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Journal articles on the topic 'Mythological subject matter in painting and literature'

Author: Grafiati
Published: 24 April 2022
Last updated: 30 July 2025

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1

Narivska, Valentyna. "“Aeneid” by Anatolii Bazylevych: Picturesque Mythologization of Poem by Ivan Kotliarevskyi." Академічний журнал "Слово і Час", no. 3 (March 30, 2019): 92–103. http://dx.doi.org/10.33608/0236-1477.2019.03.92-103.

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The article analyzes 120 drawings by A. Bazylevych, the outstanding Ukrainian artist of the 20th century, created for the editions of “Aeneid” by I. Kotliarevskyi in 1969 and 1970. The subject matter is a look at the drawings in the status of a picturesque author’s myth. The skill of ‘visual intelligence’ of the artist is demonstrated in the picturesque original reading of the poem by Kotliarevskyi as a phenomenon of the Baroque with expressive literary methods of ‘image turning’ that contributed to this process and acquired the significance of historical and literary classics. The assumption
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2

Maxwell, Susan. "The Pursuit of Art and Pleasure in the Secret Grotto of Wilhelm V of Bavaria." Renaissance Quarterly 61, no. 2 (2008): 414–62. http://dx.doi.org/10.1353/ren.0.0004.

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AbstractThe Grottenhof is a small garden surrounded by painted loggias in the Munich Residence, a palace that served as the seat of the Wittelsbach Dukes of Bavaria beginning in the sixteenth century. Completed between 1582 and 1589, the garden contains an elaborate grottoed fountain, sculpture, and paintings based on Ovid’s Metamorphoses. The pictorial program of the painted loggias combines images of mythological ardor with illusionistic interlopers from everyday court life who make punning references to the pursuit of love. The sources for the garden can be found in Italian and French proto
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Georgieva, Tsvetana. "Pan in the Bulgarian literature of Fin de siècle." Bulgarski Ezik i Literatura-Bulgarian Language and Literature 64, no. 1 (2022): 17–28. http://dx.doi.org/10.53656/bel2022-2-tg.

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In the age of the Fin de siècle, the mythological Pan was the subject of numerous interpretations in painting, literature, and the performing arts. The article examines for the first time how the image of Pan fits into the modern Bulgarian literature of the early 20th century - in the works of Emanuil Popdimitrov, Trifon Kunev, Hristo Yassenov and Lyudmil Stoyanov. As an expression of the ideas of the epoch (in the Jugendstil and Secession currents), both in Europe and in Bulgaria, Pan and pantheism apologize for nature, the vegetative principle, youth and childhood, love fire, music and intox
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Barringer, Judith M. "The Mythological Paintings in the Macellum at Pompeii." Classical Antiquity 13, no. 2 (1994): 149–66. http://dx.doi.org/10.2307/25011012.

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This article attempts to establish and examine the context of the two remaining mythological paintings in the Macellum, the central market of Pompeii. Panels of Io and Argos and of Penelope and Odysseus grace the interior walls, and while the identification of the Penelope figure has been the subject of debate, she clearly derives from Greek prototypes of Penelope, both material and theatrical. Indeed, scholars suggest that the Io panel and perhaps the Penelope painting as well are copies of Greek panel paintings created by a fourth-century B.C. artist, but it is argued here that their pairing
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5

Kettlewell, Neil. "An Examination of Preferences for Subject Matter in Painting." Empirical Studies of the Arts 6, no. 1 (1988): 59–65. http://dx.doi.org/10.2190/dfk1-tbc2-jlex-5tec.

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Two samples were used, college students and art museum attendees. Both groups were asked to rank order nine different areas of subject matter in painting in terms of personal preference. No visual examples of the suggested subject matter were provided, although brief descriptions were given when it was deemed necessary. Based on rankings, all samples and the male and female sub-samples of the student sample showed highly significant within and between groups differences. The findings are argued to be contrary to those expected by those holding a position of “relativism” with respect to art. Th
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., Muhammad Rafiki, I. Gusti Made Budiarta, S. Pd ,. M. Pd ., and Dra Luh Suartini, M. Pd . "KARAKTERISTIK KARYA FINGER PAINTING ANAK-ANAK DI TAMAN KANAK-KANAK AISYIYAH BUSTANUL ATHFAL SINGARAJA." Jurnal Pendidikan Seni Rupa Undiksha 9, no. 1 (2019): 13. http://dx.doi.org/10.23887/jjpsp.v9i1.18775.

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Penelitian ini bertujuan untuk mendeskripsikan (1) alat dan bahan yang digunakan dalam kegiatan finger painting di TK Aisyiyah Bustanul Athfal Singaraja, (2) proses kegiatan finger painting di TK Aisyiyah Bustanul Athfal Singaraja, (3) subject matter hasil gambar anak yang dihasilkan dalam kegiatan finger painting di TK Aisyiyah Bustanul Athfal Singaraja. Sasaran penelitian ini adalah anak-anak kelompok B TK Aisyiyah Bustanul Athfal Singaraja yang terdiri atas 5 kelas kelompok B. Penelitian ini adalah penelitian deskriptif kualitatif. Pengumpulan data dalam penelitian ini dilakukan dengan tekn
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7

Zhou, Boyuan. "The Historical Value of Landscape Paintings in the Song Dynasty." Communications in Humanities Research 58, no. 1 (2025): 137–41. https://doi.org/10.54254/2753-7064/2025.22404.

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The landscape paintings of the two Song Dynasties are important historical materials to study the society, culture and ideology of the Song Dynasty, and have high historical value. This paper aims to analyze the characteristics of landscape painting techniques, subject matter selection and artistic conception creation in the two Song dynasties, combined with the political, economic and cultural backgrounds of the two Song dynasties, and deeply explore the historical value of its refraction. This paper incorporates the method of literature research, image analysis and comparative analysis. Land
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8

Singh, S. K. "Surrealist Movement." Greener Journal of Arts and Humanities 1, no. 1 (2011): 21–22. https://doi.org/10.5281/zenodo.3483625.

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This paper analyses the definition, its sources, merits and demerits. The French poet and critic Andre Breton founded Surrealism, a literary and artistic movement. It was a movement in painting, sculpture and literature. In this way, surrealism is a modern psychological concept that regards the subconscious  the state of dream. Being much chaotic in subject matter it failed. Moreover, it did not match the common English taste. The rank and file could not comprehend it.
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9

Liao, Yang. "Astral Cult in the Encompassing Mind: Rethinking the ‘Stellar Magic Circle’ from Khara-Khoto." Acta Orientalia Academiae Scientiarum Hungaricae 76, no. 1 (2023): 47–91. http://dx.doi.org/10.1556/062.2022.00124.

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A rare painting with unique subject matter among extant Tangut cultural heritage, the so-called astral maṇḍala (more accurately, Grahamātṛkā-maṇḍala) from Khara-khoto deserves focused academic attention. Now in the collection of Hermitage, this painting broadens the horizons of research from multiple perspectives, including the history of astrology, Tangut culture, Esoteric Buddhism, and ritual studies. Introduced into Tangut Buddhism likely via Tibet, the Grahamātṛka-maṇḍala contributed to the construction of both a new iconographical system and a new pantheon of astral deities. The painting
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Abramkin, Ivan A. "TYPOLOGICAL CHARACTERISTICS OF CEREMONIAL AND CHAMBER IMAGE IN THE RUSSIAN PORTRAIT PAINTING OF 18TH CENTURY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 4 (2020): 112–27. http://dx.doi.org/10.28995/2073-6401-2020-4-112-127.

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The article is devoted to the thorough research of distinctive features of ceremonial and chamber types of portrait in Russian art of 18th century. The matter drew attention of scientists earlier but the identification of specific characteristics, inherent to each type of portrait painting, is not available in academic literature on the subject at the moment. The need for defining a set of features appears relevant for studies into the portrait painting at the turn of 18th – 19th centuries, which is characterized by combination of particularities peculiar to different variants of image in one
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Buchanan, Sophie. "Representing Medea on Roman Sarcophagi: Contemplating a Paradox." Ramus 41, no. 1-2 (2012): 144–60. http://dx.doi.org/10.1017/s0048671x00000291.

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It is one thing to find Medea compelling, another to make her art, let alone funerary art. This article faces this complexity head on by examining Medea's visual identity within a sepulchral context. It interrogates her presence on Roman sarcophagi of the mid to late second century CE. The corpus is not insubstantial—nine intact relief panels plus further fragmentary pieces offer ample testament to Medea's presence in the funerary context. Beyond this sphere, Medea's emotionally charged legacy needs no introduction, and her characterisation—outsider, avenger, semi-divine sorceress, victim and
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Fischer, Susan L. "Romeo and Juliet and ekphrastic criticism in practice." Cahiers Élisabéthains: A Journal of English Renaissance Studies 93, no. 1 (2017): 107–23. http://dx.doi.org/10.1177/0184767817705498.

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The act of reading and re-viewing stage performance, of re-presenting or re-visualizing a mise-en-scène through ‘verbal painting’ may be fruitfully considered through the ancient rhetorical process of ekphrasis (‘a speech that brings the subject matter vividly before the eyes’) and its defining quality of enargeia (‘vividness’). It is an approach that makes listeners (and readers) into ‘spectators’. This foray into ancient rhetorical practice, with its focus on impact rather than mere analysis, is intended to penetrate the process of re-viewing and critiquing performance, taking as an example
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Guhmana, Teguh Djaka Sudarmana. "MOTHER'S LOVE AS AN INSPIRATION FOR CREATING PAINTING WORKS." ARTISTIC : International Journal of Creation and Innovation 5, no. 1 (2024): 12–33. http://dx.doi.org/10.33153/artistic.v5i1.5905.

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The study of the creation of this work began with an interest in mothers’ love in sincerely nurturing their children and families. Once elaborated, a mother's love is eventually the fruits of the spirit (Galatians 5:22-23). This creation study uses an emic approach to understand the meaning of maternal love as perceived by mothers at the Bhakti Kasih Bunda nursing home in Surakarta. This creation study stage was divided into several steps in creating the work: (1) data collection through field observations, literature studies, and in-depth interviews with mothers at the Bhakti Kasih Bunda nurs
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Baron, Marta. "Anaesthetic gardens. On Metaphysics by Lech Majewski." Journal of Education Culture and Society 1, no. 1 (2020): 49–55. http://dx.doi.org/10.15503/jecs20101.49.55.

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Interpretation of Metaphisics – the novel written by Lech Majewski, is the subject matter of theoretical, aesthetic and antropological considerations. Synthesis of arts: literature, film, painting and theatre, which occur in the novel, opens a perspective of intertextuality and provokes questions about ekphrasis, varied materials, ways of experience mediated by dispositives and reflections on humans among other problems. The crucial point in both: Majewski’s novel and this dissertation, is a triptych painted by Hieronymus Bosch – The Garden of Earthly Delight, which gradually annexes the featu
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15

Bois, Yve-Alain. "Letters from Paris." October 169 (August 2019): 38–64. http://dx.doi.org/10.1162/octo_a_00359.

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From 1957 to 1964, Annette Michelson wrote over seventy-five columns and reviews from Paris for the International Herald Tribune, Arts Magazine, and Art International. As Yve-Alain Bois demonstrates, Michelson's subject matter as an art critic during this time was varied, but her tone remained consistent and inimitable, characterized by erudition, irony, and attention to formal detail. Bois quotes from her self-confident appraisals of contemporary painting, traces her burgeoning interest in film, and highlights her particular interest in sculpture, from Daumier's modeled busts to Matisse's sma
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Naydenova, Roksana Romanovna. "Mythological heroes, historical figures and characters of world literature in the works of Margaret Atwood." Филология: научные исследования, no. 3 (March 2024): 89–95. http://dx.doi.org/10.7256/2454-0749.2024.3.70207.

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The subject of the research in this article is Margaret Atwood's literary game, which includes work with myths, world history and literature. Margaret Atwood (b. 1939) is a well-known modern Canadian writer, poet, literary critic and critic. Her works include the novel The Handmaid's Tale (1985) and its sequel, The Testaments (2019), as well as the fantasy trilogy The Mindless Addam (2003-2013). No matter what M. Atwood writes about, her works are always a story, a complex and multilevel narrative, in the center of which stands the figure of the narrator. Having begun her literary activity in
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Dr. Mahavir Prasad Sahu and Dr. Kalpana Shringi. "Real disclosure of contemporary politics - "Vikramacharit Aakhyan"." Knowledgeable Research: A Multidisciplinary Journal 2, no. 10 (2024): 106–11. http://dx.doi.org/10.57067/1ahy8q92.

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Prof. born in Rajgarh district of Madhya Pradesh. Radhavallabh Tripathi is the outgoing Chancellor of the Rashtriya Sanskrit Sansthan (New Delhi). The works written by him include Adi Kavi Valmiki: (1976), Lokdharmi Tradition of Sanskrit Poetry (1976, 1999), Poetics and Poetry (1987), Lectures on Drama (1992), Drama and World Theatre (1988), Drama Encyclopedia (Chaturshu Khandeshu, 1999), etc., critical and poetic works. The text is important. In the field of literature, his major works are Rotikalahari (poetry), Abhinavasuk Saptati (collection of stories), Prekshanam Saptakam (street plays),
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18

Bi, Jiancheng. "Symbiotic nurture between literature, culture and nature in Gary Snyder’s Meta-Picto-Poetry of landscape." Trans/Form/Ação 46, no. 4 (2023): 163–82. http://dx.doi.org/10.1590/0101-3173.2023.v46n4.p163.

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Abstract: This article holds the opinion that some meta-picto-poetry of landscape, composed by American poet Gary Snyder, takes Chinese landscape painting as its subject matter with the characteristics of ancient Chinese poetry, shimmering with incomparable artistic charm and cultural substance. Poetry of this kind is a perfect combination of eastern and western elements, integrating the cultures, thoughts and arts of both sides. The appreciation of this poetry creates a complex experience with a hybrid of artistic forms and aesthetic spaces. Gary Snyder is not only an eco-poet, but also a sty
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19

Fiorenza, Giancarlo. "Penelope’s Web: Francesco Primaticcio’s Epic Revision at Fontainebleau*." Renaissance Quarterly 59, no. 3 (2006): 795–827. http://dx.doi.org/10.1353/ren.2008.0370.

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Francesco Primaticcio designed his celebrated Galerie d’Ulysse at Fontainebleau (now destroyed) at a time when the epic genre was being updated and redefined. One of the most popular scenes from the gallery, Ulysses and Penelope recounting their adventures to one another in bed (from book 23 of theOdyssey),was adapted and revised in an independent composition by Primaticcio himself:Ulysses and Penelope(Toledo Museum of Art, ca. 1560). In contrast to the Fontainebleau mural, the artist’s self-conscious, refined pictorial language for his canvas converts epic energy into lyric sentimentality. As
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20

Brietzke, Zander. "The New York Tenderloin of John Sloan in Eugene O’Neill’s Last Plays." Eugene O'Neill Review 44, no. 2 (2023): 149–68. http://dx.doi.org/10.5325/eugeoneirevi.44.2.0149.

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ABSTRACT Artist John Sloan (1871–1951) lived on the southern border of the Tenderloin in New York City from 1904 until 1912 and walked the neighborhood daily for subject matter to draw and paint. His canvases seem like stage composition in which the figures within a scene look at one another while inviting the viewer’s participation. The dynamics between who is watching and who is being watched create stories in his pictures and, the author argues, inspire charitable feelings for characters in O’Neill’s last plays: compassion for their situations; empathy for what they must endure; forgiveness
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Schmitter, Monika. "TheQuadro da Portegoin Sixteenth-Century Venetian Art*." Renaissance Quarterly 64, no. 3 (2011): 693–751. http://dx.doi.org/10.1086/662848.

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AbstractDuring the sixteenth century a symbiotic relationship developed between the form, use, and symbolic associations of the Venetian portego, the central reception and entertainment hall of Venetian palaces, and the paintings that were increasingly commissioned to ornament these spaces. The intended placement of the paintings affected their size, format, composition, subject matter, and contemporary interpretation. At the same time, the works of art themselves reflected upon and helped to define the social meanings of the space and the activities taking place there. Analyzing documentary s
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Tibbe, Lieske. "Aardappeleters." De Moderne Tijd 5, no. 3/4 (2021): 328–52. http://dx.doi.org/10.5117/dmt2021.3/4.006.tibb.

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Abstract Potato eaters. A mundane theme in painting, 1885-1905 In late nineteenth-century Dutch art criticism, the topic of ‘poor people eating potatoes’ seems to have been a kind of litmus test for modern, Realist art. It was a sign of the dissolution of the hierachy of the genres, the decline of idealist painting with its elevated, literary themes, and it marked the emerging popularity of commonplace subjects without specific moral meaning attached to them. Likewise, painting of romantic, picturesque landscapes gave way to the more prosaic theme of hard work in the field. Poor farm workers a
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Liškevičienė, Jolita. "The Painting Venatio Sacra in the Chapel of Skurbutėnai: The Influence of Poetry on the Artistic Expression of a Work of Art." Senoji Lietuvos literatūra 52 (August 6, 2024): 19–50. https://doi.org/10.51554/sll.21.52.02.

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The article analyses the iconography of one Baroque painting. The canvas is kept in the Skurbutėnai chapel in the ward of Pagiriai in Vilnius district. It is listed in the Register of Movable Treasures of Lithuania and has the status of a state monument. The examination of this allegorical painting was prompted by its atypical composition, numerous Latin inscriptions, and the rare subject matter of the artwork, Venatio Sacra (‘The Sacred Hunt’). One of the starting points for this work was a line of the 30th epigram by the poet Mathias Casimirus Sarbievius (Maciej Kazimierz Sarbiewski). As it
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Matnazarova, Saida. "Artistic expression of historical theme in works." International Journal Of Literature And Languages 5, no. 2 (2025): 64–66. https://doi.org/10.37547/ijll/volume05issue02-19.

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This article explores the artistic expression of historical themes in various creative works, such as literature, painting, and film. By examining how historical events, periods, and figures are conveyed through aesthetic choices, narrative structure, and symbolic elements, the paper underscores the significance of artistic interpretation in shaping public perception of the past. In many cases, the artist’s personal vision, cultural context, and intended audience contribute to a reimagining or reinterpretation of historical realities. Through close analysis of representative examples, the stud
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Susana González Abalos. "Metafictional Games in Chatterton." Miscelánea: A Journal of English and American Studies 14 (December 31, 1993): 57–72. https://doi.org/10.26754/ojs_misc/mj.199311506.

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"Metafictional Games in Chatterton" is a study of Ackroyd's Chatterton as a self-reflexive novel. This paper seeks to analyse the self-conscious narrative methods in Chatterton , focusing on Ackroyd's choice of subject matter and on his rewriting of history. From a narratological approach, we see how the novel questions its own methods of representation, and the issue of representation in works of art, mainly in literature and painting. After a study of the figure of the poet Chatterton, we examine the relevance of his ideas on plagiarism in the present literary society depicted in the novel;
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Demchuk, Stefaniia. "Late Gothic (Antwerp) Mannerism: its Origins, Nature and Decline (a Review of the Literature)." Text and Image: Essential Problems in Art History, no. 2 (2021): 83–94. http://dx.doi.org/10.17721/2519-4801.2021.2.04.

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This essay does not strive to give a comprehensive review of literature on Antwerp Mannerism, but rather to summarize the focal points of discussions and to outline key roadmaps for further studies. The majority of scholars consider Antwerp Mannerism as a late Gothic style influenced by Italian Quattrocento. Its genesis, however, remains a subject of hot debates. If Hoogewerff argued on the German origins, Vandenbroeck attributed it to an inflow of provincial artists. Whatever were the origins, Expressionist shapes were not inherent to the early Netherlandish painting and the attempt to fuse t
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Venegas Ramos, Alberto. "Memetic images and the use and representation of the past: The US war of independence and Donald Trump's presidency." HISPANIA NOVA. Primera Revista de Historia Contemporánea on-line en castellano. Segunda Época, no. 20 (November 24, 2021): 635–59. http://dx.doi.org/10.20318/hn.2022.6472.

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The goal of this paper is to study the forms and uses of the past in digitally-created images that are reproduced in virtual spaces using as an example the famous painting Washington crossing the Delaware (1851) by Emanual Leutze and the subsequent changes and adaptations of this work of art. Based on the latest studies of visual culture, cultural memory and previous literature on the subject matter, we will analyse a case study: digital and virtual images created around Donald Trump's presidency and the memories of the country's war of independence. This paper will aim to define the ways in w
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Altay, ALDOĞAN. "The Artist's Mother: An Evaluation On The Work "Materia" By Umberto Boccioni." INTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, E.Ş. Special Issue (2023): 144–55. https://doi.org/10.5281/zenodo.8264258.

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Looking at the history of art, it is seen that many painters occasionally use family members as models. It is known that among these individuals, especially the "mother" figure is frequently preferred. Starting with Albrecht Dürer's "Portrait of the Artist's Mother" (1514) and ending with Andy Warhol's "Andy Warhol's Julia Warhola" (1974) and covering a period of more than four hundred years, the book Artist's Mother” (2009) shows that this subject is frequently included in the art of painting. Here, it should be said that the depict
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Sulikowska-Bełczowska, Aleksandra. "Old Believers and the World of Evil: Images of Evil Forces in Old Believer Art." Ikonotheka 27 (July 10, 2018): 71–91. http://dx.doi.org/10.5604/01.3001.0012.2318.

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The article considers the Old Believers’ beliefs about, and the manner of depicting, the Antichrist, the end of the world, Satan and the devils. It discusses how both Old Believer literature and philosophy relate to their art, which was created between the second half of the 17th century and 1917. The subject matter includes popular images from Old Believer iconography, such as images of John the Baptist, the Angel of the Desert, the Archangel Michael, the Archistrategos of the Heavenly Hosts, Saint Nicetas fighting a devil, or Saint George slaying a dragon, as well as several illustration set
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Kelders, Ann. "De Gouden Eeuw van de Bourgondisch-Habsburgse Nederlanden." Queeste 27, no. 1 (2020): 63–70. http://dx.doi.org/10.5117/que2020.1.003.keld.

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Abstract The Royal Library of Belgium (kbr) has opened a new permanent museum showcasing the historical core of its collections: the luxurious manuscript library of the dukes of Burgundy. Centred around a late medieval chapel that is part of kbr’s present-day building, the museum introduces visitors to medieval book production, the historical context of the late medieval Low Countries, and the subject matter of the ducal library. The breadth of the dukes’ (and their wives’!) interests is reflected in the manuscripts that have come down to us, ranging from liturgical books over philosophical tr
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Ujszászi, Zsuzsanna. "The Pre-Raphaelite Journey into the Middle Ages." Acta Universitatis Sapientiae, Philologica 7, no. 1 (2015): 29–43. http://dx.doi.org/10.1515/ausp-2015-0033.

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Abstract The Pre-Raphaelite artists and poets rejected contemporary conventional style in art, and did not concern themselves with the representation of contemporary life either. They viewed the surrounding social life as sordid, and reached back to the Middle Ages both for technique and subject matter. Dante Gabriel Rossetti, Holman Hunt, John Everett Millais, and later William Morris found inspiration in late medieval art and literature. They took their subjects from history, legend, religion or poetry, focusing on moral or psychological issues, and expressed fascination for beauty as a valu
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Anisimova, Olga Vladimirovna. "Portrait of the writer: the peculiarities of literary technique of Roger Zelazny." Litera, no. 4 (April 2021): 145–53. http://dx.doi.org/10.25136/2409-8698.2021.4.35298.

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The subject of this research is the unique literary technique of the prominent American fantasy and science fiction writer Roger Zelazny, the author of the world-renowned novels, such as “The Chronicles of Amber”, “This Immortal”, "The Lord of Light”, etc. The article is dedicated namely to determination of the key peculiarities of the poetics of his works. Special attention is given to characterization of his literary path, its periodization, the impact of Zelazny's predecessors – the authors of science fiction and classical world li
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Miller, Toby, Eva Aladro-Vico, and Paula Requeijo-Rey. "The hero and the shadow: Myths in digital social movements." Comunicar 29, no. 68 (2021): 9–20. http://dx.doi.org/10.3916/c68-2021-01.

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The general subject of this analysis is the presence of myths on social media, a heritage of the previous century’s mass culture, and in particular, for social movements. Social movements within networked communication are particularly endowed with mythologies, which draw on mass culture and on societies’ archetypal and psychological backgrounds. This fact justifies the hypothesis that the most effective and popular social movements resort to deeper mythological forms. The specific objective is to describe concrete myths in the language of digital social movements and to review the aspects of
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Taylor, P. Ruth. "Valerius' Flavian Argonautica." Classical Quarterly 44, no. 1 (1994): 212–35. http://dx.doi.org/10.1017/s0009838800017316.

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‘[Valerius'] Argonautica is a story of high adventure, not a poème à thèse’: so stated Garson in 1965. Strand later added that the essential nature of this poem and the choice of subject-matter was determined by poetic inability; he describes the prooemium to Valerius' Argonautica as ‘a recusatio: the theme of the fall of Jerusalem is beyond his powers, and it would instead be treated by Domitian who was fit for such an arduous task; Valerius had to content himself with the theme of an old myth’. It is these two opinions that I wish to question in this article. Indeed, alarm bells immediately
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Zablotskaya, V. S. "Propaganda Through a Prism of a Photographic Image in the Totalitarian States on the Example of the Third Reich." Discourse 5, no. 4 (2019): 65–72. http://dx.doi.org/10.32603/2412-8562-2019-5-4-65-72.

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Introduction. People have long gone to the invention of the method of fixing objects, phenomena not only with the help of graphic activity, since this method took a lot of time and could not fully convey the appearance of the depicted object. The quality and proximity to reality depended not only on the skill of the artist, but also on the genre in which the painting was performed. And, as a result of a huge number of experiments and invested efforts of a dozen of people, in the XIX century they finally found a different way of fixing everyday life. And photography has become this way.Methodol
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Agratina, Elena E. "Royal Free School of Drawing by Jean-Jacques Bachelier: Development of Education and Craftwork in France." Observatory of Culture 17, no. 5 (2020): 538–49. http://dx.doi.org/10.25281/2072-3156-2020-17-5-538-549.

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For the first time in Russian, the article reconstructs the history of the free school of drawing founded by the French artist and talented teacher J.-J. Bachelier (1724—1806); analyzes the charter and rules of this institution, its educational programs and practical activities; determines the role in the development of artistic craft in France. The article’s subject matter is multidisciplinary and is located at the intersection of the theory and history of art, art education and pedagogy. In view of the small number of comprehensive studies on the history of art education in France, this stud
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Chikarkova, Maria. "Graffiti as a sign: the semiotic approach to the study of the phenomenon." Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 9, no. 18 (2019): 92–98. http://dx.doi.org/10.34079/2226-2849-2019-9-18-92-98.

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Although graffiti is a well-known phenomenon of street art, there is still no single point of view on this phenomenon (even if it is considered art at all). Both the essence and the manifestations of graffiti remain a matter of debate - there are dozens of different classifications, that they are based on different characteristics. However, the phenomenon has rarely attracted attention from the point of view of semiotics, though it is the semiotic reading of graffiti that makes it possible to understand its nature more deeply. Due to semiotics we could create an integrative classification, whi
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Kozlova, Lyubov A., and Anna V. Kremneva. "Lingua-artistic technique of writing and its role in portraying an artist." Russian Journal of Linguistics 26, no. 3 (2022): 721–43. http://dx.doi.org/10.22363/2687-0088-30060.

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The theory of intermediality which first emerged within the frame of intertextuality theory has nowadays become a vast field of interdisciplinary research embracing studies in literature, linguistics, art and culture. In spite of the great amount of works discussing various aspects of this complex phenomenon, numerous questions related to the interpretation of its essence, the typology of intermedial interactions and their functions still remain the subject matter of discussions. An important factor determining the topicality of the intermediality issue is a great number of new textual practic
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Özlem, ERZURUMLU JORAYEV, and Kaplanoğlu Lütfü. "Jean Lurçat and His Impact on Tapestry Wovens." INTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, no. 2 (2023): 173–98. https://doi.org/10.5281/zenodo.8025704.

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Weaving, developed by people with the need for covering and protection, is a document that contains the social and cultural values of the period in which it was practiced in history. Observations and inspirations from the living environment led weavers to seek aesthetics and beauty, applications were decorated with colors and patterns, and pictorial expressions reflecting the lived period were developed. It is known that the oldest examples of pictorial weavings, which are known as tapestry, woven painting, tapestry, and tapestry, Goblen were woven in Egypt. In this tradition, which has been g
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Duparc, F. J. "Philips Wouwerman, 1619 - 1668." Oud Holland - Quarterly for Dutch Art History 107, no. 3 (1993): 257–86. http://dx.doi.org/10.1163/187501793x00018.

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AbstractPhilips Wouwerman(s) was undoubtedly the most accomplished and successful Dutch painter of equestrian scenes in the 17th century. Even so, neither a critical study of his work nor a documented biography has been published. The present essay not only presents the results of archive research but also outlines his artistic development. Besides the seven dated pictures by the artist known by Hofstede de Groot, several others have been discovered. Wouwerman was born in Haarlem, the eldest son of the painter Pouwels Joosten and his fourth wife, Susanna van den Bogert. Two other sons, Pieter
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Berdimurodova, Surayyo Baxodir qizi, and Muhabbat Asadovna Adilova. "SHAKESPEARE 'S CREATION IN THE DEVELOPMENT OF ENGLISH LITERATURE." September 28, 2022. https://doi.org/10.5281/zenodo.7118811.

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Shakespeare's literary heritage consists of poetry and drama. The epics "Venus and Adonis" (1593) and "Lucretsia" (1594) related to Roman history, which he wrote on the basis of a mythological plot, were warmly welcomed. These works, especially the "Sonnets" written in the years 1592-1600, showed that Shakespeare appeared in an integral relationship with the culture of the Renaissance. Shakespeare's sonnets, which are among the great examples of world lyrics, are divided into 2 groups in terms of subject matter: the first 126 sonnets are dedicated to the p
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"The Artistic Characteristics of Chinese Impressionist Painter Wu Guanzhong." Asian Journal of Research in Education and Social Sciences, September 1, 2024. http://dx.doi.org/10.55057/ajress.2024.6.3.22.

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This study aims to explore the artistic characteristics of Chinese Impressionist painter Wu Guanzhong. By combing through Wu Guanzhong's artistic experience, it analyzes the evolution of his painting style and its unique expression in the fusion of Chinese and Western art. The study provides an in-depth analysis of Wu Guanzhong's works in terms of subject matter, materials, composition, color, brushwork and other aspects, revealing his unique artistic language and his contribution to the development of modern Chinese painting. At the same time, this study combines literature review and case st
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Stinis, Marte. "Musical Experience in the Bower: D. G. Rossetti, Listening, and Space." Journal of Victorian Culture, April 13, 2022. http://dx.doi.org/10.1093/jvcult/vcac011.

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Abstract This essay traces Dante Gabriel Rossetti’s use of the bower as a visual space in relation to musical subject matter. Following the increasing popularity of instrumental music and musical discourse in the mid-nineteenth century, the idea of art music and its expressive abilities had become a pervasive discourse for painters. Through an examination of Rossetti’s images of bowers with a musical subject – specifically The Blue Bower (1865), Veronica Veronese (1872), and La Ghirlandata (1873) – this essay explores ideas of musical temporality and artistic spatiality, tonal relations betwee
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"VI. Narrative and Images." New Surveys in the Classics 22 (1991): 63–77. http://dx.doi.org/10.1017/s0533245100022677.

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Greek pottery provides us with a fascinating, if bewildering, variety of painted scenes. It is therefore no cause for astonishment that study of imagery, iconography, narrative method, mythical and contemporary subject matter, etc. should be of major scholarly concern. Scholars work with the evidence they possess but have to keep in mind what is missing - both from literature and from art. The more closely investigated such matters are, the more obvious it becomes that we must be careful to make distinctions between the imagery of different centres of vase production, and also between the imag
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Körsulu, Hatice. "GLASS BEAKER WITH MYTHOLOGICAL FIGURES FROM THE CITY OF PHILADELPHIA IN ISAURIA." Türkiye Bilimler Akademisi Arkeoloji Dergisi, April 2, 2024. http://dx.doi.org/10.22520/tubaar.1445224.

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Built in the region of Isauria - Cilicia Trachea, the ancient city of Philadelphia is located today in the north of the Gökçeseki village in the Ermenek district of the Karaman province. In 2015, a rescue excavation was conducted in this ancient city’s necropolis. During the excavations, sarcophagi that were raised on podiums were discovered. Also, a large number of archaeological finds were unearthed in an area of 10x10 m just west of these sarcophagi. The subject of this study is a glass beaker with mythological figures found in this area. There are very few beakers with mythological figures
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Howley, Ellen. "The sea and memory: Poetic reconsiderations of the Zong massacre." Journal of Commonwealth Literature, October 30, 2019, 002198941988123. http://dx.doi.org/10.1177/0021989419881233.

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This article examines two poems which deal directly with the events of the Zong massacre of 1781, which saw 132 Africans aboard the British slave ship Zong thrown overboard when the ship ran out of potable water. David Dabydeen’s “Turner” and Marlene NourbeSe Philip’s Zong! attempt to render the African experience of Zong in their work. Despite the similarities in subject matter and approach, there has been little substantial comparative work on these poems. Responding respectively to J. M. W. Turner’s painting The Slave Ship, which was inspired by the events, and art critic John Ruskin’s comm
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Pendar, Mohammad, Frederico Freire Rodrigues, José Páscoa, and Rui Lima. "Review of Coating and Curing Processes: Evaluation in Automotive Industry." Physics of Fluids, September 16, 2022. http://dx.doi.org/10.1063/5.0109376.

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The paint shop plant, as the largest energy consumer in the automotive manufacturing process, requires special attention to optimize energy efficiency and thermal management, reduce environmental impact and diminish the total costs to improve marketability. The current review covers the description of the automotive paint shop, recognition of the paint film layers, characterization of the paint spray applicators and evolution of their technology's advancement, explanation of the coating processes development, and investigation of the curing ovens thermal procedure in an automotive production s
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Baker, Michael S., Jacob B. Baker, and Frederick M. Burkle. "Arming Hospital Ships of the Future: Hybrid Wars Require a Major Change." Military Medicine, April 27, 2023. http://dx.doi.org/10.1093/milmed/usad118.

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ABSTRACT Introduction It is time to provide heavier defense systems to U.S. Navy hospital ships. They serve vital functions in both the military and emergency management spaces. They provide medical support for combat operations and can also convey the empathy and generosity of the American people when used in humanitarian assistance and disaster relief response. Hospital ships are often key to success in scenarios that require the international deployment of resources and medical expertise. Hospital ships serve a dual purpose and hence are subject to regulations that do not address all wartim
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Mussari, Mark. "Umberto Eco Would Have Made a Bad Fauve." M/C Journal 5, no. 3 (2002). http://dx.doi.org/10.5204/mcj.1966.

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"The eye altering, alters all." - Blake In his essay "How Culture Conditions the Colours We See," Umberto Eco claims that chromatic perception is determined by language. Regarding language as the primary modeling system, Eco argues for linguistic predominance over visual experience: ". . . the puzzle we are faced with is neither a psychological one nor an aesthetic one: it is a cultural one, and as such is filtered through a linguistic system" (159). Eco goes on to explain that he is 'very confused' about chromatic effect, and his arguments do a fine job of illustrating that confusion. To Eco'
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Goggin, Joyce. "Transmedia Storyworlds, Literary Theory, Games." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1373.

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IntroductionThis essay will focus on some of the connections between digitally transmitted stories, games, narrative processes, and the discipline whose ostensible job is the study of storytelling, namely literature. My observations will be limited to the specific case of computer games, storytelling, and what is often unproblematically referred to as “literature,” in order to focus attention on historical and contemporary features of the development of the relationship between the two that remain largely unexamined. Therefore, one goal of this essay is to re-think this relationship from a fre
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