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Journal articles on the topic 'Mythopoeia'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Kryvoruchko, S. "Baroque: Myth, Mythopoeia, and Mythopoetic Paradigm." Fìlologìčnì traktati 12, no. 2 (2020): 153–54. http://dx.doi.org/10.21272/ftrk.2020.12(2)-17.

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2

Oleson, Jeanine. "Mythopoeia." WSQ: Women's Studies Quarterly 40, no. 3-4 (2013): 95–102. http://dx.doi.org/10.1353/wsq.2013.0018.

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3

Ome, M. Rad Shakil. "Mythopoesis: From Simplicity to Sublimity, Uplifting Aspects in Coleridge, Keats, and Shelly’s Poetry." Journal of Critical Studies in Language and Literature 6, no. 3 (2025): 43–49. https://doi.org/10.46809/jcsll.v6i3.357.

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This dissertation pursues the exploration of the innermost sublime nature of romantic poetry composed by Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley. Such aspects of literature are brought forth by the inclusion of a rather vivid method, the method of myth creation otherwise known after Hellenistic Greek as mythopoesis. Instead of devising a literary work with just reality or rigid mythic elements the process of mythopoesis allows the poet to create a blend of fact and fiction with the freedom of imagination. In turn, mythopoesis inserts a form of wisdom that works well to ep

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4

Naseri, Mahin Pourmorad, and Parvin Ghasemi. "Mythopoeia in Akhavan’s & Eliot’s Poetry." Journal of KATHA 18, no. 1 (2022): 21–38. http://dx.doi.org/10.22452/katha.vol18no1.2.

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T. S. Eliot, the well-known English poet, and Mehdi Akhavan Sales, one of the pioneers of the Modern Persian Poetry, have applied mythologies in their poetry. The present study is an attempt to make a comparison between Eliot’s early poems, i.e. “The Waste Land” and “The Love Song of J. Alfred Prufrock”, and Akhavan’s two poems, “Qese-e Shahriar-e Shahr-e Sangestan” [The Story of the King of the Stoned City] and “Khan-e Hashtom va Adamak” [The Eighth Task and the Puppet] from a Tolkienian perspective of mythopoeia. Laying their arguments in Jost’s fourth category of comparative studies (themes

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5

رسـول مهــدي, عـامـر. "Meta-Mythopoeia in Ted Hughes’s Poetry." Al-Adab Journal 1, no. 121 (2018): 17–26. http://dx.doi.org/10.31973/aj.v1i121.266.

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This paper aims at resetting, and delving into, the question of mythmaking or mythopoeia with regard to Ted Hughes’s poetry. It investigates the new postmodernist literary parameters that set Hughes’s mythopoeia apart from the Romantics’ and the modernists’ tradition of mythmaking. With Hughes, this tradition comes to be challenged as it is now reintroduced through the poet’s literary animals, and as these are deemed the correlative of the poetic process that is informed by the postmodernist poetics of meta-literature.

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6

Bell, Michael. "Towards a Definition of the ‘long modernist novel’." Modernist Cultures 10, no. 3 (2015): 282–98. http://dx.doi.org/10.3366/mod.2015.0115.

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This paper considers a number of long fictions from the modernist period to see how far their length serves specifically modernist concerns, especially temporality and history. Various extended narratives suit modernist aesthetic mythopoeia for which Nietzsche's essay on The Advantages and Disadvantages of History for Life provides a philosophical articulation. Joyce's Ulysses, Proust's A la recherche, and Mann's Joseph and his Brothers (along with Lawrence's The Rainbow and Women in Love) are the principal works compared and contrasted. But there are authors who stand apart from these encompa

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7

Hutchinson, Jamie. "Imagine That: A Barfieldian Reading of C.S. Lewis’s Till We Have Faces." Journal of Inklings Studies 6, no. 2 (2016): 79–111. http://dx.doi.org/10.3366/ink.2016.6.2.4.

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On more than one occasion, Owen Barfield expressed his admiration for C.S. Lewis's last novel, Till We Have Faces, singling it out as a work in which Lewis “really rises to the fullness of the mythopoeic imagination.” Barfield's praise of the novel's mythopoeia is understandable given his statements in Poetic Diction and The Rediscovery of Meaning concerning the literary artist and the creation of true myth. Lewis's own account of his creative process (the changes he felt impelled to make to the myth of Cupid and Psyche) further validates the novel's mythopoeic nature and identifies Lewis as a

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8

Piga, Emanuela. "Metahistory, microhistories and mythopoeia in Wu Ming." Journal of Romance Studies 10, no. 1 (2010): 51–67. http://dx.doi.org/10.3828/jrs.10.1.51.

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9

Schaller, Quentin. "Jung's Alleged Madness: From Mythopoeia to Mythologisation." Phanês Journal For Jung History, no. 2 (November 25, 2019): 1–27. http://dx.doi.org/10.32724/phanes.2019.schaller.

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This article recounts a little-known episode in C. G. Jung’s life and in the history of analytical psychology: Jung’s visit to Paris in the spring of 1934 at the invitation of the Paris Analytical Psychology Club (named ‘Le Gros Caillou’), a stay marked by a lecture on the ‘hypothesis of the collective unconscious’ held in a private setting and preceded by an evening spent in Daniel Halévy’s literary salon with some readers and critics.

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10

Rosenquist, Rod. "Modernist Mythopoeia: The Twilight of the Gods." English Studies 97, no. 8 (2016): 920–21. http://dx.doi.org/10.1080/0013838x.2016.1210287.

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11

Knight, G. Brandon. "Myth Maker, Myth Maker, Make Me a Myth." Journal of Communication and Religion 42, no. 1 (2019): 83–98. http://dx.doi.org/10.5840/jcr20194216.

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There are unique rhetorical employments of myths such as mythopoeia that are often overlooked in rhetorical scholarship. In this paper, I argue that C.S. Lewis employed mythopoiesis as he spoke one of the greatest sermonic works of the twentieth century entitled The Weight of Glory. Kilby (1964) contends that mythopoeia through a Lewisonian lens encourages a greater understanding of existence through “picture-making” but, more significantly, issues a “deep call from that Reality” (p. 81). In other words, the employment of mythopoeia by a rhetor is, in a sense, a summons to enter into and exper

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12

Klautau, Diego Genu. "Paideia Medieval e Mythopoeia: Filosofia e Literatura em Tolkien." Antíteses 13, no. 26 (2020): 470. http://dx.doi.org/10.5433/1984-3356.2020v13n26p470.

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O tema deste artigo concentra-se nas relações entre filosofia e literatura no ensaio On Fairy-stories do escritor inglês J.R.R. Tolkien (1892-1973). Apresentado como conferência em 1939 e publicado em 1947, o texto mostra a concepção do autor sobre o gênero literário conhecido como fairy-stories, as estórias de fadas, e buscamos considerar as possíveis mediações e referências filosóficas e teológicas em sua investigação. Os objetivos do artigo são: 1) evidenciar a teoria literária proposta por Tolkien como parte da tradição filosófica do realismo medieval, com correspondências conceituais em P

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13

Zuienko, Y. M. "MYTHOPOEIA OF L. KONONOVYCH’S LITERARY WORKS ABOUT TROJAN’S AMULET." Lviv Philological Journal, no. 9 (2021): 87–94. http://dx.doi.org/10.32447/2663-340x-2021-9.13.

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14

Tonning, Erik. "scott freer. Modernist Mythopoeia. The Twilight of the Gods." Review of English Studies 67, no. 279 (2015): 394–96. http://dx.doi.org/10.1093/res/hgv109.

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15

du Plessis, Menán. "The damaging effects of romantic mythopoeia on Khoesan linguistics." Critical Arts 28, no. 3 (2014): 569–92. http://dx.doi.org/10.1080/02560046.2014.929217.

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16

Denham, Robert D. "Northrop Frye and Franz Kafka: From Causality to Mythopoeia." ESC: English Studies in Canada 44, no. 1 (2017): 49–66. http://dx.doi.org/10.1353/esc.2017.0041.

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17

Basundhara, Raj Dasgupta. "Literature as Resistance: Redefining Identity through Language and Mythopoeia." Criterion: An International Journal in English 16, no. 1 (2025): 899–910. https://doi.org/10.5281/zenodo.14980195.

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This paper will examine how literature is a tool of resistance against dominant narratives and how Amos Tutuola uses myth retellings to create a distinct Yoruba cosmology amidst the Western imposition of culture and belief systems. The study will analyze the language used by Tutuola that opposes the Western linguistic system and how the English of the colonizers becomes a vessel to preserve Yoruba identity. The paper will specifically ask how mythical retellings and language were used by Amos Tutuola to reclaim the marginalized African voice during colonization. The research will evaluate cult

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18

Hanks, D. Thomas. "Tolkien’s ‘Leaf by Niggle’: A Blossom on the Tree of Tales." Journal of Inklings Studies 2, no. 1 (2012): 23–48. http://dx.doi.org/10.3366/ink.2012.2.1.3.

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J. R. R. Tolkien’s short story, ‘Leaf by Niggle’, embodies the theories of story, fantasy, and ‘myth’ which he outlined in his Mythopoeia, in “On Fairy-stories,” and in his letters. That view was eventually to appear more fully fleshed out in The Lord of the Rings

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19

Penny, William Kevin. "Sanctuary Wood: Modernist Mythopoeia, Transcendence, And David Jones's In Parenthesis." Journal of Religious History, Literature and Culture 4, no. 1 (2018): 21–57. http://dx.doi.org/10.16922/jrhlc.4.1.2.

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20

Trowell, Ian. "Moving Target: Mythopoeia and Meaning in a British Music Emblem." Popular Music and Society 45, no. 2 (2021): 160–83. http://dx.doi.org/10.1080/03007766.2021.1984715.

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21

Silk, Michael, Jessica Francombe-Webb, and David L. Andrews. "The corporate constitution of national culture: the mythopoeia of 1966." Continuum 28, no. 5 (2014): 720–36. http://dx.doi.org/10.1080/10304312.2014.941326.

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22

Jacob, Ashna Mary, and Nirmala Menon. "Packaging Polytheism as Monotheism." Religion and the Arts 24, no. 1-2 (2020): 84–109. http://dx.doi.org/10.1163/15685292-02401014.

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Abstract This essay deconstructs the godhead that Tolkien constructs in his mythopoeia. Tolkien’s polychronicon, The Silmarillion, splits the godhead between a creator God and a pantheon of gods and goddesses. Tolkien claims that Ilúvatar is a Yahweh-like God and the primary deity; on the other hand, the Valar, the fourteen gods and goddesses created by this primary God, who assist in creation, shape the world, have power over elements, and reign as ‘mistaken gods’ among the Elves, Dwarves, and Men, are not deities. This split of godhead is ignored, and the mythopoeic deity acclaimed as the bi

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23

Juško-Štekele, Angelika. "Mūsdienu mītu dziļsaknes. Recenzija par grāmatu: Ingus Barovskis. Mythopoeia: mūsdienu mītrade." Latvijas Universitātes Žurnāls Vēsture, no. 9-10 (2022): 126–28. http://dx.doi.org/10.22364/luzv.11.12.09.

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24

Price, Harley. "Mythopoeia as Dementia: The Opposition betweenMythosandIstoriain the Second-Century Christian Apologists." San Francisco Jung Institute Library Journal 21, no. 4 (2003): 45–77. http://dx.doi.org/10.1525/jung.1.2003.21.4.45.

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25

Silk, Michael. "‘Isles of Wonder’: performing the mythopoeia of utopic multi-ethnic Britain." Media, Culture & Society 37, no. 1 (2014): 68–84. http://dx.doi.org/10.1177/0163443714549089.

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26

Anyebe, Ted. "Reincarnation in Ritual Display: A Discourse of the Alekwu Mythopoeia in Idoma Traditional Dramaturgy." International Journal of Social Science and Humanity 5, no. 6 (2015): 578–82. http://dx.doi.org/10.7763/ijssh.2015.v5.521.

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27

Lichański, Jakub Z. "„Mythopoeia” and „Quenta Silmarillion” by J.R.R. Tolkien — God, Faith, Freedom, and the Second Coming." Literatura i Kultura Popularna 22 (September 6, 2017): 23–47. http://dx.doi.org/10.19195/0867-7441.22.2.

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Mythopoeia and Quenta Silmarillion by J.R.R. Tolkien — God, Faith, Freedom, and the Second Coming The aim of the study is to describe how such categories as: God, faith, freedom, Second Coming are presented in the works of J.R. R. Tolkien, mainly in the poem Mythopoeia and in the epos Quenta Silmarillion. The author referring to the achievements of the writer, and also literature and tries to show how specified categories are introduced to the aforementioned literary works and what a role they play. The myth that in Tolkien’s work plays an important role, is an expression of hope; analysis als

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28

Lobdell, Jared C. "An Irritation of Oysters: C. S. Lewis and the Myth in Mythopoeia." Extrapolation 39, no. 1 (1998): 68–84. http://dx.doi.org/10.3828/extr.1998.39.1.68.

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29

Grene, Nicholas. "Yeats and the Mythopoeia of Parnell (for the late Professor Daniel Albright)." Yeats Journal of Korea 46 (April 30, 2015): 21–34. http://dx.doi.org/10.14354/yjk.2015.46.21.

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30

Biersack, Aletta, and Jadran Mimica. "Intimations of Infinity: The Mythopoeia of the Iqwaye Counting System and Number." Man 24, no. 4 (1989): 706. http://dx.doi.org/10.2307/2804327.

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31

Montori, Irene. "Biblical Mythopoeia, Gendered War and Sexuality in D. H. Lawrence's ‘Samson and Delilah’." Critical Survey 36, no. 2 (2024): 105–20. http://dx.doi.org/10.3167/cs.2024.360208.

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Abstract Grouped together with modernism's most eminent authors, D. H. Lawrence has been appreciated for his idiosyncratic response to his time and literary modernism. A good deal of critical attention has been given to his contribution to modernist fiction and, in this context, the present article focuses on some crucial aspects of Lawrence's modernism not hitherto addressed in his short story ‘Samson and Delilah’ (1917), in England, My England (1922). By reading ‘Samson and Delilah’ through the lens of modernist mythopoeia, this article aims to highlight Lawrence's reformulation of the bibli

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32

Kalinichenko, Maksym. "The Embodiment of Oleh Lysheha’s Mythopoeiain his Poetic Cycles “Winter in Tysmenytsia” and “To Snow and Fire”." NaUKMA Research Papers. Literary Studies, no. 4-5 (March 17, 2025): 72–81. https://doi.org/10.18523/2618-0537.2024.4-5.72-81.

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In his creative works, Oleh Lysheha has managed to create a self-contained mythopoeia, based on his unique perception of the world. A specific archaic worldview regained its relevance in his poetry and consistently appears in its lyrical subject’s way of thinking. The texts from different poetic cycles contribute to one concept-plot continuity unified by consistent mythologemes and by the special ways the time and space are organized in Oleh Lysheha’s poetic world. In this article, the author’s poetic cycles “Winter in Tysmenytsia” and “To snow and fire” are viewed both as separate conceptuall

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33

윤상길. "A Study on Social Context of Paperboy Mythopoeia in the Park Chung-Hee Regime." Journal of Communication Research 51, no. 2 (2014): 77–108. http://dx.doi.org/10.22174/jcr.2014.51.2.77.

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34

CRUMP, THOMAS. "Intimations of Infinity: The Mythopoeia of the Iqwaye Counting System and Number. JADRAN MIMICA." American Ethnologist 19, no. 3 (1992): 608–9. http://dx.doi.org/10.1525/ae.1992.19.3.02a00280.

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35

Peralta, Camilo. "On the Symbolic Use of Dragons by Jacobus de Voragine and J. R. R. Tolkien." Religions 14, no. 4 (2023): 552. http://dx.doi.org/10.3390/rel14040552.

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This article focuses on the symbolic use of dragons in several works by J. R. R. Tolkien and The Golden Legend, a popular compilation of saints’ lives by Jacobus de Voragine. In the medieval tradition, as recounted by Voragine, dragons serve as symbols of powerful evil through which the inherent weakness of postlapsarian (“after the Fall”) humans can be emphasized. The sudden, miraculous defeat of dragons also illustrates what is possible through faith and the grace of God, anticipating Tolkien’s notion of eucatastrophe, the unexpected reversal in fortune that characterizes the best fairy tale

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36

Salter, G. Connor. "What Are Magic and Myth Good For? Exploring William Lindsay Gresham’s Memories from Oz." Journal of Inklings Studies 14, no. 2 (2024): 201–18. http://dx.doi.org/10.3366/ink.2024.0234.

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While it is popular to see Joy Davidman’s ex-husband, William Lindsay Gresham, as irrelevant to Inklings discussions, various scholars have challenged the reductive Shadowlands portrait and discovered surprising insights into his life and work. ‘Scarecrow to the Rescue’, an article that Gresham contributed to The Baum Bugle about his marriage ending, provides compelling details about his perspective on his divorce. Furthermore, the article offers unexpected details about how he viewed myth and its place in fantasy literature. Read alongside recent discoveries about how well he read the Inkling

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37

Malisse, Peter. "Plutarch’s Hesiod: Tradition and Identity Formation in a Greco-Roman Context." Athens Journal of History 10, no. 1 (2023): 41–64. http://dx.doi.org/10.30958/ajhis.10-1-3.

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In Plutarch’s times Hesiod was still seen as the second founding father of Panhellenic culture and identity. For various reasons Plutarch held Hesiod in high esteem and played an important role in keeping the poet under the spotlight of paideia. In present article three Plutarchan sources are re-examined Hesiod’s claim to have won a poetry contest: Schol. Hesiod WD 650-662 and references to the story in Table Talk and The Dinner of the Seven Wise Men. Starting point is a close reading of the Proclan scholion in the light of Plutarch’s sympotic work. While the former introduces a Plutarch avers

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38

Freeman, Austin. "Robert J. Dobie, The Fantasy of J.R.R. Tolkien: Mythopoeia and the Recovery of Creation." Journal of Inklings Studies 15, no. 1 (2025): 162–64. https://doi.org/10.3366/ink.2025.0259.

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39

Nasr, Mukhamed Talha. "Literary hero in modern Russian intellectual novel of the XXI century." Litera, no. 1 (January 2022): 78–90. http://dx.doi.org/10.25136/2409-8698.2022.1.37224.

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The subject of this article is the specificity of modern Russian intellectual novel by Andrey Astvatsaturov &nbsp;&ldquo;Do not Feed or Touch the Pelicans&rdquo;. Analysis is conducted on the role of this work in modern literary process. The relevance of the topic lies in the fact that the intellectual literature of the XXI century raises same questions that were asked by the writers of previous eras, but modern Russian intellectual novel marks certain contradictions that distinguish it from this genre variety of the past years. It worth noting that the intellectual novel as a genr

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40

Jastrzębski, Marek. "Mythopoetic Fantasy: In Search of Harmony with the World. Metatheoretical Considerations that use the Example of Tolkien’s Arda." Tematy i Konteksty 19, no. 14 (2024): 280–97. https://doi.org/10.15584/tik.2024.18.

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In the presented research, the author reflects on the prevalent opinion among literary critics regarding the escapism of mythopoetic fantasy. According to the article’s thesis, considering the specificity of the contemporary understanding of reality against which the alleged escapism of fantasy is directed, as well as the character of the narrative worlds of mythopoetic fantasy, the primary aim is not escapism but rather a pursuit of harmony with the world. Investigating the validity of this claim, the issues conditioning our contemporary understanding of the world are analysed. This is follow

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41

Kerimova, R. A. "The ethnic-cultural space of modern Karachay-Balkar poetry." Voprosy literatury, no. 4 (August 22, 2019): 247–59. http://dx.doi.org/10.31425/0042-8795-2019-4-247-259.

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The article is devoted to the problems of ethnic-cultural perceptions in contemporary Karachay-Balkar poetry. It defines criteria for shaping an ethnic and civic self-identity. The paper discusses how cultural globalization affects the ideology of the Karachay-Balkar people. In a detailed analysis of works by N. Bayramkulov and A. Bakkuev, two poets of a younger generation, the author argues that fundamental values and stereotypes take priority in the poetic mentality of younger artists. Closely examining the themes of the poets’ works – philosophy, religion, history, society and politics – th

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42

Mal-Allah, Abdul-Settar Abdul-Latif. "Sublime Love in M. Mezyed’s Eros Sings in My Memory: A Critical Study." JOURNAL OF LANGUAGE STUDIES 3, no. 3 (2023): 15–50. http://dx.doi.org/10.25130/jls.3.3.2.

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This critical study deals with the Sublime Love in MunirMezyed's Collectoin: Eros Sings in My Memory (ESMM) (2014)through 'metaphors of Love' employed. It starts with 'theSublime' in terms of Longinus; and then traces it throughout thepoet's 'created' mythopoeia which, from the outset, blends theClassic 'Eros', and the 'Oriental gods of Creation' together; outof such a 'blending', a 'New Eros' presides over the Ex NihiloPre-Creation 'Chaos'. To achieve its aim, the study excavateshow 'metaphors' of Love are accommodated to the poet's finalmessage in denying contemporary violence and incongruit

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43

SCHMIDT, A. V. C. "‘DARKNESS ECHOING’: REFLECTIONS ON THE RETURN OF MYTHOPOEIA IN SOME RECENT POEMS OF GEOFFREY HILL AND SEAMUS HEANEY." Review of English Studies XXXVI, no. 142 (1985): 199–225. http://dx.doi.org/10.1093/res/xxxvi.142.199.

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44

Sirangelo, Valentina. "Sulla natura lunare di Shub-Niggurath: dalla mythopoeia di Howard Phillips Lovecraft a The Moon-Lens di Ramesy Campbell." Caietele Echinox 35 (November 16, 2018): 48–68. http://dx.doi.org/10.24193/cechinox.2018.35.03.

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45

Lee, Seung Chun. "C. S. Lewis’ mythopoeia of heaven and earth: implications for the ethical and spiritual formation of multicultural young learners." International Journal of Children's Spirituality 20, no. 1 (2015): 15–28. http://dx.doi.org/10.1080/1364436x.2014.999229.

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46

Moretti, Daniele. "Gold, tadpoles and Jesus in the manger: Mythopoeia, colonialism and redress in the Morobe goldfields in Papua New Guinea." Journal of the Polynesian Society 121, no. 2 (2012): 150–80. http://dx.doi.org/10.15286/jps.121.2.150-180.

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47

Зуєнко, Марина Олексіївна. "МІФОПОЕТИКА МЕТАФІЗИЧНОЇ ЛІРИКИ Е. МАРВЕЛЛА ТА ЛІТЕРАТУРНИЙ ПРОЦЕС В АНГЛІЇ ХVII СТ." Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 81 (2015): 110–25. https://doi.org/10.5281/zenodo.32952.

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Questions of the correlation of myth and the English baroque literature has been widely debated in the English literary criticism, by such scholars as P. Devidson, S. Zwicker, C. Burrow, N. Smith. However, they have not adequately addressed the issue of mythopoeia of E. Marvell’s lyrics. Specifically, in my prospect, I am looking at the implementation of myth, especially biblical myth about the last day and the ancient myth of fertility, in order to show them in modern days and their value from the view of eternity (“The Unfortunate Lover”, “The Garden’, “Th

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48

Trocha, Bogdan, and Wojciech Charchalis. "Contextos mitopéicos da prosa de Mia Couto nos romances Varanda do Frangipani, O Último Voo do Flamingo e Terra Sonâmbula." Studia Romanica Posnaniensia 50, no. 2 (2023): 73–91. http://dx.doi.org/10.14746/strop.2023.50.2.6.

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This paper presents an analysis of mythopoeic elements in three novels by Mia Couto. Starting from Mircea Eliade’s definition of myth, we look for elements of the Living Cosmos with its axis mundi, centre and periphery, chaos and harmony and quest in the novels. Such structure of the analysis allows us to consider the cultural colonization and decolonization of contemporary Mozambique. We conclude that the analysis of the mythopoetic schema in Mia Couto’s novels demonstrates a crisis of cultural harmony in the contemporary Mozambican state and nation. On the other hand, however, the mythopoeti

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Rossetti, Carla. "The Photo-Text in the Mussolini Era." ATHENS JOURNAL OF HUMANITIES & ARTS 8, no. 4 (2021): 341–61. http://dx.doi.org/10.30958/ajha.8-4-4.

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In the 1930s, Fascism’s Mythopoeia found in propaganda photobooks a comfortable space in which to configure itself. The layout of the photobooks draws on the experiments carried out by the editors of “Campo Grafico” [1933 - 1939] and by eclectic personalities like Guido Modiano; with reference to photography, on the other hand, from the modernist style developed by the amateurs of photographic circles reworking the experience gained by the European avant-gardes since the previous decade. All these innovations led to a rethinking of the usual relationship between image and text, gaining a new a

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McDougall, James. "Sacral Suicides, Unpunishable Killings, Rites of Power." International Journal of Middle East Studies 45, no. 4 (2013): 810–12. http://dx.doi.org/10.1017/s0020743813000974.

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Studies of violence relating to the Middle East have sometimes done more harm than they have explained. Like the intended effects of the U.S. military's doctrine of “rapid dominance,” compared by its proponents to “tornadoes, hurricanes, earthquakes . . . famine and disease,” violence in the Middle East would appear to be “incomprehensible,” though less to “the people at large” who are affected by it than to its prolific theoreticians. Over the past two decades, much of the literature on the region as a “cauldron of war”—generating five times its share (by population size) of total global conf

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