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Journal articles on the topic 'Names of characters'

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1

Shchukina, Daria A., and Lyubov Yu Stepanova. "Ways to nominate characters in the tales of P.P. Bazhov." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2021): 70–79. http://dx.doi.org/10.20339/phs.4-21.070.

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This article discusses a question of nomination characters in the tales of P.P. Bazhov. Character’s names in tales are studied from the point of view of etymology, symbolism and mythology. The aim of the research is to analyze the semantics of the character’s names in Bazhov’s tales. The hypothesis of the study is the following statement: symbolic and mythological conceptions about the named character, together with the context and meaning of the lexemes that make up the name, form the semantics of the name of one or another character. The analysis was based on the texts of Bazhov’s tales, inc
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Bidaud, Samuel. "Pour une poétique du nom de personnage." Interlitteraria 21, no. 1 (2016): 117. http://dx.doi.org/10.12697/il.2016.21.1.10.

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Prolegomena to a poetics of the character’s name. We propose in this article a poetics of the character’s name. The character’s name can be studied from an autonomous point of view as well as from a structural point of view. From an autonomous point of view, at first, we show that the character’s name especially reflects a personal, a social, a physical, a generic, a geographical, an autobiographical or a referential characteristic of the character. We also focus on two particular cases, the case in which the name of the character is incomplete and the case in which the identity of the charact
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3

Conter, David. "Fictional names and narrating characters." Australasian Journal of Philosophy 69, no. 3 (1991): 319–28. http://dx.doi.org/10.1080/00048409112344771.

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Pogacar, Ruth, Agnes Pisanski Peterlin, Nike K. Pokorn, and Timothy Pogačar. "Sound symbolism in translation." Translation and Interpreting Studies 12, no. 1 (2017): 137–61. http://dx.doi.org/10.1075/tis.12.1.07pog.

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Abstract Readers may infer that literary characters are sympathetic or unsympathetic based on the perceived phonetics of character names. Drawing on brand name literature in marketing, we investigate whether Slovene and English speakers can identify sympathetic and unsympathetic characters in Charles Dickens’s Oliver Twist based solely on their names, despite being unfamiliar with the novel. Both Slovene and English speakers can make this distinction, suggesting that sound symbolism may help communicate Dickens’s intended characterizations. Dickens’s documented focus on creating meaningful nam
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Brew, Faustina, and Ebenezer Henry Brew-Riverson. "Europeanization of Ghanaian Names and Their Representations in Drama." Journal of English Language and Literature 10, no. 1 (2018): 966–74. http://dx.doi.org/10.17722/jell.v10i1.381.

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In Ghanaian culture a name could tell the story of when a person is born, how the person is born or some special event at the time of their birth. However, difficulties in pronunciation, as well as misinterpretation of local names by the then colonial masters resulted in alterations of many local names to the convenience of the British and Portuguese, resulting in evolution of some local names over the years to new pronunciations and spellings. During colonial dominance and immediate post-colonial period, some renowned Ghanaian playwrights used names that reflect this confusion and consequentl
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Gibka, Martyna Katarzyna. "Functions of characters’ proper names in novels." Onoma 53 (2018): 49–66. http://dx.doi.org/10.34158/onoma.53/2018/4.

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Wang, Ting, and Jiafeng Liu. "Translating Culture-specific Elements in Names in Hong Lou Meng: A Comparison of The Story of the Stone and The Dream of Red Mansion." English Language and Literature Studies 7, no. 1 (2017): 51. http://dx.doi.org/10.5539/ells.v7n1p51.

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The names of the characters in Hong Lou Meng, crafted to indicate both the development of the storyline and the characteristics of the characters, contain abundant culture-specific elements, which make them difficult to render into English. On the basis of a systematic study on the original work and its two unabridged translations of Hong Lou Meng, the culture-specific elements in the original names are categorized into the following three: Chinese naming, Chinese family hierarchy and Chinese Character. Three strategies on compensation for the lost culture-specific elements are found to be emp
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Mauliddian, Khilmi. "KARAKTER NAMA TOKOH WAYANG PADA PAPAN NAMA PENANDA GANG DI KOTA PROBOLINGGO: KAJIAN LANSKAP LINGUISTIK PENDEKATAN BUDAYA." tuahtalino 13, no. 1 (2019): 14. http://dx.doi.org/10.26499/tt.v13i1.1421.

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This research examines the gang sign board that uses the name of a wayang character as a marker. The purpose of this study was to determine the name of the wayang character and describe the character of the wayang that is on the gang sign board in the Probolinggo city. This study uses a qualitative method using two theoretical approaches namely, Landry and Bourhis Linguistic landscape and the theory of cultural symbols from Bastomi. The data collection techniques in this study used a tool in the form of a photo camera. Data collected in the form of photos containing the writing of the name of
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NAZARENKO, O., and M. RUDENKO. "Cognitive orientation of proper names in modern english cinematic discourse." Current issues of linguistics and translation studies, no. 19 (October 30, 2020): 35–38. http://dx.doi.org/10.31891/2415-7929-2019-19-7.

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The article is devoted to the question of proper names, the way of their creation and connection of the proper names with personal qualities, traits and character’s lifestyle. The main focus is concentrated on links between proper names and characters’ features in modern English cinematic discourse. The development of modern English-language cinematic discourse has prompted many authors to pay attention to the question of the proper name as a nomination of the hero, a description of his character and lifestyle. The names have a significant meaning, the author expresses not only the actual refe
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KORTENKO, LYIDMILA V., SVETLANA V. SMOLYAKOVA, and KSENIYA S. KORTENKO. "THE FUNCTIONING PATTERNS OF ANTHROPONYMS IN A. P. CHEKHOV'S SHORT STORIES." Theoretical and Applied Linguistics, no. 2 (2021): 44–56. http://dx.doi.org/10.22250/2410-7190_2021_7_2_44_56.

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The aim of the research is to (i) consider the role of proper names in the stories of A. P. Chekhov, to (ii) determine the significance of combinations of common names with proper names in revealing the author's position and creating a humorous effect, and also to (iii) identify frequent word-building patterns for the anthroponyms. Literature analysis on theoretical issues of artificial and natural names as well as studying practical examples from onomastics and anthroponymy realms enabled to specify the functions of combinations of common nouns with proper names. These names are part of the p
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Hojaee Cheon. "Analysis of Chinese Characters in Japanese Last Names." Journal of the society of Japanese Language and Literature, Japanology ll, no. 80 (2018): 223–48. http://dx.doi.org/10.21792/trijpn.2018..80.011.

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12

Burelbach, Frederick M. "Names of Supporting Characters inHamlet,King Lear, andMacbeth." Names 35, no. 3-4 (1987): 127–38. http://dx.doi.org/10.1179/nam.1987.35.3-4.127.

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Komleva, N. V. "PPOPER NAMES AS ONE OF THE WAYS OF EXPRESSION OF THE AUTHOR'S POSITION IN THE SYSTEM OF MEANS OF TEXT-FORMATION IN “THE SIXTH HOUR” (CHAS SHESTYI) TRILOGY BY V.I. BELOV." Onomastics of the Volga Region, no. 2 (2020): 238–43. http://dx.doi.org/10.34216/2020-2.onomast.238-243.

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The article deals with the study of proper names as means of nomination, images of reality, and functional units of the main textual categories. The analysis of transformations of characters' names in various narrative forms in the subject organization of the novel allows to reveal the role of a character's proper name in the semantic aspect of the text.
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EDGECOMBE, GREGORY D. "Anatomical nomenclature: homology, standardization and datasets." Zootaxa 1950, no. 1 (2008): 87–95. http://dx.doi.org/10.11646/zootaxa.1950.1.8.

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Strictly homology-based character names have the benefit of a consistent, evolutionary basis but must overcome practical problems in terms of the function that names serve as tools for communication. Character names should be fixed at the level of primary (rather than secondary) homology in order to maintain nomenclatural stability between competing phylogenies and to allow characters to potentially re-optimize with the addition of data. Inconsistent rules determine the priority of names for anatomical structures, in marked contrast to the stability and clarity provided by Codes for taxonomic
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Kawahara, Shigeto, and Jeff Moore. "How to express evolution in English Pokémon names." Linguistics 59, no. 3 (2021): 577–607. http://dx.doi.org/10.1515/ling-2021-0057.

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Abstract This article contributes to the studies of sound symbolism, systematic relationships between sounds and meanings. Specifically, we build on a series of studies conducted within a research paradigm called “Pokémonastics,” which uses the Pokémon universe to explore sound symbolic patterns. Inspired by a study of existing English Pokémon names, two experiments were conducted in which English speakers were provided with pairs of pre-evolution and post-evolution Pokémon characters, the latter of which were larger. The participants were given two name choices whose members were systematical
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16

Cornelio, Dawn. "Winking, allusions, and anagrams: Translating character names in Harry Potter." SURG Journal 8, no. 2 (2016): 14–25. http://dx.doi.org/10.21083/surg.v8i2.3218.

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In Harry Potter, J.K. Rowling presents to readers a foreign world in the familiar setting of England with a wide array of characters who have a wide variety of names. Harry Potter is challenging for translators who must translate character names while maintaining a balance between the foreign and the familiar, as does Rowling. Rowling’s work is identified as a piece of ‘kiddult’ literature where it is directed at both adults and children. Additionally, Rowling is described as winking at adults through her use of allusions in character names. Some translators argue in favour of localizing all c
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Szerszunowicz, Joanna. "Typowy Janusz and Bad Luck Brian: On meme characters from a cross-linguistic and cross-cultural perspective." European Journal of Humour Research 6, no. 2 (2018): 3. http://dx.doi.org/10.7592/ejhr2018.6.2.230.szerszunowicz.

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The Poles’ observations regarding the reality of the last decades motivated the creation of certain meme characters deeply set in the Polish culture and reflecting the new social phenomena which have come into existence recently. The examples of such persons include the characters named Janusz, Grażyna, Seba and Karyna. Previously, the names had no connotative potential and they were not used as components of idiomatic expressions. In the modern Polish, the names function as labels evoking many features (personality, given intellectual potential, appearance, stereotypized behaviour etc.). For
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18

Ding, Wang. "The Sogdian envoy Maniach and his namesakes in China." Acta Orientalia Academiae Scientiarum Hungaricae 73, no. 2 (2020): 187–97. http://dx.doi.org/10.1556/062.2020.00008.

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AbstractChinese sources document foreign names with phonetic transcriptions and render them in Chinese characters with close, or at least approximate, sound value. Among the Sogdians who were active at the Chinese court of the 6th century there were two persons named He Zhuruo and An Weiruo respectively. The etymology of both names can now be tentatively identified with Maniach, the name which was recorded in a Byzantine source, being that of a Sogdian envoy to Constantinople. Hence the original written form of Zhuruo and Weiruo can be restored with the spelling Moruo. The reason for these mis
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19

Orlando, Eleonora. "Fictional Names and Literary Characters: A Defence of Abstractism." THEORIA. An International Journal for Theory, History and Foundations of Science 31, no. 2 (2016): 143. http://dx.doi.org/10.1387/theoria.15193.

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This paper is focused on the abstractist theory of fiction, namely, the semantic theory according to which fictional names refer to abstract entities. Two semantic problems that arise in relation to that position are analysed: the first is the problem of accounting for the intuitive truth of typically fictive uses of statements containing fictional names; the second is the one of explaining some problematic metafictive uses, in particular, the use of intuitively true negative existentials.
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20

Kunsik Choi. "Transcriptions of Japanese Gods' Names in Homophonic Chinese Characters." Journal of North-east Asian Cultures 1, no. 39 (2014): 313–32. http://dx.doi.org/10.17949/jneac.1.39.201406.018.

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21

Kirpicheva, Olga V. "PRECEDENT NAMES OF THE WALT DISNEY ANIMATED DISCOURSE CHARACTERS." Bulletin of the Moscow State Regional University (Linguistics), no. 6 (2020): 17–26. http://dx.doi.org/10.18384/2310-712x-2020-6-17-26.

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22

Manova-Georgieva, Yana. "What’s Behind a Name? Origins and Meaning of Some of the Recurrent Characters in Terry Pratchett’s Discworld." ELOPE: English Language Overseas Perspectives and Enquiries 17, no. 2 (2020): 165–76. http://dx.doi.org/10.4312/elope.17.2.165-176.

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Nominative symbolism in fantasy is a tool to attribute certain traits to literary characters and thus to convey meaning which enriches the readers’ comprehension of the fictitious personality. Proper names in the English naming tradition are not generally seen as means of alluding to the character of a person, yet they have sometimes been chosen purposefully by writers so as to reveal the idea that a symbolic name tries to convey. The paper therefore aims at investigating the origin and author’s intended meaning behind the names of some recurrent literary characters in Terry Pratchett’s Discwo
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23

Long, Jun, Lei Zhu, Zhan Yang, Chengyuan Zhang, and Xinpan Yuan. "Temporal Activity Path Based Character Correction in Heterogeneous Social Networks via Multimedia Sources." Advances in Multimedia 2018 (2018): 1–16. http://dx.doi.org/10.1155/2018/2058670.

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Vast amount of multimedia data contains massive and multifarious social information which is used to construct large-scale social networks. In a complex social network, a character should be ideally denoted by one and only one vertex. However, it is pervasive that a character is denoted by two or more vertices with different names; thus it is usually considered as multiple, different characters. This problem causes incorrectness of results in network analysis and mining. The factual challenge is that character uniqueness is hard to correctly confirm due to lots of complicated factors, for exam
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24

Bottum, Joseph. "The Gentleman's True Name: David Copperfield and the Philosophy of Naming." Nineteenth-Century Literature 49, no. 4 (1995): 435–55. http://dx.doi.org/10.2307/2933728.

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No one has ever accused Dickens of being a philosopher. But David Copperfield offers an opportunity for thinking philosophically about naming. Unlike the characters unconscious of their satirical names in Dickens's earlier novels, the characters in David Copperfield feel the tension of naming and explore with the author what their names are for. They find, of course, that the order of names-the hierarchy of terms by which they refer to and address one another-betrays rank and sentiment, power and desire. But they find more than that a name expresses and enforces the will of the namer. Names in
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Новикова, О. В., and Н. Н. Лапынина. "ANTHROPONYMIC SPACE OF A. VARLAMOV’S NOVEL «MY SOUL PAVEL»." Актуальные вопросы современной филологии и журналистики, no. 4(39) (February 2, 2021): 66–76. http://dx.doi.org/10.36622/aqmpj.2020.39.4.009.

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Статья посвящена одной из актуальных проблем современной лингвистики - функционированию онимов в художественном тексте. Авторы анализируют «информационную модель» имен персонажей в романе А. Варламова «Душа моя Павел», которая включает лингвистическую информацию о собственном имени, а также ассоциации, коннотации, которыми обладает данное имя в историческом и культурном контексте. Данная информация формирует и углубляет образ персонажа, помогает выразить авторскую идею. Исследованный материал показывает, что фамилия, имя, отчество, прозвище каждого героя А. Варламова символичны, отражают его х
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Khodeev, Fyodor Pavlovich. "The surnames and the names of the parts of the characters in the novel of L.N. Tolstoy's «Anna Karenina»." Development of education, no. 1 (1) (September 25, 2018): 88–90. http://dx.doi.org/10.31483/r-21442.

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The article proposes an original version of the origin of the names of the main characters of the novel L.N. Tolstoy's Anna Karenina. The author of the article, exploring the novel and extensive materials on it, shows an amusing but systematic replacement of L.N. Tolstoy when working on the novel the names of the heroes of the novel from Greek to Jewish, and from Jewish to Greek. This and other facts of the famous novel indicate changes in the work of the great Russian writer, not noticed by other researchers. In addition, the article shows the account of Russian characters when choosing the n
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Behrens, Susan J. "Essential Self of Natalie Waite in Hangsaman by Shirley Jackson." Names 69, no. 1 (2021): 1–9. http://dx.doi.org/10.5195/names.2021.2244.

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In light of a 2016 biography and 2020 feature film about writer Shirley Jackson, contemporary readers are rediscovering Jackson’s work. One novel of interest is Hangsaman (1951). This is a book in motion, with shifting realities and narratives that are mirrored in the author’s naming schemes. Moments of disorientation in Hangsaman originate in, and reflect, the inner life of protagonist Natalie Waite. There seem to be multiple Natalies who struggle at times to be whole, and at other times to be a different person entirely. Along with these vicissitudes in personality, the protagonist takes on
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Raskin, Jonah. "The Master of Nasty." Boom 2, no. 4 (2012): 87–95. http://dx.doi.org/10.1525/boom.2012.2.4.87.

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Raymond Chandler relished finding names for his quirky characters, including Philip Marlowe, the pipe-smoking, chess-playing private eye—a literary kinsman to Sam Spade, Dashiell Hammett’s solitary sleuth—whom I first met in the pages of fiction as a teenager and whom I have known more than fifty years. Sometimes the names are dead giveaways about the morality or immorality of the character, sometimes they’re opaque, but I’ve always found them intriguing and an open invitation to try to solve the mystery myself.
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29

Fontaine, Matthieu. "Singular Terms, Identity, and the Creation of Fictional Characters." Disputatio 11, no. 54 (2019): 207–29. http://dx.doi.org/10.2478/disp-2019-0017.

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Abstract How to interpret singular terms in fiction? In this paper, we address this semantic question from the perspective of the Artifactual Theory of Fiction (ATF). According to the ATF, fictional characters exist as abstract artifacts created by their author, and preserved through the existence of copies of an original work and a competent readership. We pretend that a well-suited semantics for the ATF can be defined with respect to a modal framework by means of Hintikka’s world lines semantics. The question of the interpretation of proper names is asked in relation to two inference rules,
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Gibka, Martyna Katarzyna. "Functions of characters’ proper names in television series: Theoretical outline." Onoma 53 (2018): 67–80. http://dx.doi.org/10.34158/onoma.53/2018/5.

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31

Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean Characters Available for Author Names." Journal of Physical and Chemical Reference Data 38, no. 2 (2009): 99. http://dx.doi.org/10.1063/1.3110164.

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Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean characters available for author names." Journal of Applied Physics 105, no. 2 (2009): 020201. http://dx.doi.org/10.1063/1.3077491.

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Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean characters available for author names." Review of Scientific Instruments 80, no. 1 (2009): 010201. http://dx.doi.org/10.1063/1.3077642.

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Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean characters available for author names." Applied Physics Letters 94, no. 3 (2009): 030201. http://dx.doi.org/10.1063/1.3077644.

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Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean characters available for author names." Journal of Chemical Physics 130, no. 3 (2009): 030201. http://dx.doi.org/10.1063/1.3078207.

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Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean characters available for author names." Physics of Plasmas 16, no. 1 (2009): 010202. http://dx.doi.org/10.1063/1.3078242.

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Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean characters available for author names." Physics of Fluids 21, no. 1 (2009): 010202. http://dx.doi.org/10.1063/1.3078243.

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Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean characters available for author names." Chaos: An Interdisciplinary Journal of Nonlinear Science 19, no. 1 (2009): 010201. http://dx.doi.org/10.1063/1.3078244.

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Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean characters available for author names." Biomicrofluidics 3, no. 1 (2009): 010701. http://dx.doi.org/10.1063/1.3078245.

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Cassar, Mark M. "Announcement: Chinese, Japanese, and Korean characters available for author names." Journal of Mathematical Physics 50, no. 1 (2009): 010202. http://dx.doi.org/10.1063/1.3078415.

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NAZARENKO, O., and А. CHASOVSKYKH. "Lexico-semantic analysis of anthroponyms in modern english prose." Current issues of linguistics and translation studies, no. 19 (October 30, 2020): 11–14. http://dx.doi.org/10.31891/2415-7929-2019-19-2.

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The article studiesthe lexical and semantic features of the anthroponyms in the modern English prose discourse, basing on the material of The Mortal Instruments, series of six young adult fantasy novels, written by Cassandra Claire. The work presents origin analysis of the characters` names and surnames presented in the books, and the ways of their interpretation. Particular attention was paid to the information and stylistic functionality of onyms and their impact on the reader’s knowledge of the inner world of the characters. We proved the connection between the choice of one’s own name and
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Hyland, Drew A. "Heidegger’s (Dramatic?) Dialogues." Research in Phenomenology 45, no. 3 (2015): 341–57. http://dx.doi.org/10.1163/15691640-12341316.

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Taking my cue from the richly dramatic character of the Platonic dialogues and how that dramatic character informs the thought therein, I attempt a reading of Heidegger’s dialogue on a country path that takes similar account of the dramatic themes of that dialogue. Accordingly, I address such themes as the fact that the characters of the dialogue are not given personal names, the fact that it is and must be a dialogue that occurs on a country path, and the strange interactions of the three characters. The paper culminates in a discussion of the role of “night,” which, I argue, functions as our
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Mustakimah, Mustakimah, and Sri Mu'amamah. "Upaya Membentuk Karakter Percaya Diri dan Kreatif Pada Anak Usia Dini Melalui Permainan Tradisional Jamuran." Journal of Early Childhood and Character Education 1, no. 1 (2021): 35–52. http://dx.doi.org/10.21580/joecce.v1i1.6613.

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The background of this research is the importance of forming good character in early childhood with the stimulation given to traditional mushroom play activities. The method used in this study is a qualitative research method. The purpose of this study is to describe how the traditional game of mold can shape the character of early childhood. Based on the results of traditional game research, molds can form characters in early childhood, including honest characters formed by the habit of children not lying when guessed by their friends, disciplined characters are formed by habituating children
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Klyucheva, M. A. "Zoonyms in the names of the characters in Mari folk games." Bulletin of Ugric studies 10, no. 3 (2020): 462–71. http://dx.doi.org/10.30624/2220-4156-2020-10-3-462-471.

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Introduction: zoonyms occupy important place in the semiotic system of folklore. They encode basic mythological ideas and, at the same time, reflect economic activity of people traditionally associated with animals. The game vocabulary correlates with the general system of folklore and mythology. Zoonyms are used in games as the names of characters, game items and toys, movements, as well as they are widely represented in texts of chits, game sentences, dialogues, songs. Objective: to reveal zoonyms in the names of the characters in the Mari folk games, to systematize them according to their f
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Budaev, E. V. "Literary Characters as a Source Domain of Precedent Names in the UK Media." Nauchnyi dialog 1, no. 8 (2020): 52–68. http://dx.doi.org/10.24224/2227-1295-2020-8-52-68.

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The article deals with precedent names (PN) from the source domain “Literature”, functioning in the UK media. The material for the study was 104 examples of precedent names used in the British print media (The Guardian, The Times, The Daily Mail, The Daily Telegraph, The Independent) over the past ten years (2010–2019). Research methods were cognitive-discourse analysis, linguocultural description. It is concluded that the source domain “Literary characters” is the most demanded source of precedent names in the British media (26 % of the total body of examples, which is 400 precedent names). I
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Hao, Chen. "Inventing Surnames A case study of Tabgach identity construction." Acta Orientalia Academiae Scientiarum Hungaricae 73, no. 4 (2020): 521–37. http://dx.doi.org/10.1556/062.2020.00026.

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AbstractThe Tabgach, as a non-Chinese tribe, ruled North China from the end of 4th century to the middle of 6th century. Through a series of social reforms, Emperor Xiaowen depicted himself as a typical Chinese emperor rather than as a kaghan over the steppe people. One of the reforms he und ertook was a reform of Tabgach surnames. The Tabgach people used Chinese characters to transcribe their proper names. As Chinese characters are single-syllabic, sometimes they had to use several Chinese characters to transcribe a single Tabgach proper name. The multi-character Tabgach surnames sounded exot
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OKIMORI, Takuya. "Korean and Japanese as Chinese-Characters Cultural Spheres." Acta Linguistica Asiatica 4, no. 3 (2015): 43–70. http://dx.doi.org/10.4312/ala.4.3.43-70.

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Korea and Japan belong to Chinese-characters cultural spheres. In the time of Han Dynasty and thereafter, tributary states connected with the monarchy of Chinese Kingdom and its surrounding countries. They imported Chinese state regulations, accepted and developed many thoughts and cultures by bringing in Chinese characters of Chinese classics. However, there have been some different points in the treatment of Chinese characters in each nation. The Korean modern writing system does not use Chinese characters in general, while on the contrary in Japanese, there is a tendency to increase the num
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Pelletier, Jérôme. "Actualisme et fiction." Dialogue 39, no. 1 (2000): 77–100. http://dx.doi.org/10.1017/s0012217300006405.

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AbstractThe non-existence of fictional entities does not seem incompatible with their possible existence. The aim of this paper is to give an account of the intuitive truth of statements of possible existence involving fictional proper names in an actualist framework. After having made clear the opposition between a possibilist and an actualist approach of possible worlds, I distinguish between fictional individuals and fictional characters and between the fictional use of fictional proper names and their metafictional use. On that basis, statements of possible existence involving fictional pr
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Федотова and Oksana Fedotova. "Forms of Representation of Inner States of Fiction Characters." Modern Communication Studies 5, no. 5 (2016): 64–67. http://dx.doi.org/10.12737/21934.

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The paper shows that the author of English language narrative discourse can discuss with his/her readers such topics as inner state of fiction characters. It presents forms of representation of inner state of fiction characters. Firstly, the inner state of a character is described in contexts without metaphor. In this case, the main markers are verbs of mental state, names of emotions, physical representation of emotions, taste perception. Secondly, the inner state of fiction characters is represented via another situation. In this case, the comparison can be either direct or literal. Desperat
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Garnham, Alan, Jane Oakhill, and David Reynolds. "Are inferences from stereotyped role names to characters’ gender made elaboratively?" Memory & Cognition 30, no. 3 (2002): 439–46. http://dx.doi.org/10.3758/bf03194944.

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