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Journal articles on the topic 'Mythology, Japanese, in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Sarkar, Anik. "Modern Anxieties and Traditional Influence in Horror Anime." Humanities 12, no. 5 (2023): 118. http://dx.doi.org/10.3390/h12050118.

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Japan has a longstanding tradition of horror narratives that feature a variety of macabre embodiments. They draw upon ancient folklore, thereby providing a unique perspective on spirits specific to Japanese culture. The influence of these countless supernatural beings from Japanese mythology and folklore has molded many incarnations seen in popular culture, which have been commonly deemed “strange” and “weird”. This study seeks to demystify the ambiguity and “strangeness” surrounding three Japanese anime series, Another, Yamishibai, and Mononoke. It attempts to analyze how each of these anime

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2

Li, Liangying. "From Fuxi to Izanagi: A Cross-Cultural Genealogy of Creation Deity Gestures." International Journal of Education and Humanities 19, no. 3 (2025): 219–23. https://doi.org/10.54097/bm2qan13.

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The "gestural turn" in contemporary art has introduced a more immediate perspective for studying ancient iconography, transcending textual discourse. As quintessential figures in Chinese and Japanese cosmogonic myths, the four deities Fuxi, Nüwa, Izanagi, and Izanami are depicted with distinct postures across murals unearthed from various dynastic periods. The longstanding hypothesis regarding Chinese influence on Japanese mythology gains further support from the iconographic similarities and their alignment with historical records, forming the foundation for this comparative study. However, a

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Akgün, Buket. "Mythology moe-ified: classical witches, warriors, and monsters in Japanese manga." Journal of Graphic Novels and Comics 11, no. 3 (2019): 271–84. http://dx.doi.org/10.1080/21504857.2019.1566155.

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Belova, Darya Nikolaevna. "Light symbolism of female mythological images as a spiritual foundation of Japanese and Chinese cultures." Культура и искусство, no. 11 (November 2020): 75–92. http://dx.doi.org/10.7256/2454-0625.2020.11.34358.

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This article analyzes female principle reflected in the images of goddesses of Japanese and Chinese mythology associated with the solar cult and light symbolism. An attempt is made to trace the role of female principle in the mythological phenomenon of Sky and its connection with Earth. The subject of this research is the Japanese and Chinese myths and legends, iconographic images of goddesses and their resemblance in foxes (Kitsune) in the religious painting of the XIII &ndash; early XX centuries. In the course of this work, the author applies comparative-historical and iconographic metho

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Littleton, C. Scott. "The indo-european strain in japanese mythology: a review of some recent research." Mankind Quarterly 26, no. 1 (1985): 152–74. http://dx.doi.org/10.46469/mq.1985.26.1.10.

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6

Riordan, Kevin. "Yeats's Photographs and the World Theatre of Images." Theatre Survey 65, no. 1 (2024): 14–36. http://dx.doi.org/10.1017/s0040557423000303.

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W. B. Yeats's dramatic career was transformed in the 1910s through a series of collaborations in London. In an essay from the period, “Certain Noble Plays of Japan,” he writes: “I have invented a form of drama, distinguished, indirect and symbolic.” This form, like many other modernist inventions, is better understood as something else, in this case the alchemy of his earlier work, some eclectic influences, and the contributions of his American, English, French, and Japanese collaborators. Together, this group of artists drew on Irish mythology, the occult, the continental avant-garde, and—as

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García Valladares, Miguel Enrique. "Paisajes míticos y paisajes históricos de la Antigua Grecia en el manga-anime <i>Saint Seiya</i>." Antropología Experimental, no. 25 (March 8, 2025): 141–57. https://doi.org/10.17561/rae.v25.9284.

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From an interdisciplinary analysis, this article examines the using of the Greek archaeolog-ical landscapes in the manga-anime Saint Seiya of Masami Kurumada for building its fic-tional spaces. On the basis of the notion of landscape, as a representation of the reading-sighting on a territory, this work considers that representation under a society’s way of seeing and ordering its world: the scopic regime. Thus, the scopic regime explains the Western ideas about the Ancient Greece, its mythology and its historical landscapes. Alt-hough those sights have been reproduced and modified historicall

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Nolasco, Ana. "Art, Mythology and Cyborgs." Dialogue and Universalism 25, no. 1 (2015): 104–11. http://dx.doi.org/10.5840/du201525114.

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Vasic, Danijela. "Solar deity in Japanese mythology." Bulletin de l'Institut etnographique 72, no. 1 (2024): 59–78. http://dx.doi.org/10.2298/gei2401059v.

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In order to create an orderly state, the first imperial chronicles emerged in the early 8th century in the territory of modern Japan through the integration and systematization of mythical elements that proved the legitimacy of the government and the descent of the imperial Yamato lineage from the supreme deity of the Shinto pantheon - the Great Sun Goddess Amaterasu. This mythic paradigm was created on the existing mytho-historical foundations fostered by cultural and political contacts with the Korean kingdoms and the Chinese empire. There is evidence that the cult of the solar deity, origin

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Putra, I. Putu Deva Maha, I. Made Jodog, and I. Wayan Mudana. "Calonarang Mythology." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 4, no. 2 (2024): 123–30. http://dx.doi.org/10.59997/ctkr.v4i2.3383.

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Calonarang mythology depicts the story of Queen Nata Ing Girah (ruler in the village of Girah) which is considered scary because it has magical powers and supernatural. Various mythical stories and magical rituals always color the trail Airlangga in Kahuripan, East Java during the 11th century Javanese Hindu period. Research This aims to create and analyze Calonarang's mythological themes in the work art painting. Therefore, the author raised this story into the form of a work of art painting in this Final Project in partnership with Sanggar Wasundari Kamasan Klungkung Bali. Calonarang Mytholo

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Karim, Baigutov, Myrzakanov Madvakas Seksembaevich, Aiman Suyuberdieva, et al. "Painting education of Kazakh mythology." Cypriot Journal of Educational Sciences 16, no. 4 (2021): 1956–75. http://dx.doi.org/10.18844/cjes.v16i4.6064.

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Various scientific studies, interpretations, analyses, and comparisons have revealed a strong link in the origin of Kazakh mythology in contemporary Kazakh society. The main problem in this lies in the fact that existing research on mythology has always centered in fields of literature, philosophy, religion and culture, and history. Previous scholars have always overlooked the study of mythology in the field of art. It’s for this reason, that this research article centered on the mythology in the art of painting education and especially pictorial analysis of Kazakh mythology. In the article, t

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Tu, Xiaofei, and Wendy Xie. "The Kojiki/Nihon Shoki Mythology and Chinese Mythology: Theme, Structure, and Meaning." Religions 12, no. 10 (2021): 896. http://dx.doi.org/10.3390/rel12100896.

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This essay will compare myths found in the Kojiki and the Nihon Shoki with thematically and structurally similar Chinese myths, and other Japanese texts, in order to shed light on the meanings of both Japanese and Chinese mythology. The authors’ approach is partly in the critical textual study tradition that traces back to Gu Jiegang and Tsuda Sokichi, and partly informed by comparative mythologists, such as Matsumae Takeshi, Nelly Naumann, and Antonio Klaus, with attention to Proppian and Levi-Straussian motifs in structural studies. First, we shall discuss some common themes in Chinese and K

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Md., Amir Hossain. "Rethinking Greek Mythology and Indian Mythology." Literary Druid 4, Special Issue 1 (2022): 9–14. https://doi.org/10.5281/zenodo.6945380.

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<em>This paper aims to look at Greek mythology, the “Iliad” and Indian mythology, “Ramayana” as a comparative study to foster common similarities based on plot construction and art of characterization. For this purpose, it would like to examine male and female characters in Greek mythology; myth in gender studies, gender in myth studies; truth, falsehood, and human knowledge; Ramayana as a reflection of social life; its impact on human life, culture and literature. The paper aims to motivate emerging scholars and novice researchers by making a comparative study between

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Wang, Tianran. "The Nature and Morphology of the Yellow Springs Land of Japan: Examples from the Kojiki and Niyonshuti." Journal of Education, Humanities and Social Sciences 42 (December 9, 2024): 237–43. https://doi.org/10.54097/q2mr6j60.

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This paper examines the nature and form in which the term ‘Yellow Spring’ is expressed. The Chinese word ‘huangquan’ means ‘yellow spring’. Beginning with the introduction of the term ‘Yellow Spring’ from China to Japan, the paper explores the role of ‘Yellow Springs Land’ in Japanese mythology from the textual descriptions of ‘Izanagi and Izanami’, ‘Three Precious Children' and “Ohokuninushi” to explore the status of “Yellow Springs Land” in Japanese mythology and the degree to which serves as a place of death in Japanese mythology. In addition, these textual records are combined with the map

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Noh,Sung-Hwan. "Ancient Korea in the Japanese Mythology." Journal of North-east Asian Cultures 1, no. 16 (2008): 583–606. http://dx.doi.org/10.17949/jneac.1.16.200809.024.

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Hoshina, Hideto. "The Mythology of Insect-Loving Japan." Insects 13, no. 3 (2022): 234. http://dx.doi.org/10.3390/insects13030234.

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Japanese people are perceived to have a relatively more favorable disposition towards insects than individuals from other nations. Given that insects frequently appear in myths from all over the world, I researched Japanese mythology as a potential origin of this positive outlook toward insects. I reviewed the ancient records Kojiki, Nihonshoki, and Fudoki, and found seven cases where insects appear. In all cases, the insects played relatively minor roles. They did not speak, nor were they under the command of gods or emperors. They did not feature as main characters in ancient poetry, and god

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Zhao, Yiming, and Dongfang Zheng. "Traditional Chinese Mythology in Animation Art." Highlights in Art and Design 3, no. 3 (2023): 61–63. http://dx.doi.org/10.54097/hiaad.v3i3.11220.

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Chinese traditional myths, as an important part of Chinese culture, have been widely applied and expressed in animation art. From the perspective of animation art, this paper will discuss in depth the expression forms and expression methods of traditional Chinese myths in animation art, including the use of myth elements in animation, the creation of myth characters, the way of narrating myth plots, and the expression of myth meanings. Through analyzing and comparing related animation works, this paper will explore the performance characteristics of Chinese traditional myths in animation art a

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18

Dodson, Timothy. "Breaking Ground: Art, Archaeology & Mythology." International Journal of the History of Sport 34, no. 3-4 (2017): 300–301. http://dx.doi.org/10.1080/09523367.2017.1373458.

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Waites, Ian. "Breaking ground: art, archaeology & mythology." International Journal of Heritage Studies 23, no. 9 (2017): 906–8. http://dx.doi.org/10.1080/13527258.2017.1338604.

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Warwick, Tosh. "Breaking ground: art, archaeology & mythology." Sport in History 39, no. 1 (2019): 116–19. http://dx.doi.org/10.1080/17460263.2019.1572994.

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21

Borea, Giuliana. "Personal cartographies of a Huitoto mythology:." Revista de Antropologia da UFSCar 2, no. 2 (2010): 67–87. http://dx.doi.org/10.52426/rau.v2i2.27.

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Rember Yahuarcani López was born in Pebas, in the Peruvian Amazonian department of Loreto, in 1985. He belongs to the Aymenu clan of the Huitoto group. In 2003 he came to Lima for the first time. His father, the painter and sculptor Santiago Yahuarcani, was invited to impart workshops as part of the exhibition Serpiente de Agua. Instead, he decided to send his son. This opportunity would change Rember Yahuarcani’s perspective on his life and artwork. This article explores Rember Yahuarcani’s art practice and the creation of his own pictorial vocabulary based on his traditions, his artistic exp

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22

Ball, Laurie. "Parallels between Art and Mythology: Implications for Art Education." Art Education 44, no. 2 (1991): 8. http://dx.doi.org/10.2307/3193300.

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23

Л, Батнасан. "БАЙГАЛЬ БОЛОН УРЛАГИЙН ТАЛААРХ Ф.ШЕЛЛИНГИЙН ФИЛОСОФИЙН ҮЗЭЛ". Philosophy and Religious Studies 12, № 12(354) (2011): 89–92. https://doi.org/10.22353/prs20111.20.

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Fredric Wilhelm Joseph Shelling German idealist philosopher is specific over German romanticism ideology organizing system of transcendental philosophy, and cared more than others on art philosophy. In history of social thought. Generally in his opinion: Natural philosophy, Mythology, Art philosophy. He studied moral about nature in the beginning of study, so published ''System of transcendental idealism'' which tells combination of subjective idealism of Fichte his own objective idealism. Pondering over object and subject, natural and non natural led him into second natural opinion, so he rea

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Ermakova, Liudmila M. "ON SOME CONTINENTAL MOTIFS IN JAPANESE MYTHOLOGY." Folklore: structure, typology, semiotics 7, no. 4 (2024): 42–64. https://doi.org/10.28995/2658-5294-2024-7-4-42-64.

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It is believed that the Proto-Japanese ethnos was formed on the Islands during the Yayoi period (2nd century B.C. to 4th century A.D.) This was the time of numerous migrations from the Korean peninsula, and various groups of migrants relocated to the Japanese Islands and brought with them the techniques of rice cultivating, bronze and iron production, silk weaving, the main ritual symbols of power – the mirror and the sword, and many other innovations. Powerful migrations from the neighboring peninsula for various military and political reasons continued in the next period named Kofun, which i

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Baigutov, Karim, Aman Ibragimov, Alzhanov Gadilbek Kh., Kumarkan Muratayev, Taiyrzhan Iskakov, and Dzhanaev Miyat. "Evaluating and redesigning the teaching practices of the Kazakh Mythology- engraving techniques." PLOS ONE 19, no. 5 (2024): e0296905. http://dx.doi.org/10.1371/journal.pone.0296905.

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The study was designed to explore and develop art students’ interest and engagement in Kazakh mythology and using engraving techniques. The archetypic and challenges of Kazakh mythology in art students were not previously explored. Therefore, the need for study in this domain was essential to cover the gap in the literature. The gap has been recently discovered by Kazakh scholars although it has been explored by foreign authors but the authenticity of such studies remains a question. The study was experimental and the results show a strong association between art’s student’s engagement with Ka

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26

Putri, Vathya Anindita, Shobichatul Aminah, and Henny Saptatia Drajati Nugrahani. "Mise En Scene Technique on Nordic Representation in the Sequel of Thor by Marvel Cinematic Universe." Formosa Journal of Sustainable Research 4, no. 5 (2025): 850–66. https://doi.org/10.55927/fjsr.v4i5.269.

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This research aims to explore why the context of Norse Mythology attracts and inspires the Marvel Cinematic Universe in the production of the four sequels, Thor. Norse mythology talks about supernatural figures, cosmologists, legends, and fables. This research will analyze mise en scene to become something that can be understood and become the medium of learning about Norse mythology by the audience. With the creation of the Thor movies, the Marvel Cinematic Universe has the concept of representing Norse mythology in a commercial way with a more modern story. Through characterizations, histori

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Hikmatova Muqadas Nurilloevna. "Mythology in folklore and its features." Middle European Scientific Bulletin 6 (November 18, 2020): 63–66. http://dx.doi.org/10.47494/mesb.2020.6.117.

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In the article, folk art - artistic, creative-practical and amateur activity of the masses; folklore, folk music (folklore), folk theater (performing arts), folk dances (dances), puppetry, wood and wooden foot games (folk circus), folk fine and applied arts of traditional material and intangible culture information and examples of art and technical and artistic hobbies

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Holman, Beth L. "Goltzius' Great Hercules: mythology, art and polities." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 42-43, no. 1 (1991): 397–412. http://dx.doi.org/10.1163/22145966-90000625.

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MacWilliams, Mark. "Japanese Mythology: Hermeneutics on Scripture - By Jun'chi Isomae." Religious Studies Review 37, no. 3 (2011): 236–37. http://dx.doi.org/10.1111/j.1748-0922.2011.01544_2.x.

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Duthie, Torquil. "Japanese Mythology: Hermeneutics on Scripture (review)." Monumenta Nipponica 66, no. 2 (2011): 335–38. http://dx.doi.org/10.1353/mni.2011.0033.

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31

Shultz, John A. "Japanese Mythology: Hermeneutics on Scripture, by Jun’ichi Isomae." Relegere: Studies in Religion and Reception 1, no. 2 (2011): 371–73. http://dx.doi.org/10.11157/rsrr1-2-537.

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32

Panchuk, Ekaterina, and Alena Alekseeva. "YOUKAI AS AN IMPORTANT FACTOR IN THE FORMATION OF JAPANESE CULTURE." Scientific Papers Collection of the Angarsk State Technical University 2021, no. 1 (2021): 289–92. http://dx.doi.org/10.36629/2686-7788-2021-1-1-289-292.

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The analysis of the concept of "youkai" in Japanese mythology, its origin is given, the varieties of youkai are considered. There are references to youkai in ancient monuments of Japanese culture, their reflection in literature and fine arts, modern film and game industries

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33

Adhikari, Anasuya, and Birbal Saha. "Shakuntala: As Authored by Kalidas and Painted by Raja Ravi Varma." Galore International Journal of Applied Sciences and Humanities 5, no. 4 (2021): 45–53. http://dx.doi.org/10.52403/gijash.20211008.

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Mythology has always been an appealing area which has been engrossing readers and listeners since ages. Mythology plays distinctive roles and employs its sacred narratives, art and rituals to keep the values and morals of the society intact. This system of writing texts on mythology was common to the entire subcontinent and produced its own literature written in Sanskrit. One such magnum opus is Abhijnanashakuntalam authored by the great Sanskrit maestro, Kalidas. It is also important to note that mythology in the form of texts was accessible to a very limited class of people which included th

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34

Neils, Jenifer, and Frances van Keuren. "Guide to Research in Classical Art and Mythology." American Journal of Archaeology 98, no. 4 (1994): 783. http://dx.doi.org/10.2307/506562.

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Steiner, Ann, and Frances Van Keuren. "Guide to Research in Classical Art and Mythology." Classical World 87, no. 3 (1994): 247. http://dx.doi.org/10.2307/4351479.

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36

Türe, Hatice, Uğur Türe, F. Ylmaz Göğüş, Anton Valavanis, and M. Gazi Yaşargil. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 56, no. 1 (2005): 178–86. http://dx.doi.org/10.1227/01.neu.0000146209.19341.3b.

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Türe, Hatice, and Uğur Türe. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 58, no. 3 (2006): E590. http://dx.doi.org/10.1227/01.neu.0000207973.21811.20.

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Machinis, Theofilos G., and Kostas N. Fountas. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 58, no. 3 (2006): E590. http://dx.doi.org/10.1227/01.neu.0000207974.15973.ef.

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Ntaidou, T. K., and I. I. Siempos. "The Art of Providing Anaesthesia in Greek Mythology." Anaesthesia and Intensive Care 40, no. 1_suppl (2012): 22–27. http://dx.doi.org/10.1177/0310057x120400s105.

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Siempos, Ilias I., Theodora K. Ntaidou, and George Samonis. "The Art of Providing Resuscitation in Greek Mythology." Survey of Anesthesiology 59, no. 3 (2015): 161. http://dx.doi.org/10.1097/01.sa.0000464146.74928.9c.

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Romaine, James Gaillard, Carol Zemel, Jan Hulsker, et al. "Van Gogh's Dilemma: Caught between Mythology and Art." Art Journal 57, no. 1 (1998): 84. http://dx.doi.org/10.2307/777997.

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Siempos, Ilias I., Theodora K. Ntaidou, and George Samonis. "The Art of Providing Resuscitation in Greek Mythology." Anesthesia & Analgesia 119, no. 6 (2014): 1336–41. http://dx.doi.org/10.1213/ane.0000000000000416.

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Lee, Jong-chul. "Generative Ideology of AI Art through Mythology Aspect." Journal of Communication Design 85 (October 30, 2023): 504–14. https://doi.org/10.25111/jcd.2023.85.34.

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Kirsanova, Anna Vladimirovna. "Catastrophism and eschatology in the context of religion, philosophy, and art." Uchenyy Sovet (Academic Council), no. 6 (May 25, 2022): 407–21. http://dx.doi.org/10.33920/nik-02-2206-08.

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The article deals with the concepts of catastrophism and eschatology, which are directly related to the mythological and religious vision of the world. The author shows that ideas about the other world have deep psychological roots and, along with moral aspects, thoughts about retribution and judgment in a different reality, as well as gaining bliss, were already present in the mythology of Ancient Egypt, ancient mythology and philosophy. The material of the article can be useful for the disciplines "History of Culture", "History of Religion", and "Culturology".

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Borgen, Robert, and Marian Ury. "Readable Japanese Mythology: Selections from Nihon shoki and Kojiki." Journal of the Association of Teachers of Japanese 24, no. 1 (1990): 61. http://dx.doi.org/10.2307/489230.

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Akbay, Okan Haluk. "JAPON MİTOLOJİSİNDE KADIN İMGESİ / WOMAN IMAGE IN JAPANESE MYTHOLOGY." Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, no. 32 (January 23, 2015): 79. http://dx.doi.org/10.21497/sefad.70580.

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47

Fischer, Felice. "Japanese Buddhist Art." Philadelphia Museum of Art Bulletin 87, no. 369 (1991): 1. http://dx.doi.org/10.2307/3795444.

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48

Keliyan, Maya. "Postmodern Japan Middle Class Related Mythology and Nostalgia." Slovak Journal of Political Sciences 12, no. 2 (2012): 1–16. http://dx.doi.org/10.2478/sjps-2013-0004.

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Abstract The paper explores the transformations of middle class mythology in contemporary Japan, studying phenomena, connected to the objective and subjective middle class identification. After 1970s, when the share of people self-identified with the middle class reached 90% Japanese identity has been shaped around the sense of “all nation belonging to the middle class”. The economic prosperity after World War Two and the fact that within two generations Japan turned from a poor country into a rich society, provide the foundations of the myth of “a middle class society”, zealously maintained b

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Rehman, Shazia. "INDIAN MYTHOLOGICAL HYBRID FORMS IN CONTEMPORARY INDIAN ARTWORKS." International Journal of Research -GRANTHAALAYAH 4, no. 12 (2016): 155–69. http://dx.doi.org/10.29121/granthaalayah.v4.i12.2016.2405.

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In this paper I have highlighted those art works which have hybrid/composite imagery. These images are not only appealing visually but also have strong connections with Indian Mythology. In Indian Myths these are considered as heavenly being and are mentioned in mythological stories in many forms such as aerial or atmospheric mythical animals, terrestrial mythical animal, and aquatic mythical animals etc. I have provided analysis of these types of images which are a part of Indian contemporary paintings with a new interpretation of meaning. I have included variety of these images and distribut

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Shazia, Rehman. "INDIAN MYTHOLOGICAL HYBRID FORMS IN CONTEMPORARY INDIAN ARTWORKS." International Journal of Research -GRANTHAALAYAH 4, no. 12 (2016): 155–69. https://doi.org/10.5281/zenodo.223833.

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In this paper I have highlighted those art works which have hybrid/composite imagery. These images are not only appealing visually but also have strong connections with Indian Mythology. In Indian Myths these are considered as heavenly being and are mentioned in mythological stories in many forms such as aerial or atmospheric mythical animals, terrestrial mythical animal, and aquatic mythical animals etc. I have provided analysis of these types of images which are a part of Indian contemporary paintings with a new interpretation of meaning. I have included variety of these images and distribut

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