Academic literature on the topic 'Mythologie grecque'
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Journal articles on the topic "Mythologie grecque"
Matthey, Philippe. "Claude Calame, Qu’est-ce que la mythologie grecque ?" Revue de l'histoire des religions, no. 235 (March 1, 2018): 149–52. http://dx.doi.org/10.4000/rhr.8855.
Full textGiovénal, Carine. "Claude Calame, Qu’est-ce que la mythologie grecque ?" Anabases, no. 23 (May 2, 2016): 304–5. http://dx.doi.org/10.4000/anabases.5684.
Full textVons, Jacqueline. "Dieux, femmes et «pharmacie» dans la mythologie grecque." Revue d'histoire de la pharmacie 89, no. 332 (2001): 501–12. http://dx.doi.org/10.3406/pharm.2001.5283.
Full textVoisin, Jean-Louis. "Remarques sur la mort volontaire dans la mythologie grecque." Pallas, no. 104 (August 17, 2017): 325–43. http://dx.doi.org/10.4000/pallas.7864.
Full textSchmitt, Arnaud. "Qu’est-ce que la mythologie grecque? by Claude Calame." Poetics Today 38, no. 4 (December 1, 2017): 776–78. http://dx.doi.org/10.1215/03335372-4184398.
Full textBoimare, Serge. "La cosmogonie au secours des non-lecteurs." Cliniques N° 26, no. 2 (October 31, 2023): 164–71. http://dx.doi.org/10.3917/clini.026.0164.
Full textLardellier, Pascal. "Petite mythologie de la médiatisation des attentats du 11-Septembre." MédiaMorphoses 19, no. 1 (2007): 58–64. http://dx.doi.org/10.3406/memor.2007.2517.
Full textJacob, Christian. "Le savoir des mythographes (note critique)." Annales. Histoire, Sciences Sociales 49, no. 2 (April 1994): 419–28. http://dx.doi.org/10.3406/ahess.1994.279268.
Full textThirard, Marie-Agnès. "Les ancêtres d'Ogrest, ogres et géants: mythe ou réalité?" Ondina - Ondine, no. 6 (September 7, 2021): 69–85. http://dx.doi.org/10.26754/ojs_ondina/ond.202165113.
Full textSamonà, Giuseppe A. "Histoire des religions et analyse des mythes." Studies in Religion/Sciences Religieuses 25, no. 3 (September 1996): 287–305. http://dx.doi.org/10.1177/000842989602500304.
Full textDissertations / Theses on the topic "Mythologie grecque"
Dancourt, Michèle. "Dédale et Icare : situation du mythe dans la culture européenne." Paris 3, 1994. http://www.theses.fr/1994PA030137.
Full textThis myth, in spite of its seeming dispersion, follows the vectors of european culture throwing light onto one focal point, the status of art. If we examine the history of this myth, we ses emerging on either side of the craftsman daedalus his two sons who are to evolve into artist figures themeselves : icarus in the nineteenth century in search of the absolute but destinde to fall and the minoteur in the twentieth century, the dark sacrificial side of the demiurge. European culture had long since occulted the father (the craftsman himself is virtually absent from any pictorial representation) and yet showed a marked fascination for the son icarus, whose hubristic tendancy makes him stand out from the mass of imagery all the more so since both inconic and written representation mirror each other. Paradoxically artists abandon him at a critical moment when, symbolising both the triumph of aeronautics and the failure of the quest for the sublime, he would seem to incarnate the divoprce betwwen art and technology. Icarus was to become a common place figure in interpretations which, breaking with tradition, were burlesque. Reading through the different interpretations of this myth, one can perceive a stable scenario which is richly symbolic and centres on the demiurge linking both father-son rivality and the creation of a fetishistic name; feminity is cast aside and creativity verges on destruction. The other common features of the myth open up a vivid, ambiguous imaginary wolrd
Hussein, Abdelhamid Ahmed. "Griechische Mythologie im modernen arabischen Theater /." Aachen : Shaker, 2004. http://catalogue.bnf.fr/ark:/12148/cb39277378v.
Full textBrémond, Mireille. "Prométhée et les autres bienfaiteurs et civilisateurs : relations, analogies, spécificités." Montpellier 3, 1988. http://www.theses.fr/1988MON30018.
Full textPrometheus has much in common with others civilizers. They are all characterized by ambivalence, a cunning intelligence directed toward concrete achievements and by magical powers. Prometheus has an ability to predict the future which occupies an important place in his story. Hephaistos has a special status among the civilizers: he is the only "professional" craftsman of olympus. Moreover he has the most extensive magical powers. Having dealt with these common characteristics, it remains to be seen in what respects prometheus differs fundamentally from the others civilizers: by his status in the divine world, by the nature of his gifts which carry unfortunate consequences for him and his proteges: the withdrawal of the fire, the appearance of pandora, replica of the promethean creation. He is punished for the transgression of a law which requires that both mortals and immortals stay in their own places. Finally he is distinguished by his role as the creator of humanity. This episode underlines his limitations: the participation of athena who breathes life into statues, the stupid intervention of epimetheus, the story of the pious deucalion show that titan's actions are motivated by "hubris" and are thus destined in advance to fail
Delattre, Charles. "Les figures de Minos dans l'imaginaire antique : thalassocrate, législateur, juge infernal." Paris 10, 2001. http://www.theses.fr/2001PA100123.
Full textMinos, mythical sovereign of Crete, is depicted in Greek and Latin texts from the fifth century B. C. E. Up through the Middle Ages as both a man of action and, in three particular instances, as a fixed character. He is generally associated with a short predicate as well as a limited number of invariable characteristics. This structure, in contradistinction to that of a myth, not only serves to organize the imaginary landscape surrounding Minos but also gives rise to theoretical reflection in a particular field. First of all, Minos is a thalassocrat: he has dominion over the sea. From Herodotus and Thucydides onward, stories about Minosthalassocrat enable us to study the means of conquering territory in the Aegean area from a geostrategic point of view and give birth to a chronological history. Additionally, Minos is a legislator: he determines the laws of Crete. From Plato's Laws onward, stories about Minos elucidate the origin of the concept of law; the mechanisms thus put into place (divine inspiration, learning, and emulation) mold a political philosophy as well as a political geography, which serve to bind legislators among themselves. Finally, Minos is an infernal judge. From Plato's Gorgias onward, stories about judges in the underworld help us to represent that domain. As a result, a new ethic, one that takes into account personal responsibility and rejects retributive justice, provides the framework for eschatological thinking. Through the Septuagint, this ethic forms the cornerstone of the Last Judgment in Christianity. In the last two cases, Plato invokes verses from Homer's Iliad and Odyssey as a guarantee, in the process deforming their original meaning. These three representations of Minos are not connected, even though certain aspects of them are characteristic of mythical depictions of the sovereign and tyrant
Chateau, Dominique. "La beauté agissante (Athènes VIe-Ve siècles) /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1998. http://catalogue.bnf.fr/ark:/12148/cb377547981.
Full textGovers, Marianne. "The maiden of the straits : Scylla in the cultural poetics of Greece and Rome." Paris 4, 2005. http://www.theses.fr/2005PA040166.
Full textIn ancient Greek and Roman cultures, Scylla is a sea-monster that usually combines – albeit in manifold ways – features of a dog, a woman, and a fish. Through a close study of her representations in texts and images, this thesis analyses the fears that Scylla comes to embody in various sources as well as the metaphors that connect those fears and secure the coherence of her development across time and genres. In particular, it is argued that three models underlie many of Scylla's representations – the rapacious sea-monster, the sexually aggressive woman, and the bride-to-be – and that they all involve a narrow and potentially dangerous passage, be it the throat of a predator, the female genitals, or the transition into womanhood. By focusing on a specific figure of Greek and Roman mythology, the thesis sheds light on current theoretical debates including the relation between texts and images, the relevance of the notions of “myth” and “mythical figure,” and the role of gender in representations of monstrosity
Xanthouli, Paraskevi. "De la maternité à l’infanticide : la construction de la figure maternelle dans la mythologie grecque." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL195.
Full textThe main question that this thesis tries to answer is how the subject of maternity and, in general, parenthood is discussed and revealed through the Greek mythology and how we can, through this approach, pinpoint and explain the social status of women and maternity in the mythological value system. By using the category of “sex” in this subject’s approach, analysis and conclusions, the purpose of this thesis is to offer new possibilities to interpret and explain, regarding the abolishment of maternity and, generally, parenthood, the act of infanticide, but also the survival of the prοpatriachal system in the male-dominated religious belief of the Greek pantheon. The myths are being examined by taking into consideration their social, cultural and historical context in order to come to conclusions about each sex’s position in the public and private sector, about the roles of men and women in their private lives, about the relationships of power and submission between them, as well as the dominant value and perception system and, above all, about the representation of this system in the Greek mythology. In this sense, this thesis aims to be a contribution to the ongoing wider global effort to reintegrate women not only in a historical context but also in mythology
Lenzi, Federico. "Désamorcer le mythe : expérimentations littéraires et tradition classique dans le théâtre français de l’Entre-deux guerres." Paris 4, 2009. http://www.theses.fr/2009PA040058.
Full textThis thesis focuses on the persistence of classic models in French theatre in the period between the wars, especially on the re-elaborations of the Greek myth. The research has been structured in three parts. The first one traces the history of various plays inspired by the myth, that flourished in France between 1919 and 1944. The second part analyses texts concerning legendary characters, such as Electra, Oedipus, Medea, Antigone, Orpheus. It also tries to understand to what extent the authors in question (Sartre, Anouilh, Giraudoux, Cocteau, Gide, De Bouhélier, Fabre, Lenormand) re-appropriated the classical subject, and to measure the distance between their works and the original Greek models. Finally the third part brings together the findings of this work: the emergence of common traits between different attempts to recover Greek classic elements
Main, Anne. "Le déluge de Deucalion et Pyrrha et la régénération de l'humanité par le jet de pierres." Besançon, 1987. http://www.theses.fr/1987BESA1018.
Full textCoray, Marina. "Wissen und Erkennen bei Sophokles /." Basel : F. Reinhardt, 1993. http://catalogue.bnf.fr/ark:/12148/cb388851318.
Full textBooks on the topic "Mythologie grecque"
Pierre, Grimal. La mythologie grecque. Paris: Presses Universitaires de France, 1986.
Find full textVivier, Frédérique. La mythologie grecque. Paris: Bibliothèque des introuvables, 2010.
Find full textNicolaïdis, Graziella. Mythologie grecque et psychanalyse. Lausanne [Switzerland]: Delachaux et Niestlé, 1994.
Find full textChamay, Jacques. Mythologie grecque: Dieux et héros. Genève: Musée d'art et d'histoire, 1985.
Find full textSchmidt, Joël. Dictionnaire de la mythologie grecque et romaine. Paris: France loisirs, 1991.
Find full textMansot, Frédérick, and Claude Pouzadoux. Contes et légendes de la mythologie grecque. [Paris]: Éd. France loisirs, 2000.
Find full textGrimal, Pierre. Dictionnaire de la mythologie grecque et romaine. Paris: Presses universitaires de France, 1999.
Find full textFrédérick, Mansot, ed. Contes et légendes de la mythologie grecque. Paris: Nathan, 1994.
Find full textBook chapters on the topic "Mythologie grecque"
"Mythologie grecque ou mystère d’Isis-Déméter?" In Isis on the Nile. Egyptian Gods in Hellenistic and Roman Egypt, 181–95. BRILL, 2010. http://dx.doi.org/10.1163/ej.9789004188822.i-364.52.
Full textSchnabel, William. "Les corps tératologiques dans la mythologie grecque." In Le corps dans les cultures méditerranéennes, 127–42. Presses universitaires de Perpignan, 2007. http://dx.doi.org/10.4000/books.pupvd.35457.
Full textRomy-Regent, Liliane. "L’animal nourricier d’enfants dans la mythologie grecque." In L’animal symbole. Éditions du Comité des travaux historiques et scientifiques, 2019. http://dx.doi.org/10.4000/books.cths.5080.
Full textVignes, Sylvie. "Chapitre XXIV. La mythologie grecque revisitée par Giono : appropriation de Pan." In La mythologie de l'Antiquité à la modernité, 335–44. Presses universitaires de Rennes, 2009. http://dx.doi.org/10.4000/books.pur.39631.
Full textCalame, Claude. "Chapitre I. L’enlèvement de la belle Hélène et la tradition politique de la poétique grecque : réinterprétations et controverses." In La mythologie de l'Antiquité à la modernité, 17–33. Presses universitaires de Rennes, 2009. http://dx.doi.org/10.4000/books.pur.39582.
Full textBoehringer, Sandra. "Monter au ciel : le baiser de Kallistô et d’Artémis dans la mythologie grecque." In La religion des femmes en Grèce ancienne, 33–50. Presses universitaires de Rennes, 2009. http://dx.doi.org/10.4000/books.pur.141122.
Full textMégier, Élisabeth. "Hugues de Fleury, les Amazones et la présence de la mythologie grecque dans l’historiographie médiévale normande." In L’Historiographie médiévale normande et ses sources antiques (Xe-XIIe siècle), 191–212. Presses universitaires de Caen, 2014. http://dx.doi.org/10.4000/books.puc.9594.
Full textDefrenet, Bernard. "Autour de l'œuvre de Jean-Paul Valabrega." In Autour de l'œuvre de Jean-Paul Valabrega, 101–19. In Press, 2013. http://dx.doi.org/10.3917/pres.barre.2013.01.0103.
Full textPironti, Gabriella. "Chapitre III. « Ce muthos n’est pas de moi, je le tiens de ma mère. » Cosmogonies grecques et savoir partagé." In La mythologie de l'Antiquité à la modernité, 45–57. Presses universitaires de Rennes, 2009. http://dx.doi.org/10.4000/books.pur.39585.
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