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Dissertations / Theses on the topic 'Nadine Women and literature South Africa'

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Published: 4 June 2021
Last updated: 11 February 2022

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1

Ibinga, Stephane Serge. "The representation of women in the works of three South African novelists of the transition." Thesis, Stellenbosch: University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/1100.

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Thesis (DLitt (English))--University of Stellenbosch, 2007.<br>The dissertation focuses on literary representation of female characters in selected novels by three particular South African writers working within the transitional phase (from the formal ending of apartheid up to the present) of South African history. By means of textual analysis, the study investigates how the representation of numerous female characters in these texts reflects on and reflects the sector of South African society that forms the social setting of each text. This thesis explores the portrayal of female characters i
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2

Spencer, Lynda Gichanda. "Writing women in Uganda and South Africa : emerging writers from post-repressive regimes." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86251.

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Thesis (PhD)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: The thesis examines how women writers from Uganda and South Africa simultaneously offer a critique of nationalist narratives and articulate a gendered nationalism. My focus will be on the new imaginings of women in and of the nation that are being produced through the narratives of emerging women writers in post-repressive nation-states. I explore the linkages in post-conflict writing by focusing on the literary representations of women and womanhood, while taking into account some of the differences in how these writers write
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3

Samuelson, M. A. "Remembering the nation, disremembering women? : stories of the South African transition." Doctoral thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/18832.

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The thesis explores the making of nationhood, and its contestation, in narrative representations of women during the South African transition. This temporal span extends across the first decade of democracy and the first two terms of governance following the historic 1994 elections. The transition is a fertile temporal zone in which new myths and symbols are generated. My interest lies in the new national symbols and myths that emerge from this historical moment and the ways in which they have been figured through images and appropriations of women and their bodies. Women's bodies, I argue, ar
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4

Colleran, Jeanne M. "The dissenting writer in South Africa : a rhetorical analysis of the drama of Athol Fugard and the short fiction of Nadine Gordimer." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1287430526.

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5

Mazhar, Syeda Faiqa. "A study of the theme of borderland in Nadine Gordimer's fiction." Thesis, University of Bedfordshire, 2007. http://hdl.handle.net/10547/134375.

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This doctoral project is an analytical study of South African writer, Nadine Gordimer's fiction produced from 1949 to 1994. She presents a theme similar to the post-colonial critic, Homi Bhabha's notion of borderland which he propounds as a place of creativity and cultural hybridity in his work The Location of Culture (1994). The &quot;borderland&quot; in Gordimer's fiction acts as a liminal space and becomes a connective tissue in her characters' lives. It emerges in the form of crossing physical frontiers and mental barriers which existed in South African society. Through moments of transiti
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Meisel, Jacqueline Susan. "The deepest South : a comparative analysis of issues of exile in the work of selected women writers from South Africa and the American South." Thesis, University of Cumbria, 2013. http://insight.cumbria.ac.uk/id/eprint/3991/.

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This thesis examines the ways in which exile, both actual and metaphorical, informs the work of four path breaking female writers from South Africa and the American South: Carson McCullers, Bessie Head, Zoë Wicomb and Dorothy Allison. In this study, exilic consciousness is closely linked to postcolonial, nomadic feminisms which can best be understood as liminal, as fundamentally ‘out of place’. The border-crossings involved here are not only geographical, they also signify a change in critical consciousness, as the foundational texts of this thesis – Rosi Braidotti’s Nomadic Feminism and Fran
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7

Kortsch, Christine Bayles. "Women's handiwork dress culture, literacy, and social activism in British women's fiction, 1883--1900 (South Africa, Olive Schreiner, Ella Hepworth, Sarah Grand, Gertrude Dix, Margaret Oliphant) /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 3.85 Mb., 259 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3221129.

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8

Bukula, Andiswa. "Ukuzotywa kwabalinganiswa ababhinqileyo abaziintloko kwiidrama zolwimi lwesiXhosa bezotywa ngababhali abasini sobuduna kwakunye nabo babhinqileyo." Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/18431.

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Eli phepha lithiywe “Ukuzotywa kwabalinganiswa ababhinqileyo, abazintloko kwidrama zolwimi lwesiXhosa, bezotywa ngababhali besini sobuduna nesini sobukhomokazi liza kube lijongene nendlela apho ababhali abasini esohlukileyo, abathi babazobe ngayo abalinganiswa abayintloko, abangamabhinqa kwizibhalo zabo zedrama zelwimi lwesiXhosa. Apha kuzobe kujongwe ingakumbi ababhali abasini sobuduna, ngenjongo yokuveza umba wokuba ababhali besini sobukhomokazi babazoba abalinganiswa ababhinqileyo nje ngabantu abangenamiqolo okuzimela ngaphandle kokuba kubekho indoda obomini babo. Aba babhali babazoba abali
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9

Elliott, Kim. "Women (re)writing history, constructing the case for a state-centered analysis of indigenous women's literature in South Africa and Israel/Palestine." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ36863.pdf.

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10

O'Brien, Lauren Leigh. "Self, family and society in Nadine Gordimer's Burger's Daughter, Rachel Zadok's Gem Squash Tokoloshe, and Doris Lessings's The Grass is Singing." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006771.

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This dissertation examines Nadine Gordimer’s Burger’s Daughter, Rachel Zadok’s Gem Squash Tokoloshe, and Doris Lessing’s The Grass is Singing. It focuses on the development of each of the protagonists’ identities in three realms: the individual, the familial and the societal. Additionally, it is concerned with the specific socio-political contexts in which the novels are set. It employs psychoanalytic and historical materialist frameworks in order to engage with the disparate areas of identity with which it is concerned. The introduction establishes the analytical perspective of the dissertati
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11

Nukeri, Nyeleti Reggan. "Nxopaxopo wa ku xanisiwa ka vamanana hi vavanuna va vona eka matsalwa lama hlawuriweke eka Xitsonga." Thesis, University of Limpopo, 2014. http://hdl.handle.net/10386/1414.

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12

Jadezweni, Mhlobo Wabantwana. "Aspects of isiXhosa poetry with special reference to poems produced about women." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006364.

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This study investigates the use of modern and izibongo (praise poetry) techniques in representing women in selected isiXhosa poems. The main interest of the study is to determine whether the same techniques to depict men are used when writing about women. It is also the interest of the study to ascertain how gender issues are dealt with in the selected poems. Seminal studies on izibongo by eminent scholars in this field show a serious lack of critique and little recognition of women in African languages’ poetry in general and in isiXhosa in particular. Pioneering studies in Nguni poetry about
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13

Colyn, Tania. "Stem van die gemarginaliseerde : 'n ondersoek na die konstruksie van die identiteite van die vroulike figure in die werk van E.K.M. Dido." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/1953.

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Thesis (MA (Afrikaans and Dutch))--University of Stellenbosch, 2010.<br>AFRIKAANSE OPSOMMING: E.K.M. Dido publiseer in 1996 haar eerste roman, Die storie van Monica Peters, en word so een van die eerste bruin vrouens wat ‟n bydra tot die Afrikaanse letterkunde lewer. In Dido se romans word daar altyd ‟n vrou as hooffiguur gestel, en dit is van belang om na die konstruksie van die identiteite van die vroulike hooffigure ondersoek in te stel. Die romans lig invloede op, en aspekte van, identiteit uit en demonstreer hoe kwessies soos identiteitsmerkers ‟n rol in die konstruksie van identiteit spe
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Snyman, Vicki. "Unfallen women : negotiations of alternative feminine identities in selected writings by Olive Schreiner." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002257.

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This study constitutes an inquiry into how Olive Schreiner‟s peripheral position as a colonial woman writer enabled her rewriting of feminine identity, specifically her subversion of Victorian feminine stereotypes. I focus particular attention on three novels: The Story of an African Farm (1890), and the posthumously published From Man to Man (1926) and Undine (1929). I employ a feminist literary approach to examine how Schreiner‟s hybrid identity as a British South African enabled her revisioning of femininity. If Schreiner is situated within the context of her time, it can be demonstrated th
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15

Collins, Brenda. "Representations of landscape and gender in Lady Anne Barnard's "Journal of a month's tour into the interior of Africa"." Thesis, Stellenbosch : Stellenbosch University, 2007. http://hdl.handle.net/10019.1/17744.

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Thesis (MPhil)--University of Stellenbosch, 2007.<br>ENGLISH ABSTRACT: This thesis will focus on Barnard’s representations of gender and landscape during her tour into the interior of the South of Africa. Barnard’s conscious representation of herself as a woman with many different social roles gives the reader insight into the developing gender roles at the time of an emerging feminism. On their tour, Barnard reports on four aspects of the interior, namely the state of cultivation of the land, the type of food and accommodation available in the interior, the possibilities for hunting and
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Moore-Barnes, Shannon-Lee. "Nature, narrative and language in Marlene van Niekerk's Agaat." Thesis, Nelson Mandela Metropolitan University, 2010. http://hdl.handle.net/10948/1235.

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Conrad Aiken’s observation that the “landscape and the language are the same, and we ourselves are language and are land,” depicts the material terrain we inhabit as necessarily informing the language we speak. An important corollary to Aiken’s observation is language itself writes the land. I argue that the binary division between culture and nature, as well as the attempts to universalise languages, abstracts discourse from necessary situated knowledges, alienating the land from the language it embodies. The severing of culture and nature as implied by Aiken’s observation is indicative of hu
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Hale, Frederick. "Literary challenges to the heroic myth of the Voortrekkers : H.P. Lamont's War, wine and women and Stuart Cloete's Turning wheels." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52325.

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Thesis (PhD)--University of Stellenbosch, 2001.<br>ENGLISH ABSTRACT: This dissertation is an interdisciplinary study of various historical novels which dealt to a greater or lesser degree with the Great Trek and were written between the 1840s and the 1930s in Dutch, Afrikaans and English but with particular emphasis on H.P. Lamont's War, Wine and Women and Stuart Cloete's Turning Wheels (1937). The analysis of all these fictional reconstructions focuses on the portrayal of the Voortrekkers found in them. Much attention is also paid to the historical contexts in which the two principal wo
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Young, Cheryl Ann. "A study of the personal literature written in the Eastern Cape in the nineteenth century." Thesis, Rhodes University, 1995. http://hdl.handle.net/10962/d1002274.

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The evidence of these diaries, all written in the nineteenth century, reveals the heterogeneous nature of early settler society in the Eastern Cape. Generalizations can only be of the most tenuous kind in such a small sample; but women tend to dwell on the domestic, the men on their public lives, the most reticent about their private lives are the soldiers. There is one diary which can be described as personal; the diarists did not regard their diaries as appropriate repositories of their personal triumphs and failures. The perceptions formed in Britain about the land and people of Africa are
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19

Foster, Lynn. "An exploratory analysis of masters' dissertations in psychology undertaken by women and men in South Africa from 1964-1998." Thesis, 2002. http://hdl.handle.net/10413/7966.

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This study was an exploratory thematic and categorical analysis of the titles and abstracts of women and men psychology master's dissertations completed from 1964 to 1998. These dissertations represent research undertaken at all South African universities. They are located on the Nexus database, developed by the Centre for Science Development (CSD) at the Human Science Research Council (HSRC) and maintained by the National Research Foundation (NRF). This research is an investigation of trends, which might lead to conclusions regarding the areas of psychological specialisations chosen for resea
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Hobyani, Tinyiko Sarah. "Ku tsan'wiwa ka timfanelo ta vamanana eka tsalwa ra ndlandlalati ya malenga ra A.D. Mahatlane na Nkhavi wa le Ndzhaku ra N.B. Mkhari." Thesis, 2012. http://hdl.handle.net/10386/2275.

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Govinden, Devarakshanam Betty. ""Sister outsiders" : the representation of identity and difference in selected writings by South African Indian women." Thesis, 2000. http://hdl.handle.net/10413/9537.

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22

Mathye, Hlamalani Ruth. "The image of women in selected Tsonga novels." Diss., 2003. http://hdl.handle.net/10500/2135.

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This dissertation is a critical examination of selected Tsonga novels by male and female writers. Positive and negative images of women by these authors are analysed, compared and evaluated from a feminist perspective. Emphasis is laid on the manner in which Tsonga writers portray female characters in a changing society and the extent to which the images of women in this literature represent the present day woman. Adherence to ideological, cultural and traditional values as well as the differences in portrayal of women by male and female writers is also investigated. Through a compari
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Machaba, Rirhandzu Lillian. "The portrayal of women in Xitsonga literature with special reference to South African novels, poems and proverbs." Thesis, 2011. http://hdl.handle.net/10500/5542.

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The new dawn that brought about democracy in South Africa in 1994 and the social and political experiences have since changed the expectations of women’s roles in society. Literature is the important part of this experience because it mirrors and interprets the experience from the point of view of those who write about it. This study, therefore, attempts to examine the image of women in Xitsonga literature, to investigate whether there is a link in the expected cultural roles of Vatsonga women and their roles as characters in Xitsonga literature; and whether there is a shift in the way women c
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Masuku, Norma. "Images of women in some Zulu literary works : a feminist critique." Diss., 1997. http://hdl.handle.net/10500/18156.

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Chapter 1 is the introductory chapter which gives the aim of study, delimitation, scope and methodology. It further presents critical studies that have been done on Feminism. Chapter 2 is devoted to the Feminist theory, the origin of the term stereotype and the diverse schools of thought within the Feminist camp. Feminism from the African perspective, known as Womanism, has been deliberated on. Chapter 3 concentrates mainly on two women authors, Damane and Makhambeni. This chapter looks at how these authors have depicted their female characters. It also examines the stereotypes employe
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Moothoo-Padayachie, Nitasha. "Constructing South African feminism(s) : a case study of Agenda, 1987-2007." Thesis, 2008. http://hdl.handle.net/10413/7675.

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This dissertation provides an analysis of the Agenda construction of South African Feminism(s). Agenda is a feminist, peer-reviewed SAPSE journal that was launched as a publication in 1987 in South Africa. The Journal provides a forum for a number of issues: the most important being the representation of women's voices towards transforming unequal gender relations; and women's unequal position in society, their visibility, struggles and problems in relation to gender inequalities. The Journal also uses a format that encompasses creative writing and original research that is intended to be acce
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Jacob, Mark Christopher. "Marguerite Poland's landscapes as sites for identity construction." Thesis, 2008. http://hdl.handle.net/10413/206.

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Scott, Claire. ""How do I understand myself in this text-tortured land?" : identity, belonging and textuality in Antjie Krog's A change of tongue, Down to my last skin and Body bereft." Thesis, 2006.

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This thesis explores the question, “What literary strategies can be employed to allow as many people as possible to identify themselves positively with South Africa as a nation and a country?”. I focus in particular on the possibilities for identification open to white South African women, engaging with Antjie Krog's English texts, A Change of Tongue, Down to My Last Skin and Body Bereft. I seek to identify the textual strategies, such as a fluid structure, shifts between genre and a multiplicity of points of view, which Krog employs to examine this topic, and to highlight the ways in which th
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Nudelman, Jill. "CONTESTED DOMESTIC SPACES: ANNE LANDSMAN'S "THE DEVIL'S CHIMNEY"." Thesis, 2006. http://hdl.handle.net/10539/1736.

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Student Number : 7805464 - MA dissertation - School of SLLS - Faculty of Arts<br>This dissertation interrogates Anne Landsman’s The Devil’s Chimney. The novel is narrated by the poor-white alcoholic, Connie, who imagines a story about Beatrice, an English colonist living on a farm in the Little Karoo. Connie, who is a product of the apartheid era, interweaves her own story with that of Beatrice’s and, in this way, comes to terms with her own memories, her abusive husband and the new South Africa. Connie deploys the genre of magical realism to create a defamiliarised farm setting for
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Kohaly, Dawn Felicity. "The Nollybook phenomenon." Diss., 2015. http://hdl.handle.net/10500/19843.

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Moeti, Itireleng David. "Kekana's Nonyana ya tokologo as a representation of emerging feminism in Northern Sotho literature." Thesis, 2014. http://hdl.handle.net/10210/9363.

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M.A. (African Languages)<br>This research concentrates primarily on feminism and attempts to study it in relation to Northern Sotho literature. As Kekana is undoubtedly the first author to deal with this topic in her novel - NONYANA YA TOKOLOGO (The Bird of Freedom), this proves the fact that in Northern Sotho literature feminism is still at its infancy stage, hence, the topic of this research - KEKANA'S NONYANA YA TOKOLOGO AS REPRESENTATIVE OF EMERGING FEMINISM IN NORTHERN SOTHO LITERATURE. Feminism emerges in Northern Sotho literature for the following two reasons: firstly, Kekana is the fir
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Assink, Catherine. "'Malibongwe igama lama khosikazi' ('Let the name of woman be praised') : the negotiation of female subjectivity in Lauretta Ngcobo's And they didn't die." Thesis, 1999. http://hdl.handle.net/10413/5560.

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In this thesis I attempt to examine the way that rural women in Natal, from the early 1950s to the 1980s, were relegated to the periphery of both white society and black traditional society. Lauretta Ngcobo's second novel And They Didn't Die is therefore a very useful resource as it takes a look at the interplay of traditional black patriarchy, white patriarchy, and the way rural women were affected by these oppressive institutions. And They Didn't Die examines the way that apartheid affected rural communities and the individual. It investigates the various struggles faced by rural women; how
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Msibi, Bongumusa Collen. "Transvaluative analysis of Zulu terms that relate to women : a case study of a TV drama series, Kwakhalanyonini, with reference to gender stereotypes." Thesis, 1996. http://hdl.handle.net/10413/6173.

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The aim of this study is to explore the relationship between media, language and gender stereotypes. It assumes that language usage in mass media creates and reproduces gender inequalities. Its main objectives are firstly, to randomly select terms for Zulu women from the chosen TV case study, Kwakhalanyonini. Secondly, selected terms will be analyzed, using the 'transvaluative analysis technique', in order to explain their meaning and hierarchy. This having been done, an attempt will be made to show how the usage of these terms reflect gender stereotypes, by locating women into subordinate pos
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Mdluli, Sisana R. (Sisana Rachel). "A reflective perspective of women leadership in Nguni oral poetic forms." Thesis, 2014. http://hdl.handle.net/10500/13174.

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This thesis utilizes the theory of feminism in all its implied branches in an attempt to critically review the subtle and sometimes deliberate subjugation of women in general and South Africa in particular. This occurs, in spite of the fact that there are laws in place that are meant to discourage women abuse. Juxtaposing this is the perspective conception of women, looking at themselves as subjects of virtue who deserve equal treatment to any other human being. It is through some oral forms that this reflection could be tested. Praise poetry, in the hands of a creative artist opens up a world
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Marsden, Dorothy Frances. "Changing images : representations of the Southern African black women in works by Bessie Head, Ellen Kuzwayo, Mandla Langa and Mongane Serote." 1994. http://hdl.handle.net/10500/18134.

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This study examines representations of Southern African black women in the works' of two male and two female writers. A comparative approach is used to review the ways in which the writers characterise women who labour under intense restrictions in domestic situations, the workplace, and in political contexts. Some representations suggest that women have come to terms with social strictures and have learned to live fulfilled lives despite them. Other representations are contextualised in creative situations in which social roles are re-imagined. In the process, women are removed from
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Gordon-Chipembere, Natasha 1970. "From silence to speech, from object to subject: the body politic investigated in the trajectory between Sarah Baartman and contemporary circumcised African women's writing." Thesis, 2006. http://hdl.handle.net/10500/1660.

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NOTE FROM THE LIBRARY: PLEASE CONTACT THE AUTHOR AT indisunflower@yahoo.com OR CONSULT THE LIBRARY FOR THE FULL TEXT OF THIS THESIS.... This thesis investigates the trajectory traced from Sarah Baartman, a Khoisan woman exploited in Europe during the nineteenth century, to a contemporary writing workshop with circumcised, immigrant West African women in Harlem New York by way of a selection of African women's memoirs. The selected African women's texts used in this work create a new testimony of speech, fragmenting a historically dominant Euro-American gaze on African women's bodies. The e
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Ngomane, Elvis Hangalakani. "The contexts of her story : an exploration of race, power and gender in selected novels of Bessie Head." Diss., 2004. http://hdl.handle.net/10500/1157.

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This study explores the triple imbrications of race, power and gender in the selected novels of Bessie Head. A critical analysis of Maru (1971) and A Question of' Power (1974) is undertaken with a view to identifying the subordinating and the marginalising tropes that result in silencing of female subjectivities in Head's protagonists. Linked to a critical reading of the novels, this study examines the role of cultural and psychological forces in maintaining patriarchal hegemony, which is based upon hierarchy and domination of women rather than equality. Furthennore, this dissertation s
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Nortje, Sandra. "Die vrou as outobiograaf: die Suid-Afrikaanse konteks." Thesis, 2007. http://hdl.handle.net/10500/1703.

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This dissertation is a report on a study about autobiography as genre, focusing on the voice of the white, Afrikaans-speaking woman. The point of departure for this study was a survey of the number of autobiographies written in Afrikaans by these women. With the focus on the limited number of such autobiographies three autobiographies were studied, namely, Met die Boere in die veld (Sarah Raal), My beskeie deel (M.E.R.) and 'n Wonderlike geweld (Elsa Joubert). Within the framework of the complexity systems theory the role of the observer (author/reader) was studied to determine the possi
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Jacobs, Martha Christina. "Konsep volksmoeder soos dit in die Afrikaanse drama neerslag vind." Diss., 2009. http://hdl.handle.net/10500/2588.

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The central problem in this dissertation entails how the concept volksmoeder (mother of the nation) gradually developed to secure a place in the Afrikaans drama. Chapter 1 determines the hypothesis of this dissertation. Chapter 2 focusses on the volksmoeder characteristics. The conclusion reached in Chapter 2 is that Maria in Langenhoven’s Die vrou van Suid-Afrika (1918) reveals similarities and contrasts with female characters in Dutch plays. Chapter 3 ascertains that characteristics of female personages as mothers of the nation determine their positions in patriarch/volksmoeder relationship
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