Relevant bibliographies by topics / Myths and Mitchell

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Academic literature on the topic 'Myths and Mitchell'

Author: Grafiati
Published: 19 February 2023

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Journal articles on the topic "Myths and Mitchell"

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Yusanti, Elva. "FUNGSI MITOS DALAM KEHIDUPAN MASYARAKAT PULAUTEMIANG, JAMBI [The Function of Myth in Pulautemiang Society’s Life, Jambi]." TOTOBUANG 7, no. 1 (September 20, 2019): 171. http://dx.doi.org/10.26499/ttbng.v7i1.141.

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Myth is one of the references of the Pulautemiang society, Jambi, in their activities and socialization. The myths believed by the society generally are related to the traditions of pregnancy, birth, community, and religion. This study aims to describe the function of myth for the people of Pulautemiang, Jambi. This research used qualitative method and also myth theory proposed by Bastian and Mitchell. According to Bastian and Mitchell, the function of myth consists of primary function which is related to social and cultural system and secondary function which is related to unlogical things. The result of the study shows that myth functions as social and ritual means, as well as healing and renewal. Mitos menjadi salah satu acuan masyarakat Pulautemiang, Jambi, dalam beraktivitas dan bersosialisasi. Mitos yang diyakini umumnya berkaitan dengan tradisi kehamilan, kelahiran, kemasyarakatan, dan keagamaan. Penelitian ini bertujuan untuk mendeskripsikan fungsi mitos bagi masyarakat Pulautemiang, Jambi. Penelitian ini menggunakan metode kualitatif serta memanfaatkan teori mitos yang dikemukakan Bastian dan Mitchell. Menurut Bastian dan Mitchell, fungsi mitos terdiri atas fungsi primer yang berkaitan dengan sistem sosial dan budaya, serta fungsi sekunder yang berkaitan dengan hal-hal di luar logika. Hasil penelitian menunjukkan bahwa mitos berfungsi sebagai sarana sosial dan ritual, serta sarana penyembuhan dan pembaruan.
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Neff, Donald. "Take it Myth by Myth: Myths and Facts: A Concise Record of the Arab-Israeli Conflict. . Mitchell G. Bard, Joel Himelfarb." Journal of Palestine Studies 22, no. 3 (April 1993): 125–26. http://dx.doi.org/10.1525/jps.1993.22.3.00p0014h.

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Stevens, Leonie, and Lynette Russell. "The Dutch East India Company (VOC) Tasman Map and Australia: Competing Interests, Myth Making, and an Australian Icon." Thematic Issue: The Social Lives of Maps, Volume 1 92-93 (August 10, 2022): 72–91. http://dx.doi.org/10.7202/1091245ar.

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The floor of the entrance to the Mitchell Library vestibule, which is part of the State Library of New South Wales, displays a stunning mosaic 1939-1941 reproduction of a seventeenth century map recording Abel Tasman’s two journeys of 1642 and 1644. It charts the west, north and southern coasts of the Australian continent, but is incomplete, thus representing the historical moment between an imagined Terra Australis Incognita, and the final survey of the east coast which presaged British colonisation. The original Tasman map, also held by the Mitchell library and currently undergoing restoration, has a strange and chequered biography. This paper explores the myths associated with what is known colloquially as the Bonaparte Tasman map, in honour of its last owner Prince Roland Bonaparte, a nephew of Napoleon. We examine its contested origins and role as an agent of Dutch East India Company imperial ambitions, relegation to forgotten cast-off when that empire collapsed, Bonaparte’s desire to gift it to the nascent Australian Commonwealth as a symbol of new nationhood, and the international subterfuge involved in its acquisition by not by the nation, but the State Library of NSW. Analysis of what was known of the map in the decades prior to its arrival in Australia challenges the conventional narratives, and we propose the biography of the Tasman map (and its embodiment in the Mitchell Library vestibule mosaic) is a study in imperialism, colonialism, federation, and power.
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Megraw, Rich. "A People's History of Baseball: Challenging the Myths of America's National Pastime. By Mitchell Nathanson. (Champaign, IL: University of Illinois Press, 2012. Pp. xiv, 272. $29.95.)." Historian 75, no. 2 (June 1, 2013): 353–54. http://dx.doi.org/10.1111/hisn.12010_19.

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5

Wilson, Nia. "Hadestown." TDR: The Drama Review 65, no. 1 (March 2021): 188–92. http://dx.doi.org/10.1017/s1054204320000167.

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Hadestown, Anaïs Mitchell and Rachel Chavkin’s musical reimagination of the Orpheus and Eurydice myth, sidelines the issue of white supremacy in its explorations of economic inequality, environmental exploitation, and collective action.
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Webster, Anthony K. "“So it's got three meanings dil dil:” Seductive ideophony and the sounds of Navajo poetry." Canadian Journal of Linguistics/Revue canadienne de linguistique 62, no. 2 (March 6, 2017): 173–95. http://dx.doi.org/10.1017/cnj.2017.11.

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AbstractThis article engages questions about translation, phonological iconicity, and seductive ideophony. I begin by discussing the work of Paul Friedrich as it relates to questions of linguistic relativity and poetics and the qualities of music and myth that constitute poetry. I then present a poem written in Navajo by Rex Lee Jim and four translations of the poem. Three are from Navajo consultants and one of those translations will be, from a certain perspective, rather surprising. Namely, why does one consultant translate this poem as if it is composed of ideophones? The fourth translation is mine. I then work through the morphology of the poem in Navajo, saying something more about the translators and the process of translation. I then provide a transcript of a conversation I had with Blackhorse Mitchell about this poem. I use this to take up questions of phonological iconicity (punning) and the seductive quality of ideophony (the pole of music). I also place this poem within a context of the stick game in Navajo philosophy (the pole of myth). This leads, in the conclusion, to reflections about linguistic relativity, misunderstandings, sound, and poetics.
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Malawat, Insum. "STRUKTUR DAN FUNGSI MITOS KERAJAAN RAJA AMPAT." Melanesia : Jurnal Ilmiah Kajian Bahasa dan Sastra 2, no. 1 (April 28, 2018): 1. http://dx.doi.org/10.30862/jm.v2i1.780.

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<p>Myth as a research object can be studied from different angles. Quantity of study greatly determines the quality of the story. The concrete form of learning folklore is done by reusing the hidden values in it to see its relevance to contemporary life. Various means of literature used in a story is in order to function mengkistalkan meaning or message to be conveyed. This shows the urgency and significance of a cultural symbol in the mythical text as the entity’s identity.</p><p>This paper applies to the structure and function of the Maya mythology of Raja Ampat Regency full of Raja Ampat Kingdom Myth (MKRA). The depiction of the story structure is structured according to elements of Lucian Goldmann’s worldview. Meanwhile, the description of Bastian and Mitchel’s functions and culture through a pragmatic approach.</p>
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BROWN, THOMAS J. "Monuments and Ruins: Atlanta and Columbia Remember Sherman." Journal of American Studies 51, no. 2 (March 22, 2016): 411–36. http://dx.doi.org/10.1017/s0021875816000530.

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Commemorations of the burning of Atlanta and Columbia reveal the relationship of form and content in Confederate memory. Atlanta monuments announced civic rejuvenation to national audiences, particularly tourists. Columbia ruins lamented the fracture of local elites' political dominance. The divergent cultures informed Margaret Mitchell's fabrication of Lost Cause myth in Gone with the Wind (1936) and Elizabeth Boatwright Coker's excavation of Lost Cause legend in La Belle (1959). The decline of monuments and ruins contributed to the transformation of the Lost Cause into a different configuration of Confederate memory during the decade of the Civil War centennial.
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Menze, Clemens. "Mitchell G. Ash (Hrsg.): Mythos Humboldt. Vergangenheit und Zukunft der deutschen Universitäten. Wien: Böhlau Verlag 1999, 268 S., 58,- DM." Vierteljahrsschrift für wissenschaftliche Pädagogik 76, no. 3 (July 19, 2000): 400–402. http://dx.doi.org/10.30965/25890581-07603013.

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10

Braithwaite-Westoby, Manu. "Myth, Magic, and Memory in Early Scandinavian Narrative Culture: Studies in Honour of Stephen A. Mitchell by Jürg Glauser and Pernille Hermann." Parergon 39, no. 1 (2022): 241–42. http://dx.doi.org/10.1353/pgn.2022.0025.

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Books on the topic "Myths and Mitchell"

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Parr, Connal. Inventing the Myth. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198791591.001.0001.

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This book approaches Ulster Protestantism through its theatrical and cultural intersection with politics, re-establishing a forgotten history and engaging with contemporary debates. Anchored by the perspectives of ten writers–some of whom have been notably active in political life—it uniquely examines tensions going on within. Through its exploration of class division and drama from the early twentieth century to the present, the book restores the progressive and Labour credentials of the community’s recent past along with its literary repercussions, both of which appear in recent decades to have diminished. Drawing on over sixty interviews, unpublished scripts, as well as rarely-consulted archival material, we can see—contrary to a good deal of clichéd polemic and safe scholarly assessment—that Ulster Protestants have historically and continually demonstrated a vigorous creative pulse as well as a tendency towards Left wing and class politics. St John Ervine, Thomas Carnduff, John Hewitt, Sam Thompson, Stewart Parker, Graham Reid, Ron Hutchinson, Marie Jones, Christina Reid, and Gary Mitchell profoundly challenge as well as reflect their communities. Illuminating a diverse and conflicted culture stretching beyond Orange Order parades, the weaving together of the lives and work of each of the writers considered highlights mutual themes and insights on the identity, as if part of some grander tapestry of alternative twentieth century Protestant culture. Ulster Protestantism’s consistent delivery of such dissenting voices counters its monolithic and reactionary reputation.
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Harris, Joseph. Myth, Magic, and Memory in Early Scandinavian Narrative Culture: Studies in Honour of Stephen A. Mitchell. Brepols Publishers, 2021.

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Book chapters on the topic "Myths and Mitchell"

1

Garcia, Lorenzo F. "John Cameron Mitchell’s Aristophanic Cinema: Hedwig and the Angry Inch (2001)." In Classical Myth on Screen, 173–82. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137486035_15.

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Grimm, Joshua. "‘A Hint of Joy Before it All Goes to Hell’." In It Follows, 11–28. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325581.003.0002.

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This chapter discusses how David Robert Mitchell repeatedly listed John Carpenter as one of his main influences. It describes the opening scenes of Mitchell's It Follows on a tree-lined suburban street outside Detroit at dusk, which is considered a sister city of Haddonfield from the film Halloween (1978). It also explains the horror prologue as an essential component to the genre that serves as a mini trailer and provides a justification of the monster or as a way of keeping the audience tense or aware that they are watching a horror film and not a drama. The chapter assesses the striking opening vignette of It Follows, which is more than a typical horror film opening that features the killer attacking. It mentions Mitchell's first movie The Myth of the American Sleepover in 2011, which played a role in creating the world of It Follows.
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Grimm, Joshua. "Where Goes the Neighbourhood?" In It Follows, 45–52. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325581.003.0004.

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This chapter looks at one of the reviews of David Robert Mitchell's It Follows from a local paper in Detroit, which describes the film's surroundings as disorienting but well-suited to the local landscape. It mentions Mitchell's emphasis on the importance of Detroit as the city where he grew up and as the site for his first movie The Myth of the American Sleepover. It also talks about Detroit's economic decline, with the city losing over a quarter of a million people between 2000 and 2010 and half its entire population since 1950. The chapter explores other horror films that discuss urban poverty, such as The People Under the Stairs (1991) and Candyman (1992). It highlights the difficulty of separating issues of class and race in US horror cinema.
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