Academic literature on the topic 'Mythopoeia'

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Journal articles on the topic "Mythopoeia"

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Kryvoruchko, S. "Baroque: Myth, Mythopoeia, and Mythopoetic Paradigm." Fìlologìčnì traktati 12, no. 2 (2020): 153–54. http://dx.doi.org/10.21272/ftrk.2020.12(2)-17.

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Oleson, Jeanine. "Mythopoeia." WSQ: Women's Studies Quarterly 40, no. 3-4 (2013): 95–102. http://dx.doi.org/10.1353/wsq.2013.0018.

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Ome, M. Rad Shakil. "Mythopoesis: From Simplicity to Sublimity, Uplifting Aspects in Coleridge, Keats, and Shelly’s Poetry." Journal of Critical Studies in Language and Literature 6, no. 3 (2025): 43–49. https://doi.org/10.46809/jcsll.v6i3.357.

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This dissertation pursues the exploration of the innermost sublime nature of romantic poetry composed by Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley. Such aspects of literature are brought forth by the inclusion of a rather vivid method, the method of myth creation otherwise known after Hellenistic Greek as mythopoesis. Instead of devising a literary work with just reality or rigid mythic elements the process of mythopoesis allows the poet to create a blend of fact and fiction with the freedom of imagination. In turn, mythopoesis inserts a form of wisdom that works well to ep
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Naseri, Mahin Pourmorad, and Parvin Ghasemi. "Mythopoeia in Akhavan’s & Eliot’s Poetry." Journal of KATHA 18, no. 1 (2022): 21–38. http://dx.doi.org/10.22452/katha.vol18no1.2.

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T. S. Eliot, the well-known English poet, and Mehdi Akhavan Sales, one of the pioneers of the Modern Persian Poetry, have applied mythologies in their poetry. The present study is an attempt to make a comparison between Eliot’s early poems, i.e. “The Waste Land” and “The Love Song of J. Alfred Prufrock”, and Akhavan’s two poems, “Qese-e Shahriar-e Shahr-e Sangestan” [The Story of the King of the Stoned City] and “Khan-e Hashtom va Adamak” [The Eighth Task and the Puppet] from a Tolkienian perspective of mythopoeia. Laying their arguments in Jost’s fourth category of comparative studies (themes
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رسـول مهــدي, عـامـر. "Meta-Mythopoeia in Ted Hughes’s Poetry." Al-Adab Journal 1, no. 121 (2018): 17–26. http://dx.doi.org/10.31973/aj.v1i121.266.

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This paper aims at resetting, and delving into, the question of mythmaking or mythopoeia with regard to Ted Hughes’s poetry. It investigates the new postmodernist literary parameters that set Hughes’s mythopoeia apart from the Romantics’ and the modernists’ tradition of mythmaking. With Hughes, this tradition comes to be challenged as it is now reintroduced through the poet’s literary animals, and as these are deemed the correlative of the poetic process that is informed by the postmodernist poetics of meta-literature.
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Bell, Michael. "Towards a Definition of the ‘long modernist novel’." Modernist Cultures 10, no. 3 (2015): 282–98. http://dx.doi.org/10.3366/mod.2015.0115.

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This paper considers a number of long fictions from the modernist period to see how far their length serves specifically modernist concerns, especially temporality and history. Various extended narratives suit modernist aesthetic mythopoeia for which Nietzsche's essay on The Advantages and Disadvantages of History for Life provides a philosophical articulation. Joyce's Ulysses, Proust's A la recherche, and Mann's Joseph and his Brothers (along with Lawrence's The Rainbow and Women in Love) are the principal works compared and contrasted. But there are authors who stand apart from these encompa
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Hutchinson, Jamie. "Imagine That: A Barfieldian Reading of C.S. Lewis’s Till We Have Faces." Journal of Inklings Studies 6, no. 2 (2016): 79–111. http://dx.doi.org/10.3366/ink.2016.6.2.4.

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On more than one occasion, Owen Barfield expressed his admiration for C.S. Lewis's last novel, Till We Have Faces, singling it out as a work in which Lewis “really rises to the fullness of the mythopoeic imagination.” Barfield's praise of the novel's mythopoeia is understandable given his statements in Poetic Diction and The Rediscovery of Meaning concerning the literary artist and the creation of true myth. Lewis's own account of his creative process (the changes he felt impelled to make to the myth of Cupid and Psyche) further validates the novel's mythopoeic nature and identifies Lewis as a
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Piga, Emanuela. "Metahistory, microhistories and mythopoeia in Wu Ming." Journal of Romance Studies 10, no. 1 (2010): 51–67. http://dx.doi.org/10.3828/jrs.10.1.51.

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Schaller, Quentin. "Jung's Alleged Madness: From Mythopoeia to Mythologisation." Phanês Journal For Jung History, no. 2 (November 25, 2019): 1–27. http://dx.doi.org/10.32724/phanes.2019.schaller.

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This article recounts a little-known episode in C. G. Jung’s life and in the history of analytical psychology: Jung’s visit to Paris in the spring of 1934 at the invitation of the Paris Analytical Psychology Club (named ‘Le Gros Caillou’), a stay marked by a lecture on the ‘hypothesis of the collective unconscious’ held in a private setting and preceded by an evening spent in Daniel Halévy’s literary salon with some readers and critics.
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Rosenquist, Rod. "Modernist Mythopoeia: The Twilight of the Gods." English Studies 97, no. 8 (2016): 920–21. http://dx.doi.org/10.1080/0013838x.2016.1210287.

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Dissertations / Theses on the topic "Mythopoeia"

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Morgan, Harry. "Formes et mythopoeia dans les littératures dessinées." Paris 7, 2008. http://www.theses.fr/2008PA070103.

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Cette thèse poursuit une recherche précédente menée hors du cadre universitaire (Harry Morgan, Principes des littératures dessinées, Editions de Tan 2,2003). Elle est une contribution à une théorie de la bande dessinée (une stripologie) moderne, résolument empiriste, qui situe les procédés formels qu'elle identifie dans le contexte général de la narration visuelle et relativement à des support qui sont le livre, l'estampe, le journal quotidien, le périodique, etc. L'étude est centrée sur l'interaction entre les contraintes physiques, sémiotiques et éditoriales pesant sur le médium et le conten
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Buchberger, Michelle Philips. "Metafiction, historiography, and mythopoeia in the novels of John Fowles." Thesis, Brunel University, 2009. http://bura.brunel.ac.uk/handle/2438/6558.

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This thesis concerns the novelist John Fowles and analyses his seven novels in the order in which they were written. The study reveals an emergent artistic trajectory, which has been variously categorized by literary critics as postmodern. However, I suggest that Fowles's work is more complex and significant than such a reductive and simplistic label would suggest. Specifically, this study argues that Fowles's work contributes to the reinvigoration of the novel form by a radical extension of the modernist project of the literary avant-garde, interrogating various conventions associated with bo
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Louw, Juanita. "Toorlelies (Portfeulje) & Mythopoeia in Marina Tsvetaeva's after Russia (Essay)." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/6801.

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Abtract of essay: Mythopoeia in Marina Tsvetaeva's after Russia. This study examines the use of myth in Marina Tsvetaeva's last poetry collection, After Russia. The study will focus on the myth of Orpheus, the archetypal poet, as well as the metamorphoses of the Greek bard as presented by Tsvetaeva in her poetry. Tsvetaeva's appropriation of the mythic personae of Eurydice and the Cumaean Sibyl will also be explored in relation to the Orphic myth and the way these characters were used to express the comingVintoVbeing of the poet. A brief overview will be given of the mythical figures under dis
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Karadas, Firat. "Imagination, Metaphor And Mythopoeia In The Poetry Of Three Major English Romantic Poets." Phd thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/3/12608579/index.pdf.

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This thesis studies metaphor, myth and their imaginative aspects in the poetry of William Wordsworth, Percy Bysshe Shelley and John Keats. The thesis argues that a comprehensive understanding of metaphor and myth cannot be done in the works of these poets without seeing them as faces of the same coin, and taking into consideration the role of the creating subject and its imagination in their production. Relying on Kantian, Romantic, and modern Neo-Kantian ideas of imagination, metaphor and myth, the study tries to indicate that imagination is an inherently metaphorizing and mythologizing facul
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Burr, Gareth. "Eshawa! : vision voice and mythic narrative; an ethnographic presentation of Ese-eja mythopoeia." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339782.

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Rumbold, Matthew Ivan. ""Freelance mystic": individuation, mythopoeia and metafiction in the early fiction of Russell Hoban." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1004455.

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This thesis is an exploration of three interrelated modes - the psychological, the religious or mythopoeic, and the metafictional - in the early novels of Russell Hoban. It investigates the relationship between Hoban's religious vision and his literary style, through the lens of his 'fictional philosophy' as it is presented in his essay collection The Moment under the Moment. In Chapter One, Kleinzeit is analysed to illustrate Hoban's portrayal of a contemporary crisis of meaning. It includes an introduction to the pattern of individuation and an exposition of Hoban's unique notion of heroism
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Kolesnyk, Olena. "Human and cosmic truth in William Shakespeare’s interpretation." Millenium, 2014. http://hdl.handle.net/10150/323559.

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The article is about the mythopoeic idea of unity and interrelation of the human being and the Cosmic life, and its interpretation given in the texts of W. Shakespeare’s works. The human being, as represented in W. Shakespeare’s works, can be considered on three levels: personal, social and cosmic. As a person, a Shakespearean character is defined not only by his / her mind only, but also by the body. In the plays we see individuals of different gender, age, health and appearance. All these characteristics are relevant to the behavior of the individual and the response they get. Shakespeare
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Psathas, Barbara Ann. "The quest for completion an evolving mythopoeia in the writing of Thomas Hardy, D.H. Lawrence, and John Fowles /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1999. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1999.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2823. Typescript. Abstract precedes thesis as, preliminary leaves [2-3]. Includes bibliographical references (leaves 109-112).
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Johnson, Matthew. "An Ethnography of the Bay Area Renaissance Festival: Performing Community and Reconfiguring Gender." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3509.

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This performance ethnography analyzes the means by which performers at Tampa, Florida‘s Bay Area Renaissance Festival constitute community and gender through performance. Renaissance Festivals are themed weekend events that ostensibly seek to allow visitors to experience life in an English Renaissance village. Beginning with the theoretical assumption that performance is constitutive of culture, community, and identity, and undergirded by David Boje‘s festivalism, Richard Schechner‘s restored behavior, Victor Turner‘s liminoid communitas and Judith Butler‘s performative agency, The Festival is
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Gorelick, Adam D. "The Enchanter's Spell: J.R.R. Tolkien's Mythopoetic Response to Modernism." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/1022.

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J.R.R. Tolkien was not only an author of fantasy but also a philologist who theorized about myth. Theorists have employed various methods of analyzing myth, and this thesis integrates several analyses, including Tolkien’s. I address the roles of doctrine, ritual, cross-cultural patterns, mythic expressions in literature, the literary effect of myth, evolution of language and consciousness, and individual invention over inheritance and diffusion. Beyond Tolkien’s English and Catholic background, I argue for eclectic influence on Tolkien, including resonance with Buddhism. Tolkien views mythopoe
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Books on the topic "Mythopoeia"

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Stephen, Farrell, and Pollack Don, eds. Mythopoeia. Tomasula, Farrel, Pollack, 1996.

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Freer, Scott. Modernist Mythopoeia. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137035516.

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Lyons, John. Mythopoeia: A process of being. Wrexham County Borough Council, Education & Leisure Directorate, 1997.

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Tolkien, J. R. R. Tree and leaf: Including the poem Mythopoeia. Houghton Mifflin, 1989.

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Tolkien, J. R. R. Tree and leaf: Including the poem Mythopoeia. Grafton, 1992.

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Tolkien, J. R. R. Tree and leaf: Including the poem Mythopoeia. 2nd ed. Unwin Hyman, 1988.

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R, Harris John. Chaos, cosmos, and Saint-Exupéry's pilot hero: A study in mythopoeia. University of Scranton Press, 1999.

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Mimica, Jadran. Intimations of infinity: The mythopoeia of the Iqwaye counting system and number. Berg, 1988.

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Lobosco, Serena. Mythopoesis: Serena Lobosco. Edited by Inglese Antonella editor and Certosa di S. Lorenzo (Padula, Italy). Areablu edizioni, 2020.

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Enric, Bou, and Duggan Joseph J, eds. Mythopoesis: Literatura, totalidad, ideología. Anthropos, 1992.

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Book chapters on the topic "Mythopoeia"

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Freer, Scott. "Introduction: Modernist Mythopoeia — The Language of the In-Between and of Beyond." In Modernist Mythopoeia. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137035516_1.

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Freer, Scott. "Zarathustra: Nietzsche’s New Redeemer." In Modernist Mythopoeia. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137035516_2.

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Freer, Scott. "’Hieronymo’s mad againe’: The Waste Land as Tragic Mythopoeia." In Modernist Mythopoeia. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137035516_3.

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Freer, Scott. "Kafka’s Sick Ovidian Animals." In Modernist Mythopoeia. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137035516_4.

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Freer, Scott. "Hilda Doolittle and D. H. Lawrence: Polytheistic and Pagan Revisionary Mythopoeia." In Modernist Mythopoeia. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137035516_5.

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Freer, Scott. "‘Death is the mother of beauty’: Wallace Stevens’ Harmonium." In Modernist Mythopoeia. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137035516_6.

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Chao, Guo. "The mythopoeia of homosexuality." In Chinese Traditional Theatre and Male Dan. Routledge, 2022. http://dx.doi.org/10.4324/9781003050278-8.

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Gaal-Holmes, Patti. "Visionary, Mythopoeia and Diary Films." In A History of 1970s Experimental Film. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137369383_5.

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McGoun, Elton G. "Finance and Film: Wall Street Myth and Mythopoeia." In Culture, Capital and Representation. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230291195_11.

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Bibby, Leanne. "Cultural Histories of the Intellectual: From Patriarchal Myth to Feminist Mythopoeia." In A. S. Byatt and Intellectual Women. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08671-7_1.

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Conference papers on the topic "Mythopoeia"

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Kudaeva, Z. Zh. "Semantics Of The Cross-Dzor In The Adyghes' (Circassians) Mythopoetic Vision." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.111.

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Жасекенова, А. М. "Mythopoeics of the cycle of stories by Nadezhda Chernova “Kudykin mountains”." In II МЕЖДУНАРОДНОЙ НАУЧНО-ПРАКТИЧЕСКОЙ КОНФЕРЕНЦИИ «Актуальные проблемы науки и образования». Crossref, 2023. http://dx.doi.org/10.26118/1347.2023.12.21.002.

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Статья анализирует мифопоэтику цикла рассказов "Кудыкины горы" Надежды Черновой. Основываясь на исследовании фольклорных и мифологических мотивов в произведениях, автор подчеркивает их роль в создании особого этнически оформленного языка культуры. Статья выделяет ключевые черты мифа в литературных текстах, такие как диалектическая и символическая природа, познавательная и эстетическая функции, а также подчеркивает жанровый потенциал мифа. Автор анализирует конкретные рассказы, подчеркивая наличие в них фольклорно-мифологических мотивов, а также религиозные и символические элементы. В частности
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Ivanyshyn, M. V. "Mythopoeics of water in J. Burg‟s cycle «Over the Ceremosh»." In DEVELOPMENT VECTORS OF PHILOLOGICAL SCIENCES IN THE MODERN CONTEXT. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-431-3-8.

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Bulycheva, E. "“MYTHOLOGICAL” AND “POETIC”: ON THE PROBLEM OF MYTHOPOETICS IN THE FINE ARTS OF THE 20TH CENTURY." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2563.978-5-317-06726-7/134-137.

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The multidimensionality of the visual arts of the twentieth century due to the radicalism of manifestations can be studied more reliably through the current field of interdisciplinary approaches including the analytics of mythopoetics. As a theoretical model for studying the mythopoetic work basis appears tobe a point of intersection of related cultural codes. Fine art while relying on the structural units of myth does not copy them directly,but translates them into the language of plastic images and enriches them with its specific stable elements. In this context they are equivalent tothe ele
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Евтушенко, Эмилия. "THE ROLE OF COLOR TERMS IN MYTHOPOETIC STRUCTURE OF THE POEM I.A. BUNIN "NOON"." In Slavic ethnic groups, languages and cultures in the modern world. Baskir State University, 2021. http://dx.doi.org/10.33184/seyaikvsm-2021-09-23.39.

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Bygakova, Nadejda. ""Earth - sky" in A. Platonov's Mythopoetic Model of the World (based on the novel "Chevengur")." In Современные проблемы филологии. Межрегиональный центр инновационных технологий в образовании, 2022. http://dx.doi.org/10.52376/978-5-907623-44-6_010.

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Fitzsimmons, Phillip, and Janet Croft. "Check Your Dashboard, Your Gauges May Be High!" In Digital Commons Heartland Users Group 2018. Fort Hays State University, 2018. http://dx.doi.org/10.58809/ewzr6182.

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The long-established academic journal, Mythlore of the Mythopoeic Society, began using the editor’s platform of the SWOSU Digital Commons in 2017. The executive editor, Janet Croft of Rutgers University, will discuss the differences between her former way of managing submissions, reader reviews, and producing a predominantly print journal to doing the work digitally using the editor’s platform of the Institutional Repository. She will describe advantages and disadvantages to using the platform. This is an opportunity for Institutional Repository administrators to ask concrete questions about t
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Ovsianytska, H. V. "IDENTITY AND MEMORY THEME IN MYTHOPOETIC PARADIGM OF “KOMU VNYZ” (“WHOM TO GO DOWN”) LYRICS: CONCEPT OF BOUNDARIES." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 2. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-40.

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RUMYANTSEVA, M. V. "LINGUOCULTUROLOGICAL AND MYTHOPOIETIC FEATURES OF THE MYTHOLOGY «DISEASE» (BASED ON THE MATERIAL OF THE WORKS OF ART BY V.V. LICHUTIN)." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_339.

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The purpose of the study was to describe the linguoculturological and mythopoietic features of the functioning of the mythology «disease» in the artistic picture of the world of the modern Russian writer V.V. Lichutin. The linguoculturological approach to the study of mythologemes makes it possible to describe the naive linguistic representations of native speakers, which have developed under the influence of the worldview of the ethnic group, which seems relevant. The mythopoetic approach makes it possible to identify the most significant motifs, images, ideas, to determine the cultural, phil
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Gaponova, Zh, and E. Nikkareva. "“ARE YOU GOING TO TELL A CHILD ABOUT THIS?”: NARRATIVE STRATEGIES OF MEMORY TRANSLATION IN MODERN TEENAGE PROSE ABOUT THE VILLAGE." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3745.rus_lit_20-21/288-292.

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Modern literature for children and adolescents, being an ideal laboratory for working with identity, turns to the representation of the theme of the village, traditionally perceived as the «guardian of national spiritual values and traditions». In the article, based on the material of E. Basova's novels «Sashka is the scientist and Dimka is the Bully» and «The Traces», O. Kolpakova «Superpowers by inheritance. My Soviet grandfathers» examines the features of reception and transformation of the tradition of "village prose", in which the history of the country «emerges» through family history. T
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