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Journal articles on the topic 'Mythology, Japanese, in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Akgün, Buket. "Mythology moe-ified: classical witches, warriors, and monsters in Japanese manga." Journal of Graphic Novels and Comics 11, no. 3 (2019): 271–84. http://dx.doi.org/10.1080/21504857.2019.1566155.

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2

Belova, Darya Nikolaevna. "Light symbolism of female mythological images as a spiritual foundation of Japanese and Chinese cultures." Культура и искусство, no. 11 (November 2020): 75–92. http://dx.doi.org/10.7256/2454-0625.2020.11.34358.

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This article analyzes female principle reflected in the images of goddesses of Japanese and Chinese mythology associated with the solar cult and light symbolism. An attempt is made to trace the role of female principle in the mythological phenomenon of Sky and its connection with Earth. The subject of this research is the Japanese and Chinese myths and legends, iconographic images of goddesses and their resemblance in foxes (Kitsune) in the religious painting of the XIII &ndash; early XX centuries. In the course of this work, the author applies comparative-historical and iconographic metho

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3

Littleton, C. Scott. "The indo-european strain in japanese mythology: a review of some recent research." Mankind Quarterly 26, no. 1 (1985): 152–74. http://dx.doi.org/10.46469/mq.1985.26.1.10.

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4

Nolasco, Ana. "Art, Mythology and Cyborgs." Dialogue and Universalism 25, no. 1 (2015): 104–11. http://dx.doi.org/10.5840/du201525114.

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5

Noh,Sung-Hwan. "Ancient Korea in the Japanese Mythology." Journal of North-east Asian Cultures 1, no. 16 (2008): 583–606. http://dx.doi.org/10.17949/jneac.1.16.200809.024.

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6

Dodson, Timothy. "Breaking Ground: Art, Archaeology & Mythology." International Journal of the History of Sport 34, no. 3-4 (2017): 300–301. http://dx.doi.org/10.1080/09523367.2017.1373458.

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7

Waites, Ian. "Breaking ground: art, archaeology & mythology." International Journal of Heritage Studies 23, no. 9 (2017): 906–8. http://dx.doi.org/10.1080/13527258.2017.1338604.

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8

Warwick, Tosh. "Breaking ground: art, archaeology & mythology." Sport in History 39, no. 1 (2019): 116–19. http://dx.doi.org/10.1080/17460263.2019.1572994.

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9

Ball, Laurie. "Parallels between Art and Mythology: Implications for Art Education." Art Education 44, no. 2 (1991): 8. http://dx.doi.org/10.2307/3193300.

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10

Karim, Baigutov, Myrzakanov Madvakas Seksembaevich, Aiman Suyuberdieva, et al. "Painting education of Kazakh mythology." Cypriot Journal of Educational Sciences 16, no. 4 (2021): 1956–75. http://dx.doi.org/10.18844/cjes.v16i4.6064.

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Various scientific studies, interpretations, analyses, and comparisons have revealed a strong link in the origin of Kazakh mythology in contemporary Kazakh society. The main problem in this lies in the fact that existing research on mythology has always centered in fields of literature, philosophy, religion and culture, and history. Previous scholars have always overlooked the study of mythology in the field of art. It’s for this reason, that this research article centered on the mythology in the art of painting education and especially pictorial analysis of Kazakh mythology. In the article, t

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11

Holman, Beth L. "Goltzius' Great Hercules: mythology, art and polities." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 42-43, no. 1 (1991): 397–412. http://dx.doi.org/10.1163/22145966-90000625.

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12

Borea, Giuliana. "Personal cartographies of a Huitoto mythology:." Revista de Antropologia da UFSCar 2, no. 2 (2010): 67–87. http://dx.doi.org/10.52426/rau.v2i2.27.

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Rember Yahuarcani López was born in Pebas, in the Peruvian Amazonian department of Loreto, in 1985. He belongs to the Aymenu clan of the Huitoto group. In 2003 he came to Lima for the first time. His father, the painter and sculptor Santiago Yahuarcani, was invited to impart workshops as part of the exhibition Serpiente de Agua. Instead, he decided to send his son. This opportunity would change Rember Yahuarcani’s perspective on his life and artwork. This article explores Rember Yahuarcani’s art practice and the creation of his own pictorial vocabulary based on his traditions, his artistic exp

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13

Hikmatova Muqadas Nurilloevna. "Mythology in folklore and its features." Middle European Scientific Bulletin 6 (November 18, 2020): 63–66. http://dx.doi.org/10.47494/mesb.2020.6.117.

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In the article, folk art - artistic, creative-practical and amateur activity of the masses; folklore, folk music (folklore), folk theater (performing arts), folk dances (dances), puppetry, wood and wooden foot games (folk circus), folk fine and applied arts of traditional material and intangible culture information and examples of art and technical and artistic hobbies

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14

MacWilliams, Mark. "Japanese Mythology: Hermeneutics on Scripture - By Jun'chi Isomae." Religious Studies Review 37, no. 3 (2011): 236–37. http://dx.doi.org/10.1111/j.1748-0922.2011.01544_2.x.

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15

Duthie, Torquil. "Japanese Mythology: Hermeneutics on Scripture (review)." Monumenta Nipponica 66, no. 2 (2011): 335–38. http://dx.doi.org/10.1353/mni.2011.0033.

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16

Shultz, John A. "Japanese Mythology: Hermeneutics on Scripture, by Jun’ichi Isomae." Relegere: Studies in Religion and Reception 1, no. 2 (2011): 371–73. http://dx.doi.org/10.11157/rsrr1-2-537.

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17

Neils, Jenifer, and Frances van Keuren. "Guide to Research in Classical Art and Mythology." American Journal of Archaeology 98, no. 4 (1994): 783. http://dx.doi.org/10.2307/506562.

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18

Steiner, Ann, and Frances Van Keuren. "Guide to Research in Classical Art and Mythology." Classical World 87, no. 3 (1994): 247. http://dx.doi.org/10.2307/4351479.

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19

Ntaidou, T. K., and I. I. Siempos. "The Art of Providing Anaesthesia in Greek Mythology." Anaesthesia and Intensive Care 40, no. 1_suppl (2012): 22–27. http://dx.doi.org/10.1177/0310057x120400s105.

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20

Siempos, Ilias I., Theodora K. Ntaidou, and George Samonis. "The Art of Providing Resuscitation in Greek Mythology." Survey of Anesthesiology 59, no. 3 (2015): 161. http://dx.doi.org/10.1097/01.sa.0000464146.74928.9c.

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21

Türe, Hatice, Uğur Türe, F. Ylmaz Göğüş, Anton Valavanis, and M. Gazi Yaşargil. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 56, no. 1 (2005): 178–86. http://dx.doi.org/10.1227/01.neu.0000146209.19341.3b.

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22

Türe, Hatice, and Uğur Türe. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 58, no. 3 (2006): E590. http://dx.doi.org/10.1227/01.neu.0000207973.21811.20.

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23

Machinis, Theofilos G., and Kostas N. Fountas. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 58, no. 3 (2006): E590. http://dx.doi.org/10.1227/01.neu.0000207974.15973.ef.

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24

Romaine, James Gaillard, Carol Zemel, Jan Hulsker, et al. "Van Gogh's Dilemma: Caught between Mythology and Art." Art Journal 57, no. 1 (1998): 84. http://dx.doi.org/10.2307/777997.

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25

Siempos, Ilias I., Theodora K. Ntaidou, and George Samonis. "The Art of Providing Resuscitation in Greek Mythology." Anesthesia & Analgesia 119, no. 6 (2014): 1336–41. http://dx.doi.org/10.1213/ane.0000000000000416.

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26

Fischer, Felice. "Japanese Buddhist Art." Philadelphia Museum of Art Bulletin 87, no. 369 (1991): 1. http://dx.doi.org/10.2307/3795444.

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27

Borgen, Robert, and Marian Ury. "Readable Japanese Mythology: Selections from Nihon shoki and Kojiki." Journal of the Association of Teachers of Japanese 24, no. 1 (1990): 61. http://dx.doi.org/10.2307/489230.

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28

Akbay, Okan Haluk. "JAPON MİTOLOJİSİNDE KADIN İMGESİ / WOMAN IMAGE IN JAPANESE MYTHOLOGY." Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, no. 32 (January 23, 2015): 79. http://dx.doi.org/10.21497/sefad.70580.

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29

Türe, H., U. Türe, F. Y. Gögüs, A. Valavanis, and M. G. Yasargil. "987 THE ART OF ALLEVIATING PAIN IN GREEK MYTHOLOGY." European Journal of Pain 10, S1 (2006): S255b—S255. http://dx.doi.org/10.1016/s1090-3801(06)60990-7.

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30

Butterworth-McDermott, Christine. "Dolls, Freaks, Art: American Poets Creating a New Mythology." Pleiades: Literature in Context 37, no. 2S (2017): 1–4. http://dx.doi.org/10.1353/plc.2017.0164.

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31

Murali, Chaya N. "The stories behind the art—Malformations and Hindu mythology." American Journal of Medical Genetics Part C: Seminars in Medical Genetics 187, no. 2 (2021): 261–64. http://dx.doi.org/10.1002/ajmg.c.31909.

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32

Plumb, Amy. "Japanese Religion, Mythology, and the Supernatural in Anime and Manga." International Journal of the Humanities: Annual Review 8, no. 5 (2010): 237–46. http://dx.doi.org/10.18848/1447-9508/cgp/v08i05/42930.

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33

Naydysh, V. M. "MYTHOLOGY AND THEOLOGY. Second Article." RUDN Journal of Philosophy 23, no. 2 (2019): 210–21. http://dx.doi.org/10.22363/2313-2302-2019-23-2-210-221.

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The concept of interpretation (as a procedure for determining the values of those abstractions that are used in the theorization of knowledge, in the process of developing an abstract model of the subject) is applicable to any forms of knowledge, including systems of religious knowledge, designing the ideal model of the subject of religious veneration. The author analyzes the epistemological features of theology as a form of spiritual culture, its formation in ancient culture. It is shown that the epistemological basis for overcoming mythological consciousness was the decentralization of think

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34

Tributsch, Helmut. "Does Mirage-Derived Mythology Give Access to San Rock Art?" South African Archaeological Bulletin 55, no. 171 (2000): 71. http://dx.doi.org/10.2307/3888894.

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35

Kalashnikova, A. A. "Mythology of the art market: the artist as a brand." Moscow State University Bulletin. Series 18. Sociology and Political Science, no. 2 (January 1, 2015): 250–61. http://dx.doi.org/10.24290/1029-3736-2015-0-2-250-261.

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36

Sandler, Mark H., and Penelope Mason. "History of Japanese Art." Journal of Japanese Studies 21, no. 1 (1995): 239. http://dx.doi.org/10.2307/133113.

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37

Hickey, Gary James. "Storytelling in Japanese Art." Asian Studies Review 36, no. 4 (2012): 559–60. http://dx.doi.org/10.1080/10357823.2012.740914.

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38

Keliyan, Maya. "Postmodern Japan Middle Class Related Mythology and Nostalgia." Slovak Journal of Political Sciences 12, no. 2 (2012): 1–16. http://dx.doi.org/10.2478/sjps-2013-0004.

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Abstract The paper explores the transformations of middle class mythology in contemporary Japan, studying phenomena, connected to the objective and subjective middle class identification. After 1970s, when the share of people self-identified with the middle class reached 90% Japanese identity has been shaped around the sense of “all nation belonging to the middle class”. The economic prosperity after World War Two and the fact that within two generations Japan turned from a poor country into a rich society, provide the foundations of the myth of “a middle class society”, zealously maintained b

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39

Panchuk, Ekaterina, and Alena Alekseeva. "YOUKAI AS AN IMPORTANT FACTOR IN THE FORMATION OF JAPANESE CULTURE." Scientific Papers Collection of the Angarsk State Technical University 2021, no. 1 (2021): 289–92. http://dx.doi.org/10.36629/2686-7788-2021-1-1-289-292.

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The analysis of the concept of "youkai" in Japanese mythology, its origin is given, the varieties of youkai are considered. There are references to youkai in ancient monuments of Japanese culture, their reflection in literature and fine arts, modern film and game industries

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40

Rehman, Shazia. "INDIAN MYTHOLOGICAL HYBRID FORMS IN CONTEMPORARY INDIAN ARTWORKS." International Journal of Research -GRANTHAALAYAH 4, no. 12 (2016): 155–69. http://dx.doi.org/10.29121/granthaalayah.v4.i12.2016.2405.

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In this paper I have highlighted those art works which have hybrid/composite imagery. These images are not only appealing visually but also have strong connections with Indian Mythology. In Indian Myths these are considered as heavenly being and are mentioned in mythological stories in many forms such as aerial or atmospheric mythical animals, terrestrial mythical animal, and aquatic mythical animals etc. I have provided analysis of these types of images which are a part of Indian contemporary paintings with a new interpretation of meaning. I have included variety of these images and distribut

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41

Kim, Youngju. "A Study of Medieval Japanese Myths: Focusing on Empress Jingu Mythology." Hankuk University of Foreign Studies Literature Studies 72 (November 30, 2018): 183–204. http://dx.doi.org/10.22344/fls.2018.72.183.

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42

홍성목. "Ancient Korean Japan Exchanges Depicted in Japanese Mythology - Focusing on Sharks -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 77 (2017): 401–22. http://dx.doi.org/10.21792/trijpn.2017..77.020.

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43

斎, 藤英喜. "“Death” and “Rebirth” in Japanese mythology ― a view from the standpoint of the history of the interpretation of mythology ―." Journal of Japanese Studies 46 (September 15, 2015): 175–92. http://dx.doi.org/10.18841/2015.46.07.

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44

MacWilliams, Mark. "Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime by Yoshiko Okuyama." Journal of Japanese Studies 43, no. 1 (2017): 205–10. http://dx.doi.org/10.1353/jjs.2017.0025.

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45

P.S, Moovendhan. "Regionalism and mythology in 'Sancharam' Novel." International Research Journal of Tamil 3, S-1 (2021): 114–22. http://dx.doi.org/10.34256/irjt21s118.

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The use of literature is informative and instructive. Sangam songs became classical as they spoke of land and time. The novel 'Sancharam' was taken up for study in a way that exposes the nature biographical jurisprudence based on the tiṇaikkōṭpāṭṭu theories prioritized by the Sangam literature. The novel highlights the status of the traditional art of music of the South in the Karisal area and the position of the arts in relation to the fertility of the soil. Esra the novel 'Sancharam' was written by S. Ramakrishnan, popularly known as. In this book, the author has recorded that every person i

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46

Bru, Ricard. "Marià Fortuny and Japanese Art." Journal of Japonisme 1, no. 2 (2016): 155–85. http://dx.doi.org/10.1163/24054992-00012p01.

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Marià Fortuny, a painter in the forefront of the European avant-garde of the early 1870s, is also considered a key figure in the introduction of Japonisme in Spain and Italy. This study aims to offer a comprehensive analysis of Marià Fortuny’s links to Japanese art and the phenomenon of Japonisme. To this end, the article provides new information about Fortuny’s collection of Japanese art and considers the influence that these pieces had on the Catalan painter’s own work.

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47

Wei, Huige, Dapeng Cui, Junhui Ma, et al. "Energy conversion technologies towards self-powered electrochemical energy storage systems: the state of the art and perspectives." Journal of Materials Chemistry A 5, no. 5 (2017): 1873–94. http://dx.doi.org/10.1039/c6ta09726j.

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48

Suter, Rebecca. "Japanese Mythology in Film: A Semiotic Approach to Reading Japanese Film and Anime, written by Yoshiko Okuyama." Journal of Religion in Japan 6, no. 1 (2017): 71–74. http://dx.doi.org/10.1163/22118349-00601003.

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49

Clark, John. "Japanese Modern and Contemporary Art: An Art-Historical Field." Art History 41, no. 4 (2018): 766–71. http://dx.doi.org/10.1111/1467-8365.12393.

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50

Hoston, Germaine A. "Conceptualizing Bourgeois Revolution: The Prewar Japanese Left and the Meiji Restoration." Comparative Studies in Society and History 33, no. 3 (1991): 539–81. http://dx.doi.org/10.1017/s0010417500017175.

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That the Meiji Restoration marked Japan's proruption as a modern industrial nation-state has become a commonplace among those who study Japanese political history. The event may lack the romantic drama and mythology of the French revolutionary upheaval of almost a century before, yet the Restoration has remained a source of fascination for scholars seeking patterns in the events that transcend national boundaries to form the seamless web of human history.

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