocode is objectified are monosemantic. In the structure of metaphors, metaphorical epithets, comparisons, etc., mythological images have a clear emotional and expressive color and reflect the peculiarities of the worldview of the ethnos.

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3

Rajabova, Ma’rifat. "STYLIZATION OF MYTHOLOGICAL IMAGES IN NAVOI'S WORK." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (2021): 108–15. http://dx.doi.org/10.26739/2181-1490-2021-2-12.

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The work of Hazrat Alisher Navoi was formed on the basis of a spiritual treasure that has passed a rich and long historical path of development. The work of the great poet is connected with the oral tradition of the people on the one hand, and with the Qur'an and Hadith, which are the main sources of Islam, on the other hand. Stylistic folklorisms emerged as a result of the effective influence of folklore genres, motives and images in the works of A. Navoi. In the article A. The originality of the use of angelic and satanic mythonyms used in Navoi's works and the motives put forward by them are analyzed

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4

Grun, A. V., and A. N. Zhaxylykova. "MYTHOLOGICAL IMAGES IN PROSE POEMS by I.S. TURGENEV." Vestnik of M. Kozybayev North Kazakhstan University, no. 1 (53) (March 31, 2022): 84–89. http://dx.doi.org/10.54596/2309-6977-2022-1-84-89.

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As early as the beginning of the 20th century, linguists noted the growing interest of writers in mythology, which prompted them to study this phenomenon in more detail. Although traces of mythology can be found throughout the history of world literature. After all, mythological motifs contributed to the creation of images, themes and plots known to the whole world. The mythological basis of a literary work is the highest level of intertextuality and the cultural immersion of the reader's imagination into the literary canvas of a work of art. Through the analysis of mythological images, additional authorial meanings and the ideological idea of any writer are revealed. I.S. Turgenev is very stingy in choosing emotionally colored vocabulary, but his vivid images, sometimes developing into symbols, are all the more valuable. "Poems in prose" have not been studied in the literary world from the point of view of mythotectonics, which determines the relevance of the study. The article deals with the images of Hercules, an old woman and a fly, which take their origins from ancient, Slavic and Eastern mythology.

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Kamalovich, Allambergenov Hamza. "Mythological basis of unusual images in turkish peoples." ACADEMICIA: An International Multidisciplinary Research Journal 10, no. 12 (2020): 678–82. http://dx.doi.org/10.5958/2249-7137.2020.01789.9.

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6

Gergokova, Leyla Sozakbayovna. "MYTHOLOGICAL SUBJECTS AND IMAGES IN KARACHAY-BALKARIAN FOLKLORE." BULLETIN of the Kabardian-Balkarian Institute for the Humanities Research 4, no. 2 (2020): 125–30. http://dx.doi.org/10.31007/2306-5826-2020-4-2-47-125-130.

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7

Abdurakhmonov, Ibrokhim Rakhimovich. "The Interpretation Of Images On Dualism, Totemism, Animism And Fetishism." American Journal of Social Science and Education Innovations 03, no. 04 (2021): 75–81. http://dx.doi.org/10.37547/tajssei/volume03issue04-11.

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8

Rehman, Shazia. "INDIAN MYTHOLOGICAL HYBRID FORMS IN CONTEMPORARY INDIAN ARTWORKS." International Journal of Research -GRANTHAALAYAH 4, no. 12 (2016): 155–69. http://dx.doi.org/10.29121/granthaalayah.v4.i12.2016.2405.

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In this paper I have highlighted those art works which have hybrid/composite imagery. These images are not only appealing visually but also have strong connections with Indian Mythology. In Indian Myths these are considered as heavenly being and are mentioned in mythological stories in many forms such as aerial or atmospheric mythical animals, terrestrial mythical animal, and aquatic mythical animals etc. I have provided analysis of these types of images which are a part of Indian contemporary paintings with a new interpretation of meaning. I have included variety of these images and distributed them according to their physical appearance. For this paper I have chosen those contemporary Indian artists who have maintained a relation with their philosophy, mythology as well as with present scenario. They have reinvented the meaning of Indian mythology by giving a new appearance of its idioms and metaphors. In contemporary art I have surveyed hybrids or composite images personified into a new expression.

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9

Manukovskaya, Tatiana Vasilievna, and Svetlana Nikolaevna Biryukova. "Folklore-Mythological Images and Motives in Nikolai Klyuev’s Poetry." Filologičeskie nauki. Voprosy teorii i praktiki, no. 12 (December 2021): 3661–66. http://dx.doi.org/10.30853/phil20210676.

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10

Шарыпина, Татьяна Александровна. "ИНТЕРТЕКСТУАЛЬНЫЙ И СОЦИОКУЛЬТУРНЫЙ КОНТЕКСТ ДИЛОГИИ ЮРИЯ БРЕЗАНА O КРАБАТЕ". Acta Neophilologica 2, № XX (2019): 61–72. http://dx.doi.org/10.31648/an.3635.

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   This article analyzes intertextual references and the transformation of pan-European mythological motifs and images in J. Brězan’s dilogy novel about Krabat. It is concluded that the era of globalization as well as the German reunification make German writers search for new artistic ways of embodying traditional ontological conflicts in literary texts. This actualizes the usage of postmodern poetics’ principles, and also leads to a synthesis of juxtaposed biblical, historical, fable and mythological motifs and images within one piece of literature, a mode of writing untypical in the past.  

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