Relevant bibliographies by topics / Nakagami Kenji

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Nakagami Kenji'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Nakagami Kenji"

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TOMOTSUNE, Tsutomu. "Nakagami Kenji and the Buraku issue in postwar Japan." Inter-Asia Cultural Studies 4, no. 2 (January 2003): 220–31. http://dx.doi.org/10.1080/1464937032000112962.

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Tansman, Alan. "History, Repetition, and Freedom in the Narratives of Nakagami Kenji." Journal of Japanese Studies 24, no. 2 (1998): 257. http://dx.doi.org/10.2307/133235.

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Zimmerman, Eve. "Paradox and Representation: Silenced Voices in the Narratives of Nakagami Kenji by Machiko Ishikawa." Journal of Japanese Studies 48, no. 2 (June 2022): 411–15. http://dx.doi.org/10.1353/jjs.2022.0042.

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Lévy, Jacques. "La dépossession de l'intime et l'enjeu autobiographique du récit. Les derniers romans de Nakagami Kenji." Ebisu 16, no. 1 (1997): 121–34. http://dx.doi.org/10.3406/ebisu.1997.977.

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Rachel DiNitto. "Out of the Alleyway: Nakagami Kenji and the Poetics of Outcaste Fiction (review)." Journal of Japanese Studies 35, no. 2 (2009): 386–89. http://dx.doi.org/10.1353/jjs.0.0093.

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Michael K. Bourdaghs. "Out of the Alleyway: Nakagami Kenji and the Poetics of Outcaste Fiction (review)." Monumenta Nipponica 63, no. 2 (2008): 442–45. http://dx.doi.org/10.1353/mni.0.0036.

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Monnet, Livia. "Ghostly women, displaced femininities and male family romances: Violence, gender and sexuality in two texts by Nakagami Kenji: Part 1." Japan Forum 8, no. 1 (April 1996): 13–34. http://dx.doi.org/10.1080/09555809608721555.

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Monnet, Livia. "Ghostly women, displaced femininities and male family romances: The politics of violence, gender and sexuality in two texts by Nakagami Kenji: Part 2." Japan Forum 8, no. 2 (August 1996): 221–37. http://dx.doi.org/10.1080/09555809608721571.

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Cornyetz, Nina. "Out of the Alleyway: Nakagami Kenji and the Poetics of Outcaste Fiction. By Eve Zimmerman. Cambridge, Mass.: Harvard University Asia Center, 2007. x, 263 pp. $39.95 (cloth)." Journal of Asian Studies 69, no. 1 (February 2010): 278–80. http://dx.doi.org/10.1017/s0021911809992269.

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Little, J. William. "Cryopreserved Autologous Nipple-Areola Complex Transfer to the Reconstructed Breast; Tatsuhiro Nakagawa, M.D., Kenji Yano, M.D. and Ko Hosokawa, M.D." Plastic and Reconstructive Surgery 111, no. 1 (January 2003): 148–49. http://dx.doi.org/10.1097/00006534-200301000-00024.

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Dissertations / Theses on the topic "Nakagami Kenji"

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Takayashiki, Masahito. "Autonomy in Modern Japanese Literature." Thesis, The University of Sydney, 2008. http://hdl.handle.net/2123/4021.

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This dissertation aims to examine the manner in which the concept of autonomy (jiritsu) is treated in modern and contemporary Japanese literature. This examination will be performed by analysing the autonomous attitude of a contemporary Japanese writer Nakagami Kenji (1946–1992). This dissertation focuses on examining Nakagami Kenji’s ambivalent attitude towards his act of writing. We will explore the manner in which his act of writing appears to be a paradox between self-identification and the integration into the collective. Then, we will observe the possibility in which Nakagami’s ambiv
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Takayashiki, Masahito. "Autonomy in Modern Japanese Literature." University of Sydney, 2008. http://hdl.handle.net/2123/4021.

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Doctor of Philosophy(PhD)<br>This dissertation aims to examine the manner in which the concept of autonomy (jiritsu) is treated in modern and contemporary Japanese literature. This examination will be performed by analysing the autonomous attitude of a contemporary Japanese writer Nakagami Kenji (1946–1992). This dissertation focuses on examining Nakagami Kenji’s ambivalent attitude towards his act of writing. We will explore the manner in which his act of writing appears to be a paradox between self-identification and the integration into the collective. Then, we will observe the possibil
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Ishikawa, M. "Nakagami Kenji : paradox and the representation of the silenced voice." Thesis, 2015. https://eprints.utas.edu.au/23223/1/Ishikawa_whole_thesis.pdf.

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How does a writer represent the voice of the voiceless? This is the primary question in my reading of Burakumin writer, Nakagami Kenji (1946-1992). My project explores Nakagami's representation of the voices of voiceless (mukoku) people - especially Burakumin people - who are oppressed by mainstream Japanese social structures. Nakagami was always conscious of the fact that, in spite of his own background, his privilege as a writer made it difficult for him to 'represent' the voices of the dispossessed. This 'paradox of representing the silenced voice' is the key theme of my thesis. Gayat
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Petitto, Joshua. "Narratives of space and place in three works by Nakagami Kenji." Thesis, 2005. http://hdl.handle.net/10125/11525.

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Brisset, Maxime. "Nakagami Kenji : un projet littéraire et social autour du statut des intouchables japonais." Thèse, 2012. http://hdl.handle.net/1866/9072.

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L’étude porte sur la question des burakumin, les intouchables japonais, dans deux oeuvres de l’écrivain japonais Nakagami Kenji (1946-1992), lui-même issu de cette communauté. Mille ans de plaisir, recueil de six contes basés sur des récits de vie, et le roman Miracle forment une suite organisée autour des mêmes lieux, des mêmes personnages et des mêmes thèmes. Ils décrivent la condition sociale d’une collectivité mise au ban de la société japonaise malgré sa modernisation. Ils se distinguent par leur caractère d’ethnofiction. Nakagami cherche à réhabiliter les burakumin en valorisant le patri
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Books on the topic "Nakagami Kenji"

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Sekii, Mitsuo. Nakagami Kenji. Tōkyō: Shibundō, 1993.

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Nakagami Kenji ron. Tōkyō-to Shinjuku-ku: Chōeisha, 2014.

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Hyōden Nakagami Kenji. Tōkyō: Shūeisha, 1998.

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Nakagami, Kenji. Nakagami Kenji essei senshū. Tōkyō: Kōbunsha 21, 2001.

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Erekutora: Nakagami Kenji no shōgai. Tōkyō: Bungei Shunjū, 2007.

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1952-, Takazawa Shūji, ed. Nakagami Kenji mishūroku tairon shūsei. Tōkyō: Sakuhinsha, 2005.

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Inuhiko, Yomota. Kishu to tensei Nakagami Kenji. Tōkyō: Chikuma Shobō, 2001.

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Nakagami Kenji ron: Kumano, roji, gensō. Ōsaka-shi: Kaihō Shuppansha, 2003.

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Karlsson, Mats. The Kumano Saga of Nakagami Kenji. [Stockholm?]: Stockholms Universitet, 2001.

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Nakagami Kenji jiten: Ronkō to shuzai nichiroku. Tōkyō: Kōbunsha 21, 2002.

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Book chapters on the topic "Nakagami Kenji"

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Zimmerman, Eve. "Nakagami Kenji." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16756-1.

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Zimmerman, Eve. "Nakagami Kenji: Misaki." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16757-1.

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Zimmerman, Eve. "Nakagami Kenji: Karekinada." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16758-1.

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Zimmerman, Eve. "Nakagami Kenji: Die Kurzprosa." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16760-1.

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Zimmerman, Eve. "Nakagami Kenji: Sennen no yuraku." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16759-1.

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Ishikawa, Machiko. "Introduction." In Paradox and Representation, 1–52. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751943.003.0001.

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This introductory chapter offers a brief background into the works of Nakagami Kenji (1946–1992) and how he represented the voices of the socially silenced in Japan. Notably, Nakagami belonged to the Burakumin (“outcaste”). Although he is known as a Burakumin writer, and much of his writing is indeed set in a Burakumin context, not all of his material provides representations of Burakumin life. His work further depicts the diversity of backgrounds among Buraku people, including those who, like the writer himself, received financial and economic benefits from the democratic systems introduced at the time. Given this Burakumin emphasis, the chapter briefly introduces key historical and sociopolitical aspects of that experience before embarking on an analysis of the writer's works. This analysis also includes a brief overview of the extensive corpus of Nakagami scholarship which exists in both Japanese and English.
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"Icarus Descending: Expendable Males and the Poetry of Nakagami Kenji." In Out of the Alleyway, 57–85. BRILL, 2007. http://dx.doi.org/10.1163/9781684174591_004.

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Takeo, Shiroya, and Paul Bevan. "Comparative Research on the Work of Shen Congwen and Nakagami Kenji." In Routledge Companion to Shen Congwen, 189–216. Routledge, 2019. http://dx.doi.org/10.4324/9781351253727-14.

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