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1

Gamal, Muhammad Y. "Subtitling Naguib Mahfouz." Translation and Translanguaging in Multilingual Contexts 1, no. 2 (2015): 182–201. http://dx.doi.org/10.1075/ttmc.1.2.03gam.

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Naguib Mahfouz, Egypt’s literary icon, wrote a large number of novels that were turned into films. As the DVD industry in Egypt enters its second decade, the number of these films appearing on DVD and subtitled into English is also increasing. Despite this trend, academic institutions in Egypt, and elsewhere in the Arab world, remain largely oblivious to the new specialization of audiovisual translation. So far, academic research into audiovisual translation, particularly subtitling Arabic-language films into English, has been minuscule. This paper examines the complex task of subtitling one o
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2

Shuhong, Ding. "الصورة الأدبية لنجيب محفوظ في الصين / Naguib Mahfouz’s Literary Image in China". Chinese and Arab Studies 2, № 1 (2022): 31–39. http://dx.doi.org/10.1515/caas-2022-2003.

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Abstract Adopting a translation criticism approach of descriptive analysis, the thesis, from a cross-cultural perspective, combs through the development about translation, introduction and the acceptance of Naguib Mahfouz by the Chinese before and after he won the Nobel Prize in Literature. After a synchronic and diachronic study of the attitudes and ways of acceptance for Mahfouz during different periods, the thesis unravels the process in which Mahfouz’s literary image has developed from a simple “teller of social problems” to a sophisticated “writer of the world.” Besides, the thesis explor
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3

J.R, Seytmetova, and Nadirova G.E. "Naguib Mahfouz and Cinema." Journal of Oriental Studies 77, no. 2 (2016): 288–94. http://dx.doi.org/10.26577/jos-2016-2-787.

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4

Allen, R. "Naguib Mahfouz: Nobel Laureate." Public Culture 1, no. 2 (1989): 91–92. http://dx.doi.org/10.1215/08992363-1-2-91.

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Naem, Ali Dakhil, and Lajiman Bin Janoory. "The Cairo Trilogy: An Existential Reading in Three Generations of this Novel." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 3, no. 1 (2020): 1–10. http://dx.doi.org/10.33258/birle.v3i1.747.

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The researcher in this paper elaborates the writings of Naguib Mahfouz from an existential perspective in Cairo Trilogy. Mahfouz concludes that western scholars and politicians conceal the realities of daily life in Egypt, which Mahfouz reveals. In Mahfouz’s Cairo Trilogy, one can find an openness and acceptance in Egyptian society for other faiths and cultures. The researcher will illustrate how there is an important acceptance of internal existential and religious struggles amongst individuals in the society during this novel. The researcher focuses on the character and the inner psychologic
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6

Al-Ghammaz, Saif Al-Deen, Asad Al-Ghalith, Musa Alzghoul, Hamzeh Alassaf, Tahani AbuJreiban, and Fatima AbuRass. "Description as a Fiction-Writing Mode Between Charles Dickens’s David Copperfield and Naguib Mahfouz’s Midaq Alley: A Comparative Study." Theory and Practice in Language Studies 14, no. 10 (2024): 3155–63. http://dx.doi.org/10.17507/tpls.1410.18.

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Comparative literature expounds on the areas of convergence in literature and reproduces the cultural similarities between East and West, demonstrating its results in guiding literary and intellectual renewal movements. Arabic literature takes advantage of the works of literature of other nations and is always keen to develop and enrich its awareness and culture. As the novel is a celebrated genre used in the comparative literature area, the Egyptian novelist Naguib Mahfouz, well-known as the Dickens of Egypt, is one of the key poles of the international Arab novel. Mahfouz's novels and short
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7

Wulandari, Betty Ayunda, and Misbahus Surur. "Practice of Naturalism in Naguib Mahfouz’s Midaq Alley." Poetika 12, no. 2 (2024): 99. http://dx.doi.org/10.22146/poetika.v12i2.86902.

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Naturalism novels portray the reality of life in a sharper and more decisive way than realism novels. Naturalism takes the place of building a narrative, like shooting a photographic reality by zooming in. Narrative naturalism normally provides a sharp depiction of reality without idealization. This study identified the description of reality through elements of naturalism in the novel Midaq Alley by Naguib Mahfouz. This study deployed Emile Zola’s naturalism theory with a qualitative descriptive approach. The primary data source was the novel Midaq Alley by Naguib Mahfouz, supported by second
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8

Haleem, M. A. S. Abdel. "The Qur'an in the Novels of Naguib Mahfouz (in Arabic)." Journal of Qur'anic Studies 16, no. 3 (2014): 126–04. http://dx.doi.org/10.3366/jqs.2014.0168.

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With a rich, productive career spanning over 60 years, culminating in the award of the Nobel Prize for Literature in 1988, Naguib Mahfouz's literary works have naturally attracted numerous studies and critiques. These studies have covered a great many aspects of Mahfouz's creative writing, but, perhaps because of the secular, modern education Mahfouz received (both at school and in the Department of Philosophy in Cairo University), and his personal lifestyle, they have concentrated on the socialist, materialist, and structural aspects of his work. Perhaps because of this, one important aspect
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9

Maynard Hutchins, William. "The Cairo of Naguib Mahfouz." European Legacy 20, no. 2 (2014): 188–89. http://dx.doi.org/10.1080/10848770.2014.990267.

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10

Peters, Issa, and Trevor Le Gassick. "Critical Perspectives on Naguib Mahfouz." World Literature Today 66, no. 2 (1992): 395. http://dx.doi.org/10.2307/40148322.

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11

Barrada, Muhammad. "Une rencontre avec Naguib Mahfouz." Revue d'études palestiniennes N° 31, no. 2 (1989): 69–80. https://doi.org/10.3917/repa.031.0069.

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12

Sutanto, Dian Natalia, Melania Prischa Mendorofa, and Teti Apriyanti. "The Pursuit of Existential Meaning and Social Justice in Naguib Mahfouz�s Three Short Stories: �Zaabalawi�, �A Day for Saying Goodbye�, and �The Answer is No�." Indonesian Journal of English Language Studies (IJELS) 3, no. 2 (2018): 68–78. http://dx.doi.org/10.24071/ijels.v3i2.1066.

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Mahfouzs literary fame is mainly based on his novels which become the main source for the critics to understand his whole literary visions. Mahfouzs short stories, on the other hand, are considered secondarily valuable by the critics as the remainder of the ideas from his novels. This paper proposes that Mahfouzs short stories are as important as his novels in a sense that they highlights or magnify particular aspects of Mahfouzs visions. From the analysis of three Mahfouzs short stories entitled Zaabalawi, A Day for Saying Goodbye, and The Answer is No, some of his essential themes and litera
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13

Bamia, Aida A., and Matti Moosa. "The Early Novels of Naguib Mahfouz." South Atlantic Review 61, no. 4 (1996): 117. http://dx.doi.org/10.2307/3201173.

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14

Salti, Ramzi M., and Rasheed El-Enany. "Naguib Mahfouz: The Pursuit of Meaning." World Literature Today 68, no. 2 (1994): 419. http://dx.doi.org/10.2307/40150318.

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15

Smith, Charles D., and Rasheed El-Enany. "Naguib Mahfouz: The Pursuit of Meaning." International Journal of African Historical Studies 27, no. 3 (1994): 684. http://dx.doi.org/10.2307/220792.

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16

Elsaadany, Kamel Abdelbadie. "A sociopragmatic account of religiosity and secularity in fictional narratives." Pragmatics and Society 13, no. 1 (2022): 45–66. http://dx.doi.org/10.1075/ps.19070.els.

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Abstract This paper investigates the religiosity/secularity dichotomy in Naguib Mahfouz’s novels, which is shaped by cultural narratives that convey his ideas. It analyzes a defined corpus of Mahfouz’s narratives that articulate his notions of religiosity/secularity. Through an interdisciplinary methodology combining the application of pragmatics, interactional sociolinguistics, and contextual analysis, it aims to determine Mahfouz’s potentiality for perceiving and narrativizing religiosity and secularity in twentieth-century Egypt. It discusses how Mahfouz adopts sociopragmatic techniques to
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17

Takieddine-Amyuni, Mona. "Images of Arab Women in Midaq Alley by Naguib Mahfouz, and Season of Migration to the North by Tayeb Salih." International Journal of Middle East Studies 17, no. 1 (1985): 25–36. http://dx.doi.org/10.1017/s0020743800028749.

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Naguib Mahfouz's realistic treatment of his subject matter in Midaq Alley (Cairo, 1947) stands in sharp contrast to the symbolic mode of Tayeb Salih in Season of Migration to the North (Beirut, 1966). The style of Mahfouz here is simple, clear, and direct. His characters are common people who belong to the lower strata of life in Cairo and, more specifically, in the “Midaq Alley” of Cairo, this dark enclosed street which literally grinds down its inhabitants (as its Arabic name suggests), then carries on, indifferent to their plight.
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18

Moosa, Matti, and Ragai N. Makar. "Naguib Mahfouz, a Bibliography: Arabic, English, French." Journal of the American Oriental Society 112, no. 3 (1992): 544. http://dx.doi.org/10.2307/603134.

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19

El‐Enany, R. "Religion in the novels of Naguib Mahfouz." British Society for Middle Eastern Studies. Bulletin 15, no. 1-2 (1988): 21–27. http://dx.doi.org/10.1080/13530198808705470.

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20

Sa’adah, Sufi Ikrima. "Gaung Masa Lalu dalam Novel Rifa’at Sang Penebus Karya Najib Mahfuz." JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) 5, no. 2 (2021): 170–83. http://dx.doi.org/10.15642/jilsa.2021.5.2.170-183.

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Modern Arabic literature owns its development to the works of Naguib Mahfouz during the five decades of his writing career. Mahfouz brings together various ancient Egyptian tales and prophetic stories into 1950s Egypt. The story that Mahfouz builds in his novels echoes the author's childhood story as well as various other stories. This article aims to explore to what extends the novel echoes the prophetic stories as well as the author’s childhood experiences. The researcher employs intextuality to meet the objective of this study. The findings reveal that Mahfouz adopt and paraphrase various e
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21

Alandira, Palendika, Fadlil Yani Ainusyamsi, and Rohanda Rohanda. "FEMINIST LITERARY CRITIQUE OF WOMEN’S REPRESENTATION IN NAGUIB MAHFOUZ’S LAYALI ALF LAYLAH." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 8, no. 2 (2024): 737–54. https://doi.org/10.30743/ll.v8i2.10288.

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This research examines the portrayal of women in Arabian Nights and Days by Naguib Mahfouz through the lens of feminist literary criticism, focusing on the character of Dunyazad. The analysis explores her physical, psychological, and social dimensions, emphasizing how these aspects reflect broader societal perceptions and treatment of women. Employing a qualitative approach, the research utilizes feminist theory to uncover the depiction of Dunyazad and her interactions within the social context of the novel, which mirrors the condition of women in the Arab world. The formal object of this stud
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22

Sazzad, Rehnuma. "‘Life Would be a Meaningless Game and a Bad Joke’ Without Freedom: Naguib Mahfouz as an Oppositional Writer." Middle East Journal of Culture and Communication 6, no. 2 (2013): 194–212. http://dx.doi.org/10.1163/18739865-00602002.

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Mahfouz is generally known as a master ‘storyteller’ of Cairo. However, he can also be read as a great resistance writer, if we depend on Edward Said’s idea of the oppositional intellectual as a humanist writer who uncompromisingly unmasks the workings of power in society. I argue that a remarkable humanism works at the heart of Mahfouz’s adversarial project by reading The Cairo Trilogy as a counter-hegemonic piece, rather than only as a familial tale that mirrors early twentieth-century Egypt. Since Mahfouz remains obsessed with the presence of power in human life, his central struggle is to
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23

Kadhim, Dhahawi Abbass. "Fitzgerald and Mahfouz's Lower Class and the New Woman." International Journal of Social Science and Human Research 08, no. 02 (2025): 778–83. https://doi.org/10.5281/zenodo.14790559.

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In "Lower Class Women in Middaq Alley," Naguib Mahfouz examines the hardships and lives of underprivileged women in a Cairo working-class community. Mahfouz draws attention to the social, economic, and cultural obstacles these women encounter with her rich storytelling and evocative characterizations. The story explores issues of poverty, resilience, and gender inequity, demonstrating how social norms influence their identities and goals. By sharing their experiences, Mahfouz highlights the resilience and self-determination of these women, shedding light on their fight for respect and independ
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24

Ismail, Mohamed Hossam. "The representations of journalists in Naguib Mahfouz’s novellas: How are they reflected in today’s journalism in Egypt?" Journal of Arab & Muslim Media Research 16, no. 2 (2023): 223–43. http://dx.doi.org/10.1386/jammr_00064_1.

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This interdisciplinary study explores representations of journalists linking literary criticism with media cultural studies. The researcher examines works from the sixties by Nobel laureate writer and novelist Naguib Mahfouz. While the article concentrates on Mahfouz’s works dealing with journalism, it presents a qualitative analysis of three novellas of his from the sixties: The Thief and the Dogs, The Beggar and A Drift on the Nile. In these works, Mahfouz presents cogent and well-founded arguments on the image of the Egyptian journalists, which manifest itself until now. The article argues
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25

Dr., Md. Jakaria Habib. "Reflections of Women in Naguib Mahfouz's Midaq Alley (1947) and The Cairo Trilogy(1956)." Literary Druid Volume 4, Issue 4 (2022): 11–18. https://doi.org/10.5281/zenodo.7299190.

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<em>Naguib Mahfouz was the first Arabic writer to win the Nobel Prize in literature, which he received in 1988. Mahfouz frequently has presented people from the middle class of Egyptian society, and their plights serve as symbols of Egypt&rsquo;s larger social landscape. His influence is felt all over the world, and his works as diverse as pharaonic fiction and postmodern satirical commentary. Mahfouz is among the few great Arabian novelists who have managed to both adapt Western themes and create original Eastern ones. His novels are a fascinating arabesque of deception, love, social injustic
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Ashiq, Javed, Dr Iesar Ahmed, and Haroon Sarfraz. "Magic Realism and the Power of Supernaturalism: A Study of Selected Short Stories in Arabian Days and Nights." Journal of Asian Development Studies 13, no. 4 (2024): 318–25. https://doi.org/10.62345/jads.2024.13.4.26.

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This study explores the application of magic realism and supernaturalism in Naguib Mahfouz's selected short stories from Arabian Nights and Days. It examines how Mahfouz skillfully integrates fantastical elements with ordinary realities to address socio-political challenges and delve into existential and moral questions. By focusing on stories such as “the angel of death,” “the slave and the sorcerer,” and "The Revenge of the Ifrit," the research highlights how supernatural entities like angels, sorcerers, and ifrits function as allegorical tools to critique power structures, corruption, and m
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27

McDonald, John. "Joyce and Mahfouz: Fragmentation and the Feminine." International Journal of Arabic-English Studies 8, no. 1 (2007): 49–56. http://dx.doi.org/10.33806/ijaes2000.8.1.4.

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James Joyce once wrote to a friend, “In the particular is contained the universal.” My paper is a cross-cultural thematic analysis of the short stories “Eveline,” by Joyce, and “The Answer is No” by Naguib Mahfouz. The stories, set in Dublin and Cairo, feature female protagonists who are faced with individual decisions which conflict with their sense of gender-duty, tradition, and family..
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YAGI, Kumiko. "A Study on ‘Historical Works’ of Naguib Mahfouz." Bulletin of the Society for Near Eastern Studies in Japan 37, no. 2 (1994): 142–56. http://dx.doi.org/10.5356/jorient.37.2_142.

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Elsheemi, Ahmad A. "Dramatic Silence in the Plays of Naguib Mahfouz." مجلة وادي النيل للدراسات والبحوث الإنسانية والاجتماعية والتربويه 43, no. 43 (2024): 1–30. http://dx.doi.org/10.21608/jwadi.2024.371760.

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30

Boullata, Issa J., Michael Beard, and Adnan Haydar. "Naguib Mahfouz: From Regional Fame to Global Recognition." World Literature Today 68, no. 2 (1994): 420. http://dx.doi.org/10.2307/40150319.

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31

Moussa‐Mahmoud, Fatma. "Depth of vision: The fiction of Naguib Mahfouz." Third World Quarterly 11, no. 2 (1989): 154–66. http://dx.doi.org/10.1080/01436598908420163.

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32

Dr, Abdul Latif Ansary. "Controversial View on the Nobel of Naguib Mahfouz." European Journal of Advances in Engineering and Technology 9, no. 12 (2022): 115–17. https://doi.org/10.5281/zenodo.10647196.

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<strong>ABSTRACT</strong> The allegorical story by the renowned Arab author Naguib Mahfouz was first serialized in a Cairo newspaper about 40 years ago. It caused a theological discussion over whether it constituted blasphemy, resulted in the book being banned, and was the subject of an attempted Nobel Prize. Passeggiata Press has released a new version of Philip Stewart's novel "Children of Gebelawi" in the English language. A low-key academic book with an English translation was first released by Passeggiata in 1981. The 1997 Extended Edition was revised in light of fresh information on lost
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Caleb, De Noumedem Peter, and Kelvin Ngong Toh. "Nation-State Violence and the Practice of Freedom in Naguib Mahfouz's Karnak Café." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies Volume VIII, Issue 2 (June 30, 2023): 34–66. https://doi.org/10.5281/zenodo.8171008.

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More than ever before, the African continent is entangled in vicious cycles of violence that jeopardise its political, socio-economic and cultural welfare. Using Egypt as case study, this paper analyses the dynamics of this violence. Spurred by a keen interest to investigate both the operation of violence in post-independence Egypt and the strategies that can curb its perpetration continent-wise, this article poses the fundamental problem of how violence can be neutralised in post-independence nations. We build upon the premise that Naguib Mahfouz&rsquo;s Karnak Caf&eacute; allegorically repre
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Francis-Saad, Marie. "Naguib Mahfouz. Du fils du pays à l'homme universel." Revue du monde musulman et de la Méditerranée 59, no. 1 (1991): 241–52. http://dx.doi.org/10.3406/remmm.1991.2682.

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35

ASUTAY, Muhammet Mücahit. "Turkish Figure in The Short Stories of Naguib Mahfouz." Journal of Analytic Divinity 5, no. 2 (2021): 123–33. http://dx.doi.org/10.46595/jad.932923.

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36

Morsy, Haithm Zinhom. "Textual Allusions in the Cairo Trilogy of Naguib Mahfouz." Anafora 11, no. 2 (2025): 257–75. https://doi.org/10.29162/anafora.v11i2.4.

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The issue of intertextuality is discussed M. Bakhtin’s work, particularly in Problems of Dostoevsky’s Poetics and The Dialogic Imagination. Bakhtin claimed that “the functional text is a hybrid entity, not a single whole; it is a composite amalgamation of a variety of formulae” (76). The theory of intertextuality attained various dimensions and wider interfaces in the works of poststructuralist theorists such as Roland Barthes and Julia Kristeva. These scholars viewed texts as networks of other texts stating that a writer’s strength lies in the ability to blend existing writings and emulate pr
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37

Geer, Benjamin. "PROPHETS AND PRIESTS OF THE NATION: NAGUIB MAHFOUZ'S KARNAK CAFÉ AND THE 1967 CRISIS IN EGYPT." International Journal of Middle East Studies 41, no. 4 (2009): 669a. http://dx.doi.org/10.1017/s0020743809990432.

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Similarities between religion and nationalism are well known but not well understood. They can be explained by drawing on Pierre Bourdieu's sociological theory in order to consider symbolic interests and the strategies employed to advance them. In both religion and nationalism, the “strategy of the prophets” relies on charisma while the “strategy of the priests” relies on cultural capital. In 20th-century Egypt, nationalism permitted intellectuals whose cultural capital was mainly secular, such as Naguib Mahfouz, to become “priests of the nation” in order to compete with the ʿulamaʾ for presti
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Hezam, Abdulrahman Mokbel Mahyoub. "Corruption, Poverty and Immorality: An Analytical Study of New Cairo and Middaq Alley." مجلة العلوم التربوية و الدراسات الإنسانية 5, no. 12 (2020): 461–75. http://dx.doi.org/10.55074/hesj.v5i12.179.

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This research paper aims at giving a realistic image of the exploitation and suffering of the low middle class in the realistic novels of Naguib Mahfouz Al-Qahira al-Jadida (New Cairo, 1945) and Zudaq al-Midaq (Midaq Alley, 1947). The two novels within their multipart of thematic formation and methodology invite huge possibilities of insights and investigations. Mahfouz focuses attention on the triple threats facing Egypt at that time, poverty, corruption, and unemployment. The study tries to show how Mahfouz argues through these novels that the existence of poverty and corruption in a society
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Naem, Ali Dakhil, and Dr Lajiman Bin Janoory. "Modern Man's Predicament in the Selected Novels by Naguib Mahfouz." International Journal of English Literature and Social Sciences 4, no. 5 (2019): 1530–40. http://dx.doi.org/10.22161/ijels.45.42.

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40

Najjar, Fauzi M. "Islamic fundamentalism and the intellectuals: the case of Naguib Mahfouz." British Journal of Middle Eastern Studies 25, no. 1 (1998): 139–68. http://dx.doi.org/10.1080/13530199808705658.

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41

Amireh, Amal, and Matti Moosa. "The Early Novels of Naguib Mahfouz: Images of Modern Egypt." World Literature Today 69, no. 3 (1995): 638. http://dx.doi.org/10.2307/40151562.

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42

Zakarya Aldukhayil. "Transformative Intellectual Journeys: Confronting Colonial Logic in Children of the Alley." International Journal of Linguistics, Literature and Translation 8, no. 4 (2025): 43–54. https://doi.org/10.32996/ijllt.2025.8.4.6.

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Naguib Mahfouz’s Children of the Alley (1959) has been extensively studied, often as a critique of religion. However, this analysis argues that its enduring relevance lies in its exploration of power, oppression, and intellectual resistance—issues that remain urgent in contemporary discourse. Rather than reinforcing colonial binaries of self/other, Mahfouz exposes how such divisions sustain hierarchies of gender, race, and class. This study offers a fresh perspective by examining Gabal as a prototypical organic intellectual (as defined by Antonio Gramsci) who challenges these structures. By ap
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Mohd Azizul Rahman bin Zabidin, Ebrahim Mohammad Ahmad Eldesoky, Ummu-Hani Abas та Abdul Ghani bin Md Din. "ظاهرة التناص مع القرآن والحديث في رواية "القاهرة الجديدة" لنجيب محفوظ: دراسة وصفية تحليلية". Maʿālim al-Qurʾān wa al-Sunnah 20, № 1 (2024): 107–26. http://dx.doi.org/10.33102/jmqs.v20i1.470.

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The concept of religious intertextuality involves integrating selected religious texts, whether from the Holy Quran or the noble Prophetic Hadith, into the original text of a novel. These texts are carefully chosen to harmonise with the narrative context and serve a cognitive or artistic purpose. It is undeniable that the Holy Quran and the Prophetic Hadith are among the most significant sources from which both ancient and contemporary novelists have drawn inspiration, prominently featuring them in their creative works. Consequently, this research aims to investigate the phenomenon of religiou
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44

Judy, R. AT. "Some Thoughts on Naguib Mahfouz in the Spirit of Secular Criticism." boundary 2 34, no. 2 (2007): 21–54. http://dx.doi.org/10.1215/01903659-2007-002.

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45

Cruz Barros, Nicolás. "Hacer justicia a través de la memoria: Akhenatón de Naguib Mahfouz." El Hilo de la Fabula, no. 11 (February 18, 2011): 183–96. http://dx.doi.org/10.14409/hf.v1i11.1976.

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46

Aboul-Ela, Hosam. "The Writer Becomes Text: Naguib Mahfouz and State Nationalism in Egypt." Biography 27, no. 2 (2004): 339–56. http://dx.doi.org/10.1353/bio.2004.0042.

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47

Geer, Benjamin. "PROPHETS AND PRIESTS OF THE NATION: NAGUIB MAHFOUZ'SKARNAK CAFÉAND THE 1967 CRISIS IN EGYPT." International Journal of Middle East Studies 41, no. 4 (2009): 653–69. http://dx.doi.org/10.1017/s0020743809990110.

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This quote from a character in the 1974 novelAl-Karnak(Karnak Café) by Nobel laureate Naguib Mahfouz (1911–2006) sums up the reaction of millions of people in Egypt and the Arab world to the June 1967 Arab–Israeli war. Why did this war shatter their worldviews? A military defeat may occur for purely military reasons, in this case the better preparation of Israeli troops. Why should it cast doubt on a whole way of life? The answer to this question lies in the social and cognitive structure of nationalism, which I examine in a moment of crisis, after the 1967 war, when it became necessary for na
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48

Abdelwahab, Mona A. "De-commemoration of an urban street in Egypt: the case of Gameat-Aldowel-Alarabyia street." Archnet-IJAR: International Journal of Architectural Research 13, no. 2 (2019): 459–74. http://dx.doi.org/10.1108/arch-02-2019-0042.

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PurposeThe purpose of this paper is to explore the “event” of the construction of Naguib Mahfouz Square. Drawing on the memory of Gamaet-Aldowel-AlArabyia Street, it attempts to uncover the socio-cultural structures inherited in the Egyptian urban street.Design/methodology/approachThis study adopts Foucauldian discourse on institutions of “knowledge and authority” to approach the power relations between the actors involved. This discourse was constructed through in-depth, unstructured interviews with architects and involved government personnel as well as other archival resources that included
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49

Gadalla, Hassan A. H. "Arabic Imperfect Verbs in Translation: A Corpus Study of English Renderings." Meta 51, no. 1 (2006): 51–71. http://dx.doi.org/10.7202/012993ar.

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Abstract This paper proposes a model for translating Standard Arabic imperfect verbs into English based on their contextual references. It starts with a brief introduction to tense and aspect in English and Arabic. Then, it shows the study aim and technique. After that, it provides an analysis of the study results by discussing the various translations of Arabic imperfect verbs in the translations of two novels written by Naguib Mahfouz. The study compares the translations with the original texts to highlight the different English renderings of the Arabic imperfect verbs.
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50

Abdel-Hafiz, Ahmed-Sokarno. "Pragmatic and Linguistic Problems in the Translation of Naguib Mahfouz’s The Thief and the Dogs." Babel. Revue internationale de la traduction / International Journal of Translation 49, no. 3 (2003): 229–52. http://dx.doi.org/10.1075/babel.49.3.04abd.

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This paper examines the pragmatic and linguistic problems that come into play in the English translation of one of Naguib Mahfouz’s most famous novels The Thief and the Dogs (more than 20 editions in 10 languages). This novel, which was written in 1961, was translated into English in 1984 by Trevor Le Gassick and M.M Badawi. The paper presents evidence that the translators failed to appreciate the importance of context in determining the meaning of the Source Language Text. The paper also shows that the translators sometimes ignored such pragmatic concepts and principles as speech acts, the ma
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