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Relevant bibliographies by topics / Mythopoetic code

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Academic literature on the topic 'Mythopoetic code'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Mythopoetic code"

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Ganin, Maxim V. "“Singing mountains” in the late Khlebnikov’s poetic manner: geognostic code in the autocommunicative model." RUDN Journal of Studies in Literature and Journalism 25, no. 2 (2020): 214–25. http://dx.doi.org/10.22363/2312-9220-2020-25-2-214-225.

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This article analyzes the peculiarities of realization of the motif of singing mountains (and its variations) in the later period of artistic and philosophical searches of Russian poet and thinker, one of the originators of futuristic movement - Velimir Khlebnikov. Representations of the geognostic code are given in the paradigm of autocommunicative model peculiar to philosophical and aesthetic thinking of the poet. The actuality of the work is determined by the insufficient previous study of the problem of functioning of geognostic elements in the Khlebnikovs universe, as well as the importan

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Salakhova, A. "History and myth in Leonid Yuzefovich’s novel “Philhelle”." Philology and Culture, no. 2 (June 25, 2024): 188–92. http://dx.doi.org/10.26907/2782-4756-2024-76-2-188-192.

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The article analyzes L. Yuzefovich’s novel “Philhellene” from the point of view of its historical and mythological (mythopoetic) codes’ functions. The purpose of the work is to identify historical and mythological encodings in the novel, using descriptive and mythopoetic research methods. Particular attention is paid to the analysis of the type of hero, the character system, as well as the identification of the novel chronotope and the justification of its genre characteristics. We argue that L. Yuzefovich’s novel is not a historical novel in the generally accepted sense. Although “Philhellene

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Gurduz, Andriy. "THE CONCEPT AND PROBLEM OF CODE IN MODERN LITERARY STUDIES." European Socio-Legal & Humanitarian Studies, no. 1 (June 18, 2024): 47–54. http://dx.doi.org/10.61345/2734-8873.2024.1.6.

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With increasing popularity in literary studies, linguistics, cultural studies, and anthropology, the concept of code remains undefined, which automatically translates a significant part of the results of these works into a polemical plane. Literary studies has already become accustomed to a similar situation in the field of research on mythopoetics, the author’s myth, having developed a certain immunity (M. Zuienko, O. Kobzar, etc.). The plurality of proposed interpretations of the code term in literary studies, which are sometimes mutually contradictory, on the one hand, and the large body of

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Kriklivets, E. V. "MYTHOPOETICS OF NOVELS BY V. SHUKSHIN “VIBURNUM RED” AND A. KUDRAVETS “RADANITSA”." Siberian Philological Forum 10, no. 2 (2020): 16–26. http://dx.doi.org/10.25146/2587-7844-2020-10-2-39.

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In the last third of the twentieth century, Russian and Belarusian traditionalist prose activates mythopoetic archetypes, and there is a synthesis with individual elements of romantic, modernist and postmodern aesthetics. The purpose of the article is to identify national features of the appeal of Russian and Belarusian writers of the twentieth century to mythological structures (on the example of novels by V. Shukshin “Viburnum red” and A. Kudravets “Radanitsa”). The results of the study. Mythologism in the works by Russian and Belarusian writers in the last decades of the twentieth century i

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Borodina, N. A., O. A. Selemeneva, and N. A. Trubitsina. "Mythopoetic Worldview of Bunin: Linguistic and Literary and Cultural Analysis Aspects." Nauchnyi dialog, no. 10 (October 29, 2021): 28–47. http://dx.doi.org/10.24224/2227-1295-2021-10-28-47.

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The results of the analysis of semantic groups of mythonyms of the poetic heritage of I. A. Bunin as means of explication of various historical-informational and cultural-symbolic worldview meanings are presented in the article. The relevance of the work is due to the interest of literary onomastics in identifying units of the onomastic code of artistic and aesthetic systems of various domestic and foreign writers. The novelty of the work is associated with the inclusion of lexical units with different ratios of the nominated image and denotation into the Bunin mythonymicon, with the synthesis

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Ivanov, Nikolai N. "Cultural mythopoetic code of the East in M. Prishvin's work: the Russian root of life Ginseng." World of Russian-Speaking Countries, no. 3 (2022): 139–50. http://dx.doi.org/10.20323/2658-7866-2022-3-13-139-150.

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Shcherbakov, F. B. "Metaphor of Cosmos–as–Polis in the Stoic Teaching and its Ethical and Communicative Consequences." Concept: philosophy, religion, culture, no. 3 (November 17, 2019): 27–38. http://dx.doi.org/10.24833/2541-8831-2019-3-11-27-38.

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This article is considering origins of Stoic representation of Cosmos as The Universe State and there is briefly tracing its totemistic preconditions, which were proceeding from the primitive mythopoetic thinking’s specifics. Furthermore, there is proving a thesis about that the metaphor of Cosmos-Polis has emerged from searchings of an adequate philosophical language by early Greek thinkers, and that sociomorphical code was one of the most important metaphorical models of Cosmos in ancient philosophical poetics, not only for Stoics. A great number of political doctrines by Plato and faraway i

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Akhmer, Birzhan, Zhanat Aimukhambet, and Karlygash Kurmambayeva. "SYMBOLIC AND MYTHOPOETIC MEANING OF THE CONCEPT OF SERIKBALL KONDYBAI «PRIMORDIAL LAND»." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 3 (September 30, 2023): 126–38. http://dx.doi.org/10.55808/1999-4214.2023-3.09.

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The article analyzes the mythological, symbolic statements and views of the mythologist S. Kondybai. The meaning of the concept «Primordial Land», which has become one of the main characteristics of the ancient Kazakh worldview, its connection with poetic works, cultural code, and the relationship with aspects of national self-consciousness were differentiated. As a result of the mythopoetic analysis, the spiritual concepts of the scientist's heritage, that is necessary for modern Kazakh society, were clarified and vividly reflected. The connection between the myth and the poetic work was also

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Miroliubova, Anastasiia Iu. "“The Last Time” by Guillermo Martinez: Latin American boom and its assessment after 60 years." Vestnik of Saint Petersburg University. Language and Literature 20, no. 3 (2023): 532–48. http://dx.doi.org/10.21638/spbu09.2023.308.

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The article attempts to trace the general dynamics of the development of Latin American literature before and after the Latin American boom through the prism of Guillermo Martinez’s recently published novel “The Last Time” (2022). Well learned Latin-American literature of “boom” in some sense eclipses the following generations. The purpose of the article is to show the general picture of the development of Latin American literature before and after, to comprehend the processes taking place in Spanish American literature over the past 60 years and to summarize them. The recent novel by argentin

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Saikeneva, D. "«Us and them» in mythopoetic world of Turks: otherness as a sign of belonging to the other world." Bulletin of the L.N. Gumilyov Eurasian National University. Historical Sciences. Philosophy. Religion Series 143, no. 2 (2023): 74–85. http://dx.doi.org/10.32523/2616-7255-2023-143-2-74-85.

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In culture there is a universal phenomenon - the opposition "us - them", which has become one of the most important elements in the formation of ideas about the binary structure of the world. This opposition in the mythical thinking of Turkic peoples reflects the concept of "us" and "them", the interaction of man with nature, with the "wild" space. To the "wild" space belonged the underworld, where all evil lived. To avoid the harmful influence of underworld inhabitants, Turks have created all kinds of markings of "own" territory and visual code of "own" person. In this work, the author tries

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Books on the topic "Mythopoetic code"

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Korpua, Jyrki. Mythopoeic Code of Tolkien: A Christian Platonic Reading of the Legendarium. McFarland & Company, Incorporated Publishers, 2021.

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Book chapters on the topic "Mythopoetic code"

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Ferraro, Thomas J. "Coda." In Transgression and Redemption in American Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863052.003.0010.

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The coda to Transgression & Redemption considers how the knowledges, methods, and values of the book might contribute to further considerations of the American novel, with immediate emphasis on several canonical masterpieces of the 1930s, including William Faulkner’s Absalom, Absalom! (1936), Zora Neale Hurston’s Their Eyes Were Watching God (1937), and Nathanael West’s The Day of the Locust (1939); how, alternatively, the critical repertoire of this book might contribute to Hollywood scholarship beyond poststructuralist feminist critique, with emphasis split between the erotic-spiritual e

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Rozhkova, Anastasia E. "Features of the Interaction between Mystical and Human Realities in the Fairy Drama “The Forest Song” by Lesya Ukrainka." In Codex manuscriptus. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/cm.2949-0510-2024-4-98-108.

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The article presents the analysis of the fairy drama “The Forest Song” by Lesya Ukrainka in the context of the birth of fantasy genre. The play was written at the beginning of the 20th century. At those times, one of the literary tendencies included references to folklore, folk art and mystical themes in hopes to find in the past the answers to important questions. We will consider “The Forest Song” not only as a vivid example of a neo-romantic piece but also as one of the stages of the development of fantasy genre in literature. We will consequently analyze the particularities of the genre af

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Solivetti, Carla Maria, and Artem Marchenkov. "Gogol’s Wanderings." In The Non-Euclidean Geometry of Yuri Mann: In Memoriam. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0754-0-90-135.

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This article investigates the role of the travel topos in Gogol’s literary and personal mythopoetics. It is a reflection on Y. Mann’s decision to present Gogol’s biography through the genre code of the travelogue. The analysis of biographical documents, the recollections of Gogol’s contemporaries, and his epistolary archive makes it possible to reconstruct the relationship between the writer’s artistic vision and his wandering lifestyle. It is shown how a romantic attitude to the search for a spiritual homeland was transformed over the years into a conscious choice to follow the path of a wand

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Ty, M. "The Myth of What We Can Take In: Global Migration and the “Receptive Capacity” of the Nation-State." In Reaction Formations. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531503130.003.0005.

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This chapter critiques a recently developed claim that sanctions violence against “irregular” migrants—namely, that the nation-state has a finite and objective “receptive capacity” for taking foreigners in. Ty first examines its origins in environmentalist conceptions of a territory’s “carrying capacity”—a term that developed as a means of managing game populations and was subsequently transformed to appraise emerging markets. Second, Ty works through a linguistic recurrence, noting how Freud’s theory of psychic injury postulates an infinite “receptive capacity” [Aufnahmefähigkeit], which must

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Trubitsina, Natalia A. "Culturogenic Imperatives in Mikhail Prishvin’s Story “The Worldly Chalice”." In Mikhail Prishvin’s Literary Heritage: The Context of National and World Culture. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0780-9-118-131.

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Mikhail Prishvin’s story “The Worldly Chalice” includes a wide variety of semantic fields, which allows researchers to analyze this work through the prism of various cultural codes — religious, philosophical, mythopoetic, and others. The work attempts to consider the story in the context of certain cultural imperatives, such as “a person must be fed,” “a person must be dressed,” and “a person must not sleep in the open.” These imperatives are the archetypes of food, clothing, and housing, bearing a mandatory ethical burden. In the artistic and essay component of “The Worldly Cup,” which explic

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Koning, Hugo H. "Palaephatus, Unbelievable Tales." In The Oxford Handbook of Greek and Roman Mythography. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190648312.013.21.

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Abstract The ancient mythographer Palaephatus’s Unbelievable Tales is a collection of well-known myths and rationalizing explanations of them. The chapter offers an analysis of a) the philosophical notions underlying Palaephatus’s project, mostly articulated in his proem, b) the rigid structure of his entries, and c) the methods he employs to reconstruct the historical truth behind the myths under investigation, all hinging on plausibility and narrative logic—it is human misunderstanding that is at the core of all mythopoesis. Although Palaephatus’s historicizing approach perhaps seems simplis

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Ferraro, Thomas J. "Introduction." In Transgression and Redemption in American Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863052.003.0001.

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To make sense of the presence of Catholic devotionalism in America’s putatively Protestant mainstream fiction, the Introduction recovers the mythopoetic criticism of Leslie A. Fiedler’s Love and Death in the American Novel, long-remembered only in gender and racial terms, to marshal his distinction between Protestant sentimentalism, in which Pauline anti-sexuality yields sexless households and male bonding, and the sanctification of passion in the Catholic Mediterranean, which re-sexualizes Mary and compulsively seeks redemption in transgression. Whereas Fiedler assumed that Roman Catholicism

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Bell, Michael. "The Metaphysics of Modernism Aesthetic Myth and the Myth of the Aesthetic." In The Arts and Sciences of Criticism. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198186397.003.0013.

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Abstract The use of myth in modern writers such as Eliot, Joyce, Lawrence, and Yeats has passed into the academic reception of the period in the now derided form of the 1950s ‘myth kitty’; and Marc Manganaro has acutely shown the line of transmission from Frazer, through Eliot, to Northrop Frye as the continuation of a mistaken ethnographic method. I In the world of Anglo-Saxon academic criticism myth has deserved its bad name, while on the larger stage of European thought it has come to be associated with sinister political movements as the Marxist critique in Adorno and Horkheimer’s Dialecti

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Conference papers on the topic "Mythopoetic code"

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Bulycheva, E. "“MYTHOLOGICAL” AND “POETIC”: ON THE PROBLEM OF MYTHOPOETICS IN THE FINE ARTS OF THE 20TH CENTURY." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2563.978-5-317-06726-7/134-137.

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The multidimensionality of the visual arts of the twentieth century due to the radicalism of manifestations can be studied more reliably through the current field of interdisciplinary approaches including the analytics of mythopoetics. As a theoretical model for studying the mythopoetic work basis appears tobe a point of intersection of related cultural codes. Fine art while relying on the structural units of myth does not copy them directly,but translates them into the language of plastic images and enriches them with its specific stable elements. In this context they are equivalent tothe ele

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