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Journal articles on the topic 'Nan Goldin'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

DÍAZ-RODRÍGUEZ, NOEMÍ. "Nan Goldin a través del espejo. Entre el estereotipo y la verdad." Tsantsa. Revista de Investigaciones artísticas, no. 12 (December 27, 2021): 53–61. http://dx.doi.org/10.18537/tria.12.01.06.

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El presente artículo aborda la trayectoria personal y artística de una de las fotógrafas activistas más destacadas del siglo XX, todavía en activo, como es Nan Goldin. Su obra ha sido criticada en numerosas ocasiones por la exposición, tan sincera, de las temáticas elegidas, generalmente relacionadas con los estereotipos y las cuestiones de género. Tales ataques suelen vincularse, además, con la propia personalidad de la fotógrafa, provocando una lectura biográfica errónea, que debemos corregir. Palabras clave: Nan Goldin, fotografía, género, autorretrato, feminismo.

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2

Prosser, Jay. "Testimonies in Light: Nan Goldin: Devil's Playground." Women: A Cultural Review 13, no. 3 (2002): 339–55. http://dx.doi.org/10.1080/0957404022000026432.

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3

Dean, Alison. "Intimacy at Work: Nan Goldin and Rineke Dijkstra." History of Photography 39, no. 2 (2015): 177–93. http://dx.doi.org/10.1080/03087298.2015.1038109.

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4

Boone, Silvana. "The ballad of sexual dependency de Nan Goldin." PORTO ARTE: Revista de Artes Visuais 23, no. 38 (2018): 233. http://dx.doi.org/10.22456/2179-8001.76391.

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Esta resenha apresenta a exposição The ballad of sexual dependency, da artista americana Nan Goldin, realizada no MoMA, Museu de Arte Moderna de Nova York, entre 2016 e 2017, após trinta anos da sua primeira exibição, em 1986, destacando o slideshow de cerca de setecentas fotografias produzidas pela artista entre as décadas de 1970 e 1990, que evidenciam a natureza do grupo social ao qual a artista fazia parte.

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5

Kim, Joo Hyoun. "Arts of Loss, Mourning, Remembrance - Photographs of Nan Goldin -." Journal of the New Korean Philosophical Association 86 (October 31, 2016): 79–99. http://dx.doi.org/10.20433/jnkpa.2016.12.86.79.

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6

Park, Ye Nim. "A Study on overcoming trauma through the concept of family in contemporary photography: focusing on the works of Nan Goldin." Korea Institute of Design Research Society 8, no. 1 (2023): 601–10. http://dx.doi.org/10.46248/kidrs.2023.1.601.

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Creative activities often act as a tool to overcome trauma for artists. Nan Goldin is an American photographer who was first introduced in New York in the 1970s and 1980s for documenting intimate daily life of herself and friends who were part of bohemian and LGBTQ(Lesbian Gay Bisexual Transgender Queer) minority cultures. Nan started photography to overcome the trauma caused by her sister’s death. Leaving home, she formed a new concept of family and recorded their daily life in the form of a diary. Through understanding Nan Goldin's childhood and concept of family, the thesis analyzes narrati

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7

Wilson, Emma. "“A Hand to Your Darkness”." Film Quarterly 76, no. 4 (2023): 22–31. http://dx.doi.org/10.1525/fq.2023.76.4.22.

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All the Beauty and the Bloodshed is Poitras’s first portrait of a female subject. In it for the first time she models forms of feminist attention to another woman, a woman artist, speaking and listening to her. Through openness to Goldin’s susceptibility, experimentation, pleasure, and suffering, Poitras addresses trauma and its relation to activism. In their collaboration, Goldin brings the visual sublime as well as overt sensuality into Poitras’s purview, releasing the eros and pathos that have always been part of her work. In turn, Poitras makes possible, and essential, a full portrait of N

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8

Gomes, Priscyla Freitas. "Testemunhos contra o nosso desaparecimento: Nan Goldin, a aids e a fotografia de intimidade." Revista ARA 12, no. 12 (2022): 311–26. http://dx.doi.org/10.11606/issn.2525-8354.v12i12p311-326.

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O presente artigo apresenta uma iniciativa pouco difundida na historiografia das artes visuais. Uma mostra concebida pela fotógrafa estadunidense Nan Goldin, que vislumbrou num momento de exceção uma possibilidade de visibilizar os reflexos da epidemia na produção de diversos artistas. Em meio à epidemia da aids, em que o preconceito e as mortes consecutivas estabeleciam duros limites à atuação, Goldin mobilizou uma síntese de profunda delicadeza. Retomar esse exemplo, nesse contexto, abre uma série de paralelos históricos que permitem compreender especificidades e recorrências. Mais do que es

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9

Mendes, André Melo. "A transgressão na fotografia contemporânea: os retratos de Nan Goldin." Aletria: Revista de Estudos de Literatura 23, no. 1 (2013): 45–56. http://dx.doi.org/10.17851/2317-2096.23.1.45-56.

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Este artigo pretende abordar como a obra de Nan Goldin dialoga criticamente com a tradição de retratos da História da Arte, especialmente com as principais modalidades de representação do indivíduo estabelecidas no século 19, ainda válidas nos dias de hoje. Nas três fotografias da artista analisadas neste artigo é possível perceber esse diálogo tenso e transgressivo. Com essa postura, a artista contribui para o enfraquecimento do discurso hegemônico sobre a mulher, tipificada, quase sempre, como um objeto que serve ao olhar masculino.

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10

günay yavuz, uğur, and Mehmet Uluç Ceylani. "Farklılığın Çekiciliği Bağlamında Nan Goldin ve Ren Hang’in Reklam Fotoğrafları." Uluslararası Sanat ve Estetik Dergisi 11, no. 11 (2023): 33–48. http://dx.doi.org/10.29228/usved.68873.

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11

Mancini, Viviana. "Corpo, dimensione, immagine in Nan Goldin, Sophie Calle e Marina Abramović." Aura, no. 4 (December 15, 2023): 39–57. https://doi.org/10.5281/zenodo.10541290.

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In analysing the different approaches that Nan Goldin, Marina Abramović and Sophie Calle take to the body, both their own and that of others, and to the object as medium but also as final expression, it becomes clear how much the creative process and the different application of innovative art forms are modifiers of an artistic landscape in eternal evolution. For Nan Goldin, photographic representation comes to be a mean of annulling the distinction between present and past, in an attempt to show the beauty, interior and exterior, of those around her, reconstructing a kind of photographic biog

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12

Akkaya, Şahinde. "Self-Realization through Photography as an Existential Effort: the Case of Nan Goldin." Moment Journal 2, no. 2 (2015): 8–29. http://dx.doi.org/10.17572/mj2015.2.829.

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13

Akkaya, Şahinde. "Sanatçının Kimliği Olarak Geçmişi Bağlamında Nan Goldin ve Nobuyoshi Araki Örnekleri." Mediterranean Journal of Humanities 3, no. 1 (2013): 15–28. http://dx.doi.org/10.13114/mjh/20131647.

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14

Lippi, Silvia. "La vie et la mort dans les photos de Nan Goldin." La clinique lacanienne 15, no. 1 (2009): 195. http://dx.doi.org/10.3917/cla.015.0195.

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15

ERDİ ES, Burçin. "JAN SAUDEK, NAN GOLDIN VE CINDY SHERMAN'IN ÇALIŞMALARININ GÖRSEL ÜRETİM, ETİK VE." Journal of Social Sciences 35, no. 35 (2019): 420–29. http://dx.doi.org/10.16990/sobider.4918.

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16

Veiga, Roberta, and Juliana Salles de Siqueira. "Imagens de mães: uma tomada da máquina de esperar lissovskiana por mulheres fotógrafas." Significação: Revista de Cultura Audiovisual 51 (October 18, 2024): 1–22. http://dx.doi.org/10.11606/issn.2316-7114.sig.2024.225299.

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By observing images by Rineke Dijkstra and Nan Goldin, we revisit Mauricio Lissovsky’s (2008) notion of waiting machine, thinking relationships between the waiting of photographers and the portrayed mothers. This study aims to address, by the works New Mother (1994) and From here to motherhood (1986-2000), the way in which the photographers, in portraying the maternal experience, imbue the image with its quality and re-establish the power of indeterminacy of the Lyssovskian machine in the face of an anti-machine of female expectation.

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17

Delvaux, Martine, and Jamie Herd. "Comment faire apparaître Écho ? Soeurs, saintes et sibylles de Nan Goldin et Autoportrait en vert de Marie Ndiaye." Protée 35, no. 1 (2007): 29–39. http://dx.doi.org/10.7202/015886ar.

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Résumé Cet article étudie l’usage du portrait photo-textuel dans l’écriture autobiographique au féminin, par le biais de l’analyse parallèle de Soeurs, saintes et sibylles de Nan Goldin, et de Autoportrait en vert de Marie Ndiaye. Grâce au jeu entre photographie et littérature, ces objets intermédiatiques présentent une structure en écho (et reposent sur une série d’échos) qui permet de revoir le mythe d’Écho et de Narcisse ainsi que le rapport entre le visuel et le verbal. Goldin et Ndiaye fondent leur travail sur l’indécidabilité de la photographie pour écrire entre le mythe et l’histoire pe

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18

Garro Larrañaga, Oihana. "Artearen eta subjektuaren eraikuntza: Nan Goldin-en aukera, intimitate-kontakizunak askatze-errepresentazio gisa." Uztaro. Giza eta gizarte-zientzien aldizkaria, no. 87 (December 4, 2013): 5–22. http://dx.doi.org/10.26876/uztaro.87.2013.1.

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19

Kaplan, Louis. "PHOTOGRAPHY AND THE EXPOSURE OF COMMUNITY: Sharing nan goldin and jean-luc nancy." Angelaki 6, no. 3 (2001): 7–30. http://dx.doi.org/10.1080/09697250120087914.

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20

Moreno Acero, Iván Darío, and Nelson Hernando Puentes Rodriguez. "The contributions of Nan Goldin’s photographic work with the formation of a plural humanism." RIDE Revista Iberoamericana para la Investigación y el Desarrollo Educativo 6, no. 11 (2015): 740. http://dx.doi.org/10.23913/ride.v6i11.170.

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In the last two centuries the photography in its function to retain the immediately brief and momentary present, has been a central narrator of the human history, not only as a passive narrator of events, but also as an active one, to say it as a tenacious sensitizer of the situation that the human being and its society has lived. The photographic work of Nan Goldin in the investigation group “Ehics, pedagogy and literature” has been assumed as a narrative that thinks about human condition throughout history, as well as a vehicle that goes beyond established limits. In general, we propose that

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21

Dede, Ebru. "İkili Olmayan Cinsel Kimliklerin Çağdaş Sanat Pratiğinde İfadesi." Kadın/Woman 2000, Journal for Women's Studies 19, no. 2 (2017): 1–29. http://dx.doi.org/10.33831/jws.v19i2.250.

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Postfeminist kuramcılar ve sanatçılar, iktidar ve kültürel normlar tarafından birbirlerini tamamlamaları için üretilen eril ve dişil cinsel kimliklerin sınırlarını yapı söküme uğratmayı amaçlar. Çağdaş sanatçıların çalışmaları ve performansları, felsefi, psikanaliz araştırmaları ve kültürel tartışmaları olduğu kadar queer yaşamın gerçeklerini de görselleştirir. Bedenlerinin maskesini indirir ve cinsel farklılıklarının doğal olarak mümkün olabileceğini gösterir. Bu sanatçıların eylemleri, onları politik olarak anormal kabul eden hiyerarşileri altüst etmek ve yeni bir sosyal ortam çağrı

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Dede, Ebru. "İkili Olmayan Cinsel Kimliklerin Çağdaş Sanat Pratiğinde İfadesi." Kadın/Woman 2000, Journal for Women's Studies 18, no. 2 (2017): 1–29. http://dx.doi.org/10.33831/jws.v18i2.250.

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Postfeminist kuramcılar ve sanatçılar, iktidar ve kültürel normlar tarafından birbirlerini tamamlamaları için üretilen eril ve dişil cinsel kimliklerin sınırlarını yapı söküme uğratmayı amaçlar. Çağdaş sanatçıların çalışmaları ve performansları, felsefi, psikanaliz araştırmaları ve kültürel tartışmaları olduğu kadar queer yaşamın gerçeklerini de görselleştirir. Bedenlerinin maskesini indirir ve cinsel farklılıklarının doğal olarak mümkün olabileceğini gösterir. Bu sanatçıların eylemleri, onları politik olarak anormal kabul eden hiyerarşileri altüst etmek ve yeni bir sosyal ortam çağrı

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23

De Oliveira, Luiz Sérgio. "The Artist, the Image and the Self: Representation in Rembrandt, Bacon, Mapplethorpe, Sherman, and Nan Goldin." Barcelona Investigación Arte Creación 7, no. 1 (2019): 30. http://dx.doi.org/10.17583/brac.2019.2263.

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Before photography, only painters, printmakers, and sculptors could tell, through self-portraits, how they saw themselves and how they were perceived. In the past, only artists had the resources to capture and picture themselves. From one brushstroke to another, this mediated gesture marked the perception of the self. Western art highlights numerous works from artists who wrote the history of culture through portraiture and self-representation. In contemporary art, some artists have been able to explore new means to investigate new possibilities of representing the self. In the past, painters

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24

Fabbrini, Ricardo Nascimento. "“O que está acontecendo com as imagens?”: arte, mídia e educação em Jean Baudrillard." Filosofia e Educação 8, no. 1 (2016): 63. http://dx.doi.org/10.20396/rfe.v8i1.8643692.

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O artigo examina a “guerra das imagens” na contemporaneidade, a partir da reflexão estética de Jean Baudrillard. Mostra que para Baudrillard a imagem hegemônica na sociedade da simulação total, é o simulacro: imagens planas; sem enigma, sem mistério; sem face oculta; nos termos do autor. Partindo desse diagnóstico, o texto conjectura se nessa sociedade hiper-real, é possível, ainda, produzir uma imagem de resistência, uma imagem que “force o pensamento”, no sentido de Gilles Deleuze. Por fim, afirma-se que é no campo da educação e da produção artística que se pode desenvolver a percepção sensí

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Balint, Adina. "MEMORY TRANSMISSION, SURVIVAL AND MULTICULTURALISM IN CONTEMPORARY CANADIAN LITERATURE." Alea : Estudos Neolatinos 18, no. 3 (2016): 422–34. http://dx.doi.org/10.1590/1517-106x/183-422.

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Abstract In 2014, the Quebecois writer Catherine Mavrikakis published Diamanda Galas, a tribute to the American artist performer of Greek origin, Diamanda Galas – at the Montreal Publishing House, Héliotrope, inaugurating a new collection, “Guerrières et Gorgones” (Warriors and Gorgons). At the same time and in the same collection, Martine Delvaux published a tribute to the American photographer Nan Goldin, in an eponymous essay. “What survives from/through artists who are prophets of the contemporary?”, inquires Mavrikakis. Acting on the tragedy of history and transgressing it, how can litera

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Ardenne, Paul. "Figures de la sexualité dans l’art des années quatre-vingt dix." Figures de l'Art. Revue d'études esthétiques 4, no. 1 (1999): 491–513. http://dx.doi.org/10.3406/fdart.1999.1219.

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L’une consigne les vues de visages d’hommes au moment de la jouissance sexuelle (Aura Rosenberg). Accompagnés par celle-là (Nan Goldin), ceux-ci tiennent la chronique de l’intimité érotique, mimée ou non (Araki Nobuyoshi, Larry Clark). L’un décharge sur des portraits de top models (Philippe Meste). L’autre préfère l’esthétisation glacée (Andres Serrano). Celui-là parodie les Blue movies sur un mode aussi douteux qu’euphorique (Richard Kern). Cet autre dessine des moustaches aux femmes mais rien à voir avec Mona Lisa retouchée par Duchamp (Chuck Nanney). Certains donnent dans le sulfureux, ont

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27

Souza, Renata, Vinicius Romanini, and Eunice Gonzalez. "Criação, raciocínio abdutivo e admirabilidade na era do Big Data." Acta Scientiarum. Human and Social Sciences 44, no. 1 (2022): e62245. http://dx.doi.org/10.4025/actascihumansoc.v44i1.62245.

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No presente artigo discutimos o papel do raciocínio abdutivo e da admirabilidade na investigação dos processos criativos na era de Big Data. Apresentamos concepções de criatividade, no âmbito mecanicista e anti-mecanicista, trazendo exemplos no âmbito da produção fotográfica, como é o caso dos trabalhos de Maureen Bisilliat (1995) e Nan Goldin (2012). Por se tratar de uma investigação de caráter essencialmente teórico e interdisciplinar, o artigo está fundamentado na literatura sobre os conceitos de criatividade, raciocínio abdutivo e admirabilidade, bem como no auxílio de diferentes áreas do

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Fabbrini, Ricardo. "Imagem e enigma." Viso: Cadernos de estética aplicada 10, no. 19 (2016): 241–62. http://dx.doi.org/10.22409/1981-4062/v19i/245.

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O artigo examina o conflito das imagens na contemporaneidade, a partir da reflexão estética de Jean Baudrillard. Mostra que para Baudrillard a imagem hegemônica na sociedade da simulação total é o simulacro: imagens planas; sem enigma, sem mistério; sem face oculta; nos termos do autor. Partindo desse diagnóstico, o texto conjectura se nessa sociedade hiper-real, é possível, ainda, produzir uma imagem-enigma, uma imagem que “force o pensamento”, no sentido de Gilles Deleuze, algo como o “chegante”, diria Jacques Derrida; algo que “aconteça no acontecimento”, diria Jean-François Lyotard; algo c

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29

Stachura, Julia. "Double Index. The Self-Shadow in American Photography of the Second Half of the 20th Century." Artium Quaestiones, no. 33 (December 30, 2022): 279–99. http://dx.doi.org/10.14746/aq.2022.33.11.

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The article focuses on the notion of the image of self-shadow in American photography in the second half of the twentieth century, understood as a shadow silhouette of the creator captured in a photograph. The two main problems that concern the author’s research are the lack of current, theoretical study on the problem of shadow in the history of photography from the perspective of art history (V. Stoichita, R. Casati, P. Cavanagh, H. Kanaan) and the lack of the definition of the phenomenon of self-shadow and its possible types in self-portraiture. The author’s proposition of a definition of s

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SYDORENKO, ANDRIY, ASMATI CHIBALASHVILI, IHOR SHALINSKYI, SVIATOSLAV BERDYNSKIKH, and VIKTORIYA MAZUR. "UKRAINIAN DIGITAL ART DURING THE FULL-SCALE RUSSIAN-UKRAINIAN WAR." AD ALTA: 13/02-XXXVII. 13, no. 2 (2023): 125–30. http://dx.doi.org/10.33543/j.130237.125130.

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The purpose of the article is to find out how the full-scale Russian-Ukrainian war and today's technological innovations affected the artistic community, the themes and the creative methods of Ukrainian digital art. The authors of the investigation, on the one hand, consider the digital works of Nikita Titov, Albina Yaloza, Kateryna Lisova, Mykhailo Rai, Oksana Chepelyk, Yulia Shibirkina, Zibra AI, ZViT, Beata Kurkul and Maria Sharlai, and others, and on the other hand, they highlight the biggest events related to the demonstration of digital art, in particular, “Artists support Ukraine”, “Met

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31

Lista, Giovanni. "Les Images non cadrées de Nan Golding." Ligeia N°41-44, no. 1 (2002): 3. http://dx.doi.org/10.3917/lige.040.0003.

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32

Yuan, Rongcai, and David H. Carbaugh. "Effects of NAA, AVG, and 1-MCP on Ethylene Biosynthesis, Preharvest Fruit Drop, Fruit Maturity, and Quality of ‘Golden Supreme’ and ‘Golden Delicious’ Apples." HortScience 42, no. 1 (2007): 101–5. http://dx.doi.org/10.21273/hortsci.42.1.101.

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Effects of naphthaleneacetic acid (NAA), aminoethoxyvinylglycine (AVG), and 1-methylcyclopropene (1-MCP) alone or in combination on fruit ethylene production, preharvest fruit drop, fruit quality, and fruit maturation were examined in ‘Golden Supreme’ and ‘Golden Delicious’ apples (Malus ×domestica Borkh.). In ‘Golden Supreme’ apples, the combination of two applications of AVG and one application of NAA 3 and 1 week, respectively, before the anticipated optimum harvest date synergistically inhibited fruit ethylene production and delayed fruit drop and ripening. Compared with one or two applica

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Basak, Alina, Bogusława Niezborała, and Barbara Cisek. "Apple fruitlet thinning of Golden Delicious trees." Acta Agrobotanica 46, no. 2 (2013): 15–25. http://dx.doi.org/10.5586/aa.1993.012.

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NAA, carbaryl and ethephon were applied separately or in mixture or additionaly with SADH on the Golden Delicious trees, in five experiments, with the aim of regulating fruiting and increase fruit size. The best results were obtained after treatment with carbaryl at cone. 2500-3000 mg/L separately or with the mixture of carbaryl and NAA at cone. 1500 and 40 mg/L, respectively. These chemicals in general caused succesful thinning and increased fruit size. The lower yield was recompensed by higher quality of apples. The results after treatments with carbaryl in mixture with NAA were comparable t

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Marini, Richard P. "Thinning 'Golden Delicious' and Spur 'Delicious' with Combinations of Carbamates and NAA." HortScience 37, no. 3 (2002): 534–38. http://dx.doi.org/10.21273/hortsci.37.3.534.

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For 2 years, 'Redchief Delicious' apple (Malus ×domestica Borkh.) trees were treated with combinations of NAA and oxamyl and 'Smoothee Golden Delicious' trees were treated with combinations of NAA and carbaryl. Oxamyl, at concentrations of 250 to 750 mg·L-1, but not NAA at concentrations of 1 to 6 mg·L-1, reduced fruit set, yield and crop value. NAA did not consistently affect average fruit weight or the percentage of small fruits on 'Redchief Delicious' trees. Carbaryl reduced fruit set and yield on 'Smoothee Golden Delicious' trees one of the two years. Fruit set and yield were negatively re

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35

Byers, Ross E. "AVG Effects on Preharvest Apple Fruit Drop and Maturity in Virginia." HortScience 31, no. 4 (1996): 694f—695. http://dx.doi.org/10.21273/hortsci.31.4.694f.

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AVG applied 2 to 6 weeks before the optimum harvest date for several cultivars dramatically reduced pre-harvest fruit drop. The loss of fruit firmness and starch loss after the optimum harvest date was reduced by AVG sprays. The development of watercore in `Starkrimson Delicious' and `York' and maturity cracking in `Rome' and `Golden Delicious' were delayed and/or prevented by AVG. Color development was slightly delayed for most red cultivars and `Golden Delicious'. Soluble solids concentration was generally unchanged. Airblast applications of 123 g·ha–1 AVG was no more effective than a standa

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Berlanga-Reyes, David I., Alejandro Romo-Chacón, Ángel R. Martínez-Campos, and Víctor M. Guerrero-Prieto. "APPLE FRUIT CHEMICAL THINNING IN CHIHUAHUA, MÉXICO." Revista Fitotecnia Mexicana 31, no. 3 (2008): 243. http://dx.doi.org/10.35196/rfm.2008.3.243.

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Chemical fruit thinning is a common practice in apple (Malus x domestica Borkh.) orchards for achieving high quality fruits, reduced costs of hand-thinning and promote return of flowering. Hand thinning is a common and high cost practice, not only due to the labor involved, but also because seedling and vigorous clonal rootstocks result in large trees. The chemical thinning agents: Ethephon (ETH), Carbaryl (CB), Naphthalene acetic acid (NAA), 6- Benzyladenine (6-BA), and fish oil were evaluated on ‘Golden Delicious’ and ‘RedChief Delicious’ apple trees in 2004 and 2005. Chemical thinning effec

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McArtney, Steven, Duane Greene, Tory Schmidt, and Rongcai Yuan. "Naphthaleneacetic Acid and Ethephon Are Florigenic in the Biennial Apple Cultivars Golden Delicious and York Imperial." HortScience 48, no. 6 (2013): 742–46. http://dx.doi.org/10.21273/hortsci.48.6.742.

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‘Golden Delicious’ and ‘York Imperial’ are apple cultivars that are prone to develop a biennial bearing habit. A successful chemical thinning program with carbaryl plus 6-benzyladenine applied at the 10-mm fruit diameter stage reduced cropload and increased return bloom of ‘York Imperial’, although the improvement in return bloom resulting from chemical thinning was insufficient to ensure a commercial cropload in the year after treatment (fewer than 10% of spurs developing flowers). A chemical thinning program with multiple applications of a naphthaleneacetic acid (NAA) and ethephon mixture du

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GORA, SUSANNAH. "Golden Opportunity." Neurology Now 6, no. 2 (2010): 14–17. http://dx.doi.org/10.1097/01.nnn.0000370188.53041.10.

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Byers, R. E., D. H. Carbaugh, and L. D. Combs. "116 Preharvest Fruit Drop Studies, Harvest Quality, and Cold Storage of `Golden Delicious' and `Rome' Apples." HortScience 35, no. 3 (2000): 409A—409. http://dx.doi.org/10.21273/hortsci.35.3.409a.

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Combinations of aminoethoxyvinylglycine (AVG, ReTain) and NAA gave better control of fruit drop of `Golden Delicious' than either alone. When the full rate of ReTain (50 g/A) was compared to a reduced rate of ReTain (86 g/ha) plus NAA, equivalent control of fruit drop of `Golden Delicious' resulted. ReTain delayed softening and starch depletion of `Golden Delicious' fruit. NAA in some cases promoted earlier fruit maturity; but when used in combination with ReTain, maturity was similar to ReTain-treated fruit. Fruit with the highest firmness and starch came out of cold storage in the best condi

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STOPAR, Matej, and Franc BATIČ. "Net CO2 assimilation of apple leaves after the application of fruit thinning compounds." Acta agriculturae Slovenica 75, no. 1 (2000): 95–100. http://dx.doi.org/10.14720/aas.2000.75.1.15830.

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Mature 'Jonagold', 'Elstar' and 'Golden Delicious' apple trees on M9 rootstock were sprayed with the most frequently used apple thinning compounds in the years 1995, 1996 and 1997. Net CO2 assimilation rate (A), stomatal conductance (gs) and internal CO2 concentration (ci) of apple leaves were measured a few days after carbaryl (800 ppm), terbacil (50 ppm), NAA (15 ppm), NAAm (50 ppm), BA (50 ppm) and ethephon (300 ppm) application. The strongest A suppression of leaves parallel with gs reduction and enhanced ci was observed with terbacil on all cultivars for all years. Carbaryl, NAA, and BA r

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McArtney, Steven, Dick Unrath, J. D. Obermiller, and Ann Green. "Naphthaleneacetic Acid, Ethephon, and Gibberellin A4 + A7 Have Variable Effects on Flesh Firmness and Return Bloom of Apple." HortTechnology 17, no. 1 (2007): 32–38. http://dx.doi.org/10.21273/horttech.17.1.32.

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Experiments were conducted in commercial apple (Malus ×domestica) orchards in the southeastern U.S. between 1998 and 2006 with the primary objective of evaluating the effects of naphthaleneacetic acid (NAA) and ethephon on return bloom. NAA increased return bloom in six of 10 experiments, whereas ethephon increased return bloom in four of seven experiments. Four biweekly applications of 5 ppm NAA during June and July (early summer NAA) increased return bloom more consistently than fewer applications. Four weekly preharvest applications of 5 ppm NAA increased return bloom of ‘Delicious’ and ‘Go

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42

Kon, Thomas M., James R. Schupp, Keith S. Yoder, Leon D. Combs, and Melanie A. Schupp. "Comparison of Chemical Blossom Thinners Using ‘Golden Delicious’ and ‘Gala’ Pollen Tube Growth Models as Timing Aids." HortScience 53, no. 8 (2018): 1143–51. http://dx.doi.org/10.21273/hortsci13087-18.

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Reducing apple crop load during bloom can increase fruit size and promote annual bearing when compared with crop reduction at later timings. In this study, we compared the efficacy of chemical blossom-thinning strategies on ‘Golden Delicious’ and ‘Gala’ apple trees. Several blossom-thinning treatments were evaluated, including 1) unthinned control (control), 2) hand-thinned (HT) at bloom, 3) liquid lime sulfur + Stylet-Oil (LS + SO), 4) ammonium thiosulfate (ATS), 5) endothall (ET), and 6) naphthaleneacetamide (NAD). Chemical treatments were applied twice during bloom, using a predictive model

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Walter, Malcolm. "Embracing astrobiology." Microbiology Australia 25, no. 1 (2004): 4. http://dx.doi.org/10.1071/ma04104.

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?Astrobiology? is a term popularised in 1998 by a decision of the US space agency NASA to establish the NASA Astrobiology Institute (NAI). The then Administrator of NASA, Daniel Goldin, declared that ?biology will be the science of the 21st century?. The NAI was established to promote research aimed at gaining a fundamental understanding of the full potential of living systems. Its goal is to understand how life begins and evolves, whether life exists elsewhere in the universe, and what the future holds for life on Earth and beyond. While such broadly interdisciplinary research is not entirely

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Talaie, A., and H. Arouie. "The Effects of Nephtaline Acidamid (NAD) on Preharvest Drop of `Golden Delicious' Apples." HortScience 31, no. 4 (1996): 686c—686. http://dx.doi.org/10.21273/hortsci.31.4.686c.

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To determine the effect of NAD on prevention of preharvest fruit drop of `Golden Delicious' apples, a range of studies were conducted for 2 years in the Kamalabad area in Karaj City-Iran. In this experiment NAD at 10 and 15 ppm concentrations were applied in two intervals of 2 and 3 weeks before harvesting (131 and 138 days after full bloom) and at the same time nontreated trees were used as control plants. The results indicate that applying NAD reduces the preharvest fruit drop percentage and then is followed by the yield increase. Fruit drop percentage, fruit weight, length, diameter and vol

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Drobnjak, Dragana. "The Response of 'Golden Delicious' Apple Grafted on M 9 and MM 106 Rootstock to Chemical Fruit Thinning." АГРОЗНАЊЕ 17, no. 2 (2017): 153. http://dx.doi.org/10.7251/agren1602153d.

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The effect of plant growth regulator in early stages of fruit development is to slow or stop the growth of lateral fruits and to cause their early drop. Two commercial plant growth regulator formulations naphthalene-acetamide (NAD) and naphthaleneaceticacid (NAA) were used. The applied doses of plant growth regulator were in accordance with the manufacturer's recommendations, for Amidthin 100-130 g/hl and Nokad 20-25 ml/hl. The first treatment was applied after full bloom, and the second when central fruit was 9-12 mm in size. The biggest effect on fruit weight and size was recorded on treated

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Byers, R. E., and D. H. Carbaugh. "Effect of Chemical Thinning Sprays on Apple Fruit Set." HortTechnology 1, no. 1 (1991): 41–48. http://dx.doi.org/10.21273/horttech.1.1.41.

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Apple growers of different regions need different chemical fruit-thinning responses for thinning trees of different tree ages, cultural conditions, rootstocks, climates, and amounts of fruit removal desired. In this research, a range of chemical thinning responses was achieved by combinations of thinning materials or addition of potentiating agents. Superior oil, certain organic phosphates, and a light-absorbing agent (ferbam, a fungicide) increased the thinning of carbaryl. In addition, combinations of 50 or 200 ml 6-BA/liter + carbaryl + oil defruited `Campbell Redchief Delicious'/M.111 tree

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Suárez, Gabriel A., Kyle R. Dugan, Brian A. Renda, Sean P. Leonard, Lakshmi Suryateja Gangavarapu, and Jeffrey E. Barrick. "Rapid and assured genetic engineering methods applied to Acinetobacter baylyi ADP1 genome streamlining." Nucleic Acids Research 48, no. 8 (2020): 4585–600. http://dx.doi.org/10.1093/nar/gkaa204.

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Abstract One goal of synthetic biology is to improve the efficiency and predictability of living cells by removing extraneous genes from their genomes. We demonstrate improved methods for engineering the genome of the metabolically versatile and naturally transformable bacterium Acinetobacter baylyi ADP1 and apply them to a genome streamlining project. In Golden Transformation, linear DNA fragments constructed by Golden Gate Assembly are directly added to cells to create targeted deletions, edits, or additions to the chromosome. We tested the dispensability of 55 regions of the ADP1 chromosome

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Williams, David J., and Karim H. Al-Juboory. "IN VITRO MICROPROPAGATION OF SELECTED CULTIVARS OF HOSTA." HortScience 26, no. 6 (1991): 727F—727. http://dx.doi.org/10.21273/hortsci.26.6.727f.

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University of Illinois, Department of Horticulture, Plant Science Lab, 1201 S. Dorner, Urbana, IL. Calli were initiated from immature inflorescences of selected cultivars of Hosta in the light on Hosta initiation medium (Carolina Biological Supply Company, 1986). Three cultivars, Francee, Birchwood Park's Gold, and Wide Brim Sum & Substance, produced microshoots. The calli were compact and green in color. The highest percentage of callus formation occurred with the Francee cultivar. Nakaiana, Golden Edger, Golden Scepter, Obscura, Sum & Substance, and Shade Fanfare produced only calli.

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George, Mary W., and Robert R. Tripepi. "887 PB 463 SOMATIC EMBRYOGENESIS FROM ROSE LEAF EXPLANTS." HortScience 29, no. 5 (1994): 561a—561. http://dx.doi.org/10.21273/hortsci.29.5.561a.

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Previous reports of somatic embryogenesis on rose tissues involved an embryogenic callus stage with either a complicated multi-step process or low numbers of embryos being produced. We have produced somatic embryos without a callus stage from leaf explants of the cut rose cultivar `Golden Emblem' by using a two step process. Explants were obtained from microshoots of `Golden Emblem' that had been in culture for three years. All experiments were repeated twice. When explants were maintained on Murashige and Skoog (MS) with 0.4 μM NAA and 0.4 μM kinetin for 10 weeks, 10% or less of the explants

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Valles, Jennie. "Is Silence Really Golden?" Neurology Now 8, no. 5 (2012): 40. http://dx.doi.org/10.1097/01.nnn.0000421665.96167.cf.

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