Relevant bibliographies by topics / Naguib Mahfouz

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Naguib Mahfouz'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Naguib Mahfouz"

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Gamal, Muhammad Y. "Subtitling Naguib Mahfouz." Translation and Translanguaging in Multilingual Contexts 1, no. 2 (August 20, 2015): 182–201. http://dx.doi.org/10.1075/ttmc.1.2.03gam.

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Naguib Mahfouz, Egypt’s literary icon, wrote a large number of novels that were turned into films. As the DVD industry in Egypt enters its second decade, the number of these films appearing on DVD and subtitled into English is also increasing. Despite this trend, academic institutions in Egypt, and elsewhere in the Arab world, remain largely oblivious to the new specialization of audiovisual translation. So far, academic research into audiovisual translation, particularly subtitling Arabic-language films into English, has been minuscule. This paper examines the complex task of subtitling one of Mahfouz’s most popular films, Midaq Alley. It argues that subtitling a classic film is a lot more than just translating the film dialogue and the subtitler needs more resources than just the dialogue list and the video of the film.
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Shuhong, Ding. "الصورة الأدبية لنجيب محفوظ في الصين / Naguib Mahfouz’s Literary Image in China." Chinese and Arab Studies 2, no. 1 (July 1, 2022): 31–39. http://dx.doi.org/10.1515/caas-2022-2003.

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Abstract Adopting a translation criticism approach of descriptive analysis, the thesis, from a cross-cultural perspective, combs through the development about translation, introduction and the acceptance of Naguib Mahfouz by the Chinese before and after he won the Nobel Prize in Literature. After a synchronic and diachronic study of the attitudes and ways of acceptance for Mahfouz during different periods, the thesis unravels the process in which Mahfouz’s literary image has developed from a simple “teller of social problems” to a sophisticated “writer of the world.” Besides, the thesis explores the Chinese scholars’ cultural filtering and value orientation towards Mahfouz, oriental writer and Nobel laureate, as well as Mahfouz’s influence and constraints of China’s present cultural and linguistic contexts.
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J.R, Seytmetova, and Nadirova G.E. "Naguib Mahfouz and Cinema." Journal of Oriental Studies 77, no. 2 (2016): 288–94. http://dx.doi.org/10.26577/jos-2016-2-787.

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Allen, R. "Naguib Mahfouz: Nobel Laureate." Public Culture 1, no. 2 (April 1, 1989): 91–92. http://dx.doi.org/10.1215/08992363-1-2-91.

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Naem, Ali Dakhil, and Lajiman Bin Janoory. "The Cairo Trilogy: An Existential Reading in Three Generations of this Novel." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 3, no. 1 (January 31, 2020): 1–10. http://dx.doi.org/10.33258/birle.v3i1.747.

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The researcher in this paper elaborates the writings of Naguib Mahfouz from an existential perspective in Cairo Trilogy. Mahfouz concludes that western scholars and politicians conceal the realities of daily life in Egypt, which Mahfouz reveals. In Mahfouz’s Cairo Trilogy, one can find an openness and acceptance in Egyptian society for other faiths and cultures. The researcher will illustrate how there is an important acceptance of internal existential and religious struggles amongst individuals in the society during this novel. The researcher focuses on the character and the inner psychological conflicts in these characters. It seems that this is an important aspect of Egyptian identity. The idea that Egyptians or Muslims are struggling mainly with the West is contradictory to Mahfouz’s characterizations. He asserts that Egyptians have their own internal struggles because of the diversity of their ideologies.
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Haleem, M. A. S. Abdel. "The Qur'an in the Novels of Naguib Mahfouz (in Arabic)." Journal of Qur'anic Studies 16, no. 3 (October 2014): 126–04. http://dx.doi.org/10.3366/jqs.2014.0168.

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With a rich, productive career spanning over 60 years, culminating in the award of the Nobel Prize for Literature in 1988, Naguib Mahfouz's literary works have naturally attracted numerous studies and critiques. These studies have covered a great many aspects of Mahfouz's creative writing, but, perhaps because of the secular, modern education Mahfouz received (both at school and in the Department of Philosophy in Cairo University), and his personal lifestyle, they have concentrated on the socialist, materialist, and structural aspects of his work. Perhaps because of this, one important aspect of his writing has largely escaped attention: his artistic use of the language of the Qur'an. Mahfouz does not signal that a given phrase or reference is Qur'anic, leaving it to blend with the text, and making it easy to miss the fact that the Qur'an played any part in Mahfouz's use of language. However, to a reader who knows the Qur'an by heart the presence of Qur'anic language in his works is obvious, and equally obvious is Mahfouz's artistic talent in using it. Eventually, he himself announced at the end of his life that he had always had an intimate interest in the Qur'an, read it daily, and benefited from it. This article seeks to demonstrate the ubiquitous presence of Qur'anic language in Mahfouz's works, and the skill and subtlety with which he used it.
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Maynard Hutchins, William. "The Cairo of Naguib Mahfouz." European Legacy 20, no. 2 (December 11, 2014): 188–89. http://dx.doi.org/10.1080/10848770.2014.990267.

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Peters, Issa, and Trevor Le Gassick. "Critical Perspectives on Naguib Mahfouz." World Literature Today 66, no. 2 (1992): 395. http://dx.doi.org/10.2307/40148322.

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Sutanto, Dian Natalia, Melania Prischa Mendorofa, and Teti Apriyanti. "The Pursuit of Existential Meaning and Social Justice in Naguib Mahfouz�s Three Short Stories: �Zaabalawi�, �A Day for Saying Goodbye�, and �The Answer is No�." Indonesian Journal of English Language Studies (IJELS) 3, no. 2 (April 17, 2018): 68–78. http://dx.doi.org/10.24071/ijels.v3i2.1066.

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Mahfouzs literary fame is mainly based on his novels which become the main source for the critics to understand his whole literary visions. Mahfouzs short stories, on the other hand, are considered secondarily valuable by the critics as the remainder of the ideas from his novels. This paper proposes that Mahfouzs short stories are as important as his novels in a sense that they highlights or magnify particular aspects of Mahfouzs visions. From the analysis of three Mahfouzs short stories entitled Zaabalawi, A Day for Saying Goodbye, and The Answer is No, some of his essential themes and literary visions, which developed further in his novel, are identified. In Zaabalawi, the persistence in maintaining hope of finding meaningful life in spite of the persisting tragedy in human life is emphasized by Mahfouz. In A Day for Saying Goodbye, Mahfouz depicts the futility of modernity without adherence to religious values. In The Answer is No, by depicting the shift of gender relations and accomodating the marginalized womens resistence to patriarchy, Mahfouz encourages the reformation of unjust societal structure. Keywords: womens resistance, existential meaning, social justice
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Bamia, Aida A., and Matti Moosa. "The Early Novels of Naguib Mahfouz." South Atlantic Review 61, no. 4 (1996): 117. http://dx.doi.org/10.2307/3201173.

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Dissertations / Theses on the topic "Naguib Mahfouz"

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Olsson, Kolkman Monica. "Miramar av Naguib Mahfouz : En narratologisk analys." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-53040.

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Ait, Alla Aomar. "L'inspiration balzacienne dans l'oeuvre de Naguib Mahfouz." Paris 13, 1997. http://www.theses.fr/1997PA131005.

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La these aborde un sujet qui met en rapport deux champs litteraires de spheres civilisationnelles differentes. Elle a consiste a expliquer l'existence d'une inspiration balzacienne dans l'oeuvre de n. Mahfouz. Nous avons entrepris une analyse de l'ecriture realiste dans les textes du romancier egyptien, a partir de caracteristiques de l'ecriture balzacienne, sachant que peu d'etudes constantes ont ete realisees dans le cadre de cette influence litteraire. Le premier volet de la recherche a ete consacre a l'etude de la rencontre culturelle entre les deux litteratures: francaise et egyptienne. Nous avons ensuite releve quelques traits pertinents : a - la relation diachronique entre les deux cultures. B - l'influence du roman francais sur les textes mahfouziens. La deuxieme partie se centre sur la successivite, le traitement des categories de la representation realiste (les personnages et leurs perceptions de l'espace et du temps), puis les modalites du discours sans oublier la vision du monde. Cette etude a necessite l'utilisation d'outils methodologiques inspires de la sociocritique. Nous avons tente de relever tous les elements expliquant cette inspiration tout en analysant les champs narratifs. Balzac insiste beaucoup sur la description riche et detaillee, en revanche chez mahfouz, c'est la description des caracteres des personnages qui prime. Dans les textes des deux romanciers un interet commun est accorde aux personnages, a leur dimension psychologique et leurs relations avec l'espace. Le dernier volet de notre recherche a ete consacre a l'axe spatio-temporel (la relation entre l'espace reel et l'espace romanesque), ensuite a la perception du temps chez les principaux personnages. Le lien entre les deux cultures n'est pas arbitraire, l'inspiration balzacienne existe bel et bien dans l'ecriture mahfouzienne. Les echanges et transferts culturels sont nombreux, a travers l'histoire, entre les deux litteratures
The thesis approaches a subject that puts in report two literary fields of two spheres of different civilizations. It has consisted in explain the existence of balzacienne inspiration in the work of n. Mahfouz. We have undertaken an analysis of the realistic handwriting in texts of the egyptian novelist; from characteristics of the handwriting of balzac ; knowing that few constant studies have been realized to this literary influence. The first shutter of the research has been devoted to the study of the milk relevant: a - the relationship between two cumtures. B - the influence of the french novel on mahfouziens texts. The second parts centers on the processing of categories of the realistic representation (celebrate and their perceptions of the space and the time), then modes of the space without forgetting the vision of the word. The books which are analysis are constituted next text: - father goriot, eugenie grandet et ferragus de balzac. - impasse of the two palace, sons of the medina and impasse of the mortar writhed by mahfouz. This study has necessitated the utilization of inspired methodological tools of sociocritic, we have tempted to notice all elements explaining this inspiration while analyzing romantic fields. Balzac insists a lot on the precise and rich description, in revenge at mahfouz, the preferences goes to the description of celebrity characters. In texts of the two novelists, a common interest is granted to celebrities, to their psychological dimension and their relation ships with the space. The last shutter of our research has been devoted the axis- spatio-temporel (the relationship of the real space and the fictions romantic space), then to the perception of the time at the main celebrities. The relationship between the two culture is not arbitrary, the balzacienne inspiration exists beautiful and well in the mahfouzienne handwriting. Trades and cultural transfers are numerous between the two texts through the history
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Ajjan, Boutrad Bacima. "Le sentiment religieux dans l'oeuvre de Naguib Mahfouz." Lyon 3, 2006. http://www.theses.fr/2006LYO31003.

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L'œuvre de l'auteur égyptien Naguib Mahfouz semble marquée dès ses premiers écrits par des préoccupations religieuses. Elle témoigne d'un réveil de l'intérêt pour ces problèmes, malgré les nouvelles valeurs dites laïques, assez répandues dans le monde moderne. Si l'on ne peut parler de la redécouverte d'une attitude religieuse qui s'exprime sous la forme de la conversion à une foi empreinte d'aspects doctrinaux, l'on peut constater le surgissement d'une incertitude vague, d'une instabilité spirituelle, pour tout dire d'une inquiétude religieuse profondément enfouie au plus secret de l'âme contemporaine. Il ne s'agit, dans cette thèse, ni d'éloge ni de condamnation, mais d'un acte cognitif qui cherche à mettre en relief les paramètres d'un sentiment religieux omniprésent, à recenser une série d'attitudes et d'expériences à travers une écriture du réel et un discours social mais aussi un aspect fantastique et une tendance spirituelle et religieuse qui font partie de l'imaginaire de l'auteur. Son œuvre fait ressortir de différentes manières un leitmotiv religieux, une allégorie de portée religieuse et morale de différentes attitudes et expériences de l'être humain à l'égard de Dieu et de la religiosité. La tradition plutôt classique de son écriture, ne dissimule pas une singularité dans la conception ni dans le traitement de ce thème qui est le sentiment religieux.
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ʻAǧǧān-Bū, Ṭrād Bāsimaẗ Gobillot Geneviève. "Le sentiment religieux dans l'oeuvre de Naguib Mahfouz /." Arles : Sindbad-Actes Sud, 2008. http://catalogue.bnf.fr/ark:/12148/cb41279836s.

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Léda, Mansour. "Représentations du discours dans La Trilogie de Naguib Mahfouz." Phd thesis, Université de Nanterre - Paris X, 2010. http://tel.archives-ouvertes.fr/tel-00523991.

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Comment lire La Trilogie du Caire de Naguib Mahfouz ? Au-delà d'une lecture réaliste et comparative, et dépassant le fait proprement traductif, notre recherche est fondée sur une analyse linguistique du texte littéraire, qui vise moins à appliquer des modèles et des schémas qu'à mettre en avant la singularité du corpus. Le discours comme fait linguistique descriptible constitue donc notre objet d'étude. Pourquoi les personnages parlent-ils, et autant ? Quel est l'intérêt de l'acte de parler dans un monde diégétique caractérisé par la prudence de dire, d'autant que les personnages sont représentés comme soumis et obéissants ? Les formes de « discours rapporté » rendent compte d'une construction textuelle du personnage parlant ; le discours direct singularise les personnages, mais il constitue aussi la forme privilégiée d'une parole intérieure et intime. Ainsi, le discours fait place aux personnages jusqu'à l'émergence des formes verbales, exprimant une résistance à l'interlocuteur. Ces différents rapports se localisent dans la réplique ; néanmoins, le narrateur se concentre moins sur un aspect structurel interactionnel de l'échange que sur le rapport des personnages au discours des autres. Le discours représente ainsi une technique mobilisée au service du programme narratif : les personnages de La Trilogie se caractérisent par une obéissance qui se sait, puisque les signes d'une résistance y sont présents.
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Mansour, Léda. "Représentations du discours dans La Trilogie de Naguib Mahfouz." Thesis, Paris 10, 2010. http://www.theses.fr/2010PA100083.

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Comment lire La Trilogie du Caire de Naguib Mahfouz ? Au-delà d’une lecture réaliste et comparative, et dépassant le fait proprement traductif, notre recherche est fondée sur une analyse linguistique du texte littéraire, qui vise moins à appliquer des modèles et des schémas qu’à mettre en avant la singularité du corpus. Le discours comme fait linguistique descriptible constitue donc notre objet d’étude. Pourquoi les personnages parlent-ils, et autant ? Quel est l’intérêt de l’acte de parler dans un monde diégétique caractérisé par la prudence de dire, d’autant que les personnages sont représentés comme soumis et obéissants ?Les formes de « discours rapporté » rendent compte d’une construction textuelle du personnage parlant ; le discours direct singularise les personnages, mais il constitue aussi la forme privilégiée d’une parole intérieure et intime. Ainsi, le discours fait place aux personnages jusqu’à l’émergence des formes verbales, exprimant une résistance à l’interlocuteur. Ces différents rapports se localisent dans la réplique ; néanmoins, le narrateur se concentre moins sur un aspect structurel interactionnel de l’échange que sur le rapport des personnages au discours des autres.Le discours représente ainsi une technique mobilisée au service du programme narratif : les personnages de La Trilogie se caractérisent par une obéissance qui se sait, puisque les signes d’une résistance y sont présents
How should The Cairo Trilogy by Naguib Mahfouz be read?The approach chosen in this study goes beyond a realistic or comparative reading, and departs from strict translation issues.It is based on a linguistic analysis of the literary text, which does not aim primarily at applying models and schemes but rather at pointing out the singularity of the corpus. Speech as a describable linguistic fact therefore constitutes the subject of the study.Why do the characters speak and why do they speak so much? What is the point of the act of speaking in a diegetic world where speech is guarded and where the characters are described as submissive and compliant?The forms of “reported speech” reveal a textual construction of the speaking character ; direct speech individualizes the characters but is also the preferred form used to relate inner and intimate thoughts. Speech thus gives way to the characters, leading to the emergence of verbal forms that express resistance to the interlocutor. These relationships are embodied in the dialogue; nonetheless, the narrator focuses less on the interactional and structural aspect of the exchange than on the relationship of the characters to the speech of others.Speech thus constitutes a technique that serves the narrative programme : the characters of The Trilogy are identified by a conscious submissiveness, as the signs of resistance can be discerned
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Badre, Hagil Hafida. "Awlad haratina recits et codes culturels chez naguib mahfouz." Paris 3, 2000. http://www.theses.fr/2000PA030042.

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Grace a son imagination debridee et sa pensee extravagante. Naguib mahfouz a su exploiter les traditions religieuses populaires et litteraires pour en faire le point de depart de deviances systematiques et nous produire un chef-d'oeuvre nomme a awlad haratina. C'est a ce roman que nous avons consacre cette etude. Notre these presente donc une analyse globale de la structure interne des cinq recits qui composent awlad haratina. C'est un travail qui privilegie certains mecanismes du recit qui jouent le role de principes unificateurs de noyaux d'agregation-organisation des textes dont ils presentent par consequent la charpente narrative. Cette etude s'interesse aussi au temps, mais de deux facons differentes : la premiere, basee sur l'ecoulement irreversible des evenements, l'autre preferantcommencer par la confrontation de plusieurs textes du roman dans le but d'emanciper l'ecriture mahfuzienne en y decelant une thematique recurrente relative au temps diurne ou nocturne.
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Choumar, Amal. "En arabisk nobelpristagare på svenska:Tre svenska översättningar av Naguib Mahfouz." Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-388783.

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Morsy, Ibrahim. "La famille dans les romans de Naguib Mahfouz et Hervé Bazin." Paris 3, 2005. http://www.theses.fr/2005PA030089.

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Dans cette ambiance contemporaine de peur pour l'avenir et d'instabilité économique et même culturelle, pour la majorité des Français et des Egyptiens, la famille est considérée comme un refuge sûr devant les problèmes qui se posent à l'homme à l'époque moderne. Elle vient en tête des grandes valeurs que Français et Egyptiens respectent énormément. C'est dans la famille que s'apprend le respect de l'autre et que se construisent les premières expériences et les premiers apprentissages. C'est là que se transmettent les valeurs, que s'éveillent et s'éduquent la créativité, la soif de savoir. Bien que Naguib Mahfouz et Hervé Bazin appartiennent à deux cultures différentes, les problèmes de la famille qu'ils traitent restent souvent les mêmes : problèmes des rapports entre parents-enfants, succès et difficultés du couple, place et rôle de la femme, sexualité, religion, mariage, divorce, solidarité familiale, préjugés, tabous. . . Etc. Naguib Mahfouz et Hervé Bazin font partie des meilleurs écrivains qui savent exprimer à la perfection les espoirs, les ambitions de leurs sociétés. Ils ont admirablement réussi à décrire la vie familiale et l'évolution des mœurs au sein de la famille égyptienne et française et à suivre cette vie familiale dans ses joies, ses deuils, ses difficultés ainsi que les événements politiques qui ont transformé tous les aspects de la vie en Egypte et en France. Dans leurs romans, Naguib Mahfouz et Hervé Bazin excellent à présenter une peinture réaliste de la vie quotidienne dans les quartiers populaires du Caire et dans l'ouest de la France. Cette étude a pour objectif de suivre, à la fois, l'évolution des deux écrivains et l'évolution sociale et familiale dans les sociétés française et égyptienne dès la Grande Guerre jusque dans les années quatre-vingts
Nowadays in an unstable period for economy and culture, the family is seen as a mean of security for French and Egyptian people. It is the most important value that everybody admits. In our family indeed we learn how to respect each other, we have our first lessons, we receive a moral in heritage from our parents and education. Thought Naguib Mahfouz and Hervé Bazin are issued from different cultures, they often talk about the same problems concerning the family: the relations between parents and children, the difficulty in the couple, the place and the part of the woman, sexuality, religion, marriage, divorce, solidarity, prejudices, taboos, etc. . . Naguib Mahfouz and Hervé Bazin are among the best writers, who express perfectly the hopes and the ambitions of their peoples. They marvelously well describe the life of families, and the evolution of the habits and customs inside the same family, painting its days of joy, of sadness and its difficulties through political events, which brought changes in the way of living in Egypt and in France. Naguib Mahfouz and Hervé Bazin both excel in giving a realistic picture of every day life in the popular places or boroughs of Cairo or of west of France. The purpose of this study is to follow the evolution of these tow novelists and also the changes of the family and society in France and in Egypt from the beginning of he Great War to the eighties
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Bahrawi, Nazry. "Sacred impulses, sacrilegious worlds : postsecular intimations in Graham Greene and Naguib Mahfouz." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/57423/.

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Inspired by Charles Taylor’s A Secular Age (2007), this thesis reconsiders ‘the secular’ from within the discipline of literature and theology, employing comparative literature as a methodology. Focusing on the writings of two modern authors of religious doubt, Graham Greene and Naguib Mahfouz, I argue that the secular as an ontological category is from its inception post secular. In the first theoretical part of this thesis, I explore religious utopianism, and argue against the notion that utopianism is a uniquely ‘Western’ concept by outlining its prevalence in non Western societies. Then, I theorise modern intimations of the secular as four dichotomies: faith/reason, this worldliness/otherworldliness, personal/communal and freewill/determinism. In doing so,I draw parallels between ideas of the secular from Western philosophers such as Immanuel Kant and Friedrich Nietzsche and classical Islamic thinkers like Ibn Sina and al-Farabi. Drawing from the concepts of ‘religious utopianism’ and ‘secular dichotomies’, I develop a comparative literary lens known as utopian theologics to explore secular narratives in the selected works of Greene and Mahfouz. The second part of this thesis applies utopian theologics, by first historicising the secular from the socio-political and biographical spheres of the two writers to map out their ‘lifeworlds’ in the Habermasian sense of the word. More elaborately, I embark on a close reading analysis of the selected works according to the dichotomies identified to explore the way their conventional hierarchical orders have been reversed, or rendered irrelevant by hybridisation. Finally, I conclude that the secular disposition, as intimated in the novels, falls apart when its polemics are investigated, though its sense of lasting realness in the modern world is fuelled by perceptions of religion’s seeming antithesis to the idea of human agency. The postsecular narratives that govern the selected works also suggest that humanity has an inclination for ‘sacred impulses’ despite the advent of ‘sacrilegious worlds’.
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Books on the topic "Naguib Mahfouz"

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El-Enany, Rasheed. Naguib Mahfouz. London: Taylor & Francis Group Plc, 2004.

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Mahfouz, Naguib. The essential Naguib Mahfouz. Cairo: American University in Cairo Press, 2010.

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Naguib Mahfouz: Egypt's Nobel Laureate. London: Haus Pub., 2007.

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Mahfouz, Naguib. The Naguib Mahfouz centennial library. Cairo: American University in Cairo Press, 2011.

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Mahfouz, Naguib. Naguib Mahfouz, one-act plays. [Cairo]: General Egyptian Book Organization, 1989.

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Va, Britta Le. The Cairo of Naguib Mahfouz. Cairo, Egypt: American University in Cairo Press, 1999.

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author, Ghīṭānī Jamāl, ed. The Cairo of Naguib Mahfouz. Cairo: The American University in Cairo Press, 2012.

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Gassick, Trevor Le. Critical perspectives on Naguib Mahfouz. Washington, D.C: Three Continents Press, 1991.

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Mneimneh, Rima A. M. Naguib Mahfouz: Son of two civilizations. [S.l.]: al-Munna Distribution, 2004.

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El-Enany, Rasheed. Naguib Mahfouz: The pursuit of meaning. London: Routledge, 1993.

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Book chapters on the topic "Naguib Mahfouz"

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cooke, miriam. "Mahfouz, Naguib (1911–2006)." In Encyclopedia of African Religions and Philosophy, 415–16. Dordrecht: Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-2068-5_227.

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Ismat, Riad. "Naguib Mahfouz: Symbolism Versus Realism." In Artists, Writers and The Arab Spring, 19–30. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-02668-4_2.

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Sazzad, Rehnuma. "Naguib Mahfouz’s Cairo Trilogy." In Islam and Postcolonial Discourse, 51–65. New York: Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315589923-4.

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Hindman, Jessica Chiccehitto. "A Gun and a Book: Teaching Naguib Mahfouz’s The Thief and the Dogs in a Time of Revolution and Occupation." In Critical Pedagogy and Global Literature, 181–88. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137319760_12.

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"Naguib Mahfouz:." In Committed to Disillusion, 63–112. The American University in Cairo Press, 2016. http://dx.doi.org/10.2307/j.ctv2ks71c6.8.

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"FRAGMENTS OF TIME: THE EPISODIC NOVELS." In Naguib Mahfouz, 144–90. Routledge, 2003. http://dx.doi.org/10.4324/9780203416808-7.

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"PAINS OF REBIRTH: THE CONFLICT BETWEEN PAST AND PRESENT 47 51." In Naguib Mahfouz, 63–85. Routledge, 2003. http://dx.doi.org/10.4324/9780203416808-4.

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"TIME AND THE MAN: FOUR EGYPTIAN SAGAS." In Naguib Mahfouz, 86–114. Routledge, 2003. http://dx.doi.org/10.4324/9780203416808-5.

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"LOOKING BACKWARD TO THE PRESENT: THE HISTORICAL NOVELS." In Naguib Mahfouz, 51–62. Routledge, 2003. http://dx.doi.org/10.4324/9780203416808-3.

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"THE WRITER AND HIS WORLD." In Naguib Mahfouz, 17–50. Routledge, 2003. http://dx.doi.org/10.4324/9780203416808-2.

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Conference papers on the topic "Naguib Mahfouz"

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Farouq Abdeen, Layla. "Examining Postmodernism in Günter Grass’s Crabwalk and Naguib Mahfouz’s Miramar." In 2nd International Conference on Research in Humanities. Acavent, 2019. http://dx.doi.org/10.33422/2nd.icrh.2019.11.758.

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"Tragedy and the Tragic: A Study of Ernst Hemingway’s A Farewell to Arms and Naguib Mahfouz’s The Beginning and the End." In CABES-2017, DMCCIA-2017, FEBM-17, BDCMTE-17, LLHIS-17 and BMLE-17. Dignified Researchers Publication (DiRPUB), 2018. http://dx.doi.org/10.15242/dirpub.hdir1217026.

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You might also be interested in the extended bibliographies on the topic 'Naguib Mahfouz' for particular source types:
Journal articles Dissertations / Theses Books
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