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1

University of the Arts London., ed. Video art: A guided tour. I.B. Tauris, 2005.

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2

1958-, Osborne Peter, ed. Conceptual art. Phaidon, 2002.

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3

1937-, Camnitzer Luis, Farver Jane, Weiss Rachel 1954-, et al., eds. Global conceptualism: Points of origin, 1950s-1980s. Queens Museum of Art, 1999.

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4

M, Andrews, ed. Land art: A cultural ecology handbook. RSA, 2006.

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5

Stefano, Basilico, Lessig Lawrence, Yeo Rob, Museum of Contemporary Art (North Miami, Fla.), Milwaukee Art Museum, and Philbrook Museum of Art, eds. Cut: Film as found object in contemporary video. Milwaukee Art Museum, 2004.

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6

Museum of Contemporary Art (Los Angeles, Calif.), ed. Afterimage: Drawing through process. Museum of Contemporary Art, 1999.

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7

van, Assche Christine, ed. Collection new media installations: La collection du Centre Pompidou, Musée national d'art moderne. Editions du Centre Pompidou, 2006.

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8

Peterlini, Patrizio. Fluxbooks: Fluxus artist books : from the Luigi Bonotto collection : from the Sixties to the future. Mousse Publishing, 2015.

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9

Helmut, Friedel, and Städtische Galerie im Lenbachhaus München., eds. Geschichten des Augenblicks: Über Narration und Langsamkeit = Moments in time : on narration and slowness : James Coleman ... Hatje Cantz, 1999.

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10

Jeremy, Millar, Hayward Gallery, Baltic Centre for Contemporary Art, John Cage Trust, and Hayward Touring (Art organisation), eds. Every day is a good day: The visual art of John Cage. Hayward Publishing, 2010.

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11

Francis, Frascina, and Perry Gillian, eds. Primitivism, cubism, abstraction: The early twentieth century. Yale University Press, in association with the Open University, 1993.

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12

1942-, Harrison Charles, and Wood Paul, eds. Art in theory, 1900-1990: An anthology of changing ideas. Blackwell, 1993.

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13

Joanna, Moorhead, Arcq Teresa, Pallant House Gallery, and Sainsbury Centre for Visual Arts, eds. Surreal friends: Leonora Carrington, Remedios Varo and Kati Horna. Lund Humphries, 2010.

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14

Edward, Lucie-Smith. Movements in art since 1945: Issues and concepts. 3rd ed. Thames and Hudson, 1995.

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15

Musée d'art moderne et d'art contemporain (Nice, France), ed. Gustav Metzger: Remember nature. Silvana editoriale, 2017.

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16

Andrew, Wilson, and Coracle Press, eds. Gustav Metzger: Damaged nature, auto-destructive art. coracle @ workfortheeyetodo, 1996.

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17

Edward, Lucie-Smith. Movements in art since 1945. Thames & Hudson, 2001.

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18

Clark, Martin, Sarah Shalgosky, and Dan Sturgis. The indiscipline of painting: Tate St. Ives, 8 October 2011-3 January 2012, Mead Gallery, Warwick Arts Centre, 14 January-10 March 2012. Tate Gallery Publishing Ltd., 2011.

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19

Peter, Kalb, ed. History of modern art: Painting, sculpture, architecture, photography. 5th ed. Prentice Hall, 2004.

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20

Marla, Prather, ed. History of modern art: Painting, sculpture, architecture, photography. 4th ed. Harry N. Abrams, Inc., 1998.

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21

Daniel, Wheeler, ed. History of modern art: Painting, sculpture, architecture. 3rd ed. Prentice-Hall, 1986.

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22

Stephen, Bann, and Allen William 1967-, eds. Interpreting contemporary art. Reaktion, 1991.

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23

1965-, Mansfield Elizabeth, ed. History of modern art. 6th ed. Pearson Prentice Hall, 2009.

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24

Daniel, Wheeler, ed. History of modern art: Painting, sculpture, architecture, photography. 3rd ed. Abrams, 1986.

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25

Klaus, Honnef, Ruhrberg Karl, Fricke Christiane, Schneckenburger Manfred, and Walther Ingo F, eds. Art of the 20th century. Taschen, 2000.

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26

Margriet, Schavemaker, Rakier Mischa, and Allen Jennifer, eds. Right about now: Art & theory since the 1990s. Valiz, 2007.

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27

Edward, Lucie-Smith. Art today. Phaidon Press, 1995.

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28

Edward, Lucie-Smith. Art today. 3rd ed. Phaidon, 1989.

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29

Marleen, Hengelaar-Rookmaaker, ed. Modern art and the death of a culture. Piquant, 2002.

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30

Land Art: The Earth As Canvas (Taschen Basic Architecture Series). Taschen, 2007.

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31

Land Art. Taschen Deutschland GmbH+, 2007.

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32

Appropriation (Documents of Contemporary Art). Whitechapel Art Gallery, 2009.

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33

Contextualismo y abstracción: Interrelaciones entre suelo, paisaje y arquitectura. Instituto Canario de Administración Publica, Gobierno de Canarias, 1995.

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34

Conceptual art. Phaidon, 1998.

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35

Realism. Taschen, 2004.

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36

Inventing Abstraction 19101925 How A Radical Idea Changed Modern Art. Museum of Modern Art, 2012.

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37

INSTALLATION ART: A CRITICAL HISTORY. TATE PUBLISHING, 2011.

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38

Fischli and Weiss: The Way Things Go (One Work). Afterall Books, 2007.

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39

Audiovisuology Compendium: See This Sound - An Interdisciplinary Survey of Audiovisual Culture. Walther König, Köln, 2010.

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40

Fischli and Weiss: The Way Things Go (One Work). Afterall Books, 2007.

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41

Adventures of the Black Square: Abstract Art and Society 1915-2015. Prestel, 2015.

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42

Anonyma. Ways of Drawing: Studio Space, Open Space, Inner Space. Thames & Hudson, Limited, 2019.

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43

Ways of Drawing: Artists' Perspectives and Practices. Thames & Hudson, Limited, 2023.

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44

Material: Public Works - the Bridge 2000 (Warm Seas). Book Works, 2001.

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45

After Image: Drawing Through Process. Museum of Contemporary Art, Los Angeles, 1999.

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46

SUMMER OF LOVE: PSYCHEDELIC ART, SOCIAL CRISIS, AND COUNTERCULTURE IN THE 1960S; ED. BY CHRISTOPH GRUNENBERG. LIVERPOOL UNIV PRESS, 2006.

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47

Modern Art and the Life of a Culture: The Religious Impulses of Modernism. IVP Academic, 2016.

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48

Surrealism, Feminism, Psychoanalysis. Taylor & Francis Group, 2017.

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49

Surrealism, Feminism, Psychoanalysis. Taylor & Francis Group, 2017.

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50

Surrealism, Feminism, Psychoanalysis. Ashgate Publishing, 2007.

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