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Dissertations / Theses on the topic 'Mythology, Japanese, in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Lee, Chanju. "Birth and Women in Mythology." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/art_design_theses/35.

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The Birth is a multi-media video installation inspired by my personal experiences of a miscarriage and the births of my two children. The work is influenced by the mythologies found in Korean culture that focus on the mother figure as a ¡°Great Mother¡±. She is an ¡°ideal woman¡±, a ¡°good mother¡± and a ¡°sincere wife¡±. Working abstractly across the media of painting, video, digital animation, and the paintings of my son, The Birth exploits metaphors and symbols, to tell the story of women, especially the stories of mothers. The work speaks to motherly love and my own identity as an artist a

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2

Chan, Wai-yu, and 陳慧瑜. "The idea of kingship in ancient Chinese and Japanese mythologies: a comparative study." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31228185.

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3

Igarashi, Yoko. "Japanese Poetry in Western Art Song." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12426.

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Thesis (D.M.A.)--Boston University<br>Western art songs written on Japanese poems, Tanka, appeared in the early twentieth century as a late manifestation of Japonisme, the Japanese influence on Western art and music. The songs discussed in this dissertation include Japanisches Regenlied (1909) by Joseph Marx, Three Japanese Lyrics (1912-13) by Igor Stravinsky, Petits Poi!mes Japonais (1919) by Francesco Santoliquido, and Romances on Texts by Japanese Poets (1928-32) by Dmitri Shostakovich. Japonisme emerged as a significant movement in late-nineteenth-century Western art when Japanese artwork

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4

Vollkommer, Rainer. "Herakles in the art of classical Greece." Oxford : Oxford University Committee for Archaeology, 1988. http://books.google.com/books?id=ur2fAAAAMAAJ.

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5

Dipla, Anthi. "Images of revolt : women of myth in the art of classical Athens." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297329.

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6

Ito, Hikoko. "The Japanese Consulate and the Japanese Cultural Centre." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25951610.

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Thesis (M. Arch.)--University of Hong Kong, 1996.<br>Added title page title: Japanese cultural centre in Hong Kong. Includes special report study entitled: Semiotic meaning of Mezirushi in architecture. Includes bibliographical references.

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7

Walker, Kathleen. "Chasing the Dragon's Tale: Europe's Fascination and Representation of the Dragon from the Twelfth to the Seventeenth Century." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437605968.

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8

Robinson, Scott E. (Scott Elmon) 1961. "Dichotomy in American Western Mythology." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500528/.

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The fundamental dichotomy between savage and civilized man is examined within the archetypal Western myth of American culture. The roots of the dichotomy are explored through images produced between 1888 and 1909 by artists Frederic Remington and Charles Russell. Four John Ford films are then used as a basis for the "dichotomous archetype" approach to understanding Western myth in film. Next, twenty-nine "historical" and "contemporary" Western movies are discussed chronologically, from The Virginian (1929) to Dances with Wolves (1990), in terms of the savage/civilized schema as it is personifi

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9

Winch, Lauren. "Metabolism, mythology, magic or metaphor? : animals in the rock art of Thailand." Thesis, University of Bristol, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658567.

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A common feature of many rock art corpora is the inclusion of animals, both naturalistic and fantastical. For a long time it was assumed that animals in the art simply related to actual or desired prey species. In recent decades, however, research has increasingly revealed rock art to be full of subtle nuances, mythological phenomena, multifaceted magic and potency, and metaphorical references to various aspects of society and culture. In line with this burgeoning interest in the multiplicities inherent within rock art, the central aim of this thesis is to examine which animals feature in the

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10

Stanbury, N. "Japanese shakudo and shibuichi alloys." Thesis, Middlesex University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373433.

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11

Kelly, Ann Therese. "Contemporary truths through creation-centered mythology: a visual thought process /." Online version of thesis, 1991. http://hdl.handle.net/1850/11292.

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12

Amano, Fumi. "Re-exploring my identity as a Japanese woman." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4846.

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This document contains reflections on my motivations and the personal decisions made in the realization of selected works leading up to and including my thesis exhibition "Voice". The following text shares the many and varied connections between my life and art-making. My issues in my personal relationships with others has spilled out from my heart and turned into these works. I'm continuously expressing the unsuccessful attempts we make at developing true bonds that bridge the gaps between people.

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13

Clevenger, Kathleen. "The art of Japanese sagemono ensembles in metals." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935917.

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The primary objective of this creative project was the exploration of Japanese sagemono ensembles and the metal working techniques needed for their creation. Sagemono ensembles are hanging accessories worn by the Japanese men of the 16th through the early 20th centuries. The secondary objective was to design and construct four sagemono ensembles using both traditional Japanese themes and patterns along with more contemporary motifs which emerged from the artist's explorations of the original Japanese ensembles. This body of work required a variety of traditional metalsmithing techniques includ

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14

Rhea, Jonthan P. "THE NEOTERICS A PANTHEON FOR THE 21ST CENTURY." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/theses/1897.

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My thesis work explores the spiritual embodiments of 21st century culture by creating a set/series of sights, sounds and other sensory experiences that are symbolically representative of a new pantheon called The Neoterics and its mythology. It examines the human quest for stability (survival, community, and mental/physical/ financial stability) in a world of constant change. The exhibition introduces the six members of the pantheon as the embodiments of the primitive or basic needs, contemporary wants, and future desires of humanity, at least from the perspective of Westernized culture. This

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15

Shen, Lien Fan. "The pleasure and politics of viewing Japanese anime." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1196179343.

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16

Sun, Linda. "Translocation this thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design) in the year 2004." Full thesis. Abstract, 2004.

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17

Davis, Walter B. "Wang Yiting and the Art of Sino-Japanese Exchange." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1213111969.

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18

Prokop, Carol Ann. "Written in stone : a comparative analysis of Sedna and the Moon Spirit as depicted in contemporary Inuit sculpture and graphics." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29052.

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Traditional mythological themes have been repeatedly depicted in contemporary Inuit art since the late 1950s. This thesis examines the portrayals of the female sea spirit or Sedna and the male moon spirit in sculpture and graphics by contemporary Inuit artists from three Arctic art "communities": Baker Lake, Cape Dorset and Povungnituk. Analysis of the mythological depictions has led me to conclude that artists have tended to employ two distinct styles of illustration to represent these deities. These two types are iconic and narrative. Introduced by the first generation of contemporary Inuit

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19

이윤영 and Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.

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At the turn of the twentieth century, as Japan expanded its territory by colonizing other Asian nations, the Japan-Korea Annexation Treaty was signed in 1910 and Korea lost its sovereignty. In political turmoil, the formation of national and cultural identity was constantly challenged, and the struggle was not argued in words alone. It was also embedded in various types of visual cultures, with narratives changing under the shifting political climate. This thesis focuses on paintings exhibited in the Joseon Mijeon (조선미술전람회 The Joseon Fine Art Exhibition) (1922-1944), which was supervised by th

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20

Yoshida, Hisayo. "A Cross Cultural Analysis of Japanese Art Critical Writings and American Art Critical Writings." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1408539349.

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21

Little, Lalaine Bangilan. "Made in Japan? questioning the collaborations underlying namban art /." Diss., Online access via UMI:, 2008.

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22

Tsuji, Yasuko. "A comparative study of Japanese and Polynesian mythology with particular reference to selected cosmogony and trickster myths." Thesis, University of Canterbury. Japanese, 1998. http://hdl.handle.net/10092/8131.

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In this thesis, Japanese mythology is compared with Polynesian mythology. Particularly, two Polynesian myths are selected as comparative material. The first one is a Maori cosmogony myth, a South Island version of Tāne, the second one a Samoan trickster myth, The Octopus and the Rat. Tāne is compared with the Japanese cosmogony myth, while The Octopus and the Rat is compared with the Japanese trickster myth, the White Rabbit of lnaba. Some common elements between the two mythologies and their origins are discussed in an analysis of the myths. Both myths are also translated into Japanese. To

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23

Pierce, Karen. "Images of Argive Helen from birth to death." Thesis, University of Wales Trinity Saint David, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683213.

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24

Roos, Bonnie. "Reviving Pygmalion : art, life and the figure of the statue in the modernist period /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3045092.

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Thesis (Ph. D.)--University of Oregon, 2001.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 277-283). Also available for download via the World Wide Web; free to University of Oregon users.

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25

Salel, Stephen Francis Tsuji Nobuo. "Retracting a diagnosis of madness : a reconsideration of Japanese eccentric art /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/6243.

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26

Augustin, Babette Gabriele. "Mysterium tremendum et fascinans /." Online version of thesis, 1989. http://hdl.handle.net/1850/11518.

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27

Uzelac, Gregory Ross. "Harnessing the Myths of Now: Restoring Social Harmony Through Mythic Art." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/27724.

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Dissertation: This thesis explores contemporary art’s role in the rejuvenation of mythic storytelling, which enables societal cohesion and progress. I investigate Joseph Campbell’s concept of mythic dissociation and outline the industrial, academic, and ideological factors that have stifled myth in modernity. Synthesising the mythological scholarship of Campbell and Alexander Eliot with Japanese artist Takashi Murakami’s Superflat Theory, I examine the unique position the contemporary artist now holds in digital-age society as cultivator of myth. I posit that Superflat’s emphasis on narrat

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28

Crosby, Nancy A. "Shifting reality /." Online version of thesis, 1992. http://hdl.handle.net/1850/11760.

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29

West, Katie. "A Space for the Contemplation of a Sacred Subject." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5792.

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This paper discusses a Fine Art Master thesis exhibition. The show was on the topic of the Latter-day Saint doctrine of a Mother in Heaven. It contains a project statement detailing the theological meanings and reasons, an overview of the visual elements of the exhibition, and a section contextualizing the exhibition within the art world.

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30

Rugola, Patricia Frame. "Japanese Buddhist art in context : the Saikoku Kannon pilgrimage route." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1261486365.

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31

Sutcliffe, Paul J. C. "Contemporary art in Japan and cuteness in Japanese popular culture." Thesis, University of the Arts London, 2005. http://ualresearchonline.arts.ac.uk/5642/.

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This thesis is an art historical study focussing on contemporary Japan, and in particular the artists Murakami TakashL Mori Mariko, Aida Makoto, and Nara Yoshitomo. These artists represent a generation of artists born in the 1960s who use popular culture to their own ends. From the seminal exhibition 'Tokyo Pop' at Hiratsuka Museum of Art in 1996 which included all four artists, to Murakami's group exhibition 'Little Boy: The Arts of Japan's Exploding Subculture' which opened in April 2005, central to my research is an exploration of contemporary art's engagement with the pervasiveness of cute

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32

Kramer, E. A. "Art, industry and design : the role of Japanese and Anglo-Japanese textiles in Victorian Britain, 1862-1900." Thesis, University of Manchester, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510198.

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This thesis employs the model of textile culture to illuminate the artistic interaction between Japan and Great Britain as well as the economic, cultural, political and gender issues underpinning this interaction between the years of 1862 and 1900. The chapters move beyond a stylistic study of Japanese and Anglo- Japanese textiles by considering them in relation to a variety of contexts and artistic processes, including international exhibitions; museum, educational and private collections; the domestic interior; travel; their representation in British painting and their inspiration in British

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33

Servadei, Cristina. "La figura di Theseus nella ceramica attica : iconografia e iconologia del mito nell'Atene arcaica e classica /." Bologna : Ante Quem, 2005. http://catalogue.bnf.fr/ark:/12148/cb40201611c.

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Texte remanié de: Tesi di dottorato--Archeologia--Padova--Università degli studi, 1997.<br>La p. de titre porte en plus : "Alma mater studiorum, Università di Bologna, Dipartimento di archeologia" Bibliogr. p. 217-234.

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34

Zhang, Ting. "Alfred Bruyas : the mythology and practice of art collecting and patronage in nineteenth-century France." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247778.

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35

Ito, Hikoko, and 伊藤彥子. "The Japanese Consulate and the Japanese Cultural Centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31982840.

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36

von, Wiedersperg Carolina Sophie. "Kyoto art in nature habitat /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/von_wiedersperg/von_WiederspergC0509.pdf.

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The purpose of this thesis is to find architectural solutions which apply the theoretical findings centered around the biophilia hypothesis. The principles resulting from this investigation should help architecture to soften the separated conditions of the natural and the man-made environment. The application of these principles will then result in the design development of an Art in Nature Habitat in Kyoto, Japan.

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37

Acres, Harley Blue. "Gender bending and comic books as art issues of appropriation, gender, and sexuality in Japanese art /." Birmingham, Ala. : University of Alabama at Birmingham, 2007. http://www.mhsl.uab.edu/dt/2007m/acres.pdf.

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38

Myssok, Johannes Canova Antonio. "Antonio Canova : die Erneuerung der klassischen Mythen in der Kunst um 1800 /." Petersberg : Imhof, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2898498&prov=M&dok_var=1&dok_ext=htm.

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39

Mance-Coniglio, Melissa. "Falling mythologies /." Online version of thesis, 2008. http://hdl.handle.net/1850/7750.

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40

Maeda, Tamaki. "Tomioka Tessai's narrative landscape : rethinking Sino-Japanese traditions /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6235.

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41

wolf, roger. "ADAPTIVE TECHNOMYTHOGRAPHY: THE APOTHEOSIS OF MACHINE AND DEVELOPMENT OF LEGEND IN A SYSTEM OF DYNAMIC TECHNOLOGY." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2461.

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Human beings will effectively deify any suitably complex system that cannot be explained through basic haptic interaction. Our culture loves technology. These days it seems we need it to feel whole. In an effort to explore the development of mythology and modular aesthetic in a technological age I have designed and constructed a number of interactive robotic 'organisms' to engage in arbitrary movement in geometric enclosures. Through observation and dialog I seek to assess the extent to which people assign human characteristics to the random and oft times aberrant mechanical behavior. To suppl

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42

Van, Fleet Alan. "The Hero's Journey." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/246.

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My ongoing series of assemblages are an expression my modern mythology through the juxtaposition of esoteric symbols and my collection of beloved action figures. Though myth is founded in partial truths and allegories, it has the unique capability to speak about our relationships to one another and the universe. My artwork conceives of anime, comics, and videos games as part of our contemporary mythology. Inspired by a fusion of pop culture and spirituality, I also draw on the magical properties attributed to flowers, gemstones and other materials to create shrines, altars, and other objects.

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43

Sheets, William J. "Mythology in 21st Century Japan: A Study of Ame no Uzume no Mikoto." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500615882214031.

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44

Russell, Ginger Suzanne. ""Writing a Picture": Adolph Gottlieb's Rolling and Yoshihara Jiro's Red Circle on Black." VCU Scholars Compass, 1995. http://scholarscompass.vcu.edu/etd/3673.

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Calligraphy and calligraphic elements in abstract art demonstrate the differences between Japanese and American approaches to abstraction. An examination of the use of calligraphy in Japanese art can reveal how its historic tradition in Japan lends depth and meaning to an image, which is not effectively possible for American artists using the same forms. These differences descend from a Japanese writing system that developed as abstracted images in themselves. Though the Western tradition of Abstract Expressionism art sought to make the experience of painting purely visual without the aid of n

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45

Squires, Todd Andrew. "Reading the Kōwaka-mai as Medieval myth story-patterns, traditional reference and performance in Late Medieval Japan /." Full text available online (restricted access), 2001. http://images.lib.monash.edu.au/ts/theses/squires.pdf.

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46

KAISER, ANDREW. "CONSTRUCTING MODERNITY: JAPANESE GRAPHIC DESIGN FROM 1900 TO 1930." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147717044.

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47

Walker, Linda Jean Huffman. "Art From Nature." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1432.

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Seeing beauty in the simplest aspects of nature inspires me to create art as a testament to our world. Being raised on a farm in rural Virginia gave me an appreciation of a reverence for all life. The inherent forms along with color and value establish nature as the master of aesthetics. An early introduction to Japanese art showed me that all nature was worthy and significant as subjects for art. Using materials derived from nature, cotton, linen, wool, silk, adds a tactile quality that I believe elevates the enjoyment of art.

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48

Lisica, Cindy. "Beyond consumption : the art and merchandise of a superflat generation." Thesis, University of the Arts London, 2010. http://ualresearchonline.arts.ac.uk/5210/.

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This thesis investigates the impact of Superflat theory and practice of the artist and curator, Takashi Murakami. The thesis aims to analyse how contemporary transnational artistic activity functions via the work of Murakami and Superflat artists, including Chiho Aoshima and Aya Takano. From the blockbuster group exhibition, Super Flat, curated by Murakami, which debuted in the United States in 2001 at the Los Angeles Museum of Contemporary Art, to the 2007-2009 ©MURAKAMI retrospective traveling from Los Angeles to Brooklyn then Frankfurt to Bilbao, the synthesis of ideas is showing the way to

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49

SPENCER, ELIZABETH. "THE SPIRIT OF COMPOSITE CONSTRUCTION: JAPANESE KESAAT THE CINCINNATI ART MUSEUM." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179328843.

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50

Haughton, Ann. "Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/68267/.

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The concerns of this thesis are aligned with approaches to the historical study of sexuality, gender and identity in art, society and culture which are increasingly articulate and questioning at present. However, it is distinct from these recent studies because it redirects attention toward a stimulating encounter with the past through new theoretical proposals and interpretive perspectives on the manner in which mythology asserts itself as the vehicle for expressing male same-sex erotic behaviour, gender performance and masculine identity in the visual culture of the Italian Renaissance. By f

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