Relevant bibliographies by topics / Mythology, Indonesian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mythology, Indonesian'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Mythology, Indonesian"

1

Aragon, Lorraine V. "Copyrighting Culture for the Nation? Intangible Property Nationalism and the Regional Arts of Indonesia." International Journal of Cultural Property 19, no. 3 (August 2012): 269–312. http://dx.doi.org/10.1017/s0940739112000203.

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AbstractThis article analyzes how intangible cultural expressions are re-scripted as national intellectual and cultural property in postcolonial nations such as Indonesia. The mixing of intellectual and cultural property paradigms to frame folkloric art practices as national possessions, termed “intangible property nationalism,” is assessed through consideration of Indonesia's 2002 copyright law, UNESCO heritage discourse, and the tutoring of ASEAN officials to use intellectual and cultural property rhetoric to defend national cultural resources. The article considers how legal assumptions are rebuffed by Indonesian regional artists and artisans who do not view their local knowledge and practices as property subject to exclusive claims by individuals or corporate groups, including the state. Producers' limited claims on authority over cultural expressions such as music, drama, puppetry, mythology, dance, and textiles contrast with Indonesian officials' anxieties over cultural theft by foreigners, especially in Malaysia. The case suggests new nationalist uses for heritage claims in postcolonial states.
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Nurwicaksono, Bayu Dwi. "FOLKLOR LAPINDO SEBAGAI WAWASAN GEO-CULTURE DAN GEO-MYTHOLOGY BERBASIS KEARIFAN LOKAL DALAM PEMBELAJARAN BAHASA INDONESIA BAGI PENUTUR ASING (BIPA)." Jurnal Pendidikan Bahasa dan Sastra 13, no. 1 (April 1, 2013): 62. http://dx.doi.org/10.17509/bs_jpbsp.v13i1.761.

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Abstrak Kearifan lokal tentang insiden lumpur Lapindo adalah cerita rakyat tentang kejadian di masa lalu yang dapat digunakan sebagai pelajaran pada masa kini dan masa depan, tentang dongeng Candi Tawangalun dan dongeng Emas Ketimun. Terlepas apakah itu sebuah dongeng yang pernah terjadi secara empiris atau hanya realitas-fiksi, kehadirannya dapat digunakan sebagai pijakan untuk memahami peristiwa (bencana) dari perspektif budaya. Wawasan Geo-Budaya dan Geo-Mitologi dalam cerita rakyat Lapindo bisa menjadi alternatif bahan pembelajaran kontekstual berbasis kearifan lokal dalam pembelajaran bahasa Indonesia untuk penutur asing karena kontekstualitas dan substansi nilai-nilai yang terkandung di dalamnya sangat menarik. Praktek pembelajaran bahasa Indonesia untuk penutur asing di Australia diketahui bahwa cerita tradisi lisan tapi cerita hanya sebagai pelengkap tradisi lisan sama pentingnya dengan pengetahuan tentang tata bahasa, bahkan dengan pengenalan tradisi lisan cerita, pembelajar BIPA akan mengetahui tentang budaya Indonesia. Kata-kata kunci: cerita rakyat, Geo-Culture, Geo-Mythology, kearifan lokal, BIPA Abstract Local wisdom about Lapindo mudflow incident is the folklore about the events in the past that can be used as a lesson on the present and future, that fairy tales Tawangalun Temple and fairy tale Golden Cucumber. Regardless whether it's a fairy tale ever happened empirically or just reality-fiction, its presence can be used as a foothold for understanding the events (disasters) from the perspective of the present culture. Insights Geo-Culture and Geo-Mythology in Lapindo folklore can be an alternative contextual teaching materials based on local wisdom in learning Indonesian for foreign speakers because contextuality and substance of the values contained in it very interesting. Practice learning Indonesian for foreign speakers in Australia is known that oral tradition story but the story only as a complement to the oral tradition is just as important as knowledge of grammar, even with the introduction of the oral tradition of story, BIPA learners will know the culture of Indonesia.Keywords: folklore, Geo-Culture, Geo-Mythology, local wisdom, BIPA
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Fathonah, Annisa Widyawati. "The Rewriting of Mythology (Remythology) and Decolonization in Eka Kurniawan’s Man Tiger." Jurnal Humaniora 32, no. 3 (October 1, 2020): 249. http://dx.doi.org/10.22146/jh.56698.

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This article examines the rewriting of mythology (remythology) in Eka Kurniawan’s magic realism novel titled Man Tiger (2004). The discussion particularly explores how the remythology of the Indonesian myth of manusia harimau responses to historical references that are embedded in the narrative. I found that remythology in the novel is used to replicate people’s voice, and by using that voice, the Indonesian nation attempts to decolonize itself from colonization and to epitomize a resistance against postcolonial powers. The myths surrounding manusia harimau in the novel further provide references to Indonesia’s identity that is located between two separate identities, the indigenous and the colonial, which comprise resistance as well as resilience. By using various local mythical frameworks, Eka Kurniawan addresses the complexity of the Indonesian nation which constitutes an acknowledgement, and an interpretation, as well as a response to the past in order to form a resilient present.
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Aji, Gabriel Fajar Sasmita. "MITOLOGI DAN EKSISTENSI SASTRA INDONESIA DALAM PUSARAN POSHUMANISME Mythology and The Existence of Indonesian Literature in The Posthumanism's Vortex." Jurnal Lingko : Jurnal Kebahasaan dan Kesastraan 2, no. 1 (June 28, 2020): 77–89. http://dx.doi.org/10.26499/jl.v2i1.42.

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Dunia paradigma dan perspektif keilmuan pada masa kini sedang dalam “kekacauan” lewat kehadiran bermacam terminologi, seperti posmodernisme, pasca kebenaran (post truth), disrupsi, dan juga poshumanisme. Masing-masing membentuk pusarannya sendiri-sendiri dan seolah-olah masing-masing memiliki legalitas dan kebenarannya untuk muncul sebagai eksisensi yang sangat menopang perkembangan kualitas peradaban umat manusia di atas bumi ini. Sementara itu, dalam konnteks ke-Indonesia-an, berbagai pusaran tersebut pasti mau tidak mau, lambat maupun cepat, tentu akan memiliki dampak, mengingat Indonesia merupakan bagian dari peradaban dunia yang sedang dan terus dalam proses peradaban global. Alih-alih sekadar sebagai objek dari berbagai pusaran tersebut, mampukah Indonesia mengembangkan pola atau strategi yang karakteristik sehingga mampu juga hadir sebagai agen pengubah bagi peradaban tersebut? Jika peradaban Barat berhasil mengglobalkan peradabannya ke berbagai penjuru dunia, lepas dari aspek kolonialisme dan modernismenya, lewat kebesaran mitologi Yunani, yang merupakan sumber peradabannya, mungkinkah Indonesia juga mampu menghadirkan diri secara independen dan berkarakteristik lewat mitologi? Di sinilah peranan eksistensi sastra yang akan akan menjadi salah satu pilar utamanya. Terlebih, sebagai bangsa yang sangat beragam dengan kekayaan etnik, yang tentu juga kaya akan mitologi, sastra Indonesia tentu sudah memiliki modalnya. Bersama-sama dengan bangsa-bangsa lain serumpun, Indonesia bisa menciptakan nilai-nilai dalam menegosiasi peradaban dunia yang sedang sibuk dengan berbagai paradigma dan perspektif yang beridentitaskan “post.”.
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Kohar, Abdul. "Islamic Theology And Rasionalism: Analisis Pemikiran Sutan Takdir Alisyahbana." Tribakti: Jurnal Pemikiran Keislaman 31, no. 1 (January 13, 2020): 103–22. http://dx.doi.org/10.33367/tribakti.v31i1.986.

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This paper explores the thoughts of Sutan Takdir Alisyahbana (STA). STA is referred to as a cultural practitioner, because it discusses more the cultures that enter Indonesia, such as Indian, Hindu, Buddhist, Islamic and native Indonesian culture, even it also discusses western culture. He also wrote a lot such as poetry, novels, philosophy books and he was among the first to make Indonesian terms, so he was called a writer. This research is a type of library research (library research) by presenting qualitative-interpretative data. The purpose of this study is to reveal the fact that the religion of Islam in Indonesia is a religion that does not dichotomize between the reality supported by invoices and spiritual reality because Islam today is deeply engrossed in the history of the development of Islam in the time of the Prophet Muhammad, also today Islam is shackled with religious myths, so as to be able to resolve Islam in Indonesia, it cannot develop and is anti-Western rationality. STA thinking is rooted in the humanist understanding that developed in Europe from the Renaissance to the rise of new-positivism. Its humanism is built on human liberation from the shackles of mythology and religion.
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Hoekema, Alle G. "‘A Wound in the Heart’." Exchange 43, no. 2 (May 12, 2014): 132–52. http://dx.doi.org/10.1163/1572543x-12341314.

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Abstract This article reflects on the role of religion as one of four, interconnected layers in the contextual novels of the candid and controversial Indonesian author Ayu Utami (b. 1968). Next to important gender issues, substantial critique of Indonesian politics, and attention to Javanese culture and mythology, her Christian background is present, in varying density, in all novels she has published so far. This can be proved by numerous quotations from the Bible and even by the fact, that the main protagonist of her largest novel so far is given an almost Messianic status. In her earlier novels, Ayu Utami seems to distance herself from patriarchic, institutional Catholicism. However, in her most recent, autobiographical, novel she makes clear, why and under which conditions she is able to return to her maternal faith.
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Wessing, Robert. "Dislodged tales: Javanese goddesses and spirits on the silver screen." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 163, no. 4 (2008): 529–55. http://dx.doi.org/10.1163/22134379-90003694.

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Indonesian films and television shows often feature popularly though only superficially known figures from Javanese mythology, including the Goddess of the Southern Ocean Nyai Roro Kidul and her counterpart the Queen of the Snakes Nyi Blorong. In this study I examine the effects of placing the stories about these entities in ‘media space’ (Sen and Hill 2000:199), thus removing them from the local context that in the past infused them with its truth, and making possible their apposition to other truths and values that were previously unconnected to them, and may or may not be congenial with them.
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Sadari, Sadari. "Quo Vadis Hukum Keluarga Islam dalam KHI dan Upaya Desakralisasi untuk Relevansi Seiring Modernitas dan Keindonesiaan." JURNAL INDO-ISLAMIKA 5, no. 1 (February 25, 2020): 75–108. http://dx.doi.org/10.15408/idi.v5i1.14788.

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This article reveals the fact that in Islamic Family Law, there are a number of anomalies and crisis, for instance, Islamic Law Compilation (KHI) on polygamy and mixed-religion marriage which contains discrimination and intolerance. This, however, is caused by its enforcement bound by civil law and merely to theMoslem communities. The article introduces the nationalization and internationalization of Islamic family law in the KHI, thus eliminating discrimination and intolerance. This will be sought by creating coherence between KHI and modernity issues such as: Human Rights, democracy, civil society, nation state and constitutionalism in the effort to desacralization. When added with the term desacralization, it will mean to liberate people from superstitious constraints (mythology) in some aspects, yet reserving the sacralization, not undermining or abandoning religious orientation in the norms and values of society, especially in the Islamic Family Law. Understanding this fundamental, desacralization of Islamic family law is, hence, Quo Vadis Islamic Family Law, that will eventually create progressive Islamic Family Law consistent with modernity and Indonesian ideology
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9

Oosten, Jarich. "“A privileged field of study”: Marcel Mauss and structural anthropology in Leiden." Études/Inuit/Studies 30, no. 2 (February 7, 2008): 51–71. http://dx.doi.org/10.7202/017565ar.

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Abstract Structural anthropology in Leiden was very much inspired by Mauss and the Année sociologique group. This paper focuses on the development of the “field of anthropological study” (FAS) that played an important role in the history of the structuralist movement in Leiden. Its definition was derived from the famous essay Seasonal Variations of the Eskimo by Mauss. J.P.B. de Josselin de Jong and P.E. de Josselin de Jong developed it into a conceptual tool for the comparative study of the Indonesian archipelago. In the early 1980s, the method was applied to the anthropological study of South Africa and to the comparative study of Indo-European mythology. Since 1986, it was also applied to solve core issues in the comparative study of Inuit culture. The FAS approach does not look primarily for similarities and generalisation, but for homologies, variations and transformations. In this respect, it corresponds to the valorisation of cultural differences by Inuit themselves. More than 100 years after it was developed by Mauss to explain the morphology of Inuit societies, the field of anthropological study still proves to be as rich and rewarding as ever.
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10

Santosa, Puji. "Kritik Mitos Tentang “Hang Tuah” Karya Amir Hamzah." ATAVISME 17, no. 1 (June 30, 2014): 29–39. http://dx.doi.org/10.24257/atavisme.v17i1.17.29-39.

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This study reveals the myth criticism on rhyme "Hang Tuah", an Amir Hamzah’s work expressing Malay myth. The Malay myth found in the rhyme "Hang Tuah" is placed as a meeting place of myth criticism study which includes (1) the structure of the text, (2) figure with its ideology, (3) setting presenting the myth, (4) type of myth, (5) method the poet displays the myth, and (6) the benefit or function of myth. The six elements of the review are expected to contribute in exposing and describing the element of mythology in modern Indonesian poetry and its relevance to the present situation. It is identified that Hang Tuah has an ideology of Malay heroism loyalty able to be a resource in national character building: willing to sacrifice and resilient in defending the country's sovereignty rights. The Malay heroic myth of Hang Tuah, delivered in the form of poetic ballads, adds to the classic aesthetic value. The present benefits of Hang Tuah myth, by his heroism in getting rid of European colonization, is certainly to boost the fighting spirit in defending the rights and dignity as an independent nation, free from occupation or colonialism. This study reveals the myth criticism on rhyme "Hang Tuah", an Amir Hamzah’s work expressing Malay myth. The Malay myth found in the rhyme "Hang Tuah" is placed as a meeting place of myth criticism study which includes (1) the structure of the text, (2) figure with its ideology, (3) setting presenting the myth, (4) type of myth, (5) method the poet displays the myth, and (6) the benefit or function of myth. The six elements of the review are expected to contribute in exposing and describing the element of mythology in modern Indonesian poetry and its relevance to the present situation. It is identified that Hang Tuah has an ideology of Malay heroism loyalty able to be a resource in national character building: willing to sacrifice and resilient in defending the country's sovereignty rights. The Malay heroic myth of Hang Tuah, delivered in the form of poetic ballads, adds to the classic aesthetic value. The present benefits of Hang Tuah myth, by his heroism in getting rid of European colonization, is certainly to boost the fighting spirit in defending the rights and dignity as an independent nation, free from occupation or colonialism Key Words: myth criticism; heroism; loyalty; fighting spirit Abstrak: Penelitian ini mengungkapkan kritik mitos sajak “Hang Tuah” karya Amir Hamzah yang menampilkan mitos Kemelayuan. Mitos Kemelayuan yang ditemukan dalam sajak “Hang Tuah” tersebut ditempatkan sebagai pumpunan penelaahan kritik mitos yang meliputi (1) struktur teks, (2) tokoh dengan ideologinya, (3) latar yang menghadirkan mitos, (4) jenis mitos, (5) cara penyair menampilkan mitos, dan (6) manfaat atau fungsi mitos. Dengan keenam unsur penelaahan kritik mitos itu diharapkan dapat diungkapkan dan dideskripsikan adanya unsur mitologi dalam puisi Indonesia modern dan relevansinya dengan keadaan masa kini. Ternyata Hang Tuah memiliki ideologi loyalitas heroisme Kemelayuan yang dapat menjadi pembentuk karakter bangsa: rela berkorban dan tangguh mempertahankan hak kedaulatan negeri. Mitos kepahlawanan Melayu Hang Tuah dengan cara disampaikan dalam bentuk balada yang puitis menambah nilai estetika klasik. Manfaat bagi kehidupan masa kini mitos Hang Tuah, atas kepahlawanannya mengusir penjajahan bangsa Eropa, tentu sebagai pemompa semangat juang mempertahankan hak dan martabat diri sebagai bangsa yang merdeka, bebas dari penjajahan atau kolonialisme
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Dissertations / Theses on the topic "Mythology, Indonesian"

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Corrigan, Brendan. "Different stories about the same place : interpreting narrative, practice and tradition in the East Kimberley of northern Australia and the Aru Island of Eastern Indonesia." University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0083.

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This thesis interrogates the relationship of archaeological models and indigenous understandings of origins in the East Kimberley region of Northern Australia and the Aru Islands of Eastern Indonesia. Archaeological models of prehistoric migration construct these places as part of the same landmass in the recent human period and at times of lower sea levels. Yet, the indigenous groups who currently inhabit these places assert and rely upon their localised understandings of autochthony and mythological creationism. The existence of these competing models has led me to examine the degree to which the practice of archaeology in these locations constructs human prehistory in a way that necessarily disempowers the indigenous cosmology there. Below I examine the construction and content of these different stories about the same place to show how it is that they are essentially competing, conflicting and contradictory claims to truth. I show how each of these asserted cosmological positions emerge from the various cultural systems that sponsor and perpetuate them and I pay special attention to the role of institutionally authorised experts within each of the cosmological positions described. I also seek to demonstrate the ways in which the distribution of expert knowledge plays a core role in a naturalised social order and the ongoing construction of cultural identity in their respective communities. I then interrogate the relationships that these differing forms of knowledge have with each other - paying close attention to the specifics of context in which they are evoked. I conclude that the examination of how these competing claims to truth are distributed in space reveals their influence in the ongoing construction of identity in their respective communities.
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Books on the topic "Mythology, Indonesian"

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Santoso, Suwito. Cerita sang Garuda. Surabaya: Published by PT. Citra Jaya Murti Surabaya in association with Surakarta Municipality Tourism Office, 1985.

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Scioscia, Mary. Garuda and the sparrow. [S.l.]: M. Scioscia, 1994.

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Die Kalang: Eine Volksgruppe auf Java und ihre Stamm-Mythe; ein Beitrag zur Kulturgeschichte Javas. Stuttgart: F. Steiner-Verlag Wiesbaden, 1987.

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Yunis, M. Dekonstruksi mitos kehamilan: Tindak tutur, semiotika, e-135, dan filsafat kehendak. Padang: Minangkabau Press, 2010.

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Dewi Sri und die Kinder des Putut Jantaka: Beziehungen zwischen Mensch und Reis in Mythologie und Brauchtum auf Java und Bali. München: Anacon, 1991.

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Buijs, Kees. Powers of blessing from the wilderness and from Heaven: Structure and transformations in the religion of the Toraja in the Mamasa area of South Sulawesi. Leiden: Leiden University, 2004.

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Sedyawati, Edi. Drupadi, Pandawa diva: From the kiln of F. Widayanto. Jakarta: F. Widayanto, 2013.

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Kohl, Karl-Heinz. Der Tod der Reisjungfrau: Mythen, Kulte und Allianzen in einer ostindonesischen Lokalkultur. Stuttgart: W. Kohlhammer, 1998.

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Zaidan, Abdul Rozak. Mitologi Jawa dalam puisi Indonesia modern, 1950-1970. Jakarta: Pusat Pembinaan dan Pengembangan Bahasa, Departemen Pendidikan dan Kebudayaan, 1997.

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Bridges to the ancestors: Music, myth, and cultural politics at an Indonesian festival. Honolulu: University of Hawaii Press, 2006.

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Book chapters on the topic "Mythology, Indonesian"

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Downes, Meghan. "Women Writing Wayang in Post-reform Indonesia: A Comparative Study of Fictional Interventions in Mythology and National History." In The Southeast Asian Woman Writes Back, 107–27. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-7065-5_7.

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"11. Literature, Mythology and Regime Change: Some Observations on Recent Indonesian Women’s Writing." In Women in Indonesia, 130–43. ISEAS Publishing, 2002. http://dx.doi.org/10.1355/9789812305152-018.

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Frolova, M. V., M. W. Rizkyanfi, and N. S. Wulan. "Indonesian mythology as touristic attractiveness: The story of the Queen of the Southern Sea of Java Island." In Promoting Creative Tourism: Current Issues in Tourism Research, 209–15. Routledge, 2021. http://dx.doi.org/10.1201/9781003095484-32.

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Conference papers on the topic "Mythology, Indonesian"

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Rushton, Diane, Natalie Wilmot, Carine Metselaar, and Anja Docter. "INDONESIAN MYTHOLOGY ENABLING 21ST CENTURY BUSINESS STUDENTS TO BALANCE STRATEGIC AND RELATIONSHIP CHALLENGES." In International Conference on Education and New Learning Technologies. IATED, 2016. http://dx.doi.org/10.21125/edulearn.2016.0536.

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Wulandari, Adi. "The Animated Film of Ne Zha in Disruptive Era: From Chinese Classical Mythology goes to Global." In Proceedings of the 2nd International Seminar on Translation Studies, Applied Linguistics, Literature and Cultural Studies, STRUKTURAL 2020, 30 December 2020, Semarang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-12-2020.2311278.

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