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Journal articles on the topic 'Mythopoeic paradigm'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

ZUYENKO, M. "MYTHOPOEIC PARADIGM IN ENGLISH BAROQUE DRAMA (JOHN WEBSTER “THE WHITE DEVIL”)." Philological Studies, no. 33 (April 19, 2021): 56–58. http://dx.doi.org/10.33989/2524-2490.2020.33.228234.

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The article deals with the mythopoeic analysis of the play of revenge “The White Devil” by John Webster. The historical background of the play is also under examination. The tragedy “White Devil” (1612) is known in the translations by I. Aksenov, T. Potnitseva. The genre of tragedy in the XVII th century reflects the writers’ appeal to the biblical text and its transformation in motives, images, stylistic and generic systems, this tradition is particular important for the baroque writers, the constant feature of the English dramaturgy of the XVIIth century is appeal to the antique mythology an

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2

Devadevan, Manu. "Lying on the Edge of the Burning Ground: Rethinking Tinais." Journal of the Economic and Social History of the Orient 49, no. 2 (2006): 199–218. http://dx.doi.org/10.1163/156852006777502063.

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AbstractThis paper seeks to interrogate the prevailing paradigm in the historiography of early Tamil Nad, which treats tinais as constituting the geographic basis for early economic practices. On the one hand the case of Kodumanal excavations is juxtaposed as an archaeological instance vis-à-vis tinais. On the other, it is argued through a close reading of Sangam texts that tinais were aesthetic structures employed in the configuration of space in Sangam mythopoeic imagination. It is also argued that the form and content of the tinai-based aesthetics reveals the crisis of a milieu in transitio

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3

Kryvoruchko, S. "Baroque: Myth, Mythopoeia, and Mythopoetic Paradigm." Fìlologìčnì traktati 12, no. 2 (2020): 153–54. http://dx.doi.org/10.21272/ftrk.2020.12(2)-17.

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4

Зуєнко, Марина Олексіївна. "МІФОПОЕТИКА МЕТАФІЗИЧНОЇ ЛІРИКИ Е. МАРВЕЛЛА ТА ЛІТЕРАТУРНИЙ ПРОЦЕС В АНГЛІЇ ХVII СТ." Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 81 (2015): 110–25. https://doi.org/10.5281/zenodo.32952.

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Questions of the correlation of myth and the English baroque literature has been widely debated in the English literary criticism, by such scholars as P. Devidson, S. Zwicker, C. Burrow, N. Smith. However, they have not adequately addressed the issue of mythopoeia of E. Marvell’s lyrics. Specifically, in my prospect, I am looking at the implementation of myth, especially biblical myth about the last day and the ancient myth of fertility, in order to show them in modern days and their value from the view of eternity (“The Unfortunate Lover”, “The Garden’, “Th

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5

Kindrya, Nataliya A., and Andrei V. Mitichkin. "Dendrocentric mythopoeic paradigm in the poem “Italy – to Lord” by Jane Draycott and the specificity of the translation into Russian." XLinguae 12, no. 3 (2019): 139–61. http://dx.doi.org/10.18355/xl.2019.12.03.11.

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Goodell Ugalde, Elliot. "Utilising Mythopoetic Paradigms for Subverting Prescriptive Linguistic Colonial Supremacies." COMPASS 3, no. 2 (2023): 106–18. http://dx.doi.org/10.29173/comp87.

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Post-colonial scholars often confront the dual nature of colonial languages. While these languages provide pivotal communication avenues, especially for diverse marginalized groups like certain Indigenous communities, they simultaneously embody colonial biases, making them challenging mediums for emancipatory discourse. This paper proposes mythopoeticism to leverage the extensive reach of such languages, circumventing their constructive norms. We spotlight this through the prism of the Chiapas Mesoamerican communities' mythopoetics during the 1994 National Army of Zapatista Liberation (EZLN) u

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Voronchenko, T. V., E. V. Fyodorova, and Yu M. Kruglova. "Mythopoetic chronotope of Rudolfo Anaya’s short novel “The Village the Gods Painted Yellow” in the paradigm of magical realism." Philology and Culture, no. 4 (December 28, 2024): 215–21. https://doi.org/10.26907/2782-4756-2024-78-4-215-221.

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The article determines the mythopoetic chronotope functions in Rudolfo Anaya’s short novel “The Village the Gods Painted Yellow” (1982). The study focuses on the elements of magical realism, which allows us to expand our understanding of the features characterizing creative thinking of the twentieth-century Mexican-American (Chicano) writer. The methodological basis of the work is formed by E.M. Meletinsky, A.F. Kofman and V.N. Toporov’s works concerning the concepts of “myth”, “mythopoetics”, “mythopoetic chronotope” and “magical realism”. The mythopoetic method is used to explore the literar

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Mikhaylenko, Kristina A. "The image of Siberia in the memoirs of the Decembrists." Vestnik Tomskogo gosudarstvennogo universiteta, no. 504 (2024): 41–52. https://doi.org/10.17223/15617793/504/4.

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The article analyzes the documentary and artistic image of Siberia created in the memoir text. The aim of the study is to comprehend the specifics of the representations of the image of Siberia in the memoirs of exiled Decembrists and their wives, due to the individually authorial nature of its reception, and the originality of the imagological reception of the Siberian territory as a “foreign” land, developed “involuntarily”, common to all Decembrist memories. This demonstrates the transformation of the paradigm of the myth of the region among the progressive representatives of the Russian no

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Strelnikova, Ekaterina Sergeevna. "Initiatory nature of the opposition “child – adult” opposition in the mythopoetic paradigm of Vladimir Mayakovsky's works of the early period." Litera, no. 8 (August 2021): 20–29. http://dx.doi.org/10.25136/2409-8698.2021.8.36174.

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This research analyzes Vladimir Mayakovsky&rsquo;s works of the early period (1912-1916) within the framework of a neo-mythological approach, which allows reconstructing the individual authorial mythopoetic discourse. The article substantiates the inclusion of the literary works of Mayakovsky into the philosophical-culturological context, the importance of their consideration as a poetic and peacebuilding whole with its own patterns of transformation of the archetypal and mythological. The object of this research is the individual mythopoesis of the writer. The described &ldquo;Dionysi

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Khabirov, Kirill Aleksandrovich, and Svetlana Viktorovna Rudakova. "Mythopoetics of the hero's image in the novels of A. A. Astvatsaturov." Litera, no. 6 (June 2025): 166–81. https://doi.org/10.25136/2409-8698.2025.6.74943.

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The article explores the mythopoetics of the novels by Andrei Alekseevich Astvatsaturov ("Skunksamera," "Autumn in Pockets") as a vivid manifestation of the transformation of mythological structures in contemporary artistic practices. The aim of this work is to identify the characteristics of the rethinking and integration of ancient mythologems into the modern Russian novel, examining how the ancient myths of Sisyphus and Odysseus, stripped of traditional heroic pathos, acquire new philosophical and existential meanings through the author's ironic and humorous distancing. The subject of analy

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11

Asma, Stephen. "Adaptive Imagination: Toward a Mythopoetic Cognitive Science." Evolutionary Studies in Imaginative Culture 5, no. 2 (2021): 1–32. http://dx.doi.org/10.26613/esic.5.2.236.

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Abstract A mythopoetic paradigm or perspective sees the world primarily as a dramatic story of competing personal intentions, rather than a system of objective impersonal laws. Asma (2017) argued that our contemporary imaginative cognition is evolutionarily conserved-it has structural and functional similarities to premodern Homo sapiens’s cognition. This article will (i) outline the essential features of mythopoetic cognition or adaptive imagination, (ii) delineate the adaptive sociocultural advantages of mythopoetic cognition, (iii) explain the phylogenetic and ontogenetic mechanisms that gi

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Zakhidova, Larisa. "Mythological Subtext as a Specificity of the Writer’s Idiostyle (Based on the Example of Yuri Polyakov’s Novel “The Mushroom Tsar”)." Ideas and Ideals 13, no. 3-2 (2021): 337–47. http://dx.doi.org/10.17212/2075-0862-2021-13.3.2-337-347.

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The best works of modern literature often have mythological overtones that allow us to raise the deep layers of human experience. Mythologism of the XX - XXI centuries is a wide, complex and contradictory phenomenon, requiring also serious penetration into the linguistics of the text of the studied work. The analysis of the literary process, from the 19th century to the 21st century, clearly shows that it is traditional to have vocabulary referring the reader to various cultural subtexts, which we call mythopoetic paradigms that have an associative connection with mythological images and are a

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Terebikhin, Nikolay M. "The North-Eastern Text of Russian Geohistoriosophy, Geopoetics and Sacred Geography." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 4 (August 26, 2023): 104–13. http://dx.doi.org/10.37482/2687-1505-v274.

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This article presents the results of the author’s research in the field of sacred geography, geosophy and mythopoetics, as well as semiotics of the cultural space of the North and the Arctic, which can be used in the process of elaborating the value-semantic and symbolic aspects of modern regional programmes and projects for the spatial development of the northern territories. The methodological basis for the study is the semiotic approach and hermeneutics of the texts of the traditional Pomor culture and works included in the mythopoetic space of the Northern text of Russian geophilosophy as

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14

Yakymchuk, Olena. "Mythopoetics of Piano Nocturnes by Olena Ilnytska." Harmonia: Journal of Arts Research and Education 25, no. 1 (2025): 1–12. https://doi.org/10.15294/harmonia.v25i1.13242.

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A myth is one of the forms of worldview, a system of thinking, and a methodological basis for the interpretation of cultural phenomena. The mythological component is one of the elements of modern music culture. The article focuses on Olena Ilnytska’s piano nocturnes in the context of mythopoetic comprehension of musical texts. The article aims to analyze the characteristic features of Ilnytska’s piano nocturnes and identify the specifics of mythopoetic thinking of the composer. Piano nocturnes by Ilnytska are resented for the first time in the contemporary musicological discourse. The interdis

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15

Silantev, I. V., and Yu V. Shatin. "“Yakutia” by A. E. Stroganov. Artistic deconstruction of the mythological idyll." Sibirskiy filologicheskiy zhurnal, no. 2 (2021): 137–47. http://dx.doi.org/10.17223/18137083/75/10.

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The problem of idyllic space occupies an important place in the mythopoetics of the Siberian text and can rightfully be considered as one of the dominant mythologemes in the culture and literature of the peoples of Siberia. The implementation of this mythologeme is often the mythopoetic topos of Belovodye. Belovodye attracted the attention of writers of the past two centuries, including Siberian authors A. E. Novoselov, M. Plotnikov, and others. The change in the paradigm of realistic writing with postmodern writing, which took place at the turn of the 20th – 21st centuries, allows taking a di

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16

Ganin, Maxim V. "“Singing mountains” in the late Khlebnikov’s poetic manner: geognostic code in the autocommunicative model." RUDN Journal of Studies in Literature and Journalism 25, no. 2 (2020): 214–25. http://dx.doi.org/10.22363/2312-9220-2020-25-2-214-225.

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This article analyzes the peculiarities of realization of the motif of singing mountains (and its variations) in the later period of artistic and philosophical searches of Russian poet and thinker, one of the originators of futuristic movement - Velimir Khlebnikov. Representations of the geognostic code are given in the paradigm of autocommunicative model peculiar to philosophical and aesthetic thinking of the poet. The actuality of the work is determined by the insufficient previous study of the problem of functioning of geognostic elements in the Khlebnikovs universe, as well as the importan

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17

Skuridina, Svetlana A., Nadezhda B. Bugakova, and Elena O. Kuzminykh. "THE EARTH AS A MYTHOPOETIC CONSTANT: F.M. DOSTOEVSKY, A. PLATONOV, I. SHMELEV." Proceedings of Southern Federal University. Philology 26, no. 3 (2022): 21–34. http://dx.doi.org/10.18522/1995-0640-2022-3-21-34.

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The features of perception of the image of the earth by the heroes of the works of F.M. Dostoevsky, A. Platonov, I.S. Shmelev are considered. It is determined that the world of images created by F.M. Dostoevsky, A.P. Platonov and I.S. Shmelev in artistic texts is built on the basis of semantic oppositions: life – death, day – night, person – nature, one’s own – another’s. One of the obvious oppositions functioning in the texts of the authors under study is the earth–sky opposition. The perception of the image of the earth among the writers under study occurs within the framework of the mythopo

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18

Lyubov’ O., Sviridova. "The Twin Myth in the East Christian manuscripts." Vestnik of Saint Petersburg State University of Culture, no. 1 (50) (2022): 81–86. http://dx.doi.org/10.30725/2619-0303-2022-1-81-86.

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The article reveals a layer of archaic images and representations associated with the mythological motif of twinning in the East Christian post-Canonical manuscripts. The Christian interpretation of the mythologem of twinning is investigated based on the analysis of the semantic structure of Eastern Christian texts, in the first place - the texts devoted to the hagiography of St. Thomas, and other Old Russian manuscripts. А number of the sources under consideration have the status of liturgical texts. Such mythopoetic paradigms as similarity in the biography of twins, bodily markers of twinhoo

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19

Wielander, E. "РЕЦЕНЗІЯ НА МОНОГРАФІЮ М. ЗУЄНКО «МІФ У ЛІТЕРАТУРІ АНГЛІЙСЬКОГО БАРОКО»". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 96 (2020): 166. http://dx.doi.org/10.34142/2312-1076.2020.2.96.10.

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The monograph “Myth in the Literature of English Baroque” by Dr Maryna Zuienko addresses important questions related to key mythopoetic paradigms in a range of lyrical, epic and dramatic literature written during the English Baroque, with a focus on works by writers such as John Milton, Francis Beaumont, George Herbert and John Bunyan. As such, it constitutes a valuable addition to the fi eld of literary criticism in Ukraine.

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20

Ibatullina, G. M., and M. V. Alekseenko. "THE SOPHIAN MYTH IN THE NOVEL BY V.P. ASTAFYEV “THE SHEPHERD AND THE COWGIRL”." Bulletin of Udmurt University. Series History and Philology 29, no. 5 (2019): 839–47. http://dx.doi.org/10.35634/2412-9534-2019-29-5-839-847.

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The article discusses the figurative and semantic paradigms of the sophiological myth in the story by V.P. Astafyev “The Shepherd and the Cowgirl”. The image of the main character of the story Lucy is endowed with a number of symbolic connotations and has a complex archetypal structure. The Sophian archetype is represented here in its two invariants: the Christian and the Gnostic; the keys to understand the heroine are also the Theotokos archetype, the archetypes of the Virgin, the Beloved, the Mistress, Psyche, and the Kabbalistic archetype Shekhinah, which is closely related to the original

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21

Korniyenko, Oksana A. "UNIVERSE RELATIVITY AND MYTHOPOETIC PARADIGM OF THE “EARTHLY WORLD” IN M. BULGAKOV`S NOVEL “THE MASTER AND MARGARITA”." Alfred Nobel University Journal of Philology 1, no. 23 (2022): 78–90. http://dx.doi.org/10.32342/2523-4463-2022-1-23-7.

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The purpose of the work is to show the relativity of the Universe in the individual author`s myth of M. Bulgakov based on the analysis of the mythopoetic paradigm of the “earthly world” in the novel “The Master and Margarita” in conjunction with the axiological intention of the writer. So, the purpose stipulates the usage of methodological basis of the study including hermeneutic, structural-semantic, poetological, mythopoetic research methods. In the picture of the world created by M. Bulgakov, the basic semantic-structural basis of the ontological model is the idea of the relativity of the U

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22

Cantillo Lucuara, Mayron Estefan. "Michael Field’s Long Ago (1889): A Transcendental Mythopoesis of Desire and Death." ES Review. Spanish Journal of English Studies, no. 39 (December 12, 2018): 69–96. http://dx.doi.org/10.24197/ersjes.39.2018.69-96.

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In this article, I propose a new reading of Michael Field’s Long Ago (1889) focused on explaining how this volume of verse appropriates the figure of Sappho, rewrites her failed romance with Phaon, and amplifies her archetypal image of tragic lover through a mythopoetic narrative that refashions different classical myths of desire, despair and death. I present all these myths jointly, discuss their assonances with the Sapphic archetype, and reveal how they constitute a coherent and elaborate mythography that portrays Sappho as a tragic heroine who, through the power of myth, embodies a univers

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23

Molchanova, Diana A. "The Path to Happiness in the “Caucasian” Megatext of Russian Literature (On the Material of A. P. Chekhov’s Short Story “Duel”)." Two centuries of Russian classics 5, no. 1 (2023): 102–21. http://dx.doi.org/10.22455/2686-7494-2023-5-1-102-121.

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The article focuses on felicitous concepts (interpretations of the essence of happiness and the ways to achieve it) that have taken place in the “caucasian” megatext of Russian literature and have shaped the felicitous paradigm. Several works (“Prisoner of the Caucasus” by A. S. Pushkin, “The Hero of Our Time” by M. Yu. Lermontov, “The Cossacks” by L. N. Tolstoy, “Duel” by A. P. Chekhov) are considered as a polytextual complex of palimpsest type, which reflects the system of characters, complexes of motifs and other essential features of previous texts against the background of the common myth

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24

Toporova, Tatyana V. "Old Norse Heimr ʻWorldʼ and its Toponymic Derivatives in the Poetic Edda". Вопросы Ономастики 21, № 1 (2024): 152–68. http://dx.doi.org/10.15826/vopr_onom.2024.21.1.007.

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The article examines the mythopoetic concept of the ‘world’ (Old Norse heimr) and its derivatives — toponyms with the suffix -heimr in the Poetic Edda. It involves a thorough analysis of their meanings and their significance in the Eddic mythopoetic framework. The methodology for studying this lexical unit and its derivatives is based on a thesaurus description of folk terminology, alongside an exploration of polysemy within epic texts and lexicological investigations of key concepts in the Rigveda. Employing an integrated approach, the analysis considers various factors such as statistical di

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25

MAN'KOVSKII, Arkady. ""THE STORY OF THE PRIEST ALEXEI" AS A PART OF THE CYCLE OF "MYSTERIOUS STORIES" BY I.S. TURGENEV: PRELIMINARY RESULTS OF THE STUDY." RZ-Literaturovedenie, no. 3 (2021): 132–44. http://dx.doi.org/10.31249/lit/2021.03.12.

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«The Story of the Priest Alexei» (1877) is examined in general less often than other «mysterious stories» by I.S. Turgenev, sometimes remains even not included into this series. Meanwhile, its place among the later short stories by Turgenev is important, several mysteries associate with it. Some scholars compare «The Story…» to the works by N.S. Leskov and F.M. Dostoevsky; others interpret it in terms of mythopoetics and psychoanalysis or in the contexts of hagiographic topics, old Russian bookishness and folklore. Some authors of recent works base their readings on the narratological paradigm

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Garipova, Gulchira T. "Onomastic transculturality in Khamid Ismailov's novel “Mbobo”." Philological Sciences. Scientific Essays of Higher Education, no. 6s (November 2022): 100–108. http://dx.doi.org/10.20339/phs.6s-22.100.

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The article examines the specifics of structuring direct receptions and transcultural references in the artistic hierotopic project of Hamid Ismailov, in particular in the system of the onomasticon of the title in the novel “Mbobo”. The author focuses on the modern identification crisis of phenomena associated with the world-modeling strategies of the national picture of the world of polydomic writers by means of a “different” culture — lingual, figurative, mythopoetic. Researcher introduces the concept of hierotopy “image-paradigm” into the methodology of intertextual literary analysis, ident

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Zagidulina, T. A. "“Night Witch”, Warrior Maiden, Soviet Woman: The Image of a Military Pilot in the Literature of Socialist Realism (M. Chechneva <i>My Fighting Friends</i>)." Vestnik NSU. Series: History and Philology 23, no. 2 (2024): 106–14. http://dx.doi.org/10.25205/1818-7919-2024-23-2-106-114.

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Purpose. The article analyses the image of a military pilot in Soviet memoir literature. A lot of research works were devoted to the study of Soviet literature and its figurative system, but no special works have been found that focus on this character. The research material is a book of essays by M. Chechneva My Battle Friends (1968). The author used the method of mythopoetic analysis, as well as a structural-typological approach.Results. The work substantiates a typological similarity between a pilot and a warrior maiden at the characterological, gender, mythopoetic, allusive, and nominative

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Furuhata, Yuriko. "Weathering with You." Representations 157, no. 1 (2022): 68–89. http://dx.doi.org/10.1525/rep.2022.157.4.68.

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This article focuses on the animated Japanese film Weathering with You (2019) in order to think critically about the limits and merits of site-specific, local approaches to the anthropogenic climate crisis, and to the Anthropocene and its mythopoetic tendency. While the geological period of the Anthropocene is thoroughly historical and rooted in the modern scientific paradigm of Earth history, the mythologizing tendency in search of new cosmologies within the discourse of the Anthropocene complicates this linear trajectory of time. Anthropocene discourse invites its critics to revive and reinv

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Terebikhin, Nikolay, and Marina Melyutina. "Mythopoetic Aspects of Traditional Pomor Cryosophy and Anthropology of the Cold: Reconstruction and Interpretation." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 4 (September 21, 2021): 122–33. http://dx.doi.org/10.37482/2687-1505-v123.

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This article deals with the reconstruction of the ritual-mythological origins and interpretation of archaic semantics of a number of concepts, images, metaphors and symbols that constitute the corpus of Pomor cryosophy and anthropology of the cold. The research is based on the semiotic analysis and hermeneutics of traditional texts of Pomor culture and works included in the semantic circle of the Northern text of Russian literature. The concept of cryosophy was developed by the outstanding Russian geocryologist V.P. Melnikov, who viewed it as an “ontology of the cold world”, a system of philos

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Ibatullina, Guzel. "ARCHETYPAL PLOT IN THE “THE FARAWAY AND NEARBY TALE,” A SHORT STORY BY V. P. ASTAFYEV." Проблемы исторической поэтики 20, no. 1 (2022): 339–59. http://dx.doi.org/10.15393/j9.art.2022.9362.

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The article is devoted to the study of the archetypal plot basis of V. P. Astafyev's short story “The Faraway and Nearby Tale.” The reconstruction of the figurative and semantic paradigms of a fairy tale in the work allows to see that the reference to folklore contexts is not merely declared here as a metaphor for the spiritual and psychological states experienced by the character, but determines the logic of his development and the events that occur to him. The initiation archetype with its key plot-forming elements is interpreted in the mythologized paradigm of the short story as the boy's j

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Bogdanova, Olga A. "Three Circles of Intertextuality: The “Estate Myth” in M.L. Stepnova’s Novel The Garden." Studia Litterarum 9, no. 3 (2024): 386–403. http://dx.doi.org/10.22455/2500-4247-2024-9-3-386-403.

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The article analyzes the landmark novel of Russian writer M.L. Stepnova, The Garden (2020), which has aroused the public’s and critic’s interest, continuing the “estate text” of Russian literature of the 19th–20th centuries. It is shown that the image of the garden in the work is both national (the whole tradition of the Russian “estate text”) and universal (the Bible, Voltaire, H.L. Borges, U. Eco, etc.). The key to an adequate reading of the postmodern novel with its “semantic insolubility,” narrative “nonselectio,” experiments on human identity, an invitation to the “alternative history,” e

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Elepova, Marina Yu, and Natalia G. Kabanova. "Mythopoetics and artistic intertextuality of Tamara Kryukova’s fairy tale “Prisoner of the Mirror”." Neophilology, no. 1 (2023): 143–54. http://dx.doi.org/10.20310/2587-6953-2023-9-1-143-154.

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T. Kryukova’s fairy tale “Prisoner of the mirror”, the central part of the tetralogy about Queen Zlata and Moon Knight, accumulates various mythological, folklore and literary models. It contains various forms of literary intertextuality, the most important role for understanding the hidden meanings of a fairy tale is played by mythopoetic images and representative allusions. The leitmotif of the looking-glass world, which is the main one for the fairy tale “Prisoner of the mirror”, continues the traditions of ancient mythology, and then Russian and European literature of the 19th–20th centuri

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Topçu, Kerem B. "Two Mountains, Two Tricksters: A Comparative Analysis of Nart Sosruquo and Mercurius/Hermes." Journal of Caucasian Studies 10, no. 16 (2025): 63–78. https://doi.org/10.21488/jocas.1701029.

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As this study concerns itself with previous scholarship on the Nart Sagas of the Caucasus—that particularly focus on the figure of Sosruquo—it remedies certain lapses and misrepresentations present in the literature. Furthermore, in its analysis of “Sosruquo and the Inquisitive Ayniwzh” (Colarusso), the study utilizes a Jungian framework to interpret the complex mythological figure of Sosruquo, as to an archetypal dimension of Sosruquo is wanting in previous scholarship. As the study argues Sosruquo presents a unique blend of the divine child, the hero, and the trickster archetypes, it emphasi

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Stavitskiy, Andrey Vladimirovich. "Epistemological approaches of nonclassical science and the general theory of myth." Философская мысль, no. 12 (December 2021): 33–42. http://dx.doi.org/10.25136/2409-8728.2021.12.36503.

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The subject of this research is the analysis of epistemological approaches offered by nonclassical science towards the ontology of myth in the context of nonclassical mythology. Myth is viewed as a basic cultural universal, responsible for the semantic field of culture; while mythopoeia is perceived as a characteristic and important function of consciousness. The goal of this article lie in outlining the opportunities opened to the researchers of myth in the context of shift of the scientific paradigm. It is namely thanks to the scientific paradigm that mythological space of culture is no long

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Kuanysh, Alzhan. "MYTHOPOETIC FOUNDATIONS OF WORLDVIEW REFLECTIONS OF THE RELATIONSHIP "MAN AND THE WORLD" IN TRADITIONAL KAZAKH CULTURE (Ethico-Ontological Aspect)." Al-Farabi 79, no. 3 (2022): 39–50. http://dx.doi.org/10.48010/2022.3/1999-5911.04.

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The author of the article proceeds from the fact that myth is, first of all, a historically original way in understanding the unity of the relationship "Man and the World" and that mythology (mythoetics) is the oldest form of spiritual culture, the product of the collective creativity of many generations of people of the ancestral era, when civilization was just emerging and the process of initial accumulation was underway socio-cultural experience. The myth establishes a balance between the tribal collective and nature. In the myth there is no distinction between the real and the supernatural

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Syzdykbayev, Nurgali A., Maral Murzagaliyeva, Karlygash Shokhayeva, and Sharapat K. Mamirova. "Symbolics of ‘The White Cloud of Genghis Khan’ by Chinghiz Aitmatov Through the Spectacle of Mythopoetics." World Journal of English Language 14, no. 6 (2024): 225. http://dx.doi.org/10.5430/wjel.v14n6p225.

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The presented article is devoted to the most important aspects of the interaction between mythologization and the principles of constructing a symbol in the text structure of original prose fiction. The author attempted to reveal the process of transforming the mythologization and symbolization of the image into one of the conceptual components of the link-building mechanisms in a 'novella towards a novel’ by Chinghiz Aitmatov - ‘The White Cloud of Genghis Khan’. The author focuses on the myth, acting in the structure of the novel ‘The Day Lasts More Than a Hundred Years’ at the level of symbo

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Gurduz, Andriy. "THE CONCEPT AND PROBLEM OF CODE IN MODERN LITERARY STUDIES." European Socio-Legal & Humanitarian Studies, no. 1 (June 18, 2024): 47–54. http://dx.doi.org/10.61345/2734-8873.2024.1.6.

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With increasing popularity in literary studies, linguistics, cultural studies, and anthropology, the concept of code remains undefined, which automatically translates a significant part of the results of these works into a polemical plane. Literary studies has already become accustomed to a similar situation in the field of research on mythopoetics, the author’s myth, having developed a certain immunity (M. Zuienko, O. Kobzar, etc.). The plurality of proposed interpretations of the code term in literary studies, which are sometimes mutually contradictory, on the one hand, and the large body of

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Kuzmina, A. A. "Concept of the Moon in the Yakut Language World View." NSU Vestnik. Series: Linguistics and Intercultural Communication 21, no. 3 (2023): 106–17. http://dx.doi.org/10.25205/1818-7935-2023-21-3-106-117.

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The article defines the concept of the moon in the traditional Yakut world view at the levels of language, myth and ritual. It is common knowledge that the Yakuts are the northernmost Turks who have largely preserved the mental representations of the Southern Siberia Turks’ ethnocultural heritage. National world view features in the nominations of the concept moon related to space and time cultural paradigm, representing the mythopoetic picture of the world, have been established. The archaic features of this concept, set phrases, and oral folk art have been considered. The relevance of this r

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Kovtun, Natalia V., and Elizaveta O. Novikova. "The Mythologem of Water in A. Varlamov’s Story Rafting." Humanitarian Vector 18, no. 3 (2023): 27–37. http://dx.doi.org/10.21209/1996-7853-2023-18-3-27-37.

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The article analyzes the mythologem of water – a phenomenon that has become particularly popular in the art and artwork of the XX–XXI centuries, which is associated with a breakdown of the previous cultural paradigm, the need for a new view of the world and man, the actualization of interest in the archaic, the links of artistic words and neomythological imagery. The object of the research is Alexei Varlamov’s novel Rafting as an indicative text that reveals this issue. The subject of analysis is the mythologeme of "water" and its artistic representation in the novel in all its variety of mean

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N.I., Ilinska. "JOHN FOWLES’ NOVEL “THE COLLECTOR” IN THE PARADIGM OF “DOUBLE CODING”." South archive (philological sciences), no. 86 (June 29, 2021): 45–52. http://dx.doi.org/10.32999/ksu2663-2691/2021-86-7.

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The purpose of the article is to trace the creative dialogue between elite and mass literature in J.Fowles’ novel “The Collector” as a factor in creating genre modifications in the game field of postmodern literature.Methods. The complex methodology is used in the article. Structural-semantic, intertextual methods, mythopoetic approach, methods of close reading are used for the interpretation and analysis of works of art and essays by J.Fowles.Results. The article examines the strategies of the relationship between the mass and elite in J.Fowles’ novel “The Collector” (1963), which gained spec

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Graves, Ph.D, P. Nelson. "ELAnatsui, Visual Arts and Intersection with Knowledge." World Journal of Education and Humanities 2, no. 3 (2020): p71. http://dx.doi.org/10.22158/wjeh.v2n3p71.

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“Natural synthesis” compartmentalized the black art world. This essay unravels how with folkloric gleeEL Anatsui, in a “selective critiquing and re-evaluation of self” dared to “wriggle out” of that quagmire. Thusly, reactivating the dynamic terrain that lives and is animated from within the soul of artists, he forged a new path of creativity. With reappraisals of the intellectual dynamics that forged the artistic substance of the post 1960s; empirical analysis and the engagement of storytelling mechanisms, this essay unreels that artistry. Anatsui, in spite of his accademisisation and art pra

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Alexandrova-Osokina, O. N. "Issues of Geopoetics in Modern Literary Criticism." Nauchnyi dialog, no. 5 (May 30, 2020): 216–41. http://dx.doi.org/10.24224/2227-1295-2020-5-216-241.

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The results of the study and systematization of literary research on the problems of geopoetics as a direction in Russian literary criticism are presented in this review article. The relevance of the study is seen in the need to comprehend and systematize the accumulated literary experience in the field of the geopoetic paradigm of literary research. The scope of work identified in the research process is an indicator of a growing scientific interest in the aforementioned problems. In the study of the material, it was shown that the theoretical component of the work is the study of the nature

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McKay, Daniel. "The Unfillable Stomach." Meridians 24, no. 1 (2025): 214–36. https://doi.org/10.1215/15366936-11530770.

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Abstract The effects of settler colonialism on Indigenous communities manifest in psychological issues that are traceable to not one but several historical traumas, including but not limited to those beyond living memory. The “decolonial turn” of trauma theory has tended to accept these assertions in order to underpin scholarly readings of literature by Native American authors. My article close reads Louise Erdrich’s 2012 novel The Round House, the narrative of which oscillates around the rape of an Ojibwe woman by a non-Native man. While this topic lends itself to a critical reading using the

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Gurduz, Andriy. "Water concept in the novel by Olena Pechorna the witch." Fìlologìčnì traktati 12, no. 1 (2020): 42–48. http://dx.doi.org/10.21272/ftrk.2020.12(1)-4.

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In Ukrainian prose of the first decades of the ХХІ century nearly greatest attention to the artistic word cleanness is spared by Olena Pechorna, her scantily explored novels deserve a system study. The novel The Witch occupies an important place in her artistic work and it is organic for her idiostyle paradigm, but while did not get a professional estimation. In our article we carry out an attempt to define the specific of dominant water concept in the novel The Witch for the first time. The key in the article become the study of the realization type of the water concept of in the book, and al

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Nasibova, Sevinj Kh. "Сomparative analysis of female images in F.M. Dostoevsky’s and J. Fowles’s novels (based on the novels of Dostoevsky “Crime and Punishment”, “The Brothers Karamazov” and Fowles “The Collector”, “The Mistress of a French Lieutenant”, “The Magus”)". Philological Sciences. Scientific Essays of Higher Education, № 2 (березень 2021): 116–23. http://dx.doi.org/10.20339/phs.2-21.116.

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The purpose of the article is the comparative analysis of female images in F.M. Dostoevsky’s and J. Fowles’s novels. The basic method applied in given research is the method of the comparative analysis F.M. Dostoevsky’s and J. Fowles’s novels. Dostoevsky and Fowles are in searches of root of all evil. Both of them are assured that in human spirit are indissolubly merged kindly and angrily, God and Satan. In a shower of hero Dostoevsky indissolubly merge “an ideal of the Madonna” with “an ideal Sodom”. The woman is present at a life of the man as elements. The woman is only temptation and passi

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Kornilova, Elena V. "The Arctic and the North: The Problem of Conceptualization." World of the Russian Word, no. 2 (2023): 11–20. http://dx.doi.org/10.21638/spbu30.2023.202.

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The article is dеvoted to the problem of conceptualizing a holistic image of the Arctic and the North from a transdisciplinary perspective, as well as in the context of the spiritual and civilizational identity of Russia, the search for the national idea. The objectives of the study are to draw attention to the need to develop an integrative paradigm of Arctic socio-humanitarian knowledge, to identify cultural and symbolic codes in the mass consciousness that characterize the conceptual field “Arctic and North”. The notions of the Arctic and the North are considered as universal concepts of wo

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Larkovich, Dmitrii V. "The Myth of the Eternal Return in Eremey Aipin’s In Search of the Primordial Land." Imagologiya i komparativistika, no. 15 (2021): 173–91. http://dx.doi.org/10.17223/24099554/15/10.

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The title of the new novel by the Yugra writer Eremey Aipin In Search of the Primordial Land, first published in Russian in 2019, contains an obvious reference to the cultural tradition and suggests the possibility of a scholarly reading of a literary text from the perspective of mythopoetics. The novel organically continues the attitude characteristic of all Aipin’s previous works. This attitude clearly discerns the writer’s desire to see the essence of modern life realities through the prism of traditional values enshrined in the myths and legends of his people. In Aipin’s artistic picture o

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Komarov, Mikhail Vladimirovich. "The Savage against the Leviathan: a comparison of Pierre Clastres' and Thomas Hobbes' approaches to defining the "political."." Социодинамика, no. 6 (June 2025): 67–75. https://doi.org/10.25136/2409-7144.2025.6.75127.

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The subject of the research is reflection on the categories of "political" and "state" in the context of political philosophy and political anthropology. The object of the study is a comparative analysis of the concepts of state nature and its evolution in the works of political philosopher T. Hobbes and anthropologist P. Clastres. The work examines the key contradictions between Hobbes' model of the state as a tool for suppressing the "war of all against all" and Clastres' critique of statehood as a mechanism of violent dominance over stateless communities. The consideration is presented in r

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Zorin, Artem N. "LITTLE BIG MAN. CONTEXTS AND INTERTEXTS OF THE IRON HORSEMAN BY ALEXEY ZHITKOVSKY." Челябинский гуманитарий 66, no. 1 (2024): 41–49. http://dx.doi.org/10.47475/1999-5407-2024-66-1-41-49.

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The analysis of a contemporary dramatic text involves deconstructing the intertextual references embedded within it, which are defined by a situation of total play with the meanings of aesthetic models and sociocultural paradigms of preceding eras. Plays by post-Soviet playwrights are increasingly analyzed from the perspectives of post- or metamodernism. In this context, the importance of reconstructing the intertextual connections of authorial statements and their interpretations within a cohesive artistic context is particularly emphasized. Alexey Zhitkovsky’s play The Iron Horseman (2022) a

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Toporova, Tatyana. "Studies in the analysis of the epic word: O.‑Icel. hel ‘world of the dead; the dead-goddess Hel’ in the Elder Edda." Scandinavian Philology 20, no. 1 (2022): 79–97. http://dx.doi.org/10.21638/11701/spbu21.2022.106.

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The article is devoted to the study of the epic word on the example of O-Icel. hel ‘world of the dead; the dead-goddess’ in the Old Icelandic Elder Edda, used to nominate one of the most important loci of the mythopoetic model of the world, as well as its personification. The author focuses on the analysis of the context, on the basis of which it is possible to realize the main goal — to understand the principles of distribution of this lexeme in the Elder Edda. A multi-component analysis is used, taking into account statistical data (primarily the frequency of word usage), grammar (the case p

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